The Orange Acoustic Pedal
Since the dawn of amplification, engineers have sought a better mousetrap – a more-transparent signal chain that preserves signal and adds less noise. With...
Boss’ SD-1-4A Super Overdrive
Boss’ SD-1 has 40 candles on its cake and the company is celebrating with the SD-1-4A, a new Super Overdrive has a swank finish...
The Grez Mendocino Junior
Luthier Barry Grzebik was a Jersey boy who moved to NorCal in his teens. When he began building guitars, he was inspired by the...
The Rivolta Combinata Bass VII
Rivolta’s Combinata VII bass takes ideas from Rickenbacker, Höfner, and various European builders lost to history and wraps them into a four-string with a...
The PRS HX 50 and HX 2×12 Cabinet
Paul Reed Smith has earned a reputation building guitars of the highest quality. It wasn’t until just over a decade ago he tried his...
Martin’s DJr-10E StreetMaster
The big, booming dreadnought has been a Martin hallmark since its debut in the 1930s. From that tradition comes Martin’s Dreadnought Junior, a smaller,...
The Walrus Audio ACS1
From worship services and home-recording where volume is an issue to fly-in shows where a full rig is impossible, amp modeling has many applications....
Fender’s Jason Isbell Custom Telecaster
Fender can’t guarantee its Jason Isbell Custom Tele will instill every player with Isbell’s talent for songcraft, but it sure does put his range...
Marshall’s DSL1C
For those who love classic British tone, nothing beats the sound of a Marshall stack cranked to 10. Unfortunately, unless you live on a...
Harmony Comet
Whoever coined the phrase “Everything old is new again” knew what they were talking about. The resurrected Harmony brand, associated decades ago with budget...