So you want a Gibson-style solidbody that can cover humbucker-powered rock, yet also twangier/glassier tones using a P-90 pickup. Check. You also want to grab high frets via double-cutaway and have the pitch reliability of a tune-o-matic bridge and locking tuners. Got it. One more thing: it’s got to look cool and old-school. Hmm…. sounds

Dressed to Kill
Produced from 1954 to 1956, the Black Beauty Custom is one of the most revered Les Pauls. Marketed as the “fretless wonder” for its small frets, it was given an…
New Roar in Ampland
With a name like Bad Cat and a product pedigree that includes Matchless, our expectations for this new amp line were quite high. So it was with some anxiety that…

Sound Assault
Like its namesake World War II invasion, Electro-Harmonix’s Operation Overlord Allied Overdrive involves an assault of sorts – though this particular Operation Overlord’s attack is solely one of grease, gain,…
The bolt-on Swamp Ash Special has been around for nearly three decades, but PRS just retooled the U.S.-built version and dropped it at NAMM. There are significant upgrades. While earlier versions had humbuckers with a single-coil pickup between them, this latest plank has a PRS Narrowfield (NF) humbucker in the middle. Another bonus is the
If nobody mentioned that Martin’s new Standard line had been updated, a player might be forgiven for not immediately noticing that the latest D-28 has been subtly changed. After all, it’s the D-28 – one of the most recognizable and enduring American icons – and the thought of altering such a flagship is likely to
Arriving a little more than 10 years after the original Skylark, Carr Amplifiers’ new Skylark Special adds versatility and enhanced tonal depths to squeeze a lot more into this diminutive combo. Specs remain much the same, deriving 12 watts of power from a pair of 6V6GT output tubes into a 12″ Celestion A-Type speaker. But,

Creamy Tribute
On November 26, 1968, Cream performed its last show, at Royal Albert Hall, and Eric Clapton left the band as a bonafide guitar god. Barcelona-based Aclam Guitar’s The Woman Tone…
Big Things, Small Packages
In two short years of existence, ZT Amplifiers has found a unique place for itself in the world of boutique amplification. ZT engineering guru Ken Kantor’s flagship amp is called…

In Your Face
Sometimes, bassists need boost, too, like when that bass-solo interlude from Sade’s “Smooth Operator” comes along and it’s time to get busy. This updated version of Xotic’s Bass BB brings…
Low-Watts Rock the World, Again
Marshall 1974X and 2061 In the world of guitar amplifiers, the word “Marshall” often conjures images of 100-watt stacks capable of producing ear-bleeding levels of tube-powered volume – the kind…
Good Wood, Good Sounds
German guitar builder Nik Huber is the latest in his family to continue a 100-year tradition of woodworking. Huber started in the guitar business as a Paul Reed Smith authorized…

Juice To Spare
Since the dawn of amplification, engineers have sought a better mousetrap – a more-transparent signal chain that preserves signal and adds less noise. With its new Acoustic Pedal, Orange takes…
Walrus Audio’s Mako Series MKII bolster the sounds of their first-gen predecessors, using altered algorithms, new controls, and better tonal quality. The most-obvious changes are new fine-tune settings and a menu screen. The M1 High-Fidelity Modulation Machine offers Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filters. Running between a Deluxe Reverb a Les Paul Traditional or
LSL Instruments is best known for high-end Leo-style guitar builds, but they’ve also started delving into overdrive pedals. The Lucid OD is their version of a Klon Centaur – one of the priciest stompboxes in human history ($5,000-plus for the first-gen gold box with the horse logo). The box offers Volume, Gain, and Tone knobs
With is Clean compressor, Chase Bliss set out to create a pedal that would duplicate the vivid interactivity of a dirty tube amp, but with a completely clean tone. While a standard compressor can give your guitar (bass, keyboard, etc.) a professional sheen, the Clean is a stereo unit that can polish mixes or deliver
Wait – what? Did Eastwood just bring back the Super Axe, that incredibly rare bird from the late ’70s? Indeed, they did. A Korean-made reissue, it captures the spirit of Gretsch’s chambered curiosity. Grabbing one, the first thing you’ll notice is the oversized yet thin body, with its arched top and the enchanting lines of
So often has the phrase “Mark Sampson era” been applied to pre-2000 Matchless amps or early examples of the Bad Cat line that the term has become a “thing” in and of itself. As applied to Bad Cat’s new Era 30, it means Sampson is back in the fold (see our interview in the March
Now more than 90 years old, the lap steel was the earliest example of an electric guitar and remains a stringed instrument every guitarist should try, largely because it’s so accessible. In fact, a lap steel is about as straightforward as you can get – it’s a plank that sits on your lap and is

