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David Hamburger: masterful playing, 00-18 deep dive

Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar when he plays it. Here, he shares the title track from his new album, “Parisian Blues,” then offers a master-class breakdown of his prized ’56 Martin 00-18 before finishing with “Oofy Walks In.” Be sure to read our review of the album in the July issue. Read Now!


David Hamburger: masterful playing, 00-18 deep dive

Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar when he plays it. Here, he shares the title track from his new album, “Parisian Blues,” then offers a master-class breakdown of his prized ’56 Martin 00-18 before finishing with “Oofy Walks In.” Be sure to read our review of the album in the July issue. Read Now!


Rick Vito – Cadillac Man Make sure to check out Rick Vito’s latest album “Cadillac Man” available now at Blue Heart Records. Be sure to follow Rick at www.RickVito.com for more updates and exclusive content.

“Buy That Guitar” podcast with special guest John Majdalani Season 01 Episode 03 In Episode 3 of “Buy That Guitar,” presented by “Vintage Guitar” magazine, host Ram Tuli is joined by John Majdalani, co-owner of Cream City Music, Brookfield, Wisconsin. Their discussion keys on “sleeper” guitars; more than 10,000 models are listed in the “The […]

DGN Blaster

Jerry in a Box

DGN Guitars’ Dan Neafsey is known mostly for his guitar craftsmanship, notably the Kalos and Terrapin models inspired by Jerry Garcia’s one-off axes, as well his Paragon series (VG, August ’11). Ever the tone-tinkerer, Neafsey also makes pedals, pickups, amps, and intra-guitar circuits. His latest is the Blaster, a pedal based on the booster Garcia […]

Chordal Colorations

Iconic Axes of Different Hues

Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in terms of their origin or their roles in helping to create legendary music. One is home-made, the other represents the innovation of its era. One appeared on stages worldwide, rendering purist tones of a bygone […]

Michael Staertow

Michael Staertow

Gramm Backer

You may not recognize the name, but Michael Staertow has been playing some of classic rock’s most memorable riffs for Lou Gramm, the voice of Foreigner. Hailing from Gramm’s hometown of Rochester, New York, Staertow also performed recently with the Buffalo Philharmonic, and at the 2014 Rochester Music Hall of Fame Induction Ceremony, sharing the […]

Billy Strings

Me/and/Dad

Grammy-winning flatpicking wizard Billy Strings was everywhere in 2022. Rightly seen as part of the vanguard of a new generation of Appalachian-inspired players rooted in the sounds of Doc Watson, Tony Rice, Clarence White and other past icons, for the young phenom, this project is deeply personal. It’s a return to his roots with his […]

Jim Peterik

Collection Reflection

Guitarist/songwriter Jim Peterik, who helped compose hit songs like “Eye of the Tiger” and “Hold On Loosely,” has remained active in music and other artistic pursuits – and has long been an avid guitar collector. “I’ve added a few beauties in the last couple of years – a ’67 Firebird I in Inverness Green, near-mint […]

Rickenbacker 345

Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In fact, artists often find that nothing else works as well for certain applications. While not as versatile as models made by Gibson and Fender, the sound of a Rickenbacker is so different that it’s difficult […]

Arbiter Fuzz Face

When Jimi Hendrix released his first album, 1967’s Are You Experienced, he launched a new level of guitar heroics as well as a sartorial fad for ruffled shirts and band jackets. He also fed a fashion for fuzz. One of Jimi’s main weapons was the Arbiter Fuzz Face, a cheap, crude fuzz box that would […]

Classics – May 2021

This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25, 1940 – the same day as the first ES-300, which bore serial number 96384. It was once owned by longtime Gibson employee Wilbur Marker and its current owner, Billy Soutar, has spent years researching its […]

From Badass to Bonamassa

New Pedals from MRX, Cry Baby, and Way Huge

The latest from Dunlop includes a pair of overdrives and a fresh addition to the venerable Cry Baby wah family. The Custom Badass Modified O.D., latest addition to the MXR family of overdrives, offers multiple options for users to tweak their overdrive sound without overwhelming them with a mess of knobs and switches. The pedal […]

Louis Stewart

Irish Jazz Giant

Next to Jameson whiskey, Louis Stewart remains Ireland’s leading export – and his playing can be just as intoxicating. The consummate creative jazz artist, his soft-toned archtop sound reflected the traditions of Barney Kessel, Wes Montgomery, and Kenny Burrell, yet he could generate as much heat and power as any post-modern bopper. Moreover, he explored […]

Muireann Bradley, Old Soul

Vintage Blues, Vintage L-50 Direct from Ireland, 17-year-old Muireann Bradley indulges us (and tugs at our Led Zep heartstrings) with a rendition of Memphis Minnie’s “When the Levee Breaks.” She’s using the ’34 Gibson L-50 borrowed from dad’s collection. “It’s my favorite guitar for sheer playability and has by far the most-comfortable neck profile of […]

Steve Gunn

Steve Gunn

Folk Rock’s New Visionary

Steve Gunn’s Way Out Weather is a textured effort that takes cues from a diverse palette including John Fahey, Chicago blues, ’60s/’70s Americana, Philip Glass, world music, and improvisation. The Pennsylvania-born guitarist and songwriter offers a refreshing take on modern folk-rock. What were your main guitars on the new album? On “Milly’s Garden” and “Tommy’s […]

Have Guitar Will Travel 101 – Keola Beamer

In episode 101 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine! Host James Patrick Regan speaks with slack key guitarist Keola Beamer, the two of them cover Keola’s Slack Key (and Hawaiian culture) immersion camp “Aloha Music Camp”. They talk about how Keola brought Tablature to slack key (and possibly guitar in general) […]

ZVEX Woolly Mammoth 7

Fuzzy Beast

Zachary Vex masterminds some of the most radical and downright fun pedals known to mankind. And as he states in the user’s manual to the Woolly Mammoth 7, “Because why not.” Exactly. Why not offer guitarists and bassists fuzz ranging from domestic kitty-cat purr to Ice Age growl? Why not add a Marshall-style tone stack […]

Eric Johnson

Rescued Relics

For nearly 50 years, Eric Johnson has been a revered guitarist/multi-instrumentalist, songwriter, and vocalist whose music expands far beyond the ingrained blues roots of his Texas homeland. The multiple-Grammy nominee and winner (for the instrumental “Cliffs of Dover” from 1990’s Ah Via Musicom) is always pushing himself, and his combination of exquisite guitar tone, fleet […]

Noah Zacharin: Seriously Agile Fingerstyle

“Lester Brown” Live From The Big Lonely From his home in a forest between Ottawa and Toronto, singer/songwriter/fingerpicker Noah Zacharin entertains us with an exclusive take on “Lester Brown,” from his new album, “Points of Light.” That’s his well-worn number one stage guitar, a Collings OM2H. The ’47 ES-150 in back is just one of […]

Written In Their Soul: The Stax Songwriter Demos

Various artists

You may think you know Stax, but this seven-CD set of 146 tracks (140 never before released) proves again how much creative genius was contained in that old Memphis theater turned recording studio. These songwriter demos are loose and unfinished – usually without a full band backing, and sans horn section. But they’re still soulful, […]

Valco ‘Thunder stick’

Put your gut money on a dark horse every so often, and you might find the rest of the regurgitating bandwagon world awash in your taillights. Every sublime guitar collection needs an old juke joint under-the-radar flamethrower, and the “Thunderstick” delivers the aforementioned wallop with enough kick to blow the scrotus maximus off a charging […]

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