This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s

Apostrophe (’) 50th Anniversary
Great googly-moogly! Frank Zappa’s potty-mouth masterpiece is a half-century old and now fêted with a 75-track box set. The original LP has been expertly remastered to increase separation between tracks without sacrificing analog…

Radio John: Songs Of John Hartford
One of the greatest bluegrass musicians, singer and multi-instrumentalist Sam Bush – playing mandolin, fiddle, acoustic guitar, electric bass, and banjo here – pushed the genre’s boundaries in the ’70s with the aptly…

Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings
It’s a wonder how never-released recordings continue to emerge – in this case, an engagement led by jazz piano virtuoso Art Tatum. Upon seeing the pianist enter a club he was playing, the…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,

Check This Action
Few living blues artists could merit a package of 35 CDs. But what makes John Mayall: The First Generation most remarkable is that it only documents the British blues legend’s career up to…

The Rolling Stones
Once reviled as a self-indulgent, drug-addled wreck, the Stones’ Their Satanic Majesties Request has been reconsidered in recent years and is now regarded as a one-off gem. Lodged between their early R&B-fueled hits…
Turn Around: The Complete Recordings (1964-1970)
In the mid ’60s, this Bay Area band straddled British Invasion, garage rock, and emerging psychedelic sounds. More important, they cut some of the most sophisticated rock and roll of the time, thanks…

Outlaw: Celebrating The Music Of Waylon Jennings
Waylon Jennings, who died in 2002, would have turned 80 in 2017. He and compadre Willie Nelson still personify country’s early-’70s Outlaw movement, focused on gaining creative control of their records after years…

Recorded in January 2015, this digital-only live show captures the legendary Minneapolis alt-country outfit’s 1997 lineup running through chestnuts from throughout their catalog, including some of their more decidedly un-Americana tracks. Lead guitarist…
Self-distributed
Good musicians just might outnumber good songwriters, but don’t tell Arty Hill. This album of 11 originals out of 12 cuts sports snappy country swing and blues numbers like the energetic “Mae Dawn”…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
The long-awaited authorized video from blues/rock guitar icon Johnny Winter has finally arrived. Compiled in part by Winter’s manager, Teddy Slatus, who asked fans to send video clips, the set includes TV clips…

Poxon might present a dilemma for some listeners. He was only 16 years old when this material was recorded, and considering the mix of blues, country, rock, and funk he presents, it’s easy…
The closing, extended version of Savoy Brown’s “Hellbound Train” is this set’s only cover, but it may be the set’s most revealing track. With so many blues guitarists aping the Vaughans, it’s refreshing…

The rest of the world may be titillated by what the Stones smoked, shot, snorted, or ingested. But some of us have our priorities straight; we’re more concerned with what the band strummed…
If you’re a fan of jazz guitar, especially that from 1920 to 1950, you need to check out Hittin’ On All Six (Proper Records CD Properbox 9), a four-CD set (with a 52-page…
St. George
Lyrical melodies, dreamy chord voicings, and spacious arrangements – Molly Miller’s latest is all that and more, employing guitar, bass, and drums. Tucked between bassist Jennifer Condos (Jackson Browne, Stevie Nicks) and drummer…
Bill’s no stranger to country music, having anchored the lead guitar slot in Commander Cody’s Lost Planet Airmen way back when. Since the break-up of that band, he’s been around plenty too, and…

The Year (or so) of Mudhoney rolls on. The long-running Seattle foursome has experienced a resurgence of interest lately. The latest example: this well-researched and crisply written biography from rock journalist Keith Cameron,…

In their short existence from 1965 to ’67, the original Lovin’ Spoonful – singer-guitarist John Sebastian, guitarist Zal Yanovsky, bassist Steve Boone, and drummer-vocalist Joe Butler – parlayed the acoustic jug band music…
Sort of the second in a series of “twist” tributes, this is an all-star tribute to Bob Marley. It was put together by guitarist Lee Ritenour, and features the likes of Jonathon Butler,…
Blues Dream
In some ways, Blues Dream is a bit of an odd title for this new release by guitar soundpainter Bill Frisell. Like several of his recent releases, the music is definitely dreamlike, with…

Despite Michael Schenker’s infamy as a member of the Scorpions, UFO, and MSG, he seems to have put his demons behind him. On this new album, Schenker is a clean, mean, guitar-playing machine.…
May Be The Last Time
Gotta Have the Rumble
The first successful African-American-owned record label, Vee-Jay, was formed in 1953, six years before Berry Gordy formed Motown. Its catalog eventually boasted a wider stylistic range than Chicago rival Chess Records, but initially…
LeRoy’s Swing is a stylish collection of Djangocentric music played with a Texas twist. Biller’s backing band is modeled after Django’s wartime Nouveau Quintette, with clarinet (played here by Ben Saffer) replacing the…

Wags might be forgiven for calling Nils Lofgren the Forrest Gump of rock. The dude’s not only played with everyone, it seems, but he’s been a key guitar (and accordion) foil for some…

With her bass making a dependable, rhythmic anchor, Melissa Carper sings like a bird soaring “where the wind blows high above the trees,” as Bob Dylan said. It’s tricky to wear both hats,…

Pure Country
Amidst the torrent of modern-country anthems praising pickup trucks, beer, bros, and sweet things in tight jeans gushing out of Nashville these days, there’s an undercurrent of stellar music that’s also making waves.…
Noteworthy Jazz
A regional star, local TV luminary and jazz virtuoso even before beginning his 32-year tenure as Mister Rogers’ favorite handyman, Joe Negri (see feature in the September ’10 issue) was woefully under-recorded until…

Radio John: Songs Of John Hartford
One of the greatest bluegrass musicians, singer and multi-instrumentalist Sam Bush – playing mandolin, fiddle, acoustic guitar, electric bass, and banjo here – pushed the genre’s boundaries in the ’70s with the aptly…
Dorian Sono Luminus
African-American jazzman Eddie South was known as the Dark Angel of the Violin. His moody compositions and hot solos were influenced strongly by Eastern European Gypsies, with whom he studied. And it was…

Soft Hard & Loud
On Soft Hard & Loud, Dennis Jones continues to push the boundaries of blues-rock guitar. With lyrics saturated by the cold, hard slap of reality and a love of black musical repertoire, Jones…
Train Don't Leave Me
Lions Roaring in Quicksand
Stars Behind Bars