• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

The Airline GIM 9151A

After The Fall

October 13, 2021 · Dave Hunter

1970 Montgomery Ward Airline GIM 9151A Preamp tubes: three 12AX7 Output tubes: four 6L6GC Rectifier: solid-state Controls: Volume, Treble, Bass…

Rickenbacker 375F

Seven Siblings

October 4, 2017 · Peter Stuart Kohman

Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap…

Martin 5-18

Martin 5-18

October 11, 2014 · George Gruhn

The Martin style 5-18 is the smallest guitar in Martin catalogs; at the lower bout, it measures 11.25″, while at…

Dan Fogelberg’s Gretsch White Penguin

June 10, 2015 · George Gruhn

Dan Fogelberg’s success as a singer and songwriter far overshadows his reputation as a musician, but the man whose tenor…


Wes Beech

Life in The Plasmatics

From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech…

David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

Virginia Museum of Fine Arts Hosts “Storied Strings” Exhibit

Guitars In Art

Dr. Leo Mazow’s vision for the new “Storied Strings: The Guitar in American Art” exhibition at the Virginia Museum of Fine Arts stemmed from the overwhelming popularity of (dare it…

Vox Pacemaker V-3

1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Classics: Mike Semrad’s ’57 Gibson Les Paul Custom

October 29, 2025 · Ward Meeker

Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his…

Dan’s Guitar RX: Mending Chuck Panozzo’s 1960 ES-125

Thinline Revival

January 11, 2023 · Dan Erlewine

Like you, I got a kick out of the February “Classics” feature on Chuck Panozzo being reunited with his Gibson…

“Buy That Guitar” podcast with special guest Neal Shelton

August 13, 2024 · Vintage Guitar

“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar”…

Sonny James's Epiphone Excellente

Epiphone Excellente

Sonny James' Epiphone Excellente

November 19, 2002 · Walter Carter

The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best.…


Two Tickets to the Top

Keeley Electronics’ Katana and Flexi 4×2

Any gearhead who’s been paying attention the last seven years knows the name Robert Keeley. Since 2001, he and his staff at Keeley Electronics have produced a variety of boutique…

History of the Fender Bassman

High Times for Low-End

If they could have just one amplifier, many guitarists – from bar-room grinders to arena megastars – would choose a Fender Bassman. One of the most lauded and influential amps…

’66 Epiphone Casino

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked well below the semi-hollow Sheraton and Riviera or the solidbody…

Fender’s 6G9 Tremolux

Fender’s 6G9 Tremolux

Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; tremolo Speed and Intensity for both channels…

George Benson

Breezin’ With The Boss of Jazz Guitar

Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped him sell millions of albums and made him a figurehead…

The Gibson Les Paul Special

Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the first to lose the Les Paul name. But that has…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Mosrite Joe Maphis

July 14, 2020 · Willie G. Moseley

The 1960s were arguably the most memorable decade in the history of American guitar manufacturing. True, some legendary electric guitar…

Marcus King

Swamp Guide

June 14, 2023 · Oscar Jordan

Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything…

KayKraft Style A

March 31, 2010 · Michael Wright

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history…

 Joey Molland

January 16, 2026 · Pete Prown

The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was…