This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s
Ume/Tuff Gong
For such a guitar-driven genre, reggae doesn’t get many props from the six-string community, though its offbeat-chord trademark is as much a part of the rock lexicon as anything. For proof, check out…
Heads Up
The knock against Acoustic Alchemy has always been that it’s background music, but the band has always created music that’s atmospheric in the best sense of the word. Granted, it’s not for guitarists…
Texas-born Mike Morgan returns with his 13th album of original songs, layering blues with a funky rhythm that captures the essence of Muscle Shoals and Beale Street all at once, and does a…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,
(Self-distributed)
Megan Slankard is difficult to pigeonhole. Equal parts country soul, folk, pop, and alt rock, though still in her early 20s, Token of the Wreckage is her third disc, and amply demonstrates why…

Mick Jagger admonished the world back in 1968, “What’s the point in listening to us doing ‘I’m A King Bee’ when you can listen to Slim Harpo doing it?” His statement not only…
As a solo artist, Murry Hammond is a blend of Leonard Cohen and Jimmie Rogers. The acoustic-based songs on this album aren’t as lively as his work with his former band, Old 97s,…

Metal-Morphosis
This 30th-anniversary reissue of Judas Priest’s 1986 album is above average, but not for the reason you might think. Turbo itself was slick ’80s metal, festooned with guitar synthesizers and that ubiquitous “gated”…
Schrapnel Records
Eric Gales has been cutting blues-rock records for 20 years, and here, he’s playing as well as ever. Lyrically, Transformation appears to address his effort at staying on the straight and narrow. But,…
The Drifter Comes Back To Town
You might think Southern rockabilly would be the last style that could be co-opted by artists beyond America’s borders. But Italy’s Renzo Alberti, a.k.a. Albert Ray, has not only assimilated the genre, he’s…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to

When it comes to inspired songwriting and guitar playing, Mark Knopfler’s not in dire straights. On his new solo album, he had so much material, he chose not to leave good songs on…

Blues veteran Guy King steps out with a full big band on his latest and proves up to the task of doing justice to various forms of American music – blues, funk, soul,…
Essential Listening Volume 1
I’m sure it’s the same for everyone. You have certain players and bands that just can do no wrong. It’s that way for me with the Hellecasters. I just don’t know how you…

Sonics Boom Again
Sometimes, your memory of a favorite band is so locked in – and possibly blown out of proportion – that a reunion can’t possibly live up to its former self (or yours). And…

Hellafied
A legend out of time with the times, Robert Gordon should have been a star during the true rockabilly era of the late ’50s. Instead, he made his mark in the punky late…
Carrie Rodriguez has blossomed from a reluctant background singer to a confident lead vocalist in just four albums. Her first solo release demonstrates that she has the chops to lead her own band.…
It’s no big secret that rock and roll lost one of its real deals when Doug Sahm passed away. His history was long and varied, and he hadn’t had a rock hit in…
Lost and Found
Some great talents manage to operate for years just below the radar of the star-making machinery of the popular song. Eliza Gilkyson is a case in point. Lost and Found is her second…

Was the Germs’ incoherent Darby Crash, writhing on stage while fans write on his forehead with indelible marker, really so different from W.A.S.P.’s incoherent Chris Holmes, floating in his pool and chugging three…
Peter Case is one of those “folky” types who deserve more than a trite description. Yes, he plays acoustic guitar, occasional harmonica, and writes great songs. But he shows a background that encompasses…
An Evening With The Blues
It’s obvious this Terre Haute-based guitarist is a talented individual. He’s got the chops and did all the writing and arranging on this disc. Not only the instrumental portions, but the vocal melodies,…
Ari Eisinger doesn’t look like your typical bluesman. A science teacher, maybe, but not a blues singer/guitarist. Which proves Willie Dixon’s line – “You can’t judge a book by looking at the cover.”…
This is more than just an album by the late R&B great Charles Brown. It’s truly the story of a life – a scrapbook of history, photos, testimonials, music, vintage film clips, a…

What is there not to love about Dale Watson? He flies the flag for real country music in a day and age when real country isn’t accepted by country radio. His latest is…
Bruce Molsky proves that you can be scholarly about American roots music without being boring. On Soon Be Time he entertains his listeners on fiddle, banjo, and finger-picked guitar. All solo, no overdubbing,…
Brand New Year and Leftovers
If you didn’t know better, you’d swear after hearing the first few bars of “Nancy Sinatra,” the opening song on the Bottle Rockets’ Brand New Year, that you were listening to an unearthed…
May Be The Last Time
When John Németh hit the blues scene in 2002, one couldn’t help but take notice. In addition to solo albums, he lent his big vocals and powerful harmonica to Junior Watson, Anson Funderburgh,…

Recorded live in 2013, this album is exactly what you’d think given the players: an onslaught of guitar playing that would make even the most cynical music fan smile. All four players are…
Chrome Dreams/MVD
Despite the title, the focus of this “unauthorized” Stones documentary is not directly on Mick Taylor nor his guitar playing, but a general analysis of the band’s heyday. That said, there’s a lot…
BBC Sessions
These cuts were recorded over a 15-month period from late 1966 to early ’68. They were cut for the British Broadcasting Corporation. Because of strict regulations on the number of phonograph records that…

Achievement Blues
On disc 2 of Joe Bonamassa’s latest, there’s an interview with Howlin’ Wolf: “I’m gonna tell you what the blues is,” the Wolf says. “A lot of people holler about, ‘I don’t like…