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VG Approved Gear
Reverend Sensei H90
Live Wire
So you want a Gibson-style solidbody that can cover humbucker-powered rock, yet also twangier/glassier tones using a P-90 pickup. Check. You also want to grab high frets via double-cutaway and have the pitch reliability of a tune-o-matic bridge and locking tuners. Got it. One more thing: it’s got to look cool and old-school. Hmm…. sounds
BMF Effects’ GeSpot Fuzz
Pure Pleasure
If the sheer number of fuzz pedals available today is any indication, the “noisy” little boxes are perhaps the most popular effects. One outfit that offers a good selection amid…
Reverend Rick Vito
Tone, Style
Reverend Musical Instruments head honcho Joe Naylor began playing guitar in 1982, graduated from the Roberto-Venn School of Luthiery, started and ran an amp-building company, and in 1996 fired up…
Cornford Hurricane
Exemplary "extension of your playing" amplifier
Since its introduction, English amp builder Paul Cornford’s 6-watt Harlequin recording amp has had a reputation for great sound. Many an all-star Brit player, and notable Yanks like Joe Satriani,…
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PRS Swamp Ash Special
Narrow(field) Win
The bolt-on Swamp Ash Special has been around for nearly three decades, but PRS just retooled the U.S.-built version and dropped it at NAMM. There are significant upgrades. While earlier versions had humbuckers with a single-coil pickup between them, this latest plank has a PRS Narrowfield (NF) humbucker in the middle. Another bonus is the
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Martin D-28 Standard
If nobody mentioned that Martin’s new Standard line had been updated, a player might be forgiven for not immediately noticing that the latest D-28 has been subtly changed. After all, it’s the D-28 – one of the most recognizable and enduring American icons – and the thought of altering such a flagship is likely to
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Carr Skylark Special 1×12
Take Flight
Arriving a little more than 10 years after the original Skylark, Carr Amplifiers’ new Skylark Special adds versatility and enhanced tonal depths to squeeze a lot more into this diminutive combo. Specs remain much the same, deriving 12 watts of power from a pair of 6V6GT output tubes into a 12″ Celestion A-Type speaker. But,
Friedman Amplification JEL-20
Firebreather
For 25 years, Dave Friedman has been creating amplifiers that helped him (eh-hem) gain amp-guru status. His limited-run Jake E. Lee signature JEL-100 met with enough demand that he’s now…
Marshall’s EH-1 Echohead, RG-1 Regenerator & RF-1 Reflector
Little Marshalls, Big Tones
Continuing the tradition set forth by the stout little metallic gray/gold boxes of the GV-2 Guv’nor Plus, BB-2 Bluesbreaker II, VT-1 Vibratrem, and others, Marshall recently introduced the EH-1 Echohead…
Guitar Tone Company’s Bloody Finger
Rugged Facelift
While honing his ears at Greene Street Recording Studio in New York, David Harrington was inspired to build studio-quality stompboxes. He must have done something right because as word spread,…
Yamaha DG Stomp
Plug 'n' Play Preamp for Recording
It’s always been a struggle for home recordists to capture a good guitar tone on tape or hard disk. Yamaha, however, wants to cure that often aggravating dilemma. To that…
JangleBox J-Gate Noise Suppression Gate
Silence, Please!
JangleBox J-Gate Noise Suppression Gate Price: $225 Info: www.janglebox.com Dynasonic, lipstick, and P-90 are all great names for pickups with iconic single-coil tones – typically accompanied by the 60-cycle hum…
Carr Skylark Special 1×12
Take Flight
Arriving a little more than 10 years after the original Skylark, Carr Amplifiers’ new Skylark Special adds versatility and enhanced tonal depths to squeeze a lot more into this diminutive…
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Walrus Audio’s Mako Series MKII
Walrus Audio’s Mako Series MKII bolster the sounds of their first-gen predecessors, using altered algorithms, new controls, and better tonal quality. The most-obvious changes are new fine-tune settings and a menu screen. The M1 High-Fidelity Modulation Machine offers Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filters. Running between a Deluxe Reverb a Les Paul Traditional or
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LSL Instruments’ Lucid OD and OG OD
Lively Drives
LSL Instruments is best known for high-end Leo-style guitar builds, but they’ve also started delving into overdrive pedals. The Lucid OD is their version of a Klon Centaur – one of the priciest stompboxes in human history ($5,000-plus for the first-gen gold box with the horse logo). The box offers Volume, Gain, and Tone knobs
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The Chase Bliss Clean
Posh Squash
With is Clean compressor, Chase Bliss set out to create a pedal that would duplicate the vivid interactivity of a dirty tube amp, but with a completely clean tone. While a standard compressor can give your guitar (bass, keyboard, etc.) a professional sheen, the Clean is a stereo unit that can polish mixes or deliver
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The Eastwood Super Axe
Chet Powered!
