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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Gibson’s Budget Redux
The SB Series Guitars and Basses
As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as…
The Rickenbacker B14A
Silver Service
For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember,…
Earliest Gretsch 6120
…Revealed!
The Gretsch company rose to the upper echelon of guitar manufacturers in the 1950s with the introduction of a diverse…
Gibson Marauder M-1
Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck…
1978 Steinberger Prototype Bass
When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic concept in its design. Much like Leo Fender and John…
Horray For Hollywood
The Guitars and Amps of Jersey Boys
Movies made in the 1950s and ’60s that included rock-and-roll music acts typically showed them performing in segments using their own equipment (Little Richard and others in 1956’s The Girl…
Recording Electric Guitars
The Art of Home Recording
The process might seem simple – stick mic in front of amp, press "Record." Truth is, though, that even just one guitar and amp can render results that vary greatly.…
Vox Guitars Invade America
From Dartford to Sepulveda
The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the 1964 British invasion, Vox even displaced Fender for a time…
Lloyd Loar
An Alternative View
The Master Model instruments created at Gibson in the early 1920s are famous for their sound and build. Credit for their design is often laid at the feet of “acoustic…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John…
Classics – May 2021
This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25,…
Traynor YBA-2 Bass Mate
Canadian amp maker Traynor gets a lot of respect in some circles for turning out solid, good-sounding tube amps that…
Gibson 1953 GA-40 Les Paul Model
Brown Sound
Gibson landing Les Paul’s name on the headstock of its debut solidbody electric in 1952 was the biggest guitar-star endorsement…
Joe Long’s “stack-knob” Fender Jazz Bass
If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s Fender Jazz Bass catches your eye. And “lefty” versions are especially intriguing, given their rarity. The…
National Style 3 Hawaiian
Metal-bodied guitars built by the National String Instrument Company before World War II represent a giant leap in guitar design and technology. When they debuted in 1926, they were startling…
First Guitar of Rock and Roll
Scotty Moore’s Gibson ES-295
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…
Gretsch’s “Golden” Tenors
In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice of popular music. Amplification provided its volume, and innovative artists…
The Story of Albanus Guitars
Windy-City Wonders
“Art for art’s sake.” The expression is common. But how often is it practiced? In a basement studio on Chicago’s North Side, Carl Johnson epitomized the maxim while building archtop guitars…
1964 Fender Bassman
1964 Fender 6G6-B Bassman Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel:…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Rickenbacker Electric 12-Strings
Double-Bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success…
Gibson’s Budget Redux
The SB Series Guitars and Basses
As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as…
The “Last” Trainwreck?
Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the…
Gibson J-35
Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with…
