This is the third album from rock veterans Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs). The busy axeslingers – especially Kotzen, who is always involved in solo and band projects – released their full-length debut and an EP in 2021. Smith-Kotzen has happily blossomed into a going concern. What’s interesting about Smith/Kotzen’s
While a generation may remember James Brown as a soul star who fell on hard times, or as a man whose death has led to a tabloid-ready story of a fight for his…
Stars Behind Bars
Sometimes the most interesting books are ones that delve into a subject readers didn’t know about and never considered. And except for now-elderly people who were around the right place at the right…
The first domestic CD release of this pickin’ fest from 1968 is cause for celebration. This all-instrumental outing featuring two of country’s greatest stylists – Tele maestro James Burton in his post-Ricky Nelson/pre-Elvis…
This traditional folk singer/guitarist’s solo debut is impressive. He’s been an educator at Chicago’s Old Town School of Folk Music for three decades, but his approach is by no means academic. He not only reveals the influence of folk and blues legends such as Doc and Merle Watson, Elizabeth Cotten, Etta Baker, Dave Van Ronk,
ls Cline long ago established a parallel career as an eclectic instrumentalist and contemporary jazz virtuoso. His fourth Blue Note album is an extended set that unveils Consentrik Quartet, his new band with acoustic bassist Chris Lightcap, drummer Tom Rainey, and tenor/soprano saxophonist Ingrid Laubrock. Their concepts are ambitious and their sound is free, Cline
John Mayall is invariably cited for the succession of guitar greats who passed through his band. But Charlie Musselwhite just might be the American equivalent. In a 60-year career, his six-stringers have included Harvey Mandel, Luther Tucker, Louis Myers, Tim Kaihatsu, Robben Ford, Fenton Robinson, Johnny Heartsman, Junior Watson, Andrew “Jr. Boy” Jones, John Wedemeyer,
Telarc
On Groove Alchemy, drummer Stanton Moore, Robert Walter (organ) and Will Bernard (guitar) serve up groove after groove. Bernard’s solos show his versatility and chops, while his rhythm work is solid as a…
King Wilkie takes a calculated but risky turn from bluegrass, toward new acoustic music. Unlike their 2004 release, Broke, which was very much in the modern hot-picker bluegrass mold, Low Country Suite concentrates…

Minimalist begins to describe Durham’s music and approach, but it doesn’t capture everything that is involved. All 11 of the songs here feature pretty much some form of guitar and percussion and not…
As with his last record, keyboard whiz Levin concentrates on the organ and invites outstanding guitarists to join him. Among those taking part here are John Cariddi, Mike DeMicco, Jesse Gress, and the…
As you might suspect, after 40 years, the Philadelphia Folk Festival has some fine performances in its archives. For those not fortunate enough to attend over the years, this is a musically rich…
Satellite Shuffle
Though their name tosses them into the surf/space pond, this instrumental trio defies pigeonholing. It’s an eclectic set – no wonder, considering guitarist/composer/producer B.J. Baartmans’ influences; he lists a few as Cliff Gallup,…
The latest from blues dynamo Popa Chubby is a star-studded tribute to the late great Freddie King. Produced by Mr. Chubby and Mike Zito, I Love Freddie King is a blues guitar love-fest covering some of King’s most potent and popular songs. With Popa fronting the band on guitar and vocals, guests include Eric Gales,
The goal of any anthology is to capture the broad scope of an artist’s career. Rush 50 is a strong attempt, starting with their first singles (previously unreleased) all the way to their final live recordings in 2015. In between are reams of epic studio and stage recordings, summing up the band’s career in one
At the risk of starting a brawl, Rik Emmett’s guitar work was arguably too good for Triumph. As evidence, his latest project centers on a custom-built Loucin that inspired both a book and accompanying music. “Magic Power” this is not. On Ten Telecaster Tunes, Emmett delivers 10 solo performances on the instrument he calls Babs,
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
The Gristle Master returns with scintillating blues and the influences that made him the six-string slayer he is today. On this live recording, Koch uses an array of guitars including his signature Reverend, a Deluxe Tele, Custom Shop Les Paul, and a Custom Shop Strat while sharing stages with Larry McCray, Jimmy Hall, Malford Milligan,
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account Listen to
Eric Bibb plays blues and folk with his own touch, and is one of t he most underrated acoustic artists making the rounds. On this disc, an appreciative audience hears 14 songs delivered…
Pee Wee Crayton learned his lessons well. Moving from Texas to California during the Depression, he slaved away in Navy shipyards until some buddies dragged him along to a T-Bone Walker show. Pee…

