The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist in the ’50s. The little-known truth is it was also a response to all the things Atkins did not like about the first model Gretsch conjured for him – the 6120 Hollowbody. The reality is […]
Sometimes it takes just the slightest aesthetic twist to get an amp nut all worked up. This 1960 Premier Twin 12 is a case in point; over the years, Premier also made these amps with a straight-edged front fascia, but somehow we’re much more excited to dive into this one, with the “widow’s peak” front […]
In 1961, Gibson replaced its Les Paul series with a new line of lightweight, ultrathin, all mahogany, double-cutaway solidbodies the SG (for solid guitar). Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” the SG heralded new directions (more…)
On September 20, 1983, Jimmy Page re-emerged into the public eye after the death of John Bonham and the breakup of Led Zeppelin with a thundering ovation at the Royal Albert Hall in London. Instead of a sunburst Les Paul, the model synonymous with his onstage persona with Zep, Page chose as his primary (more…)
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for pro players; i.e., those who could deftly switch from one instrument to another (more…)
In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era, won the hearts of Gibson brass, ultimately became the Kalamazoo Award. Gruhn’s Guide to Vintage Guitars tells us that the Kalamazoo Award was a (more…)
Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965 (VG, March 2011), and while each met with a modicum of success, in 1960, the Chicago-based instrument maker introduced two near-polar-opposite four-strings. The epitome of the aesthetic excess for which Kay’s electric basses became known, […]
• Preamp tubes: one 12AY7, two 12AX7 • Output tubes: two 6L6s, fixed biased • Rectifier: 5U4G tube • Controls: Volume, Volume, Treble, Bass, Presence • Output: 28 watts RMS +/- • Speaker: three 10″ Jensen P10R Two decades ago, when renewed appreciation of Fender’s narrow-panel tweed amps of the late ’50s really started to […]
Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole. Earlier guitars typically had flat tops and backs, and were designed for gut strings. In 1898, he received a patent for the concept of (more…)
Little Deuce Coupe. T-birds. Cars and the California lifestyle are inextricably intertwined… and of course, guitars figure in, too – just flash back to those mid-’60s Fender ads showing surfers and guitars on the beach. So it should come as no surprise that Fender would market a guitar – entry-level, of course – to potential […]
