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Classic Instruments
Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
1965 Epiphone Emperor
The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934.…
Audiovox Electronic Bass
Discovered! The World's First Electric Bass Guitar
While there have been lively debates raging in the rare instrument community for many years about any number of puzzling early guitars – not to mention the perennial issue of…
’66 Epiphone Casino
In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked well below the semi-hollow Sheraton and Riviera or the solidbody…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
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The Guitars of Gary Rossington
A Legend’s Legacy
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along with his wife, Dale, looked for advice from his lifelong friend and bandmate, Rickey Medlocke. The stash was considerable – 71 guitars including his famous…
Gibson’s 1966-’70 Flying V
In Detail
Body is two-piece mahogany. Pickguard mounts to body with 13 screws. Pickups are patent-number humbuckers with chrome-plated covers. Tune-O-Matic bridge with Gibson’s basic spring vibrato (a.k.a. Vibrola) tailpiece. Control pots…
The Gibson ES-5
Instrument Profile
Gibson, like all American guitarmakers, had to shut down electric guitar production for three years during World War II. But when production resumed in 1946, Gibson made up for the…
Diamond Rio’s Jimmy Olander
Sworn Gunslinger
Grand Ole Opry member, CMA, ACM, and Grammy winner Jimmy Olander is one of the most-admired players in country music. As co-founder of Diamond Rio, his dedication has always been…
1949 Bigsby Tenor
By the advent of the solidbody electric guitar in the 1950s, tenor guitarists were a dying breed. Consequently, electric tenors are relatively rare, and a tenor guitar made by solidbody…
1965 Gibson Thunderbird
Cardinal Red Rarity
Looking to finally make a real dent in Fender’s solidbody bass market, in the mid ’60s Gibson launched a line of electric guitars and basses that emulate Fender’s latest designs.
The Gibson Starfire TR 1000 RVT
Trans-Galactic Toneway
Relatively unsung among early entrants to the field of solid-state guitar amplifiers, Gibson was the first high-output, high-quality manufacturer to bring one to market. And while it quickly proved the…
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Wes Beech
Life in The Plasmatics
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
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Classics: Mike Semrad’s ’57 Gibson Les Paul Custom
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
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Heathkit TA-16 Starmaker
Basement Jams & Blown Speakers
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and…
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Blues guitarist Charlie Apicella’s “Booze and Blues” and “Just Like a Woman”
Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from the typical blues player. A devotee of B.B. King (and others), he pays homage on a new album, “Iron City: Live in NYC,” by plugging two of his favorite guitars into the ’65 Guild Thunder…
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Kid Ramos’ Revelation!
West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an improv jam. For the biker-curious, that’s his ’67 Harley-Davidson Electra Glide shovelhead “dresser,” which still wears its original paint and a couple of 1950 Cushman…
Weymann Model 890 Jimmie Rodgers Special
Hey Hey, Tell ’Em About US
Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…
Tyler Morris and a 1953 Gibson Les Paul model
Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.
The Fender “Korinacaster”
Double-Cut Kuriosity
There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the adventurous sort. Rather, history tells us he was a pragmatic,…
“Buy That Guitar” podcast with special guest Binky Philips
Season 03 Episode 01 In Episode 3.2 of “Buy That Guitar,” presented by Vintage Guitar magazine, host Ram Tuli engages with Binky Philips, a notable New York-based rock musician, guitarist,…
“Buy That Guitar” podcast with special guest Willie G. Moseley
Season 03 Episode 01 In Episode 3.1 of “Buy That Guitar,” host Ram Tuli is joined by longtime VG contributor Willie G. Moseley, who describes himself as a “stereotypical Babyboomer…
Built to Survive
Gibson and Montgomery Ward in the Great Depression
In our nation’s darkest economic times, one of its most-revered guitar manufacturers was treading headlong toward extinction before an unlikely hero started placing big orders.
Weymann Model 890 Jimmie Rodgers Special
Hey Hey, Tell ’Em About US
Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…
Gibson Les Paul Spotlight Special
Unlocking the Mystery
It was 1983, and Gibson was in the throes of its darkest days. Norlin Industries had incurred excessive debt, sales were down, and the Gibson name for sale. Amidst the…
The Gibson J-185
The J-185 is regarded by many players and collectors as the finest-sounding Gibson flat-top made after World War II. The only flat-top of its size and shape made by Gibson…
Guyatone Micro Effects
Little Boxes, Big Effects
Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was on to a good thing, the company recently added five…
Spectrum 5
Joining playful mid-’60s cultural icons such as the Ford Mustang, NBC’s “The Monkees,” the Beatles’ “Nowhere Man” and Cassius Clay, the Teisco Del Rey Spectrum 5 was the high-water mark of original…
Mossman Guitars
Triumph over Tragedy
The story of Mossman guitars is one of both tragedy and triumph. Often forgotten in the rejuvenated interest with acoustic guitars of the 1990s, Mossmans are best known for their…
Ray Benson’s Gibson ES-355
Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…
Gibson J-200 Rosewood
The Gibson company was founded on the belief that carved-top guitars were superior to flat-top designs, and consequently, Gibson was a reluctant entrant in the rising flat-top market of the…
Danelectro Viscount
1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength, Vibrato Speed Output: 12 watts RMS Amp nuts of yesteryear…
Gibson Basses in The ’70s
Plucky Trio from the “Downer Decade”
Guitar enthusiasts have long heard that the 1970s were the “downer decade” for Fender and Gibson, both of which introduced a few duds and struggled with quality control. Their travails…
Marty Friedman’s Melodic Grandeur
Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard on the record. Read our cover feature and a review…
1904 José Ramírez I
Possibly no name is more associated with the classical guitar than that of José Ramírez (1858-1923), the founder of a long dynasty of Madrid makers dating from the late 19th…
Epiphone’s Professional Guitar and Amp
Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…
Antique Guitar Amps 1928-1934
Which came first – electric guitar or amp?
The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…
The Sammick Viper
Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some experience brief popularity, then slip into obscurity – think Bond…
