-
Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Molly Miller – top-flight instrumental rock, jazz, and twang
Trio rips on “2 West” Instrumental guitar music is having a moment. Offering a stellar example, Molly Miller and her trio show us “2 West,” filmed during soundcheck on their…
Marty Friedman’s Melodic Grandeur
Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard on the record. Read our cover feature and a review…
The Acoustic
Black Widow
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
-
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
-
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
-
Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
Rickenbacker Electro Bass
Photo courtesy George Gruhn. When discussing the origins of the modern electric bass, most typically think of the Gibson Style J mando-bass of the 1910s and ’20s, the Audiovox electric…
Bob Spalding: Instrumental Legend
Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on rockin’. Longtime guitarist/bassist Bob Spalding indulged us by grabbing three…
Parsons-White String Bender
On September 20, 1983, Jimmy Page re-emerged into the public eye after the death of John Bonham and the breakup of Led Zeppelin with a thundering ovation at the Royal…
Wah-Wah Pedals
An Evaluation of Effects and Pedals
The idea for this article came about when I purchased a box of effects pedals from the owner of a music store which had closed in the late seventies. Most…
Gibson’s Depression-Era Exports
Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…
The Schaffer-Vega Diversity System
Making Rock Roll
“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…
-
Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
-
Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
-
Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
-
Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
-
The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
-
Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Classics: September 2023
Bill Fudge’s Micro-Frets Huntington
Several years before he became a luthier who deserves much greater recognition, Ralph Jones sold new Fender guitars and amps out of his home studio in Rockville, Maryland. One early…
The Martin 3K
The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which evokes exotic images of life on a Pacific island, and…
Rex Solidbody By Michael Wright
Circa 1959 Rex solidbody. While a lot of vintage-guitar enthusiasts are content to pursue well-known treasures, there are others who appreciate a good mystery. For me, it’s been a pleasure…
’72 Marshall “NARB” Tremolo 100
Mirror Image
When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet…
Vintage Dobros
A Guide
When John Dopyera stormed out of the National shop in January 1929, his resignation stemmed from more than a spur-of-the-moment tantrum. For months, the inventor of the resonator guitar spent…
The Strat in Transition
Leap Forward, Step Back
Believing the long-term survival of his company hinged on creating the world’s best electric guitar, in 1953, Leo Fender set out to improve on his own Telecaster before Gibson or…
Fender Headless Bass
Forgotten Prototype
Reflecting back through my years in the guitar industry, much of my time has been spent in product development, prototyping, and the making of specialty guitars. In recent years, quite…
Fender’s Tweed-to Tolex Transition
Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…
The ’66 Vox UL 730
Beatle Juice
Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the 1966 “UL” series. More importantly, it represents a bridge between…
Fender’s Musicmaster and Duo‑Sonic
Little Brothers
Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up guitar to play along with “Rock Around the Clock.”
The Story of Silver Street Guitars
Building a Better…. Gibson?
In the late 1970s, trends combined to spawn several new guitar companies in the Chicago area motivated by a desire to “build a better Gibson.” The list included Dean and…
Beat Portraits: Burns Volume 3
Backbone Instruments 1962-’64
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…
Rex Solidbody
Italian Connection
An internet search for “Rex guitars” will turn up a fair – if confusing – amount of information about the brand used on budget guitars and banjos made by Gretsch…
Reverend Freakchild – Surprises at Every Turn!
Pushing Boundaries of Blues, Folk, and Rock After a smash-and-grab from his car a few years ago, Reverend Freakchild made this National N-series his main squeeze. Here, they show us…
Dave Gant’s Amp Collection
Key Collection: Nashville pro Dave Gant fosters an impressive gathering of amps
Dave Gant grew up in Ada, Oklahoma, and while the city of 17,000 will never be confused with Memphis or Nashville in terms of musical impact, it is the birthplace…
Gibson Super 400 PN
The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing it and the L-5 Premiere in clear “natural” finish. The…
Classics: August 2022
Billy Soutar’s custom-order 1936 Gibson L-7
While scanning an Elderly Instruments ad in Vintage Guitar one day in early 2009, Billy Soutar spotted the description of a 1936 Gibson L-7, “Custom… with factory Charlie Christian pickup.”…
Gibson Roy Smeck Electric Tenor Banjo
Photo by Julie Woods. At the dawn of electrical amplification, no one knew where the new technology would take stringed instruments (or keyboard instruments, for that matter). As the electric…
Recording Acoustic Guitars
The Art of Home Recording
Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.
Diamond Rio’s Jimmy Olander
Sworn Gunslinger
Grand Ole Opry member, CMA, ACM, and Grammy winner Jimmy Olander is one of the most-admired players in country music. As co-founder of Diamond Rio, his dedication has always been…
Gibson Humbucker
Crunchy, Clean Dirt
Gibson and Fender may be the longstanding heavyweight rivals of the electric guitar game, but they have one very important thing in common: they revolutionized the guitar industry. Fender took…
