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Music
Smith/Kotzen
Black Light/White Noise
This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s
Art Tatum
Jewels In The Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings
It’s a wonder how never-released recordings continue to emerge – in this case, an engagement led by jazz piano virtuoso Art Tatum. Upon seeing the pianist enter a club he was playing, the…
Steve Waksman – Instruments of Desire
This is a work of scholarly intent in which the author presents a treatise on the history and development of the electric guitar and how its subsequent use shaped the course of popular…
Donna The Buffalo
Sugar Hill Records
Some still think Jethro Tull is the name of that band’s lead singer. So was it wise for a band, especially one with a female lead singer, to name itself Donna The Buffalo?…
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Chris Walz
All I Got and Gone
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
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Nels Cline
Consentrik Quartet
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
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Charlie Musselwhite
Lookout Highway
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,
Peter Case – Leet Us Now Praise Sleepy John
Peter Case has typically been thought of as a folksinger, and this record showcases that side of his talents. Except for a few songs, it’s Case and a guitar. But some of these…
Luke Doucet and The White Falcons – Blood’s Too Rich
Canadian singer/songwriter Luke Doucet is so dedicated to his Gretsch White Falcon that he named his band in its honor. Though that iconic instrument doesn’t take center stage until well into the album’s…
Experience Hendrix
Image Entertainment
Had fate and negligence not interfered, Jimi Hendrix would have turned 65 in 2008 – only five years older than Bruce Springsteen, four older than Carlos Santana, two older than John Fogerty, and…
Dolly Parton – My Tennessee Mountain Home
If the first songs that come to mind when you think of Dolly Parton are “Two Doors Down” and “9 to 5,” you need to pick up these albums – all three of…
John Hiatt – The Tiki Bar Is Open
In 1987, first-time producer John Chelew had the brilliant idea of teaming John Hiatt, a songwriter of some note with a handful of less than successful albums to his credit, with slide guru…
The Halibuts/Jon and the Nightriders – Life on the Bottom/Fiberglass Rocket
If you haven’t noticed, there’s a Surfin’ comeback goin’ on. We get tons of CDs from bands that play it; some good, some not-so-good, and some in-between. Here are two excellent ones. The…
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Popa Chubby
I Love Freddie King
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
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Rush
Rush 50
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
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Rik Emmett
Ten Telecaster Tales
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
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Check This Action: Up Jumped Elmore
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
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Greg Koch
Blues
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
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2025 December Issue on Spotify
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
Rodrigo y Gabriela – Live in Japan
The guitar duo of Rodrigo Sanchez and Gabriela Quintero created a huge sensation with its eponymous 2006 CD – the pair’s acoustic attack equal parts flamenco and metal. If there was any doubt…
Asleep At The Wheel – Live at Billy Bob’s Texas
Live at Billy Bob's Texas
Asleep at the Wheel has carved a niche almost as big as Texas by playing western swing. Begun in 1969, Asleep at the Wheel has stayed true to leader Ray Benson’s vision of…
Guy Forsythe
Call this music “Americana,” if you have to put a label on it. The opener, “Red Dirt,” establishes straight away the muscular Midwestern quality that reflects Guy Forsythe’s musical coming of age in…
Various Artists – Ruf Records 12 Year Anthology
Ruf Records’ mix of blues, soul, and rock can be a welcome addition to any record collection, and this CD/DVD expands its reach. The CD features 13 cuts from the likes of Aynsley…
LA LOM
The Los Angeles League of Musicians
It’s Latin, it’s surfy, it’s twangy – okay, what the heck is it? LA LOM is an instrumental trio that mines a vein of electric South and Central American music known as “chicha.”…
Bachman-Turner Overdrive
Mercury
BTO holds an interesting spot in rock history, in essence serving as hard rock’s ambassadors to AM pop radio. Their reign was brief, but from 1973 to ’76, music fans could barely turn…
The Kinks
After Lennon-McCartney, the most prolific and interesting songwriter of the British Invasion was the Kinks’ Ray Davies. The only other writer in the running, Pete Townshend, has acknowledged Davies’ clearly evident influence. The…
Scorpions
Only the most jaded rock fan can resist pumping their fist to the hardrockin’ nirvana of Scorpions. Long past their heyday, the German rock institution has decided to cap their career with a…
Lissa Schneckenburger
Footprint Records
Lissa Schneckenburger plays “progressive” New England/Celtic music that combines equal parts traditional harmonic textures with a modern acoustic sensibility. Her voice has a pristine directness that perfectly suits these traditional tunes. Song is…
For One Who Waits
Mitch Seidman is a jazz player of impeccable taste and tone. His last record, Triangulation, used the same trio as here: Jamie McDonald on acoustic bass and Claire Arenius on drums. The three…
Thin Lizzy – Still Dangerous
Thin Lizzy was one of the most badass guitar bands of the ’70s. After a series of lineup changes early in the decade, the Irish-rooted group finally settled on the axe duo of…
Abby and Norm Group – Volume 1: The Book of Norman
This band is led by Norman Zocher and Abby Aronson, both professors at the Berklee College of Music. The style is jazz, and it’s a fine mix of different modern styles. Abby is…
Sleepy John Estes – Newport Blues
Culled from a recently unearthed set of tapes originally recorded at the Newport Folk Festival in 1964, Sleepy John is obviously comfortable sharing the spotlight with Yank Rachell and Hammie Nixon. This representation…
Blowing Free: Underground and Progressive Sounds of 1972
Various artists
The Cherry Red label is spot-on at packaging vintage U.K. rock, and this boxed set is no exception. This one focuses on broadly “progressive” bands stretching the span after Jimi Hendrix died and…
Big Jack Johnson and the Oilers – We Got to Stop This Killin’
Big Jack “Oilman” Johnson lays down modern-day Mississippi Delta blues at their best. Hailing from Clarksdale, some of his songs come straight from his front porch, such as “Lonesome Road;” others are hot…
Black Sabbath
Vol. 4 Super Deluxe
Sabbaholic Must-Have In May of 1972, Black Sabbath retreated to Los Angeles to record its fourth album, along with a mountain of cocaine. The result was Vol. 4, perhaps the first stoner-metal album…
Tom Principato – Not One Word
Not One Word
Tom’s put out some stuff on record before, and it’s been pretty good. This one’s a little bit different. As the title says, there’s not one word. It’s all instrumental, and Tom does…
Selwyn Birchwood
Living In a Burning House
Selwyn Birchwood’s third album for Chicago-based Alligator Records represents new creative frontiers for the 36-year-old Florida native. The robust use of keyboards and baritone sax makes it his most sonically expansive effort to…
The Terry Hanck Band
Many know saxophonist Terry Hanck from his years with Elvin Bishop. But those fortunate to live in the San Francisco area in the ’70s and ’80s also know Hanck as a great singer…
Rick Fowler – Back On My Good Foot
The closing, extended version of Savoy Brown’s “Hellbound Train” is this set’s only cover, but it may be the set’s most revealing track. With so many blues guitarists aping the Vaughans, it’s refreshing…
Jaakonaho
Ghost Riot
A well-known Finnish guitarist and producer, this is Jussi Jaakonaho’s solo debut, and it’s mesmerizing. All instrumental, the album has roots in surf and instro guitar, but Jaakonaho is drawing influences from all…
Russell Potter
A Stone’s Throw and Volume II: Neither Here Nor There
