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Classic Instruments
Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Dave Murphy: Acoustic Country!
Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album.…
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Round-Up Range
Rolling on a Post-Pandemic Project
Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…
Fender’s First Reissues
The CBS Era Concludes in Style
By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s…
Gibson Custom Colors in the 1960s
Burning Embers, Chilled Whites
Unlike its rival from the West Coast, Gibson did not readily embrace the concept of offering custom-color finishes. It wasn’t…
The Sammick Viper
Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some…
The Dallas Rangemaster
Eric Clapton christened it “woman tone.” On the famed 1966 “Beano” album, John Mayall’s Blues Breakers With Eric Clapton, the…
Gibson’s Fabulous Florentines
Archtop Elite
The image of Elvis Presley on his 1968 NBC “comeback special” was, in a word, badass. Dressed in black leather and striking rock-and-roll poses, the King epitomized attitude while brandishing…
Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…
Classics: May 2022
“Wild” Jimmy Spruill’s ’66 Fender Jaguar
Wilbert Harrison’s 1959 version of Leiber and Stoller’s “Kansas City” shares space at the summit of all-time blues/pop classics, its guitar part ably handled by New York City session ace…
Jeff Hanna
Decades of Dirt
One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…
Dave Amato
Collect 'Em and Smile
This year marks Boston-born Dave Amato’s 19th annum with REO Speedwagon. The guitarist moved to California in 1980 and became a working session player before gigging with Ted Nugent, Jimmy…
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Walter Becker’s Bogner Ecstasy 100B
In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his” amplifier home. Whether it was Fender’s tweed creations, early Marshalls, or the first generation of Mesa/Boogies, most revolutionary new amp designs have found stars lining…
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Yamaha Weddington Custom
A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…
Paul Benjaman: Tulsa twanger
Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves…
Zakk Wylde
Doomsayer
Best-known as Ozzy Osbourne’s longest-tenured guitarist, Zakk Wylde has also been the leader of Black Label Society since the late…
Gibson 1958-’60 Les Paul Standard
A ’Burst by Any Other Name…
One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar…
Fender Precision Bass
The Fender Precision Bass, introduced in 1951, was arguably more revolutionary and more influential on popular music than the Telecaster…
Star Board: Craig Bartock
This month, we take a guided tour of the pedalboard belonging to Craig Bartock, guitarist with Heart. Craig Bartock, a well-known (and busy) guitarist/composer, has been the touring lead guitarist…
The Guild and Gibson Johnny Smith Models
The name “Johnny Smith” is synonymous with class, elegance, and style. Most guitar players are familiar, if not with the man or his music, certainly with the guitars that bear…
Dumble Garage Band Ripper
Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…
Jabo, Vince, and Broadcaster 0048
Special Addition
It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about rare guitars for sale. In 2012, one such call shined…
John Sebastian’s ’59 Gibson Les Paul Standard
Vintage Guitar magazine Presents Greg Martin's Head Shop
This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. On November 30, 1966,…
Eight-String Basses
Sonic Niche
Emerging in ’60s catalogs from Hagström and Framus, eight-string basses occupy a distinct place among musical instruments – their potent, dense sound used to add texture or color. An all-mahogany…
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number
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Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his home in Tijuana, Baja California. He was 80. Known as the “Godfather of Mexican Rock,” “La Layenda” (The Legend) and other sobriquets, Batiz came to appreciate American blues guitarists such as B.B. King and John
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Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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Classics: January 2024
Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of the earliest Les Pauls, this ’53 was purchased new (along with a matching Les Paul amp, at Charles E. Wells Music Company) by Bill Woodard,…
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Prototypes and Pathfinders
Five Amps That Set the Tone – Or Hoped To
Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…
Gretsch Country Gent #1
The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist…
Guardians of Grandeur
The Men Who Tend to the Guitars of the Hard Rock Cafe
“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case;…
Fender’s 1951-’54 Telecaster
In Detail
Fender’s first Spanish-style guitar was a lesson in functional simplicity with its solid body, single pickup, and bolt-on neck. And…
Universal Audio’s OX Amp Top Box
The Tube Abides
Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube,…
