•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

    Read more >>

  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

December 1, 2021 · George Gruhn

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their…

Two Tickets to the Top

Keeley Electronics’ Katana and Flexi 4×2

March 1, 2021 · Art Department

Any gearhead who’s been paying attention the last seven years knows the name Robert Keeley. Since 2001, he and his…

Home Feature Image

Kustom’s The Bag

A New Dimension in Electro-Thoracity

May 1, 2016 · Michael Dregni

When Steppenwolf’s John Kay took the stage, it was easy to believe he was performing a suitably ’60s ceremony celebrating…

Bird Golden Eagle 4/25

Soaring In Birdland

April 24, 2019 · Dave Hunter

Many of the oddballs, also-rans, and otherwise unusual creations we see in the amp world fall into the “B-list” category…


Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade in vintage musical instruments as well as antique art, furniture,…

Classics: October 2022

Eddie Quinn’s Gibson L-5

Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind of a young virtuoso who made the violin sound like…

Gibson Les Paul Juniors

Beauties in Black: Two Rare Gibson Les Paul Juniors

Guitar dealers tell guitar stories much like anglers tell fish stories. There are those they “got” and those that got away, and either can render reactions ranging from a sigh…

Ampeg VT-22

Ampeg VT-22

Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared:…

Ampeg’s Jet Reverb Prototype

Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but also for producing what was one of the consistently best-sounding…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

1982 Gibson Victory Custom

February 6, 2023 · Willie G. Moseley

When you consider their status as a last-gasp instrument made by Gibson in its waning days as a property of…

Excelsior Americana

March 7, 2014 · Dave Hunter

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than…

Hilary Gardner returns with a fresh take on a holiday classic!

December 24, 2024 · Vintage Guitar

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic…

Adam Levy’s Wistful Elegance

February 28, 2024 · Vintage Guitar

Vintage ES-335 on “And They All Sang” Famous for supplying charismatic guitar parts while backing Nora Jones and Tracy Chapman,…


Jeff Hanna

Decades of Dirt

One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…

Gibson Basses in The ’70s

Gibson Basses in The ’70s

Plucky Trio from the “Downer Decade”

Guitar enthusiasts have long heard that the 1970s were the “downer decade” for Fender and Gibson, both of which introduced a few duds and struggled with quality control. Their travails…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…

Steve Wariner’s ’62 Fender Jazz Bass

An eye-popping collectible in its own right, this Olympic White ’62 Fender Jazz Bass scores a few points higher on the scale not only because it has been in the…

George Ducas: Modern Honky-Tonkin’

Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and Wynn Stewart. His new album, “Long Way From Home,” was…

Beat Portraits: Burns Volume 1

Beginnings – The Early 1960s

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

John Oates’ Prized Guild F-30

Roots Return

October 8, 2019 · Oscar Jordan

Most people know Hall & Oates as a pop-music hit machine that has sold millions of records. What you may…

The Modulus Graphite Flight 6 Monocoque

High-/Low-Tech

May 3, 2022 · Michael Wright

In guitar history, irony is almost always the result of circumstances. The market changes overnight or someone makes a mistake…

Geddy Lee

Bass Conservator

August 7, 2023 · Ward Meeker

In its 40-plus years, Rush evolved on its own terms. Mixing rock and jazz influences, the band’s 19 studio albums…

Fender’s 6G9 Tremolux

Fender’s 6G9 Tremolux

March 23, 2016 · Dave Hunter

Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel:…