• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Gretsch Jet Firebird

One of the flashiest Jets in the Gretsch Company’s Air Force

December 31, 2013 · Jim Hilmar

Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company…

Matching Mojo

May 4, 2023 · Willie G. Moseley

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching…

Gibson J-35

Gibson J-35

July 5, 2016 · George Gruhn

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with…

Warwick Thumb Bass

Generational Innovation

April 15, 2019 · Willie G. Moseley

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…


Larry Campbell and Teresa Williams: Funky Syncopation

Fine pickin’ on “The Way You Make Me Feel” Husband-and-wife team Martin D-18, while Teresa comps on an Emmylou Harris L-200 that was a gift from

GA-20’s Matt Stubbs and Pat Faherty

FlashBack Sounds, Forward Steps

Musical gateways opened by Jimi Hendrix and the Doors led Matt Stubbs to become a disciple of Johnny “Guitar” Watson, Earl Hooker, and the guitar Kings – Albert, Freddie, and…

Vivi-Tone “Skeleton

A Master’s Magnificent Misfire

The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted…

Wolf Marshall

Jazz-Lore Generator

Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…

Beyond the Parlor

Beyond the Parlor

Part One: The Guitar in Non-Anglo America

Ed. Note: In this series, Tim Brookes attacks the common argument that the guitar in 19th-century America was small, quiet, and suitable only for young middle-class ladies playing in parlors. Part…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Gibson M-III Standard

Missing the Mark(et)

September 22, 2023 · Michael Wright

Gibson’s bread and butter has long been tried-and-true designs that represent remarkable innovations – even if they date back to…

2021 Readers’ Choice Awards

May 24, 2022 · Vintage Guitar

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along…

Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

May 30, 2017 · George Gruhn

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan…

Matchless DC-30

Matchless DC-30

February 22, 2016 · Dave Hunter

Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls:…


Beat Portraits: Burns Volume 1

Beginnings – The Early 1960s

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Fender Precision Bass

The “Final” Configuration

The Fender Precision Bass was the first commercially successful solidbody electric bass. Played somewhat like a guitar and sporting a fretted neck, the “P-Bass” won over players in almost every…

JOHNNYSMITH-HOME-MAIN-BIG

The Guild and Gibson Johnny Smith Models

The name “Johnny Smith” is synonymous with class, elegance, and style. Most guitar players are familiar, if not with the man or his music, certainly with the guitars that bear…

GIBSON F-7 1934

1934 Gibson F-7

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole.…

“Buy That Guitar” podcast with special guest Willie G. Moseley

Season 03 Episode 01 In Episode 3.1 of “Buy That Guitar,” host Ram Tuli is joined by longtime VG contributor Willie G. Moseley, who describes himself as a “stereotypical Babyboomer…

Carvin 8-15-B

Mail-Order Prize

In the days when the printed catalog was king, Carvin guitars and amplifiers often boasted a stature that outweighed their in-the-wild availability, while robust quality and appealing feature sets kept…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Jussi Jaakonaho’s beguiling “Beauty Box”

May 30, 2024 · Vintage Guitar

Masterful Tapestry Soak it in as Jussi Jaakonaho and his 1970 Gibson SG Standard jam on ”Beauty Box” through a…

MORLEYWAH-HOME-MAIN-BIG

The Morley Rotating Wah

Chromed Tone

February 3, 2014 · Michael Dregni

There was a time in the mythic ’70s when guitarists were real men and lugged around 15-pound Morley Rotating Wah…

The story of the Martin F-50

December 24, 2025 · Vintage Guitar

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric…

Gibson ES-300 Prototype

Les Paul and the First Gibson ES-300

April 20, 2010 · Lynn Wheelwright

When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle…