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VG Approved Gear
Walrus Audio’s Mako Series MKII
Walrus Audio’s Mako Series MKII bolster the sounds of their first-gen predecessors, using altered algorithms, new controls, and better tonal quality. The most-obvious changes are new fine-tune settings and a menu screen. The M1 High-Fidelity Modulation Machine offers Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filters. Running between a Deluxe Reverb a Les Paul Traditional or
The Drew & Sebastian Avenger
Multi-“caster”
At first glance, the D&S Avenger looks like a long-lost prototype from Leo’s shop, with its offset-waist shape and familiar pickup/ hardware/ control setup. The Avenger’s two-piece alder body sports…
Zemaitis S22 Metal Top
Zemaitis company makes its initial offering
Zemaitis S22 Metal Top Amongst the sometimes bizarre, always esoteric lot that is any given group of vintage guitar collectors, the name Antanus Casimere Zemaitis carries a special connotation. The…
The Taylor 712e
Naturally Bold
Taylor Guitars recently redesigned their 700 Series, to add performance bracing, two-piece maple/spruce bridge plate, protein (hide) glue on bridge and bracing, and several new aesthetic features, including a re-shaded…
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LSL Instruments’ Lucid OD and OG OD
Lively Drives
LSL Instruments is best known for high-end Leo-style guitar builds, but they’ve also started delving into overdrive pedals. The Lucid OD is their version of a Klon Centaur – one of the priciest stompboxes in human history ($5,000-plus for the first-gen gold box with the horse logo). The box offers Volume, Gain, and Tone knobs
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The Chase Bliss Clean
Posh Squash
With is Clean compressor, Chase Bliss set out to create a pedal that would duplicate the vivid interactivity of a dirty tube amp, but with a completely clean tone. While a standard compressor can give your guitar (bass, keyboard, etc.) a professional sheen, the Clean is a stereo unit that can polish mixes or deliver
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The Eastwood Super Axe
Chet Powered!
Wait – what? Did Eastwood just bring back the Super Axe, that incredibly rare bird from the late ’70s? Indeed, they did. A Korean-made reissue, it captures the spirit of Gretsch’s chambered curiosity. Grabbing one, the first thing you’ll notice is the oversized yet thin body, with its arched top and the enchanting lines of
Keeley Electronics Dark Side
Floyd Fare
In the multi-verse of effects pedals, Robert Keeley’s compressors, dirt boxes, and workstation gizmos are a thing of beauty – particularly in the realm of pedals that provide multiple sounds.…
Full Dozen, Semi-Hollow
12 Variations on a Classic Design
To complement our February 2016 issue survey of the semi-hollow electric guitar, we tested 12 examples of the form as it exists today. Plus, check out 2 featured articles in…
Alembic Essence Zebrawood 4
Alembic basses are the stuff of low-end legend, famed for magical tones in the hands of Stanley Clarke, Jack Casady, and John McVie, among others. The newer Essence 4 series…
Avid Technology Eleven Rack
Rack and Roll
The proliferation of digital guitar gear grows by leaps and bounds every year as more players learn to love the world of tones and effects offered by the technology. You’ll…
The Prestige Classic TBK
Hidden Treasure
One of the best-kept guitar secrets, Prestige is a small Vancouver-based operation that has flown under the radar for 18 years. The company farms its own tonewoods, which are shipped…
Zerberus Nemesis Stone-Top
Let's Get Stoned
When German luthier Frank Scheucher was first approached about building a guitar from stone, he had the same reaction you’re probably having right now: Say what? It’ll weigh a ton.…
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The Bad Cat Era 30
Retro-Great
So often has the phrase “Mark Sampson era” been applied to pre-2000 Matchless amps or early examples of the Bad Cat line that the term has become a “thing” in and of itself. As applied to Bad Cat’s new Era 30, it means Sampson is back in the fold (see our interview in the March
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Eastwood MRG Lap Steel
Slide Piece
Now more than 90 years old, the lap steel was the earliest example of an electric guitar and remains a stringed instrument every guitarist should try, largely because it’s so accessible. In fact, a lap steel is about as straightforward as you can get – it’s a plank that sits on your lap and is
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Soldano SLO Plus Super Lead Overdive
Icon In Reach
If the iconic Soldano SLO-100 is perpetually on your wish list but its price tag keeps you from pulling the trigger, its creator now has a realistic alternative. Expanding on the original single-channel SLO Overdrive pedal, the SLO Plus introduces a Normal channel alongside Overdrive, each with dedicated controls that allow for detailed tweaking of
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Orange Dual Baby, Gain Baby, and Tour Baby 100
Playpen Power
For 2025, Orange has expanded on its compact Pedal Baby introduced a few years back with a new trio – the Dual Baby, Gain Baby, and Tour Baby. All 100-watt amps with solid-state Class A/B output stages, Jfet preamp stages (another form of solid-state), and two footswitchable channels, they’re housed in 12″ x 3.25″ x
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Boss SDE-3 Dual Digital Delay
