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    Charlie Apicella

    Enjoy as Charlie Apicella uses his ’68 Guild CE-100 Capri through a ZT Custom Shop Custom Shop Jazz Club amp to play “Ironicity” and “Along The Southern Coast” from his new CD “Groove Machine.” Don’t miss our interview with Charlie, in the July issue. READ NOW!!


    Cliff Gallup

    Crazy Fingers

    There was a custom at Owen Bradley Film & Recording Studios in Nashville; artists cut vocal tracks with backing from Bradley’s crack team of session musicians including guitarists Grady Martin, Hank Garland, and Harold Bradley. The artist’s bandmates stayed home or watched from the sidelines. The A-team was in place on May 4, 1956, when Capitol

    The Creation

    Action Painting
    Biff Bang Pow!

    Hard as it seems to imagine, there are U.K. bands of the ’60s who’ve remained obscure and unsung despite increasingly enthusiastic digging into that era. Case in point: the Creation. Contemporaries of the Who and Kinks, during their heyday of 1965-’68, the Creation shared a producer with both bands: Shel Talmy. Despite that, their greatest

    Epiphone’s Masterbilt Century Deluxe Classic

    The New Vintage

    Most vintage aficionados admire the grand old acoustic archtops of the 1920s and ’30s, but admire them from afar. They’re beautifully built and boast lovely tone, but they have limitations as to when, where, and how they are played. Epiphone, one of the grandest of the old archtop makers, gets all this and has launched

    Jeff Senn and Crazy Aces

    Dealing Out Twang

    When you build guitars for a living, you might unwind with another hobby – say, beer-can collecting or crochet. Not Jeff Senn, mastermind behind Original Senn Guitars. He started a band. Call it R&D or just plain fun, but Senn’s band, Crazy Aces, is a funky, kitschy ensemble that plays an amalgam of hard-driving surf,

    The Taylor 712e

    Naturally Bold

    Taylor Guitars recently redesigned their 700 Series, to add performance bracing, two-piece maple/spruce bridge plate, protein (hide) glue on bridge and bracing, and several new aesthetic features, including a re-shaded gloss western sunburst finish, Koa binding, maple and Douglas fir herringbone-style rosette, and a new weathered-look proprietary pickguard material. Taylor’s elegant yet earthy 712e certainly

    Wampler Effects Pedals

    Filling the Gaps

    Brian Wampler, who developed a reputation first for modding effects pedals, then for building originals including a custom overdrive for heavy-hitter country picker Brad Paisley, plays by the rules set forth by the best boutique builders: employ first-rate components, true-bypass wiring, and excellent fit and finish. Instructions are clear and thorough, and Wampler even pays

    SRV Behind The Scenes

    Four Years In Pictures: Offstage With Stevie Ray Vaughan, 1986-1990

    The life of blues-rock icon Stevie Ray Vaughan was under a microscope even before his tragic death in a helicopter accident in 1990. Four years prior, a breakdown put him in a hospital while on tour in Germany, then in drug and alcohol rehab facilities in London and Atlanta, and few celebrities were as open

    Tom Teaches the Blues!

    Win a $2,100 Waterloo WL-14L!

    Vintage Guitar is teaming with Collings Guitars and Stefan Grossman’s Guitar Workshop to present an exclusive eight-part series on beginner fingerpicking. Hosted by VG Online contributor Tom Feldmann, it will teach the Mississippi John Hurt classic “C.C. Rider” and Lightnin’ Hopkins’ “Mojo Hand” at a pace easily followed by anyone! › › In the final

    Radial Tonebone Shotgun and Mix-Blender

    Swiss-Army Stompboxes

    Whether it’s due to shrinking pedalboard real estate, shrinking discretionary budgets, or both, stompboxes that serve more than one function never fail to pique interest. Unfortunately, a lot of these knob-, switch-, toggle-, and LED-adorned pedals look like they might require a jet pilot’s license to operate. Not so these two offerings from Radial Tonebone.

    Eliza Gilkyson

    Not Your Typical Folkie

    “My dad was my biggest influence, especially melodically. He loved dark melodies,” says Eliza Gilkyson of her father, the late Terry Gilkyson. As the title of her latest CD hints, The Nocturne Diaries mostly habitates the darker side. Her dad sang with the Weavers in the Folk Boom and co-wrote the Dean Martin hit “Memories

    Silver Lining

    Gibson and the Master Models

    Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked a market. For a time, they placed a considerable burden on the company.

    ZZ Top

    The First 20 Years, Un-Remixed

    Usually, the hook with boxed reissues is that they include previously unreleased songs, alternate takes, live material, and maybe some extra tchotchkes like rare photos, revisionist essays, or poster reproductions. Sometimes it’s remixed versions of familiar hits. It’s rare that the main attraction is un-remixed albums the way they came out 40-odd years ago –

    100 Years of Boston’s MFA

    Playable Exhibits

    Musical instruments – guitars – present an interesting philosophical dichotomy. On one hand, they’re utilitarian objects whose very purpose – arguably their only purpose – is to create art, to play music. On the other hand, musical instruments can be, and very often are, beautiful works of art in themselves. Play them or display them.

    Jimmy Vivino

    Showtime!

    Growing up in New Jersey, Jimmy Vivino was, in many ways, a typical Italian-American kid. His life centered arou nd family – his parents, siblings, and extended relatives – all of whom not only played key roles in his life, but were vital to his development as a musician. One of three sons born to an

    Dick Taylor

    From R&B Psychedelia With the Pretty Things

    When the Pretty Things’ 50th anniversary was marked with Bouquets From A Cloudy Sky – a huge boxed set containing 11 CDs and other goodies – the cover of the 100-page, 12×12 hardcover book pictured lead singer Phil May and lead guitarist Dick Taylor. Of course, there were other band members, and May and Taylor

    1978 Steinberger Prototype Bass

    1978 Steinberger Prototype Bass

    When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic concept in its design. Much like Leo Fender and John D’Angelico, builder Ned Steinberger wasn’t a musician. His interest in instruments began in the mid ’70s, when he joined a woodworking co-op in Brooklyn. There,

    Area 51 The Alienist Voicing Boost

    Manmade Tone Monster

    Gather ’round, children, for a scary bedtime story. Once upon a time, there was no such thing as a high-gain amp. So, wizards built treble boosters – like the Dallas Rangemaster – to add high-end response. Other sorcerers came up with a Top Boost modification, which they added to the Vox AC30. Then a mad

    McElroy OM Model

    OM, Gee!

    McElroy OM Model Price: $7,500 (base; $8,500 as reviewed) Info: www.mcelroyguitars.com. Brent McElroy is a Seattle luthier specializing in high-quality acoustics. One of them, the OM Model from his Generation 2 series, is inspired by old-school Martins. The concert-body guitar sports a bear-claw Adirondack spruce top (so named for its wide, raked grain), Madagascar rosewood