• Rising Rockers

    Classic Instruments

    Rising Rockers

    Five Alternative Club Classic Amps of the ’50s

    In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined

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  • Round-Up Range

    Round-Up Range

    Rolling on a Post-Pandemic Project

    Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…

  • Samantha Fish: Slide-Blues Fury!

    Samantha Fish: Slide-Blues Fury!

    “I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!

GIBSON F-7 1934

1934 Gibson F-7

January 12, 2015 · George Gruhn

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs…

St. Moritz Stereo

December 9, 2021 · Michael Wright

The notion of a stereo guitar became almost implicit when guitars started having two pickups. But it didn’t become a…

22 Classic Modulation Effects

Mod Squad

March 27, 2017 · Michael Dregni

We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence…

Epiphone Coronet

Epiphone Coronet

March 26, 2016 · George Gruhn

This Epiphone Coronet from 1959 was probably a shocking sight to a guitar buyer of the late ’50s. Not only…


Tyler Morris and a 1953 Gibson Les Paul model

Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.

Stromberg Master 400

Stromberg Master 400

The Stromberg Master 400, measuring a gigantic 19″, is considered by many to be the ultimate orchestral rhythm guitar. The instrument of choice for Freddy Green with the Count Basie…

Larry Campbell and Teresa Williams: Funky Syncopation

Fine pickin’ on “The Way You Make Me Feel” Husband-and-wife team Martin D-18, while Teresa comps on an Emmylou Harris L-200 that was a gift from

Marcus King

Swamp Guide

Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…

The Voxmobile

Too Fast to Live, Too Cool to Die

Free love, slick guitars, hot cars! Few pieces of late-’60s pop culture were anywhere near as hip and groovy as this marketing stroke of genius.

  • Yamaha Weddington Custom

    Yamaha Weddington Custom

    A Better “Classic”

    In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…

  • Tyler Morris – 1963 Fender Stratocaster

    Tyler Morris – 1963 Fender Stratocaster

    Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!

The Musical Instrument Museum

Blooms in the Desert

January 27, 2017 · Michael Wright

When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the…

1986 Dumble Overdrive Special

1986 Dumble Overdrive Special

July 5, 2016 · Dave Hunter

The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become…

VG Q&A: Jimi Flip

Plus, Precision Bass rests and an odd Galliano

October 12, 2023 · Peter Stuart Kohman

I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found…

Beat Portraits: Burns Volume 9

Late ’60s: Baldwin And Decline

February 21, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…


Larry Campbell and Teresa Williams: Funky Syncopation

Fine pickin’ on “The Way You Make Me Feel” Husband-and-wife team Martin D-18, while Teresa comps on an Emmylou Harris L-200 that was a gift from

Jeff Hanna

Decades of Dirt

One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…

Danelectro’s Four-String Basses

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir of American-made electric instruments of their time, many a babyboomer…

Jorge Garcia’s FM Anthems, in Jazz

Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…

“Buy That Guitar” podcast with special guest Tony Nagy

Season 03 Episode 05 In Episode 3.5 of “Buy That Guitar,” host Ram Tuli is joined by Tony Nagy, manager of the repair shop at Gruhn Guitars. Vintage instruments, prized…

1933 Gibson L-5 “Special”

Though many collectors focus on instruments in fine original condition, every so often one emerges that, regardless of condition, is no less exciting than a paleontologist finding the “missing link.”…

  • Prototypes and Pathfinders

    Prototypes and Pathfinders

    Five Amps That Set the Tone – Or Hoped To

    Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…

  • Ca. 1960 Custom Mosrite/Gretsch

    Ca. 1960 Custom Mosrite/Gretsch

    A Bakersfield/Brooklyn Cowboy

    In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new level. This custom Mosrite hollowbody has the chassis of an early Gretsch Country Gentleman and was likely built between 1959 and ’62 for a hotshot…

Dan’s Guitar RX: Mending Chuck Panozzo’s 1960 ES-125

Thinline Revival

January 11, 2023 · Dan Erlewine

Like you, I got a kick out of the February “Classics” feature on Chuck Panozzo being reunited with his Gibson…

Universal Audio’s OX Amp Top Box

The Tube Abides

October 14, 2019 · Ray Wuolo

Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube,…

Martin 0-42

The Martin 0-42

December 4, 2015 · George Gruhn

Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and…

Vox AC100

Scream Machine

December 9, 2021 · Dave Hunter

The history of Vox amplifiers’ evolution through the early/mid-’60s directly tracks with The Beatles’ increasing needs to be heard over…