The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Cooperative Cognition
When it comes to identifying guitars, basses, amps, and effects, nobody knows it all. Anyone save for the true specialist,…

Gibson Les Paul Personal
Billy Soutar loves the vibe of his 1969 Les Paul Personal and matching LP-12 amp. While the guitar’s mahogany body,…

Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from…
…Revealed!
The Gretsch company rose to the upper echelon of guitar manufacturers in the 1950s with the introduction of a diverse…

With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…

Blues and Archtops
If you grew up listening to music in the ’70s, you probably associate the name J. Geils with a five-piece band that played raucous rock and roll to hip-shaking partiers.…

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we do an injustice to pianos and cornets, which have reached…

Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who could impress on the piano, it makes sense that Harold…

The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder in the history of the instrument. His mandolins, however, are…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Saga of The Lost Supersounds
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…

Preamp tubes: 56, 57 Output tubes: two 2A3 Rectifier: 5Z3 Controls: Volume Output: 6 watts RMS +/- Speaker: one 10″…

Beat-Gen Beaut
This could be just what every well-heeled young “Beat” guitarist and singer in Britain needed in the early 1960s –…

Cowboy Fringe
Plenty of vintage amps have made it into these pages on their own merits. But when a hallowed creation also has a fun artist-related history – like this road-worn 1957…

Flatpicked English folk with an Appalachian touch Sparse and haunting, Thomm Jutz and his ’48 Martin D-18 share a solo take on “Come All You Fair And Tender Ladies,” from…

Guild Basses in the Early 1980s
The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…

Stage Staunch
Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature Series amp ever made by the original company. Designed for…

First Guitar of Rock and Roll
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…

Lasting Legacy
It’s ironic that Robbie Robertson was famous mostly for his songwriting, because beneath the minimal, compositional style that marked his work with The Band hid a true guitar stylist and…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Masterful Tapestry Soak it in as Jussi Jaakonaho and his 1970 Gibson SG Standard jam on ”Beauty Box” through a…

To mark VG’s 30th anniversary, we dig into the 30 most-valuable production guitars.

Inspirational Icon
The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this,…

A Master's Pallet
This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research…