•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Marty Friedman’s Melodic Grandeur

June 26, 2024 · Vintage Guitar

Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard…

Beat Portraits: Burns Volume 4

Shadows and Light

February 7, 2018 · Peter Stuart Kohman

In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

January 31, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

February 7, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…


Rickenbacker 481

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we do an injustice to pianos and cornets, which have reached…

Eric Clapton’s “Blackie”

Eric Clapton’s “Blackie”

This may well be the most desirable Fender Stratocaster on the face of the planet. And it happens to be a beat-up mongrel assembled from parts taken from three 1950s…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

Alvino Rey’s 1936 Gibson mini guitar Vintage Guitar magazine Home Main Big

Alvino Rey’s “Mini” Gibsons

Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists, sometimes by request, other times to lure a potential endorser.…

Eko’s “Celluloid” ’60s Basses

Cool or Gaudy?

By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Penco A-15-JD

July 29, 2023 · Michael Wright

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…

Trainwreck Express “Nancy”

April 3, 2020 · Dave Hunter

World’s most desirable amplifier? Aside from any “standard” vintage amps that have been elevated through their associations with major artists,…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

April 29, 2021 · Peter Stuart Kohman

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick…

Epiphone Rivoli

March 17, 2010 · Willie G. Moseley

Former Gibson president Ted McCarty (1909-2001) is credited for his leadership of the company when it peaked in terms of…


The Gretsch 6169 Electromatic Twin Western

What good was selling a newfangled electric guitar back at the dawn of the revolution if you didn’t have an electric guitar amplifier to go along with it? Any significant…

Recording Acoustic Guitars

The Art of Home Recording

Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.

Epiphone by Gibson Firebird 500

Race on

Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of guitars. And for all the influence some of its unusual…

Out-Stratting the Strat

Out-Stratting the Strat

The Story of the G&L S-500

It would be an understatement to say that Leo Fender, with the help of George Fullerton, was prolific in the years after he sold Fender Electric Instruments. The tag team…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…

Vintage Instrument Research

An Ever-Changing Landscape

Fretted instruments can be examined in much the same way as zoological taxonomist or forensic pathologist would approach them. They fit well into a Linnaean taxonomic order, and in fact…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Beat Portraits: Burns Volume 6

1964: Nu-Sonics and Transistor Trials

February 7, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Nioma Guitars

Rarities from a West Coast Music School

September 2, 2014 · Peter Blecha

NIOMA musical instruments from the 1930s and ’40s – with their vaguely Hawaiian-looking name – have mystified vintage-guitar enthusiasts over…

Boggs' Quad

Boggs’ Quad

Four-neck Fender From a Friend

May 3, 2016 · Ward Meeker

Noted in musical history as one of the players who pushed the steel guitar beyond Hawaiian music to more-complex chording…

1982 Gibson Victory Custom

February 6, 2023 · Willie G. Moseley

When you consider their status as a last-gasp instrument made by Gibson in its waning days as a property of…