Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the lid on the Jimmy Page amp. Well, maybe not the Jimmy Page amp, but almost certainly a Jimmy Page amp, and even this claim should be enough to get the keys clacking and the internet [...]
1940 Gibson SJ-200 The Gibson company was founded on the belief that carved-top guitars were superior to flat-top designs, and consequently, Gibson was a reluctant entrant in the rising flat-top market of the 1920s. Add the fact Gibson, more than any other company, was still determined to make the world’s best mandolins, banjos, and [...]
Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty of chrome, and an emblem lifted off a fridge door and we go weak in the knees every time. When it comes to kitchen kitsch, [...]
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold 10″ Oxford “Vox Bulldog” Output: approximately 17 watts RMS No doubt the mere appearance of that Vox logo and the diamond grillecloth beneath it has [...]
In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the brand think the sterotype is unfair, of course, and certainly, many Guilds from the era have their own intrigue. One very good example is the Starfire Bass. Guild was founded by musical-instrument importer/distributor Al Dronge [...]
At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point, G&L had marketed the one-pickup L-1000, the two-pickup L-2000, and the no-frills SB-1 and SB-2 models – all with fairly traditional, straightforward designs. The brand’s [...]
1) A bit of a surprise that Gretsch made Chet Atkins 6120 hollowbody in four-string tenor format. Perhaps the only one of its kind, this ’58 example was the first guitar in the 100-unit 6120 model batch #284xx. The four-pole Filter’Tron pickups were specifically made to accommodate the format. The dot fretboard markers are pedestrian [...]
It would be an understatement to say that REO Speedwagon bassist Bruce Hall and his 1965 Fender Jazz Bass, dubbed “Butter,” have been through a lot. Born and raised in Champaign-Urbana, Illinois, Hall, who has been with the band for more than 30 years, acquired this mainstay when he was 16. In an ironic twist, [...]
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for pro players; i.e., those who could deftly switch from one instrument to another in the middle of a song without doffing their part. And [...]
In 1961, Gibson replaced its Les Paul series with a new line of lightweight, ultrathin, all mahogany, double-cutaway solidbodies the SG (for solid guitar). Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” the SG heralded new directions and a new marketing emphasis for Gibson; trends exemplified only two years [...]
