•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The Story of Jay Gower

Startup in Music City

April 18, 2019 · George Gruhn

In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In…

The Rickenbacker B14A

Silver Service

April 4, 2022 · Dave Hunter

  For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember,…

The Beatles’ Casinos

January 17, 2018 · Andy Babiuk

Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common…

1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

March 30, 2016 · Willie G. Moseley

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup…


Custom Kraft Red Fury

Most guitar aficionados are comfortable with the notion of guitar brands being made by the company of the same name. But when it comes to guitars made by one company…

The Fender “Korinacaster”

Double-Cut Kuriosity

There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the adventurous sort. Rather, history tells us he was a pragmatic,…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…

Saga of Ted Newman Jones

A Guitar for Mr. Richards

The Saga of Ted Newman Jones

For anyone who visited the tiny workshop inhabited by guitar builder Ted Newman Jones in the 1970s and ’80s, two things were obvious – his appreciation for the fine tonewoods…

Hangin’ with Kid and Lisa “Little Baby” Andersen

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The Vox/Thomas Organ V-8 Berkeley Super Reverb

Organ Transplant

March 7, 2023 · Dave Hunter

Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the…

1939-’42 Gibson SJ-100

$100 Cowboy Flat-Top

September 1, 2023 · Peter Stuart Kohman

Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

March 6, 2015 · Michael Dregni

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice…

Gibson Goldtops

Molten Mojo, Head-To-Head Vintage Versus Reissue

May 28, 2022 · Nathaniel Riverhorse Nakadate

In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly…


The House of Stathopoulo Harp Guitar

Surreal Missing Link

One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…

Classics: Tommy Castro’s ’66 Fender Stratocaster

Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966…

Hallmark Swept-Wing

Brief Flight from South of Bakersfield

Bob Shade exemplifies the adage “Imitation is the sincerest form of flattery.” The guitar builder has an enviable assortment of ’60s Hallmark guitars and basses, and they’ve inspired his own…

D’Angelico New Yorker

Top of the Line from a Master Builder

Having earned its place in the VG Hall of Fame as one of the finest guitars in the history of the instrument, the New Yorker is significant primarily due to…

Marshall 2100 Lead & Bass

Rock Breaker

Adescendant of the legendary “Bluesbreaker” combo that helped launch the cranked-Marshall sound into the annals of rock, the 2100 combo is also one of the rarest post-plexi models – and…

Höfner’s Fledermaus Gitarre

A Bat By Any Other Name

Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany, aren’t big on details. So when it comes to researching…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

’66 Epiphone Casino

April 6, 2020 · George Gruhn

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked…

Hornby Skewes Zonk Machines

Hornby Skewes Zonk Machines

Fuzz Bonk

February 12, 2016 · Michael Dregni

In 1965, fuzz was the “it” sound. Guitarists had recorded with fuzz before, of course, but after Keith Richards plugged…

1978 Steinberger Prototype Bass

1978 Steinberger Prototype Bass

July 7, 2016 · George Gruhn

When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic…

Gizmotron

Most Bizarre Guitar Effect of All Time?

March 18, 2015 · Michael Dregni

Led Zeppelin’s final studio album, 1979’s In Through The Out Door, opens with an eerie, otherworldly drone that weaves and…