Zeppelin Design Labs Cortado MkIII contact microphone can record everything from acoustic guitars to a train bridge with a frequency range of 23 hertz to 40 kilohertz. It combines a…
Six-Song Minimum?
Taylor T5 Thinline Fiveway For years, people continually asked Bob Taylor, “When are you going to come up with an electric guitar?” Taylor’s answer was always, “Somewhere between never and…

Return of Cowboy Fancy
The mid ’70s were a time for bold experimentation in guitar design, particularly with electronics. Guitarists were discovering replacement pickups, coil-tapping, onboard boosters, and active EQ circuits; some loaded their…

Smart, Swift Stomp
Imagine a world where all of your pedals work together so seamlessly that you can quickly and easily experiment with new combinations with the swipe of a finger – and…

No Limits
Taking inspiration from Fender’s classic AB763 Deluxe Reverb, the hand-wired Andrews Spectraverb 16 uses a pair of JJ 6V6 power tubes (producing 16 watts), a GZ34 rectifier, two 12AX7 and…

Modern Johnson
Waterloo WL-14 Price: $2,100, $1,890 (street) Contact: www.collingsguitars.com or www.waterlooguitars.com Robert Johnson slid into a photo booth, dangling a cigarette from his lips and holding a flat-top guitar. What brand…

Livin’ Large
Most of us have been so conditioned to accept 12″ guitar speakers that we forget there are good options. While traditionally employed by bassists, 15″ speakers have also been used…
Display Their Heritage
Martin D-18 1937 Authentic The first thing that catches your eye as you open the case of Martin’s D-18 1937 Authentic is the guitar’s unmistakable vintage vibe. Whether you’re drawn…

Wampler’s Tumnus Deluxe & Paisley Drive Deluxe
Already road-proven overdrive stompboxes, the Wampler Tumnus and Paisley Drive have received a makeover for 2018. But, is there is anything new to gain? The original Tumnus was intended as…

Tone-Tweaker’s Dream
Designed to be a dream machine for players who just love to “experiment” with tone, the Positive Grid Bias Head is stand-alone that interfaces with software to create fresh presets…

Stratospheric
Paul Reed Smith has for years experimented with Leo-inspired concepts, and his newest guitar, conceived in collaboration with rocker John Mayer, lands squarely in that traditional single-coil solidbody arena. But…

Not Your Dad’s Boutique Amp
The guitarist’s greatest quests is most often that of the tone that resides within their heads. That quest drove guitarist Ken Doles to design his own amplifier. The tone in…

The Bell Tolls For Thee
The Bellwether from Walrus Audio is a high-end analog delay notable for its tone, adaptability, and depth of control. The pedal’s capabilities will exceed many players’ needs, but the Bellwether…

Return Of The Rebel
From the get-go, Fender’s Jazzmaster was the black sheep of the family – that wild-at-heart uncle your ma warned you about. Happily, it’s happily back in the lineup with the…

Fender’s Micro Mustang is a pocket-sized contraption offering 12 amplifier models including classic Fender, “British,” and “American,” along with 12 time-based effects. It uses color-coded LEDs instead of an LCD…

Birds Are the Word
AJ Peat is in the business of creating some of the hippest music gear on the planet. Boutique guitars, pedals, and audio devices all bare his thumbprint, and his take…

Subjective as it is, the term “mojo” usually refers to gear that’s been played-in over the years. Eastwood tries to counter that perception with their cool reissues, two recent examples…

Less Is More
Getting one’s hands on a five-string electric like the one Ted Newman Jones built for Keith Richards in the ’70s is a rare treat. Thanks to a partnership with the…

The Secret Inside
Every once in a while, an instrument or piece of gear emerges that knocks the socks off. Yamaha’s TransAcoustic is one such axe. The TransAcoustic is a dreadnought (the company…
Jazz Axe, Plus
With his newest creation, luthier Roger Sadowsky endows his entrant into the world of semi-hollow guitars with capabilities to cover the demands of blues, rock, and fusion. And while Sadowsky…

Straight from the Delta
Saint Blues Bluesmaster/Blindsider Price: $2,399 (Bluesmaster); $2,550 (Blindsider) Info: saintblues.com St. Blues’ history stretches back to the days when its founders customized guitars for the likes of Jimmy Page, Billy…