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    Dusty Hill Dead At 72

    ZZ Top’s foundational bassist, Dusty Hill passed away today. Everyone at Vintage Guitar extends their condolences to his family, those in the ZZ universe, and especially his bandmates, Frank Beard and Billy F Gibbons. Thank you for holding down that groovin’ low-end in a lot of great music, Dusty! Photo courtesy of Ralph Arvesen/Wikimedia Commons. Please Leave your comments at facebook or instagram.

    This This month we feature Ray Benson’s Asleep at the Wheel, Neal Schon, Styx’s Tommy Shaw and James Young, Paul Gilbert, John Notto, Reverend Peyton, Earl Slick, Jimmy James, and Marc Bonilla, Rusty Young, Ronnie Montrose, Bruford, Julian Lage, John Hiatt and Jerry Douglas, Styx, Peter Frampton, Paul Gilbert, Tommy Emmanuel, The Who, and many

    The new episode of “Have Guitar Will Travel” features guitarist, composer and producer Mark Goldenberg, who studied with Ted Greene and has backed icons including Linda Ronstadt, Peter Frampton, Ringo Starr, Jackson Browne, Al Stewart, Johnny Cash, Willie Nelson, Bob Dylan, and many others. Host James Patrick Regan asks Mark about his early influences, his

    The Selmer Zodiac 50

    The Zodiac Twin Fifty

    An amp maker at the very heart of the British guitar boom of the late ’50s and early ’60s, Selmer was, for a time, the leader in the field, though it’s all too easy to forget. Briefly ahead of Vox, certainly ahead of the fledgling Marshall, this was a company that had it all to

    Roy Orbison

    The Ultimate Collection

    Playing the role of a lonely, heartbroken teen, Roy Orbison was the Enrico Caruso of early ’60s pop, his voice gracing more than a few torchy hits. “Oh Pretty Woman” from 1964 remains his greatest moment and it has a riff for the ages: the session featured multiple guitarists, but you can hear Roy at

    The JangleBox J-Boost

    Seamless Sheen

    Twelve years ago, Janglebox founder Steve Lasko set out to create effects pedals that capture the sparkling clean chime made famous by bands like The Beatles and The Byrds. Since then, his company has evolved to offer more ways to enhance the electric guitar’s sonic capabilities. The J-Boost Non-Compression Clean Boost is the perfect companion

    Jim Dunlop BG95 and EVH95 Signature Cry Baby Wahs

    Voodoo Chasin’

    Wah users needn’t settle for stock tonal options like those heard on the “Theme From Shaft” or “Voodoo Child (Slight Return).” That’s because Jim Dunlop offers recreations of the classic Cry Baby with additional tone-shaping options, boost features, and improvements to potentiometers, all to help you replicate the wicked sounds you hear in your brain,

    Lipe Guitars Maestro

    Lipe Guitars Maestro

    Whole Lotta Mahogany

    Lipe Maestro Price: $4,900 Contact: lipeguitars.com; phone (818) 352-6212 Mike Lipe has a wall of gold records. Why? Not because he’s a musical star, but because he’s a star to the stars. A former top builder at Ibanez, his creations have helped Steve Vai, Joe Satriani, Andy Timmons, and many others become luminaries on the

    Peerless Retromatic

    Peerless Retromatic

    Modern Vintage

    Peerless Retromatic Price: $1,699 Info: www.peerlessguitars.eu While many new guitars of the last decade have touted authentic (or semi-authentic) “retro” features, the Peerless Retromatic represents an evolution in the retro-guitar revolution. That’s because in addition to its sexy design and vintage-inspired accoutrements, the Retromatic is refreshingly modern, giving its player the choice between a humbucker

    Readers’ Choice Awards Inductees 1990-Today

    Vintage Guitar magazine has been honoring those who inspired and awed us as guitar players, fans, and listeners by inducting great players, instruments, and innovators into the VG Hall of Fame. We also choose Album of the Year, Artist of the Year, and Players of the Year. Who and what goes into the VG Readers’ Choice Awards has always been determined by the readers of VG.