Wait – what? Did Eastwood just bring back the Super Axe, that incredibly rare bird from the late ’70s? Indeed, they did. A Korean-made reissue, it captures the spirit of Gretsch’s chambered curiosity. Grabbing one, the first thing you’ll notice is the oversized yet thin body, with its arched top and the enchanting lines of
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The Bad Cat Era 30
Retro-Great
So often has the phrase “Mark Sampson era” been applied to pre-2000 Matchless amps or early examples of the Bad Cat line that the term has become a “thing” in and of itself. As applied to Bad Cat’s new Era 30, it means Sampson is back in the fold (see our interview in the March
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Eastwood MRG Lap Steel
Slide Piece
Now more than 90 years old, the lap steel was the earliest example of an electric guitar and remains a stringed instrument every guitarist should try, largely because it’s so accessible. In fact, a lap steel is about as straightforward as you can get – it’s a plank that sits on your lap and is
Ernie Ball’s Music Man Cutlass/Stingray
Talkin’ Tonewoods
For many builders of solidbody guitars, the challenge is to improve on a handful of pioneering designs from the 1950s and ’60s. No one knows this better than Ernie Ball…
The Eastwood BW Artist
Dead Again
Thanks to über-tonemeister Carlos Santana, extended jamming, and the rise of overdrive, the ’70s gave rise to a solidbody trend that sought to achieve the holy grail of “sustain.” Using…
Andy Green Pedals’ Seaverb
Endless Reverb
Andy Green offers “basic building blocks” of tone – a concise lineup of effects including distortion, overdrive, fuzz, and reverb. One of those blocks measures 4.75″ x 2.5 x 1.625″…
Jazz Trio
Fender’s Geddy Lee Jazz Bass and Ibanez’s Black Eagle Reissue Take On an Icon
Though it got most of the looks in the family, Fender’s Jazz Bass is nonetheless the tag-along younger brother to the Precision. Benefitting from the elder’s success, it was designed…
Dusky Electronics Toasted Overdrive
Let It Burn
Dusky Electronics’ new Toasted Overdrive is an upgrade of the company’s two-stage MOSFET amp in a box; builder Chris Rossi grew dissatisfied with the tonal quality of the first version,…
Carvin’s HH2 Allan Holdsworth
Off With Their Heads
Headless guitars and basses, which had their heyday back in the big-hair/thin-necktie ’80s (think Power Windows-era Geddy Lee), still have a few diehard fans who like the instruments’ compact, lightweight…
Maestro Comet Chorus and Discoverer Delay
Return to the Space(y) Age
Maestro’s Comet Chorus and Discoverer Delay, from the company’s Original Collection effects series, may have a retro-chic aesthetic, but they bring a pronounced (and welcome) modern twist. Both are analog…
Fender Jaguar Bass
Four Strings, Vintage-Six Style
Just when you think Fender has explored every conceivable combination and configuration of electric guitar, bass, and amplifier, the mighty crew from Arizona drums up something unexpected. At last January’s…
Siegmund Micro Tube Overdrive
The Nuance of OD
Chris Siegmund is an up-and-coming guitar/amp wizard from Vienna, Austria. A unique type of craftsman, Siegmund is a musician born to a family of architects and furniture makers. He began…
API Audio TranZformer GT and LX
Stripped Down
Automated Processing Inc. (API) is best-known for its high-end mixing consoles for broadcast and recording, along with the mic preamps, compressors, and EQs it has been making since the ’60s.…
Dusky Electronics Toasted Overdrive
Let It Burn
Dusky Electronics’ new Toasted Overdrive is an upgrade of the company’s two-stage MOSFET amp in a box; builder Chris Rossi grew dissatisfied with the tonal quality of the first version,…
Fender Player II Series Telecaster
Twang Banger
As the world’s first mass-production solidbody electric guitar fast approaches its 75th birthday, Fender continues to offer variations on the theme. But the biggest takeaway from the design’s diamond anniversary…
Positive Grid’s Experience Hendrix For Spark & BIAS FX 2
Get Experienced
In the pantheon of guitar gods, few are studied to the degree of Hendrix. And, given the warp speed at which tech moves today, it should come as no surprise…
Empress ParaEq MKII Deluxe and Heavy Menace
In The Details
It’s cliché to call a parametric EQ a “Swiss Army knife,” but with Empress’ updated ParaEq MKII Deluxe, the comparison fits elegantly. If you’ve never tweaked a parametric EQ, it’s…
Cimarron Guitars’ Model P
From the Parlor to the Stage
Cimarron Guitars has being making custom instruments since 1978 in the dry, mild climate of southwest Colorado. The company’s Model P guitar gets its name from its parlor-guitar-sized body (“parlor”…
AnalogMan Jim Weider Big-T Bridge Pickup
Mr. Clean
AnalogMan’s Jim Weider Big-T Bridge Pickup Price: $135 Info: www.buyanalogman.com Jim Weider is one of the few guitarists who can truly wear the title “Telemaster” without being crushed by the…
DryBell Vibe Machine 3
Big Deepness
DryBell Musical Electronic Laboratory’s original Vibe Machine (its take on the classic Univibe) was developed 11 years ago and received thunderous accolades. When the company celebrated its 10th anniversary last…
Durham Electronics’ ReddVerb
’Verb, Extra Saucy
Durham Electronics’ ReddVerb Price: $219 (list) Info: www.durhamelectronics.com Take it from Redd Volkaert; good reverb is hard to find. And that’s especially true if you’re gigging on the road and…
D’Angelico Premier Bob Weir SS
Touch of Grey
When Bob Weir introduced his D’Angelico Premier SS at NAMM last January, he performed a set of Grateful Dead and solo tunes for a select audience with backing from an…
Maxon VS Effects
Five Boxes of Fun
With their straight-out-of- the-’70s groovy colors – pea soup green, bright orange, powder blue, plum purple, and Mopar metallic green – Maxon’s Vintage Series Effects look like new old stock,…
McElroy OM Model
OM, Gee!
McElroy OM Model Price: $7,500 (base; $8,500 as reviewed) Info: www.mcelroyguitars.com. Brent McElroy is a Seattle luthier specializing in high-quality acoustics. One of them, the OM Model from his Generation…
