-
Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
-
Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
-
Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Late 1920s Gibson L-1 (Flattop)
Gibson "Florentine"
Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of…
Rick Vito’s Tale Of Two Grails
Find of a Lifetime
Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures,…
Steve Vai
Relentless Explorer
More than 40 years into his career, Steve Vai is still pushing himself as a musician and exploring the boundaries…
Paul Bigsby’s Myrtlewood Guitars
= Few things are as satisfying as a guitar with a good story to tell. Some vintage guitars might be…
Classics: July 2021
Warren Garstecki’s 1932 Gibson HG-22
Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…
EKO 995
The Beatles’ appearance on “The Ed Sullivan Show” in February of 1964 is often referred to as the most important event in the history of rock music, having inspired thousands…
Rick Vito’s Tale Of Two Grails
Find of a Lifetime
Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures, Philadelphia native Rick Vito’s inspirations are all legendary. And as…
Wolf Strat
A Legend’s Guitar, Discovered
After possessing it for several years, curiosity finally got the best of the owner of this 1963 Stratocaster. He had to know: Who is Lil’Bill?
Beat Portraits: Burns Volume 6
1964: Nu-Sonics and Transistor Trials
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…
-
Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
-
McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
George Benson
Breezin’ With The Boss of Jazz Guitar
Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped…
VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
I have a Fender Precision Bass with a 1971 neck date and serial number 296XXX, and I’ve always suspected the…
The House of Stathopoulo Harp Guitar
Surreal Missing Link
One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a…
Quest for Volume
Django Reinhardt's Selmer #503
Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de…
Epiphone’s Professional Guitar and Amp
Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…
Recording Electric Guitars
The Art of Home Recording
The process might seem simple – stick mic in front of amp, press "Record." Truth is, though, that even just one guitar and amp can render results that vary greatly.…
Gibson’s “Non-Reverse” Firebirds
When Down Was Up
Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics, while the versions that replaced them…
Gibson EB-2
Kalamazoo’s Biggest Bass Innovation?
In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market – the solidbody electric guitar and the electric bass. Both…
Nick Moss – clean and tasty on “Scratch N Sniff”
Instro-rock, fully greased Get ready to have your funtime socks knocked off, ‘cuz this exclusive Nick Moss run through “Scratch N Sniff” is dangerous! A track from his latest album,…
VG Q&A: A Gilded ’63 Jazz Bass
Plus, Swappable Pickups, Bartell Guitars, and a Mystery Lap Steel
I am the third owner of a 1963 Jazz Bass with a neck stamp “7Jan63A,” pots dated that May, and serial number from that spring. It also has original gold…
-
Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
-
“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
-
Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
-
VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
-
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
-
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
-
Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
-
Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Orange OR80 Combo
Sunshine State
Created when amps were huge and men were men – or at least had roadies to carry the gear –…
The Gibson J-185
The J-185 is regarded by many players and collectors as the finest-sounding Gibson flat-top made after World War II. The…
Dan Fogelberg’s Gretsch White Penguin
Dan Fogelberg’s success as a singer and songwriter far overshadows his reputation as a musician, but the man whose tenor…
Gibson Humbucker
Crunchy, Clean Dirt
Gibson and Fender may be the longstanding heavyweight rivals of the electric guitar game, but they have one very important…
