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Classic Instruments
The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
Duane Eddy
Of DeArmonds and Details
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang box-set anthology, which included 40 songs he helped re-master and…
The Morley Rotating Wah
Chromed Tone
There was a time in the mythic ’70s when guitarists were real men and lugged around 15-pound Morley Rotating Wah pedals to gigs and studios. And if they weren’t real…
Guyatone Micro Effects
Little Boxes, Big Effects
Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was on to a good thing, the company recently added five…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
Echoplex
Roots of Echo Part IV
For those of you checking out our Echoplex series for the first time (and regular readers, too), a brief glance back: Part I perused the groundbreaking use of echo by…
Keith Richards’ 1963 Gibson SG Custom
Ready to Ramble
In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les Paul since being developed in 1952. Redesigned in response to…
Gibson’s “SG” Les Paul
Classic Shape That Filled Big Shoes
In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new…
Realistic Entertainer-34
As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be…
The Misadventures of Temple of Doom
Indiana Wright
The steel jaws of the trap had snapped shut. But events had spun so wildly out of control. And now, as Indiana Wright slipped from consciousness, he was not quite…
Jimmy James’ Psychedelic R&B
“Parlor Strut” on a vintage Harmony! Proving that ’60s import guitars can make cool sounds, Parlor Greens guitarist Jimmy James plugged in to demonstrate. Yes, he modded his Harmony H54…
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The Guitars of Gary Rossington
A Legend’s Legacy
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along with his wife, Dale, looked for advice from his lifelong friend and bandmate, Rickey Medlocke. The stash was considerable – 71 guitars including his famous…
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Wes Beech
Life in The Plasmatics
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
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Classics: Mike Semrad’s ’57 Gibson Les Paul Custom
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
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Heathkit TA-16 Starmaker
Basement Jams & Blown Speakers
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and…
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Blues guitarist Charlie Apicella’s “Booze and Blues” and “Just Like a Woman”
Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from the typical blues player. A devotee of B.B. King (and others), he pays homage on a new album, “Iron City: Live in NYC,” by plugging two of his favorite guitars into the ’65 Guild Thunder…
Guardians of Grandeur
The Men Who Tend to the Guitars of the Hard Rock Cafe
“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case; we’re very strategic.” – Jerry Fraize When Peter Morton and…
The House of Stathopoulo Harp Guitar
Surreal Missing Link
One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…
Rosewood Dobro
In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also…
The Birth of Newman Guitars
Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design and began working for Keith Richards exclusively in late 1971.…
Epiphone Model M Steel
Misjudged Beauty
The Epiphone company already had a long history when it hit big with banjos in the early 20th century. And it was quick to change with the times as musical…
Antique Guitar Amps 1928-1934
Which came first – electric guitar or amp?
The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…
Matchless DC-30
Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…
“Buy That Guitar” podcast with special guest Willie G. Moseley
Season 03 Episode 01 In Episode 3.1 of “Buy That Guitar,” host Ram Tuli is joined by longtime VG contributor Willie G. Moseley, who describes himself as a “stereotypical Babyboomer…
George Ducas: Modern Honky-Tonkin’
Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and Wynn Stewart. His new album, “Long Way From Home,” was…
Dwight Twilley’s ’57 Fender Super
Cowboy Fringe
Plenty of vintage amps have made it into these pages on their own merits. But when a hallowed creation also has a fun artist-related history – like this road-worn 1957…
Alembic Distillate DMSB
1982 Alembic Distillate DMSB. Photo: Bill Ingalls Jr. Active pickups in electric guitars and basses have been around for more than four decades; in 1962, British guitar builder Burns offered…
Gibson’s Earliest Dreadnought?
Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this…
Fender Custom Colors in the 1960s
Misty Lakes, Foamy Shores
In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…
Diamond Rio’s Jimmy Olander
Sworn Gunslinger
Grand Ole Opry member, CMA, ACM, and Grammy winner Jimmy Olander is one of the most-admired players in country music. As co-founder of Diamond Rio, his dedication has always been…
Tonk Brothers/Washburn 5241
From the late 1920s through the early ’40s, Gibson produced instruments under a variety of brand names for retailers like Montgomery Ward and mail-order houses like Tonk Brothers. While the…
Classics – June 2021
Rob Harrelson’s first guitar – a Kay 1160 – entered his life as a 14th-birthday gift from his grandmother. At $25, it was the cheapest guitar at Forbes Music, in…
Epiphone’s Professional Guitar and Amp
Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…
A Guide to Vintage Dobros
John Dopyera left National in 1929 to begin work on a secret project – a single-cone resonator guitar he believed superior to the Triolian. His instrument became synonymous with resonator…
Classics: September 2021
Fenton Robinson’s Gibson ES-225
Kevin Ludwig first became aware of Fenton Robinson in 1975, when he heard Boz Scaggs’ version of “Somebody Loan Me a Dime,” which spurred him to buy Robinson’s 1974 Alligator…
Vox AC50
Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS,…
The Epiphone Excellente
When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made in the Gibson factory but designed to be slightly less…
