• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

April 8, 2024 · Michael Wright

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the…

Veillette-Citron Shark

December 19, 2025 · Michael Wright

It’s not often a guitar can be said to have been inspired by a TV show, but that is the…

The Musical Instrument Museum

Blooms in the Desert

January 27, 2017 · Michael Wright

When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the…

1938 Supertone Gene Autry Roundup

December 13, 2021 · Michael Wright

In the depths of the Great Depression, people turned to entertainment for distraction. Not that there was much to be…


Gibson Johnny Smith

In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound…

Wolf Strat

A Legend’s Guitar, Discovered

After possessing it for several years, curiosity finally got the best of the owner of this 1963 Stratocaster. He had to know: Who is Lil’Bill?

Classics: December 2023

Cliff Antone’s 1952 Fender Precision

Texas is known for music, especially Austin, which in the mid ’70s became a hotbed thanks to clubs like Armadillo World Headquarters, Castle Creek, and Soap Creek Saloon, which mostly…

Gretsch 6119 Tennessean

Gretsch 6119 Tennessean

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

The “Okie Dokie Stomp” Esquire

Gate’s Swing

As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig without knowing “Okie Dokie Stomp.” The famed track by Clarence…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Sovtek MIG-50

Curtain Call

February 4, 2022 · Dave Hunter

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…

Martin 0-28K

Martin 0-28K

June 8, 2015 · George Gruhn

The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the…

The Musical Instrument Museum

Blooms in the Desert

January 27, 2017 · Michael Wright

When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the…

The G&L El Toro

April 26, 2016 · Willie G. Moseley

At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he…


Muireann Bradley, Old Soul

Vintage Blues, Vintage L-50 Direct from Ireland, 17-year-old Muireann Bradley indulges us (and tugs at our Led Zep heartstrings) with a rendition of Memphis Minnie’s “When the Levee Breaks.” She’s…

Stromberg G-5

In the world of archtop guitars, the Stromberg name represents the ultimate instrument – in size, at least – in the big-band era of the late 1930s and ’40s. The…

The Martin 3K

The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which evokes exotic images of life on a Pacific island, and…

Echoplex EP-2 Feature Home Page Vintage Guitar magazine

Echoplex EP-2

Sam Phillips didn’t invent tape echo with his mid-’50s recordings of Elvis, but he just as well may have. So influential, so inspirational were those songs – with their warm,…

Benson Model 300H

Wrecking Ball

Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and studio great Howard Roberts – so he co-designed his own.…

Daion Headhunter HH-555

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

1942 Martin D-45

October 23, 2013 · George Gruhn

The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and…

Weymann Model 848

Mail-Order Rara Avis

October 8, 2019 · George Gruhn

From 1864 through the 1940s, H.A. Weymann and Son, Inc. made, imported, and sold marching band, orchestral, percussion, and other…

Höfner’s Fledermaus Gitarre

A Bat By Any Other Name

May 1, 2022 · Ward Meeker

Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany,…

Supro S6651

Supro S6651 Big Star

March 8, 2016 · Dave Hunter

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us…