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Category Archives: Classic Instruments

Park 75

 
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Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble, Middle, Bass, Brightness Output: approximately 75 watts RMS We might not expect anyone to give much of a hoot for an amplifier with “Park” on its badge – a brand that has also (more…)

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’68 Truetone by Kay/Valco

 
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The year 1968 was not a good one for American manu­facturers of stringed instruments. M.C.A. closed the original Danelectro, and what was left of Kay and Valco was locked in a tailspin. Valco bought the remnants of Kay in ’67, and attempted to combine the brand with their own products, but to no (more…)

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Three Larsons

 
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At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A comparable set of three Martins would be a 0-40, 00-40 and 000-40. However, these are Larson Brothers guitars, and when it comes to Larson models, nothing is that simple. Aesthetically, these guitars are identical (more…)

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DeArmond Tremolo Control

 
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Even now – four decades on – Billy F Gibbons remembers the first time he heard a DeArmond Tremolo Control work its peculiar magic. “We first heard the effect not knowing what it was,” he says, speaking in the royal plural and summoning up recordings including Muddy Waters’ (more…)

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Cole Eclipse Pro Special

 
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Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of thrill – and satisfaction – when you find something that’s totally off the radar, something that presents a mystery to be solved, like this circa 1913 Cole’s Eclipse banjo, which sports a Washburn headstock and […]

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Orville Gibson A model

 
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All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model mandolin illustrates, Orville’s designs went through considerable refinement through the early years of the Gibson company’s existence to reach the standard of design that we know today. The highlights of Orville’s life are well-known: Born […]

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Maestro Rover R0-1

The UFO of Rotating Speakers
 
Maestro’s Rover R0-1

To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar signal into an organ speaker – a Leslie rotating-speaker cabinet. Inventor Donald Leslie had designed the unit for Hammond organs, offering a swirling, otherworldy sound ideal for church services, scary or watery sonic effects for […]

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Gizmotron

Most Bizarre Guitar Effect of All Time?
 

Led Zeppelin’s final studio album, 1979’s In Through The Out Door, opens with an eerie, otherworldly drone that weaves and winds its way before segueing into the searing Stratocaster riffs of “In The Evening.” In the past, Jimmy Page played his Les Paul with a violin bow and waved his hands like a wizard over […]

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Gibson GA-200 Rhythm King

 
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Preamp tubes: two 12AX7, one 12AY7, two 6BJ8, two 6SK7, one 6V6 (used as a voltage divider) Output tubes: two 6550 Rectifier: GZ34 Controls: Ch1: Volume, Treble, Bass; Ch2: Volume, Treble, Bass, Compressor Speakers: two 12" Norelco/Phillips twin-cone speakers Output: (more…)

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1944 Martin 00-28

 
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This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007, they were entered on the Martin shop order slip as 00-28G, indicating they were classical guitars designed strictly for gut strings. There is no indication […]

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