• Webb Wilder’s take on “Beautiful Delilah”

    Classic Instruments

    Webb Wilder’s take on “Beautiful Delilah”

    “Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…

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Cole Eclipse Pro Special

Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of thrill – and satisfaction – when you find something that’s…

O’Hagan Guitars

Jaws Invades the Upper Mississippi

By the shores of Gitche Gumee, Minnehaha gives a little yelp of surprise. There, just behind Mary Tyler Moore, cutting the murky waters of Old Muddy with its triangular fin…

Hofner 185

Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a…

Gibson K-5 Mandocello

The violin-style f-holes of Gibson’s F-5 mandolin, L-5 guitar, and other Style 5 instruments, are the most famous and most significant elements of Lloyd Loar’s legacy as the designer of…

Grammer Guitars

Photo: Kelsey Vaughn. Instrument courtesy Jason Davis. Grammer guitars, made in Nashville in the ’60s, are easily recognizable by their oversized pegheads, pickguards and bridges – not to mention the…

Jeff Hanna

Decades of Dirt

One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…

Danelectro Viscount

1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength, Vibrato Speed Output: 12 watts RMS Amp nuts of yesteryear…

The Leo Krebs Tape Echo Amplifier

Twenty-Three and Thee

If you have no recollection of the revolutionary amplifier with 19 knobs, 23 tubes, and built-in tape echo created by Leo in California, chances are you’re thinking of the wrong…

Harp Legend Charlie Musselwhite

Stringin’ on “Blue Lounge” Harp legend Charlie Musselwhite has recorded and performed with a stunning array of guitarists in his band – Harvey Mandel, Luther Tucker, Robben Ford, Junior Watson,…

Ronnie Wood’s ’69 Hiwatt 100 DR103

1969 Hiwatt 100 (Model DR103 Preamp tubes: four ECC83 Output tubes: four EL34 Rectifier: solidstate Controls: Normal Vol, Brill Vol, Bass, Treble, Middle, Presence, Master Vol Speaker: four Fane 12s…

Bill Gruggett

Still Buildin' em in Bakersfield

The agrarian area of California that includes such cities as Bakersfield and Tulare has a special significance to country music lovers and guitar lovers alike. The musical mystique, of course,…

Acoustic Black Widow

Black Widow Guitars

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

“Buy That Guitar” podcast with special guest Larry Wexer

“Buy That Guitar” podcast with special guest Larry Wexer Season 01 Episode 07 In Episode 7 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli is joined…

Fender Deluxe Reverb

Vintage Guitar magazine Hall of Fame 2011 Instrument

In the June ’07 issue of VG, amp profiler extraordinaire Dave Hunter said of the Fender Deluxe Reverb, “If guitarists were to vote for the one ‘best amp for all…

Boss MA-1

Spice Up a Small Amp

Normally, when you think of an effect pedal, an image of a stompbox comes to mind; one you step on, or one that performs a dramatic effect on the sound…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Bruce Kulick

Star Board: Bruce Kulick

Bruce Kulick played lead guitar in Kiss for more than a decade, and today stays busy as a solo performer and tours as a member of Grand Funk Railroad. Speaking…

Gibson’s “Non-Reverse” Firebirds

When Down Was Up

Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics, while the versions that replaced them…

DOD 690 Chorus

Something a Bit Different

Borne amidst a windfall of chorus units, it offers Something a bit different In the mid to late ’70s, chorusing for guitarists was a relatively new effect on the market…

Fender’s 1961 Showman

The Show Must Go On

When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s, one of the biggest leaps was in the “piggyback” head-and-cabinet…

Orville Gibson’s Handmade 1906 Artist Mandolin

Proving a Point

This instrument, bearing a handwritten label reading “Made by O.H. Gibson 1906 Kalamazoo Mich” is arguably the most elaborate scroll-model mandolin ever made by Orville Gibson. The 1906 date is…

Gibson Reissue ’58 Flying V

The Phantom V

A number of years ago I purchased a reissue/limited edition Gibson Flying V constructed in the 1958/59 configuration (strings through the body type). Upon inspection, I took note of the…

Jim Campilongo & Steve Cardenas

Mutual Musical Idiosyncrasies

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September…

The Airline GIM 9151A

After The Fall

1970 Montgomery Ward Airline GIM 9151A Preamp tubes: three 12AX7 Output tubes: four 6L6GC Rectifier: solid-state Controls: Volume, Treble, Bass     on each of two channels Output: approximately 40…

Gibson Les Paul Special 3/4

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s also one of the more unusual in that it may…

Matchless DC-30

Matchless DC-30

Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…

Beat Portraits: Burns Volume 9

Late ’60s: Baldwin And Decline

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Martin 00-42 Special

It has all the appoint-ments of a Martin 00-45, particularly the abalone pearl trim around all the borders of the body, but this guitar is entered into Martin’s books as…

Martin F-9

1939 Martin F-9. Photo: Kelsey Vaughn, courtesy Gruhn Guitars. One of Martin’s most successful innovations of the 1970s arose, ironically, from one of the company’s least successful ventures of the…

Fender Headless Bass

Forgotten Prototype

Reflecting back through my years in the guitar industry, much of my time has been spent in product development, prototyping, and the making of specialty guitars. In recent years, quite…