• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

The Original ES-150

How Gisbson Won The ES War

December 14, 2020 · Andre R. Duchossoir

The story of the ES-150, Gibson’s first commercially successful electric guitar, has been told many times, and its association with…

Martin’s “12-Fret” 000-42

December 21, 2013 · George Gruhn

Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the…

“Buy That Guitar” podcast with special guest Tony Nagy

August 12, 2025 · Ram W. Tuli

Season 03 Episode 05 In Episode 3.5 of “Buy That Guitar,” host Ram Tuli is joined by Tony Nagy, manager…

Sue Foley

Femme Flamenco

December 10, 2024 · Greg Prato

In a time when pop-music performers rely heavily on post-recording fix-ups and pre-recorded tracks onstage, it’s refreshing – even admirable…


Rex Solidbody

Italian Connection

An internet search for “Rex guitars” will turn up a fair – if confusing – amount of information about the brand used on budget guitars and banjos made by Gretsch…

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Homer Haynes’ ’59 D’Angelico Excel

From 1932 to 1964, independent builder John D’Angelico produced some of the finest jazz guitars. After apprenticing and working in the violin trade, D’Angelico transitioned to building archtop guitars with…

100 Years of Boston’s MFA

Playable Exhibits

Musical instruments – guitars – present an interesting philosophical dichotomy. On one hand, they’re utilitarian objects whose very purpose – arguably their only purpose – is to create art, to…

Fender‘s 50th Anniversary Strat

Height of the Reissue

In celebration of the 50th “birthday” of its famous Stratocaster model, Fender has taken the reissue concept to new heights. And why not? Arguably the most popular guitar – electric,…

Rickenbacker 345

Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In fact, artists often find that nothing else works as well…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Beat Portraits: Burns Volume 4

Shadows and Light

February 7, 2018 · Peter Stuart Kohman

In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this…

Ted Nugent 1962 Gibson Byrdland

Ted Nugent’s 1962 Gibson Byrdland

November 12, 2015 · Willie G. Moseley

Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was…

The Sebastian ‘Burst

Inspirational Icon

February 9, 2022 · Willie G. Moseley

The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this,…

Hallmark Swept-Wing

Brief Flight from South of Bakersfield

March 31, 2017 · Willie G. Moseley

Bob Shade exemplifies the adage “Imitation is the sincerest form of flattery.” The guitar builder has an enviable assortment of…


The Beatles’ Casinos

Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common was the Epiphone Casino. Each owned one and used it…

Watkins Joker

Beat-Gen Beaut

This could be just what every well-heeled young “Beat” guitarist and singer in Britain needed in the early 1960s – a guitar amp/PA with reverb, tremolo, mic stand, and tape…

Carson Creation

One Very Personal Stratocaster

An itinerant Western-music guitarist who befriended Leo Fender and other employees at his up-and-coming company in the early ’50s, Bill Carson was the “test pilot” for the Fender Stratocaster prototype,…

The National Silvo Electric Hawaiian

One of the most innovative companies of the pre-World-War-II era, National found out quickly that innovation was a double-edged sword. Just as their resonator guitars of the late 1920s made…

Tele of Two Legends

The Amazing Story of One Unique Fender

One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…

Danelectro’s Four-String Basses

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir of American-made electric instruments of their time, many a babyboomer…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

February 3, 2016 · George Gruhn

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade…

Fender Coronado XII Wildwood

Instrument Profile

June 10, 2020 · Michael Wright

Sex, drugs, and rock and roll. Yea, baby! Okay, to be honest, there’s no real evidence that this 1967 Fender…

Martin OM-18 and 000-28

March 13, 2014 · Bill Bush

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions…

Tinsley Ellis’ new dimension

April 30, 2024 · Vintage Guitar

Unplugged, and Worth the Wait! A prominent blues artist since the late ’80s, Tinsley Ellis grabbed the ’37 National Style…