Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

Beatle Juice
Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the 1966 “UL” series. More importantly, it represents a bridge between…

Preamp tubes: two 12AX7, one 12AY7, two 6BJ8, two 6SK7, one 6V6 (used as a voltage divider) Output tubes: two 6550 Rectifier: GZ34 Controls: Ch1: Volume, Treble, Bass; Ch2: Volume,…

Beauties in Black: Two Rare Gibson Les Paul Juniors
Guitar dealers tell guitar stories much like anglers tell fish stories. There are those they “got” and those that got away, and either can render reactions ranging from a sigh…
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
Frying Pan
The Rickenbacker model A22 lap steel was the first commercially available electric guitar. Although it bears the brand name “Rickenbacker,” it was actually the brainchild of George Beauchamp. In the…

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy…

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments and maybe matching amplifiers. Better still, add matching stage…
One of the most innovative companies of the pre-World-War-II era, National found out quickly that innovation was a double-edged sword. Just as their resonator guitars of the late 1920s made…

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Photo: Kelsey Vaughn. Instrument courtesy George Gruhn Gibson did not put the L-10 on a price list until 1931, but according to the serial number on this example, the company…
No matter how hard they tried…
Acurious phenomenon that ac-companies certain guitar compa-nies is an inability to translate success from one medium to another. For instance, Martin has never been able to transfer its reputation for…
From Flamenco to Heavy Metal
From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…
On a Tangent In Its Time
Precision Bass has been offered in a myriad of models in its 50 years of existense, including a number of “reissues.” One of the more intriguing variants was the Elite…

Sworn Gunslinger
Grand Ole Opry member, CMA, ACM, and Grammy winner Jimmy Olander is one of the most-admired players in country music. As co-founder of Diamond Rio, his dedication has always been…
An Interview with Bud Tutmarc
Introduction With this month’s feature story on the Audiovox bass (page 80), plus a comparison between Audiovox pickup (page 81) and early Dobro pickups, it seems appropriate to also dedicate…

Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…

David Hamburger and his ’56 00-18 Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar when he plays it. Here, he shares the title track…

Import fretboard markers, and Kay’s Model 1961
In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot…
Built in 1937
While visiting the Spanish guitar exhibit at the Metropolitan Museum of Art in New York City during the fall of 1991, I had the opportunity to measure and photograph, in…
In Its Original Configuration
The guitar built by Paul Bigsby for legendary picker Merle Travis in the late 1940s is one of the icons of solidbody electric guitars. Its single-cut body and pre-Fender, Stratocaster-like headstock…

And When to Get an Appraisal
Some of my vintage guitar cases are very worn. One Martin case from the ’40s is missing a latch and the handle is falling apart. I have newer, better cases…

The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which evokes exotic images of life on a Pacific island, and…

Guitars at Heart for 30 Years
Remember the first time you strummed a D chord or fumbled your way oh-so-slowly through “Walk Don’t Run”? Chances are you wanted to be in the Beatles, or you wanted…
Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…
When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an “alien effect.” Similar contraptions had been around since 1939, but…
1972 Zemaitis fretless acoustic. To say Tony Zemaitis made eye-catching instruments would mean uttering one of the great understatements in modern luthiery. A cabinetmaker of Lithuanian heritage, Antonio “Tony” Zemaitis…
Superior Communications Device
In the late 1950s, the launch of the satellite Sputnik scared the pants off America and inspired a race to catch up. We pulled ahead with the TeleStar I satellite,…

The Art of Home Recording
Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.