This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s

Break The Chain
A three-time Blues Music Award winner for Acoustic Artist Of The Year, MacLeod also deserves the B.B. King Entertainer Of The Year conferment. His concerts, with between-song stories as essential as the tunes,…
Emmylou Harris’ latest box set, Songbird, occupies a unique place among deluxe anthologies. Instead of being merely another greatest hits or an unreleased versions set, it’s a collection of personally important musical moments.…
Jeffrey and the boys specialize on one of my favorite kinds of rock and roll. You just put a few chords together, write some great lyrics, sing and play with great fervor, and…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,

Honeysuckle
Resonator-slide specialist Reverend Peyton returns to his primary influences – early 20th-century African-American music – compelling him to shout from the hollers and the hills. Rootsy, acoustic, inter-war blues is the specific genre,…
Blind Pig
Damon Fowler has a smokyMemphis-like style of soul and blues at its peak on his third album. The combination infuses his originals (“After The Rain”) with a Southern rock feel that recalls Lynyrd…
When Columbia/Legacy released the single-disc Listen My Friends! The Best Of Moby Grape, the label made the mistake of dubbing a career overview a “best of” – when nearly everything the band did…

Oliver Dunskus
You don’t have to be a bebopper thumbing a Gibson L-5 to appreciate the music of Wes Montgomery – arguably the greatest jazz guitarist of all time. While his fan base includes Carlos…
I was extremely happy to see this on CD. I loved this album when it came out in ’86, and it still sounds wonderful. I guess you’d call this post-Cats/pre-swing Brian. Musically, it…
It’s not too far of a stretch to say Roy Buchanan was one of the most unique guitar players in the past 40 years. This recording, done at two shows in 1974, does…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
The Bluegrass Guitar Collection
Tony Rice and the words “bluegrass guitar” are rarely, if ever, separated. Along with Doc Watson, Dan Crary, and Clarence White, Tony Rice has had more influence on modern flatpicking than anyone else.…
Josh Williams would be the first to tell you he’s heavily influenced by Tony Rice – vocally and instrumentally. Rice has had vocal-cord problems since the ’90s, and in a cosmic “irony,” arthritis…

We’ve all heard of blues in bars, but what about blues behind bars? That’s what Paul Oscher had in mind in the late ’80s, when he brought a world-class blues band to play…
Ryko
Doing an album of Robert Johnson songs may not be a particularly original idea, but it’s not a bad one. For this one, Todd Mohr and band have called upon veteran bluesmen to…

Blue-Collar Cool
Just as rockabilly back in the ’50s was largely a regional phenomenon, many of the best bands today remain local heroes. Witness Austin’s Bellfuries, with guitar man Mike Molnar. The band’s debut was…
Turn Around: The Complete Recordings (1964-1970)
In the mid ’60s, this Bay Area band straddled British Invasion, garage rock, and emerging psychedelic sounds. More important, they cut some of the most sophisticated rock and roll of the time, thanks…
Rev Records
The list of people who call themselves “professional harmonica players” certainly is not all that long. And the number of female harmonica players… well, beyond Stacie Collins, I can’t think of one. On…
Originally released by Motown in 1973, Luther’s Blues was not a big seller. Not that it’s not a great album. It is. But maybe Motown at that time wasn’t the best place to…

Ten Years After
Though he was a multifaceted guitarist, Ten Years After’s Alvin Lee had a reputation as a speed demon – not something he tried to dissuade. Never was it on display more than at…

Sometimes six strings just ain’t enough. Venezuelan Berklee alum Felix Martin uses 14 and sometimes 16 strings to explore the contrapuntal galaxy of progressive melody and rhythm. Sounding like a Chapman Stick player,…

Masterwork Revisited
Jethro Tull’s 1975 masterwork gets the deluxe box-set treatment with all the trimmings. Packaged in a hardbound book cover, the set includes remastered tracks (with that classic “green” Chrysalis label); a fresh live…
At first glance, this record appears odd for a first-call player in Las Vegas. But the title says it all. Not only does it signify where parts of the record were recorded, it…
Turning to Crime

With this Tex-Mex flavored blues album co-produced with Anson Funderburgh, another fine Texas blues guitarist, John Del Toro Richardson hits his stride. Think Los Lobos with the blues to Latino style ratio in…
Self-distributed
Cold Satellite is a concept album with songs co-written by Jeffrey Foucault and Lisa Olstein. Longtime friends, they began to collaborate in 2007, when Olstein sent Foucault a bunch of unpublished poems plus…
A master of jump-blues and T-Bone-Walker-style guitar, here Duke Robillard pulls out “Treat Me So Lowdown,” a T-Bone gem from the ’60s that originally featured studio players and arrangements that didn’t feel right.…
The great stuff continues to flow from Duke Robillard. The man makes great solo records, produces records, and makes special appearances, always adding great parts to records for friends everywhere. Here is more…
Red House Records
On his second Red House Records release, Danny Schmidt displays the same level of wit and lyricism that made his last release such an artistic success. Undoubtedly, Schmidt writes great songs. Man of…
Apparently, Dave Biller ran out of existing styles to master and had to start making up new ones. His work as leader and sideman – all of the highest order – has ranged…

Rise and Shine
Blues-rock phenom J.D. Simo and his band continue to push boundaries as they explore everything from slow-burn soul and psychedelia to greasy funk-blues that would make Albert King smile. This album also has…

How to Produce a Record: A Player’s Philosophy for Making a Great Recording
Known as longtime musical partner and guitar ace with country singer Dwight Yoakam. But, his real claim to fame might be that as a bona fide roots-music mechanic – a guy who has…

Crossroads Festival 2019
Eric Clapton’s Crossroads Festival has become the guitar event since its inception in 1999. With a diverse cast of the greatest pickers in the world, the event is a fundraiser for Clapton’s drug…