• The story of the Martin F-50

    Classic Instruments

    The story of the Martin F-50

    Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

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The ’66 Vox UL 730

Beatle Juice

Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the 1966 “UL” series. More importantly, it represents a bridge between…

Gibson GA-200 Rhythm King Vintage Guitar magazine

Gibson GA-200 Rhythm King

Preamp tubes: two 12AX7, one 12AY7, two 6BJ8, two 6SK7, one 6V6 (used as a voltage divider) Output tubes: two 6550 Rectifier: GZ34 Controls: Ch1: Volume, Treble, Bass; Ch2: Volume,…

Gibson Les Paul Juniors

Beauties in Black: Two Rare Gibson Les Paul Juniors

Guitar dealers tell guitar stories much like anglers tell fish stories. There are those they “got” and those that got away, and either can render reactions ranging from a sigh…

Rickenbacker A22

Frying Pan

The Rickenbacker model A22 lap steel was the first commercially available electric guitar. Although it bears the brand name “Rickenbacker,” it was actually the brainchild of George Beauchamp. In the…

Hilary Gardner returns with a fresh take on a holiday classic!

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy…

Matching Mojo

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments and maybe matching amplifiers. Better still, add matching stage…

The National Silvo Electric Hawaiian

One of the most innovative companies of the pre-World-War-II era, National found out quickly that innovation was a double-edged sword. Just as their resonator guitars of the late 1920s made…

Gretsch 6119 Tennessean

Gretsch 6119 Tennessean

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

The Fender Master Series

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…

Gibson L-10

Photo: Kelsey Vaughn. Instrument courtesy George Gruhn Gibson did not put the L-10 on a price list until 1931, but according to the serial number on this example, the company…

Ovation Solidbody Guitars

No matter how hard they tried…

Acurious phenomenon that ac-companies certain guitar compa-nies is an inability to translate success from one medium to another. For instance, Martin has never been able to transfer its reputation for…

B.C. Rich Guitars

From Flamenco to Heavy Metal

From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

Fender’s Tweed-to Tolex Transition

Best Face Forward

Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…

Fender Precision Bass Elite II

On a Tangent In Its Time

Precision Bass has been offered in a myriad of models in its 50 years of existense, including a number of “reissues.” One of the more intriguing variants was the Elite…

Diamond Rio’s Jimmy Olander

Sworn Gunslinger

Grand Ole Opry member, CMA, ACM, and Grammy winner Jimmy Olander is one of the most-admired players in country music. As co-founder of Diamond Rio, his dedication has always been…

Audiovox and Serenader Amps

An Interview with Bud Tutmarc

Introduction With this month’s feature story on the Audiovox bass (page 80), plus a comparison between Audiovox pickup (page 81) and early Dobro pickups, it seems appropriate to also dedicate…

Epiphone’s Professional Guitar and Amp

Epiphone’s Professional Guitar and Amp

Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…

David Hamburger: masterful playing, 00-18 deep dive

David Hamburger and his ’56 00-18 Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar when he plays it. Here, he shares the title track…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot…

Andre Segovia’s Hauser

Built in 1937

While visiting the Spanish guitar exhibit at the Metropolitan Museum of Art in New York City during the fall of 1991, I had the opportunity to measure and photograph, in…

Bigsby Merle Travis Electric Guitar

In Its Original Configuration

The guitar built by Paul Bigsby for legendary picker Merle Travis in the late 1940s is one of the icons of solidbody electric guitars. Its single-cut body and pre-Fender, Stratocaster-like headstock…

Q&A With George Gruhn: A Strong Case

And When to Get an Appraisal

Some of my vintage guitar cases are very worn. One Martin case from the ’40s is missing a latch and the handle is falling apart. I have newer, better cases…

The Martin 3K

The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which evokes exotic images of life on a Pacific island, and…

Tom Petty and Mike Campbell

Guitars at Heart for 30 Years

Remember the first time you strummed a D chord or fumbled your way oh-so-slowly through “Walk Don’t Run”? Chances are you wanted to be in the Beatles, or you wanted…

Gibson Top Tension Banjos

  Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Barney Kessel’s ES-350 Rides Again

Return Of An Icon

Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…

Heil Talk Box

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an “alien effect.” Similar contraptions had been around since 1939, but…

Zemaitis Acoustic Bass

1972 Zemaitis fretless acoustic. To say Tony Zemaitis made eye-catching instruments would mean uttering one of the great understatements in modern luthiery. A cabinetmaker of Lithuanian heritage, Antonio “Tony” Zemaitis…

Tele-Star 5004

Superior Communications Device

In the late 1950s, the launch of the satellite Sputnik scared the pants off America and inspired a race to catch up. We pulled ahead with the TeleStar I satellite,…

Recording Acoustic Guitars

The Art of Home Recording

Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.