Double Echo
Based on the famed Roland SDE-3000 rack unit, Boss’ SDE-3 combines some classic delay sounds of the 1980s, updated with a bevy of modern tricks and features. Like a lot of delays, it can be run in mono, but you’ll get the biggest bang going in stereo to different amps or outputs. The core of
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Mesa/Boogie Mark IIC+ Reissue
Dual-Mode Delivery
The evolution of Randall Smith’s legendary high-gain Mesa/Boogie design into the revered Mark IIC+ of the mid ’80s established a rock amp that many guitarists still consider the epitome of the form. Building on what was already a high-gain amp by the standards of the day, the M/B team piled on even more gain, more
Epiphone’s Inspired by 1955 Les Paul Custom
Dressed to Kill
Produced from 1954 to 1956, the Black Beauty Custom is one of the most revered Les Pauls. Marketed as the “fretless wonder” for its small frets, it was given an…
Epiphone Greeny Les Paul
A Legend Within Reach
Following Peter Green Collectors Edition and Custom Shop tribute models from Gibson (priced in the tens of thousands), Epiphone recently jumped into the segment with its version, the Kirk Hammett…
Positive Grid’s Bias Head
Tone-Tweaker’s Dream
Designed to be a dream machine for players who just love to “experiment” with tone, the Positive Grid Bias Head is stand-alone that interfaces with software to create fresh presets…
Fender The Edge Strat, Edge Deluxe Amp
What You’re Looking For
Leo Fender once famously said, “A guitar is just a hammer.” If you haven’t yet found a hammer that fits like it should, this may be it. After U2 guitarist…
Preston Thompson 00-45
New Old Vintage
Given their scarcity, few mortal pickers will ever own a pre-war Martin 00 or 000 with 45-level appointments. But a handful of luthiers have dedicated their work to building instruments…
Ernie Ball’s Music Man Cutlass/Stingray
Talkin’ Tonewoods
For many builders of solidbody guitars, the challenge is to improve on a handful of pioneering designs from the 1950s and ’60s. No one knows this better than Ernie Ball…
The Mercury Magnetics Epiphone Valve Junior Mod Kit
Small Cha-Ching, Big Bling
Last year, Epiphone tossed a small pebble into a large pond with the introduction of its Valve Junior amplifier – and its launch caused a tsunami. Available as a stand-alone…
Danelectro Baby Sitar
Paint It Sunburst
Legend has it that during a break in the filming of Help!, George Harrison picked up a sitar left behind by the prop men and attempted to play it. Soon…
Frenzel FM-DP1 Tube Preamp
Old-School Bang Without Breaking the Bank
For five decades after he built his first guitar amp in 1952, Jim Frenzel designed tube and solidstate equipment for the military, FAA, and Texas Instruments. But it wasn’t until…
B&G Little Sister Private Build
Doncha Go And Do…
B&G Guitars just about do it all – from mixing their own nitro finishes to winding pickups and even casting their own brass hardware. Their goal? To re-create the feeling…
The Gibson SJ-200
Long Live The King
Introduced in 1937, Gibson’s Super Jumbos radiated star power and quickly became the guitar of choice for those who wanted to be seen; adopters ranged from Gene Autry to Little…
Fender Twin & Deluxe
Fender’s ’57 Twin Amp and ’57 Deluxe – Tweed for Two
Fender “tweed” guitar amplifiers – the Twin, Deluxe, Bassman, Champ, etc., from the 1950s – are the most sought after amps in the annals of guitardom. Whether it is Leo’s…
Dino’s Guitars Rust Box and Dynabox
Old-World Build For a New Gen
Dino’s Guitars Rust Box Italians have historically been known for great craftsmanship and detail. Names like Lamborghini and Maserati conjure the image of the exotic and the high-end detail required…
Boss Katana 100
Impressive Amenities
More and more, guitarists’ passion for tube amps is being balanced by the rise of quality digital, solidstate, and modeling amps, and for good reason – they’re often inexpensive while…
Reverend Rick Vito
Tone, Style
Reverend Musical Instruments head honcho Joe Naylor began playing guitar in 1982, graduated from the Roberto-Venn School of Luthiery, started and ran an amp-building company, and in 1996 fired up…
Egnater Tweaker 40
Small, But Mighty
Egnater Tweaker 40 Price: $1,149 (approx. $800 street). Info: egnater.com Egnater has just amplified its Tweaker line with a new 40-watt, two channel, 1×12 combo. This amp has a Celestion…
Reverend Mike Watt Wattplower
During four years of back and forth, Reverend Guitars and legendary punk-rock bassist Mike Watt (Minutemen, Firehose, Stooges), developed a partnership that ultimately produced the Wattplower signature bass. The Wattplower…
Axe-Calibur Guitar Stand
While guitar stands are a dime a dozen, few bring a sense of style nice enough for the living room. Axe-Calibur’s stand combines functionality with good looks. U.S.-made from oak…
Henriksen’s The Bud
This One’s For You
In theory, a big guitar amp should sound larger than a smaller one. Then there’s Henriksen’s The Bud. Based on a cabinet created by company founder Bud Henriksen, it’s a…
Echopark Clarence
Wayback Machine
Gabriel Currie’s Echopark Guitars have been played around the world by some of the music industry’s heaviest hitters. His is a line of handmade gems that just ooze vintage flavor.…
Bacino BAC 18
Tone, With a Big T
Bacino Bac 18 Mike Bacino makes no bones about his mission in recreating the Marshall 18-watt model 1958 2×10″ combo from the mid 1960s. The original amps are rare and…
