“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…

Cowboy Fringe
Plenty of vintage amps have made it into these pages on their own merits. But when a hallowed creation also has a fun artist-related history – like this road-worn 1957…

Say hey, fellow guitarists! If you live in the Northeast, it’s great to have a hobby that doesn’t require going outside. Two storms in five days of each other dumped…

A-Team Guitarist, A-List Producer
Jerry Glenn Kennedy, a 13-year-old who recorded for RCA Victor as “Jerry Glenn,” got the shock of his young life when he walked into a Nashville recording studio in September…
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along with his wife, Dale, looked for advice from his lifelong friend and bandmate, Rickey Medlocke. The stash was considerable – 71 guitars including his famous…

When Down Was Up
Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics, while the versions that replaced them…
Fresher Guitars
Epic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate…
Metal Machine Music – The Next Phase
“Bean is Back!” proclaimed the signs at a recent California guitar show. Indeed, Travis Bean, builder of the short-lived-but-legendary ’70s instruments that bear his name, has reentered the guitar-manufacturing arena…

The Redoubtable “Dot-Neck” Early every guitar conceived or designed by Ted McCarty during his tenure as president of Gibson (1948-’66) is today seen as exemplary of the company’s best work.…

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s also one of the more unusual in that it may…
1974 Veleno Original, serial number 90. Photo: Michael Wright. Electric guitars have their roots in resonator guitars made with metal bodies and aluminum resonator plates – the first commercially successful…
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and…
Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from the typical blues player. A devotee of B.B. King (and others), he pays homage on a new album, “Iron City: Live in NYC,” by plugging two of his favorite guitars into the ’65 Guild Thunder…
West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an improv jam. For the biker-curious, that’s his ’67 Harley-Davidson Electra Glide shovelhead “dresser,” which still wears its original paint and a couple of 1950 Cushman…

Durable, Dependable
In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s, “…the company hadn’t forgotten their regular customers,” specifically citing the…

The idea of Gibson providing guitar parts to another prominent guitar maker is laughable today, but in the 1940s and ’50s, relationships were cozier between some of the major instrument…

A Better Idea
Guitar history is littered with “better ideas,” some of which stayed around, went nowhere, or went somewhere before landing in the boneyard to be occasionally reincarnated. A great example is…

When trying to determine originality, guitar dealers and collectors have a tendency to study instruments with the care of a forensic pathologist. Still, modifications can be difficult to detect, and…

Jazz-Lore Generator
Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…
In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his”…

Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts for, say, a Popeye and Olive Oyl set? “Spinach Special?”…

Chuck Panozzo’s Gibson ES-125
For nearly five decades, Chuck Panozzo has been the bassist in Styx, enjoying the ride as it went from playing garage parties in suburban Chicago through its heyday as AOR-radio…
Supro S6651 Big Star
Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…
The idea of making “presentation- grade” guitars – special instruments meant as much for marketing as for rich customers – probably goes back to the beginnings of guitarmaking. Certainly by…

Building a Better…. Gibson?
In the late 1970s, trends combined to spawn several new guitar companies in the Chicago area motivated by a desire to “build a better Gibson.” The list included Dean and…
The Les Paul Junior Tone Showdown
What’s All This Excitement About Les Paul Juniors? First it was PAF-equipped Les Pauls, then dot-neck 335s. You know, all the really expensive, elitist “vehicles of tone.” I couldn’t be…
Forgotten Prototype
Reflecting back through my years in the guitar industry, much of my time has been spent in product development, prototyping, and the making of specialty guitars. In recent years, quite…
An Evaluation of Effects and Pedals
The idea for this article came about when I purchased a box of effects pedals from the owner of a music store which had closed in the late seventies. Most…

’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the Memphis Slim House in the Soulsville neighborhood of Memphis (Stax…
Rodney Dangerfield of solidbody electric guitars
1980 Ovation UKII 1291 If there’s a Rodney Dangerfield of solidbody electric guitars, it would be named Ovation. For more than a decade, Ovation tried unsuccessfully to leverage its achievements…

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the Country Gentleman, to American popular music, from his complex fingerpicking…
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold…

In the mid 1960s, England’s Vox company was in the right place at the right time. Buoyed by frontline British Invasion endorsers such as the Beatles and American bands such…

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy…

With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…