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    Ali Handal

    Ali Handal talks about her favorite guitars, including Bella, her Gibson SJ-200, her ’30s Oahu lap steel, and a ’60s Hagstrom gifted to her by an uncle when she was 13. Check out our review of Ali’s new album, “That’s What She Said,” in the March issue of Vintage Guitar. Click the “Hit List” link at the Bottom of the cover and READ NOW!!


    Beat Portraits: Burns Volume 9

    Late ’60s: Baldwin And Decline

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of VG Overdrive. See the complete history. Despite Ormston Burns Ltd’s many successes, by 1965 the chronically under-capitalized English company was in a precarious financial situation.

    Supro’s 600R DeLuxe

    “The Magic of Concert Hall Sound”

    In the early days of reverb, no one was thinking about surf music; they were striving instead to replicate the warm, resonant, live sound of a concert hall. So, when Supro launched its two reverb-unit models in 1961, not only did the company’s catalog promise “The Magic of Concert Hall Sound,” the pledge was prominent

    Laur Joamets

    Metamodern Sounds In Country Picking

    The time-worn, well-trodden path to Nashville traditionally starts from a Tennessee holler, Arkansas cabin, or Texas jook. For Laur Joamets – the Teleslinger behind Sturgill Simpson – it all began in his native Estonia. On two self-released albums, Simpson has proven himself one of the best things to hit Americana music in recent times. At

    Robert Randolph

    The Sacred Steel, Family, and SRV

    Living testament to the versatility of the pedal-steel guitar and a rarity in pop music, Robert Randolph adroitly addresses the challenge of acting as front man of the Family Band despite mostly having to sit to play, taking command of a show by sheer force of his playing. Whether accompanying others or going on one

    Marshall Amplifiers: From Birth to the 21st Century

    Pete Townshend once told an interviewer that when The Who first formed, he saw the guitar very much as a weapon. Long before it had a name, he was looking for shock and awe. And he found the man willing to supply it – Jim Marshall. One day in 1965, Townshend went to Marshall’s music

    Metal Pedals JH-3

    Metal Pedals JH-3

    Swiss-Army Distortion

    Metal Pedals JH-3 Price: $235 (list) Contact: www.metalpedals.com Like a Swiss Army knife, the multifunction Metal Pedals JH-3 Johnny Hiland has more options than you’d expect in such a small package. Hiland, solo artist and session man for folks from Toby Keith to Hank III, was so inspired after playing through Metal Pedals’ Bomb Shell

    The Minus 5 and the Monkees

    Of Monkees and Men, Good Times, etc.
    Monkee Business

    The 1960s – that halcyon decade which Americans today are most inclined to reconsider with dewy eyes – is in the midst of a retrospective heyday. Assuming the Stones’ ill-fated NorCal bacchanalia in December ’69 represents the final nail in the coffin for this parade of 50th-anniversary observations, we have another three years of Aquarian

    Dennis Kager

    Techy’s Brain, Musician’s Heart

    Amplifiers became a passion for Dennis Kager 45 years ago. And through the years, he has witnessed the zeitgeist surrounding the combination of guitar and amp. A guitarist as a young man, Kager shifted to the “other side” of the amplifier early on, and the duality strengthened and shaped Kager’s concept of sound and how

    Shawn Starski

    His Own Blues

    After spending nearly a decade with harp ace Jason Ricci, guitarist Shawn Starski has stepped out with a self-titled album that establishes him as a triple threat, not simply a guitar ace. It’s a position he’s not altogether comfortable with, mostly because, prior to composing its songs, Starski had never written lyrics. “I wrote a

    J.D. Simo

    Tele-Free Trio

    J.D. Simo moved to Nashville seven years ago and quickly landed in the coveted hot spot as the lead guitarist in the Don Kelley band. After four years playing four nights a week in Nashville’s lower Broadway district, Simo took a hard left, forming a power trio that bears his name (with bassist Frank Swart

    Alex Machacek

    Stripped Down

    When you get the thumbs-up from icons like John McLaughlin and Chick Corea, it’s got to feel good. But, fusion guitarist Alex Machacek isn’t one to rest on his laurels, and he recently recorded Now, a lush piano-and-guitar duo with drummer/pianist Gary Husband. The album explores a different side to Machacek’s musical personality. How did

    Jim Campilongo

    Jim Campilongo

    “I’m a Guitar Player”

    It’s been two years since Jim Campilongo put out a solo record, but on the new Dream Dictionary, his patented Telecaster tones take on greater dimension as he conjures a world of stark atmospherics, crushing twang, edgy note selection, and sly humor. He’s always on the move, but VG was quick enough to catch up

    Beat Portraits: Burns Volume 4

    Shadows and Light

    In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of VG Overdrive. Watch for the complete history in the upcoming weeks. In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting

    Fred Newell

    Fred Newell

    Steelin’ Away

    Guitarist Fred Newell’s best-known gig – as a member of the house band on “Nashville Now” – ended more than two decades ago. In the time since, though, he has barely missed a step. Newell has backed artists including Waylon Jennings, Porter Wagoner, and dozens of other frontline artists, and in more recent times, gigged

    Johnny Smith

    An American Treasure

    Jazz guitarist Johnny Smith died at his home June 11, 2013, two weeks shy of his 91st birthday. Arguably the most respected and revered guitarist of the modern era (1950 to present), Smith was sincerely humble and reserved about his extraordinary talent. In 1999, his peers and friends celebrated his career with a gala at

    Ibanez Artcore AF105NT

    Class Axe

    Ibanez has always had two distinct personalities – first as a purveyor of shreddy solidbodies for the hard rock/metal crowd, but also as a maker of fine archtops, thanks to famous users like George Benson, Pat Metheny, and John Scofield. In the ’90s, the company started to brand many of its low-/mid-priced hollowbodies as the

    Soul Tramp Tweed 12

    5E3 (Non) Copy

    Soul Tramp Amps are builder Don Hill’s take on classic amp circuit designs… for instance, his Tweed 12 offers a spin on Fender’s Deluxe at the height of its form. The Tweed 12’s cab is made with dovetail-jointed pine and has a hardwood-ply soundboard with a pair of 10″ Weber speakers (British Alnico and Ferromax

    Fender’s Classic Player Strat HH

    Fender’s Classic Player Strat HH

    The Humbucker Paradox

    Fender’s Classic Player Strat HH Price: $949.99 (list) Contact: www.fender.com One of the great guitar myths is that pro Fender players always use single-coil pickups. Many do, of course, but many have replaced those singles with noise-free humbuckers, whether full-sized units or others shrunk to fit Strat or Tele routs. Next time you’re at a

    Ray Gomez

    A Time for Honor

    One of the hottest guitarists to emerge from the mid-’70s fusion scene was Ray Gomez, who first became known through his virtuosic performance on Stanley Clarke’s landmark School Days album. We talked with Ray as he was preparing to release his new album, Honor.   You’ve been working on your new album Honor for the