•  VG Q&A: Harmony History

    Classic Instruments

     VG Q&A: Harmony History

    And an Archtop Mystery

    I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number

    Read more >>

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

  • “Buy That Guitar” podcast with special guest Alan Greenwood

    “Buy That Guitar” podcast with special guest Alan Greenwood

    Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the magazine’s history, the Price Guide, and the current state of the vintage market. Links:Vintage Guitar magazine Subscribe to our “Overdrive” newsletter for the latest happenings…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

April 29, 2021 · Peter Stuart Kohman

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick…

Silver Lining

Gibson and the Master Models

December 26, 2017 · George Gruhn

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked…

Marty Friedman’s Melodic Grandeur

June 26, 2024 · Vintage Guitar

Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard…

The Gretsch 6120 Tenor

December 2, 2014 · George Gruhn

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other…


Gizmotron

Most Bizarre Guitar Effect of All Time?

Led Zeppelin’s final studio album, 1979’s In Through The Out Door, opens with an eerie, otherworldly drone that weaves and winds its way before segueing into the searing Stratocaster riffs…

Realistic Entertainer-34

As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be…

’72 Marshall “NARB” Tremolo 100

Mirror Image

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet…

McKinley James’ Blues

 Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

The Sammick Viper

Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some experience brief popularity, then slip into obscurity – think Bond…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Tony Mottola

Mr. Big, Guitar Pioneer

June 12, 2025 · Jim Carlton

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands…

Classics: January 2024

Bill Woodward's 1953 Gibson Les Paul

October 4, 2024 · Ward Meeker

Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and…

The Watkins Clubman

July 6, 2018 · Dave Hunter

The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and…

Gibson Super 400 PN

January 27, 2014 · George Gruhn

The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing…


1939-’42 Gibson SJ-100

$100 Cowboy Flat-Top

Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that tune changed in 1926, when it introduced the L-1 and…

Ca. 1960 Custom Mosrite/Gretsch

A Bakersfield/Brooklyn Cowboy

In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…

Late 1920s Gibson L-1 "Florentine" Home page main

Late 1920s Gibson L-1 (Flattop)

Gibson "Florentine"

Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of a better name. Though the body decoration is unlike any…

Sovtek MIG-50

Curtain Call

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it was a gutsy move to name an amp after a…

Late 1920s Gibson L-1 "Florentine" Home page main

Late 1920s Gibson L-1 (Flattop)

Gibson "Florentine"

Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of a better name. Though the body decoration is unlike any…

Classics: January 2022

Sam Ash’s Early PRSs

Sammy Ash first laid eyes on a PRS guitar in the early ’80s, after catching a glimpse of one in Guitar Player magazine. “I stopped at the newsstand to look…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

  • Gibson’s “SG” Les Paul

    Gibson’s “SG” Les Paul

    Classic Shape That Filled Big Shoes

    In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” it exemplified a new marketing emphasis for Gibson. According to Les Paul himself, it was designed and introduced without his consultation or knowledge.…

Penco A-15-JD

July 29, 2023 · Michael Wright

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…

Orange OR80 Combo

Sunshine State

August 8, 2023 · Dave Hunter

Created when amps were huge and men were men – or at least had roadies to carry the gear –…

Fixing a faulty pickup selector lever

And a few oddball pickups from the Duncan archives

February 10, 2021 · Seymour W. