This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s

Nathan East’s phone hasn’t stopped ringing in 40 years. Offered gigs with Quincy Jones, Eric Clapton, Michael Jackson, Beyoncé, and Daft Punk, he’s crisscrossed genres from pop to jazz. His smooth yet percolating…
Buddy Guy’s latest CD, Heavy Love, sounds like he’s doing his darndest to wrestle the blues guitarslinger crown back from the late, great Luther Allison. Before his death, Allison proved himself the hardest…
They Called it Rhythm & Blues
Robillard, his guitar, and band preside over a celebration of classic R&B and blues made up of 18 familiar and obscure numbers aided by heavy-hitting guests. Instrumentally, he remains a model of brevity…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,
Replay
Acoustic jazz is one of those “difficult” musical categories that doesn’t get much attention. Most jazz fans won’t take seriously anything that lacks a horn, while folkies are intimidated by music where they…
Self-distributed
The title references the “impact” of the guitar effects pedals made by Robert Keeley in making the album. That’s all fine and good, but more important is the fine music, propelled by the…
Firecracker – The Wailin’ Jennys The second release from the tri-girl musical aggregate from Canada proves that even with a new contributor (songwriter/multi-instrumentalist Annabelle Chvostek), the Jennys’ music is still very tasty. The…
Yikes! Talk about your chops, Steve Trovato’s got ’em. Known best on the West Coast as an instructor (Studio Jazz Guitar at USC) and for his work on movie and TV themes, Trovato…

Djamming!
There’s plenty of Gypsy jazz guitarists who can play more notes at faster tempos than Django Reinhardt, but few can truly match the master in inventiveness, melody, and sheer swing. Stéphane Wrembel is…

Love, Prison, Wisdom and Heartaches
Connie Smith’s career began with her ebullient 1964 hit “Once a Day,” now part of the Library of Congress’ prestigious National Recording Registry. Marty Stuart, Smith’s husband and producer since ’97, shaped her…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
Ever since my freshman college film class, when I was forced to sit through Leni Reifenstal’s Triumph of the Will , the cinematic licking of Hitler’s jackboots, I’ve been painfully aware that art…
DMC/Rhino
Speaking of his work on David Bowie’s Let’s Dance, Steve Ray Vaughan once admitted that he wanted to see just how many places Albert King’s licks would work. “You know, they always fit,”…
Jump blues are like licorice: if you like it, you can’t get enough. Jellyroll satisfies the craving with a cool selection of 12 classic tunes, from “Is You Is Or Is You Ain’t…

Bill Frisell and Thomas Morgan and Dominic Miller
Bill Frisell is a living jazz icon, famed for his ethereal tone and snaking post-bop lines. Here, he partners with Thomas Morgan for a live set – just guitar and standup bass –…
This is the second solo album by the former Screaming Trees drummer turned singer/songwriter/front man, who went on to record with Neko Case, Jim Carroll, and Nirvana. There’s a cinematic vibe to the…

No Black No White Just Blues
Guitar-based blues can become a blustery music that’s played too loud, too fast, and with little soul. That’s not a problem with a practitioner like William Hermes, a.k.a. Lightnin’ Willie. Every note is…

Certifiable Pickin’
Tommy Emmanuel is one of just five pickers hailed by his mentor Chet Atkins as a “certified guitar player,” or CGP. On two new albums, Emmanuel provides proof with every passage. Australia-born Emmanuel…
The forced, intrusive background vocals on the “definitive” versions of “Funny How Time Slips Away” or “Crazy” (from The Essential Willie Nelson) are argument enough in favor of this project. The songs on…

Before the Crown
The beginnings of Elvis Presley’s professional career during July, 1954, through late 1955 long ago acquired a mystique that has grown over the decades. During this time, the unknown Memphis singer, recording at…

Guitarist and singer Viva DeConcini’s last record, Rock and Roll Lover, was a stunning collection of eclectic songs that fit together perfectly even though stylistically they ran the gamut from loud rock and…
It’s been 20 years since Blind Pig Records got its start in the humble Blind Pig Café in a basement in Ann Arbor, Michigan. Over the years, the label has released records by…
Laurie Lewis is a bluegrass pioneer, and her latest release showcases the breadth of her musical talent – singing, songwriting, and playing guitar and fiddle. Lewis enlists the help of longtime musical partner…
Since Creedence Clearwater Revival disbanded 33 years ago, its catalog has been anthologized in every conceivable way, culminating with a six-disc boxed set of every track the band ever laid down, including its…
Rootball Records
Gurf Morlix’s latest effort is a tribute to his old buddy, Blaze Foley, a singer/ songwriter who was shot to death in 1989. Morlix has taken 15 of Foley’s songs and given them…
Sexy Intellectual/MVD
Though unauthorized, this 90-minute DVD attempts to get inside Frank Zappa’s head by way of the influences he listed in the liner notes of the 1966 debut of his Mothers Of Invention, Freak…
Funhouse
This is incredible stuff. Hardly a scoop to guitar players. What surprises me is that there are tapes of Danny Gatton out there that sound this good, and we’ve never heard them. This…

Mesmerised
Color the Routes’ mastermind Chris Jack’s music how you like: vintage-y, psychedelia, joyfully and unapologetically garage. But be sure to color it outside the lines. Jack is a musical mad scientist. Each release…

Blues
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend,…
Alright, here’s the deal. I haven’t played in a band for about three years. It became a deal of the “day job” getting in the way. But I just got some gigs with…

Mitch Seidman is a jazz player of impeccable taste and tone. His last record, Triangulation, used the same trio as here: Jamie McDonald on acoustic bass and Claire Arenius on drums. The three…
Robben Ford has been a prolific artist since the early ’70s and is as much a teacher as a recording artist. His impeccable soloing techniques, phrasing, and tone have been the subject of…