Sweet Soul Music
Robert Cray’s new album with producer-drummer Steve Jordan and the Hi Rhythm section is a no-brainer slam-dunk – and a brilliant collaboration. Together with Cray’s indelible hybrid of R&B, blues, and soul-drenched vocals…

Hillbilly Highway
When Epic Records dropped Steve Earle in ’85 after a series of fiery but commercially unsuccessful recordings, Nashville was in panic mode. The frothy, easy listening mainstream country of Kenny Rogers and others…

In 1965, when these previously unreleased tracks were recorded at two New York venues, saxophonist/flautist Charles Lloyd and guitarist Gabor Szabo had recently left drummer Chico Hamilton’s group – an incubator for numerous…
Stout is an obvious devotee of a number of different ’50s roots musical styles. You hear country twang, but it was early Sun stylists who left the strongest mark on this West Coast…
Dorian Sono Luminus
African-American jazzman Eddie South was known as the Dark Angel of the Violin. His moody compositions and hot solos were influenced strongly by Eastern European Gypsies, with whom he studied. And it was…
Alligator has started a “best of” line that features cuts from various artists. Here’s one of the first, and if future releases are this nice, it’ll be a definite plus for the great…

This North Carolina-based band makes its own rules. Call their music bluegrass or newgrass, Southern rock, hippie country, or anything else, and it’s still refreshingly original music from a quintet whose members must…

Vince Gill emerged in the mid ’80s as part of country’s New Traditionalist movement. The style was partly built on Bakersfield’s twang-heavy honkytonk, especially the music of Buck Owens and Merle Haggard. Coincidentally,…

Rock & Roll Machine
“How are these guys not as big as Led Zeppelin?” In this documentary, guitarist John 5 poses a legitimate question. Despite commercial success in the ’80s, Triumph disbanded prematurely and were largely forgotten…

Songs from the River Wind
In contrast to her last few, politically-focused albums, Eliza Gilkyson considers this a “love letter to the Old West.” Revisiting her folk roots through originals, covers, and traditional favorites fits her lineage well…
Reunion! With John Clayton and Jeff Hamilton
Various artists

Josh Smith takes the soul stylings that marked his earlier work and puts it on the back burner here. In its place is a return to his first love – high-octane, supercharged blues-rock.…
Talk about piquing one’s curiosity. The promos for the truncated pledge-drive version of the Crossroads Festival that aired on PBS in December began, “Sixty-five guitarists… 87 guitars … came to play with one…
A collection of songs inspired by Hurricane Katrina and its aftermath, this is one of the best albums of the year. Vernon Reid returns to produce (and supply guitar in spots), and the…
CTI/Masterworks Jazz
There’s never been a time when Jim Hall wasn’t at the top of his game. From his days as a member of the Jimmy Giuffre 3 and Chico Hamilton Quintet, collaborations with Bill…
Anti
Hailing from Philadelphia, Dr. Dog plays progressive rock in the best sense of the word. Time was, a lot of pop music felt like the song “Stranger,” where punchy rhythm guitars and layered…

Heavy Trash is an on-again-off-again band headed by Jon Spencer and Matt Verta-Ray. They’ve released three superlative albums of their own trademark brand of rockabilly, all led by Verta-Ray’s incisive guitarwork – usually…
Guy Davis is the real thing. This young black bluesman plays his version of the downhome blues like he, too, has a hellhound on his trail. Davis has released two earlier collections of…
Al Di Meola – Consequence of Chaos Though sometimes lumped in with Carlos Santana, Latin guitarist Al Di Meola is almost his complete musical opposite. Where Carlos plays easy-going, accessible Latin rock, Di…
Martin Guitar Masterpieces
Martin guitars are revered, collected, and played by performers, singers, songwriters and by legions of avid collectors and enthusiasts. If there has been a hallmark for Martin guitars over the years, it is…