    Alvino Rey’s 1936 Gibson mini guitar Vintage Guitar magazine Home Main Big

    Alvino Rey’s “Mini” Gibsons

    Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists, sometimes by request, other times to lure a potential endorser. Manufacturers have always known that a popular player seen in public or shown holding an instrument in print (or on TV) can be key to

    Nili Brosh Vintage Guitar magazine

    Nili Brosh

    A Matter Of Perception

    If you saw Tony MacAlpine on his early-2015 tour, you probably noticed a young woman accompanying him on a seven-string guitar. Berklee grad Nili Brosh effortlessly harmonized with MacAlpine, and when asked, played some wicked solos. She recently finished her second solo album, A Matter Of Perception, an inspiring work full of volcanic soloing, brutal

    Holbrook TS50 Tommy Skeoch Head

    More Than Modded

    After Kevin Holbrook and rock guitarist Tommy Skeoch began working on a custom amp, the former took several trips to visit the latter, lugging prototypes between California and Florida. But, the mastermind behind Holbrook Guitars and Amplifiers was ultimately rewarded with something unique in a crowded sea of boutique amps. Based loosely on Skeoch’s modified

    Recording Acoustic Guitars

    The Art of Home Recording

    Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.

    Gibson Super 400 PN

    The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing it and the L-5 Premiere in clear “natural” finish. The photo shows the Super 400 PN held by George Smith (described as “Paramount staff guitarist”) and the L-5PN held by Eddie Skrivanek (“radio and studio

    Marty Friedman

    Wall of Shred

    Between playing on Cacophony’s landmark 1987 shred album, Speed Metal Symphony, and Megadeth’s 1990 classic, Rust in Peace, Marty Friedman introduced the world to his solo work with the 1988 disc Dragon’s Kiss. In the nearly three decades since, he has rarely taken a break, and never rested on his laurels. Since exiting Megadeth in

    Ampeg VT-22

    Ampeg VT-22

    Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared: Presence Output: 50 watts RMS Insiders from the golden era of the New Jersey amp manufacturer have frequently spoken of Ampeg founder Everett Hull’s unwillingness

    Gibson’s Mastertone Banjos

    Gibson’s Mastertone Banjos

    This Gibson RB-3 five-string from 1925 is a rare piece, as is any five-string banjo from the era dominated by tenor banjos. But it’s more important as a representative of one of Gibson’s first steps in a desperate attempt to develop a competitive banjo. Gibson recognized the impending popularity of the tenor banjo as early

    Darryl Jones photo: P. Baumbach

    Darryl Jones

    Stones’ Side Man, Ron Wood Fan

    “Unofficial” Rolling Stones bassist Darryl Jones, who replaced Bill Wyman in 1994, readily admits that playing with the carousing rockers has been a revelation compared to working with stern jazz masters like Miles Davis, Herbie Hancock, and Wynton Marsalis. “What I’ve learned from Mick and Keith is that rock and roll is fun. It’s not

    Reverend’s Reeves Gabrels Dirtbike

    Wheelie Machine

    Signature guitars tend to be either fan-boy models, the owners of which hang them alongside a collection of signed 8×10 glossies of the artists, or they’re useful instruments that just happen to carry the name of a famous chap. The Reverend Reeves Gabrels Dirtbike is ensconced in the second camp. Gabrels is a noted solo

    Have Guitar Will Travel – 020 Featuring Dan Hawkins

    In this episode of “Have Guitar Will Travel,” host James Patrick Regan speaks with Dan Hawkins, producer and guitarist for the Darkness. They dig into the band’s new album, Easter is Cancelled, and other topics including Dan’s home studio (where the album was recorded), his collection of recording gear, his car collection, the music business,