This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s

44 Years Later
The market is flooded with previously unreleased albums and reissue CDs containing alternate takes. It must be simple to get something like that released, right? Guess again. It’s hard to imagine, but a…
What can you say about the Duke that hasn’t already been said? Having achieved a lofty level of constant and worthy acclaim, he probably wonders when the financial rewards of his art will…
The fact that this folk-blues trio existed at all is noteworthy. By the time KR&G hit the national scene, first at the 1963 Philadelphia Folk Festival and then Newport a year later, you…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,
The retitled version of Johnny Gimble’s “Fiddlin’ Around” (“Pickin’ Around”) is a clue, but just going by the repertoire here – encompassing Jobim, Bonfa, Villa Lobos, Cole Porter, and Charlie Parker – one…
Birdland
It’s hard not to be skeptical over every “reunion” that comes along when you’ve got Toad The Wet Sprocket reuniting after all these years – five to be exact. If that’s a reunion,…
Almost Proud
Over four decades, Del McCoury carved a unique niche in the bluegrass universe. His pure tenor voice and flawless rhythm guitar – complete with subtle bass runs – have propelled a band that…
NRBQ is one of the most underappreciated bands in rock and roll history, and even this poorly-shot live show from 1982 does not change that. In fact, despite the grainy appearance, odd angles,…

Stony Plain Records
Starting like a number of instrumental albums Ronnie Earl has produced over the past 15 years, this one opens with a mid-tempo (Albert Collinspenned) track, then slows for some blues and a cool…
There have always been Big Sticks in Louisville, Kentucky. In the world of vintage guitars, there’s Jimmy Brown’s Guitar Emporium. Guitarist Jimmy Raney and his son, Doug, have kept the jazz world on…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
A Tommy Emmanuel concert is such an enthralling experience, any studio effort is almost doomed to suffer by comparison. He’s such a commanding performer – bursting with energy but completely at ease; throwing…
Nowadays, Marty Robbins is more respected than appreciated. Much of his studio material sounds dated because of syrupy string arrangements and slick backup singers. But a new release from the Country Hall of…
You Don’t Mess Around with Jim 50th Anniversary
Jim Croce was a pop artist with laser-guided instincts for writing hits. In an impossibly short run of fame – barely two years – he wrote singles that remain staples of ’70s AM…
While many music DVDs contain mostly concert material, the 2-disc Yesspeak takes an alternate approach – it features the famous members of the prog-rock giant Yes talking about the music created during its…
Yikes! Here’s a truly awe-inspiring display of guitar playing. Recorded live on German television, Jerry Donahue, John Jorgenson, and Will Ray take you on a roller-coaster ride that will leave you sitting on…
Diamond Day Records
If you like your rock and roll loud and with no-frills, you’ll love The Steepwater Band. A trio with plenty of great influences, the 14 cuts on this live disc touch on blues,…
It’s easy to dig the Steepwater Band, and on this, their fourth studio record, the Chicago trio steps it up a notch with the help of producer Marc Ford, whose tenure with the…
The Montreux Years
Muddy Waters’ extraordinary career was in its twilight during the ’70s, but the iconic bluesman was hardly limping to the finish line. In fact, the decade only cemented his hard-earned standing as a…
Delmark
James Kinds is one of the overlooked maestros of the blues. In 1977, he was hailed as one of Chicago’s new generation greats – someone to keep an eye on, alongside Lurrie Bell,…
Backyard Tire Fire can be called “tasteful,” “workmanlike” (in the best sense of the word), and “tough.” Many of the songs are about uneasy situations. “Everybody’s Down” and “Welcome to the Factory” are…

L.A.’s Red-Light Masters
The Wrecking Crew, the documentary about L.A.’s well-paid but largely anonymous session players ranks with the very best music documentaries. Director Denny Tedesco, son of legendary studio guitarist Tommy Tedesco, did a fantastic…

Instrumental Eclectic
In the hands of creative players, the guitar can do so many things. These three recent releases of mostly instrumental music illustrate this perfectly. Allen Hinds is a player with a liquid touch…
Kelly Richey’s live shows are full-tilt affairs where Richey wrenches blistering lines from her Stratocaster, occasionally using a beer bottle as a slide. At the end, everyone is sweaty and satisfied. That’s the…
Byther Smith is bad in the best sense of the word. Nicknamed “The Mississippi Kid,” Smith is a former boxer and manual laborer who later learned to wield an axe. As a guitar…

No Black No White Just Blues
Guitar-based blues can become a blustery music that’s played too loud, too fast, and with little soul. That’s not a problem with a practitioner like William Hermes, a.k.a. Lightnin’ Willie. Every note is…

Jazz and R&B great Phil Upchurch said, “Lenny Breau was the most innovative guitarist since Wes Montgomery.” Considering that Montgomery is widely regarded as the third link in the chain of jazz guitar’s…

Roger McGuinn, Chris Hillman, David Crosby
Like Dylan, the three founding members of the Byrds were ’60s acoustic folkies who, inspired by Beatlemania and the British Invasion, defined the amplified genre dubbed folk-rock. This lavish, chronological account of McGuinn,…
Hacienda Brothers
Take one of the most road-tested rock-a-bluesy guitarists in the game, the Paladins’ Dave Gonzalez, and add country/conjunto/Cajun soul man Chris Gaffney, and you’ve got the makings of something special. Add David “D.B.”…

Night In The City
A live recording can be a snapshot in time or the accumulated powers of an artist’s lifelong passion. Robben Ford applies both with his latest, which showcased his catalog live at City Winery,…
The title references the “impact” of the guitar effects pedals made by Robert Keeley in making the album. That’s all fine and good, but more important is the fine music, propelled by the…
The highly decorated Prasanna embellishes his artistry with a style that fuses elements of jazz and Indian music. The ancient Indian art of Carnatic music weaves throughout, bringing much-needed pizazz, panache, and fearless…
The Wild, Exciting Sounds of Marshall Crenshaw