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Classic Instruments
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Beat Portraits: Burns Volume 5
1964: Solid Heyday
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…
The Slingerland May Bell
It’s hard to imagine a more poorly “documented” guitar brand than Slinglerland. The company has been around since before World War I and made a lot of guitars and banjos…
Microphones and Their Uses
The Art of Home Recording
The means to make high-quality home recordings are well within the grasp of every guitarists. But, they can only as good as what you put in. We dig into the…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
The Roots of Echo
Pre-Echoplex Devices, Part I
Post-WWII advances in recording techniques, including the use of artificial reverberation and delay enhanced music as opposed to merely capturing it. The sound became almost as important as the material…
Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy…
Whooooo Wal You?
John Entwistle’s fretless ’78 Wal
Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their efforts evolved into a company known as Electric Wood, and…
Fender’s First Reissues
The CBS Era Concludes in Style
By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s Stratocaster and Telecaster, and Gibson’s Les Paul – were so…
The Guitars of Ernst Heinrich Roth
International Influence
Now just a sleepy town in Germany, over the last 200 years, Markneukirchen has been home to countless luthiers ranging from brilliant to brutish, and has exported millions of instruments…
Matchless DC-30
Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
Eric Clapton’s “Blackie”
This may well be the most desirable Fender Stratocaster on the face of the planet. And it happens to be a beat-up mongrel assembled from parts taken from three 1950s…
JMI Vox AC15 “Two-Tone” 1×12″
TV Star
The permutations of early Vox models remain endlessly fascinating to vintage-amp enthusiasts, and few get us as worked up as a rare transitional version of the hallowed AC15. The “TV-front”…
Ralph Novak
Philosophy of the Luthier
I first met Ralph Novak in 1980, when he was working at Subway Guitars in Berkeley, California. I’d assembled a kit Strat and it needed a refret. My monstrosity was…
Hofner 185
Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a…
Perfect Curves
Fender’s Stratocaster Turns 60
Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…
Tom Petersson
Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed instruments. Now a resident of Nashville, Petersson still plays the…
1934 Gibson F-7
Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole.…
Classics: May 2022
“Wild” Jimmy Spruill’s ’66 Fender Jaguar
Wilbert Harrison’s 1959 version of Leiber and Stoller’s “Kansas City” shares space at the summit of all-time blues/pop classics, its guitar part ably handled by New York City session ace…
Holy Cripes!
The Story of Jerry Garcia’s Last Guitars
Steve Cripe left a unique legacy in the annals of music history. He was not a guitar player, not a songwriter. In fact, you may not even know his name.…
Nioma Guitars
Rarities from a West Coast Music School
NIOMA musical instruments from the 1930s and ’40s – with their vaguely Hawaiian-looking name – have mystified vintage-guitar enthusiasts over the decades when they’ve occasionally surfaced in retail shops and…
Magnatone Amps
More Magnatone!
Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…
Trainwreck Express “Nancy”
World’s most desirable amplifier? Aside from any “standard” vintage amps that have been elevated through their associations with major artists, the few original-design, made-by-hand amps out there that wear the…
Marshall Amplifiers
From Birth to the 21st Century
From the first JTM to models for Clapton and Townshend, Jim Marshall has been building amps since the early 1960s. Though inspired by others, his amps are entities unto themselves.…
J.D. Simo
Playing for Elvis
Psych-blues guitar maestro J.D. Simo was the wizard behind the guitar work heard on Elvis, the new Baz Luhrmann film starring Tom Hanks and Austin Butler. Unlike the actors who…
The Guild Starfire Bass
In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the brand think the sterotype is unfair, of course, and certainly,…
Audiovox and Serenader Amps
An Interview with Bud Tutmarc
We dedicate this month’s column to the “legendary” Seattle line. Having never had the opportunity to play through one or take one apart, we’ll have to let catalog descriptions suffice…
Gibson’s “blond” J-35
In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…
Gibson Kalamazoo Award
Designer's Dream Come True
In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era,…
Pop ’N Hiss: Taste
Breakout Blues
The ’60s may have been the most musically significant decade in the history of popular music, but very few countries were represented then or in the years that followed. Fronted…
MXR Custom Shop GT-OD Overdrive
Snappy and Smooth
From its early days with the script-logo Distortion + to the modern Zack Wlyde overdrive, MXR has been a mainstay in the overdrive/distortion pedal market for the past 30-plus years.…
1971 Dumble Special 16 #0001
Prehistoric Beast
1971 Dumble Special 16 • Preamp tubes: three 12AX7 • Output tubes: eight 6L6GC (most likely) • Rectifier: solid-state • Controls: Volume 1, Volume 2, Treble, Middle, Bass, Accent; Bright…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
