• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Electra MPC

Standard X340

November 1, 2013 · Michael Wright

One of the more successful Japanese-made guitar brands of the 1970s was Electra, the brand name used for electric guitars…

Jim Campilongo & Steve Cardenas

Mutual Musical Idiosyncrasies

October 25, 2024 · Oscar Jordan

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned…

Realistic Entertainer-34

January 26, 2016 · Dave Hunter

As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar…

Robin’s ’80s Import Basses

April 15, 2016 · Willie G. Moseley

While the Robin guitar brand’s reverse “imported then domestic” chronology has been documented in this space, the basses shown here…


Rickenbacker Transonic Home Feature Image

Rickenbacker Transonic

Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and…

Tele of Two Legends

The Amazing Story of One Unique Fender

One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…

Out-Stratting the Strat

Out-Stratting the Strat

The Story of the G&L S-500

It would be an understatement to say that Leo Fender, with the help of George Fullerton, was prolific in the years after he sold Fender Electric Instruments. The tag team…

Gibson GA-83S Stereo-Vib

Gibson GA-83S Stereo-Vib

If you hung around the audio world’s collective R&D room long enough in the late 1950s and early ’60s, you’d have thought that, very soon, everything would be happening in…

The Oud

The Oud

Ancient to Modern

If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Gibson’s “Non-Reverse” Firebirds

When Down Was Up

February 4, 2024 · Peter Stuart Kohman

Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already…

United They Stood, Part 2

Ghosts of Jersey City

July 11, 2022 · Peter Stuart Kohman

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost…

1986 Dumble Overdrive Special

1986 Dumble Overdrive Special

July 5, 2016 · Dave Hunter

The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become…

Dumble Overdrive Special OD150 WR

March 6, 2019 · Dave Hunter

Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May…


Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

Fender 6G6-C Bassman

Brown Sound

There are several revered classics amid the ever-evolving circuits in the amplifier known as the Bassman, but one of the best-sounding might be a brief iteration that few have realized…

Gibson’s Experimental Archtop

Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes in 1922, and brought the concept to full potential in…

The Pedulla Buzz Bass

Fast and Fretless

Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless. Designed by luthier Michael Pedulla in Brockton, Massachusetts, it was…

The Original ES-150

How Gisbson Won The ES War

The story of the ES-150, Gibson’s first commercially successful electric guitar, has been told many times, and its association with legendary jazz pioneer Charlie Christian is a staple of the…

Gibson ES-300 Prototype

Les Paul and the First Gibson ES-300

When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle seated deep in a sea of metallic gold, accentuating the…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

The “Okie Dokie Stomp” Esquire

Gate’s Swing

October 9, 2019 · Ward Meeker

As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig…

Gretsch 7680 Super Axe

December 6, 2021 · Michael Wright

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the…

Booker White’s 1933 National Duolian

Hard Traveled

May 30, 2017 · Michael Dregni

“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard…

The Martin OM-28

January 7, 2025 · George Gruhn and Walter Carter

Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily…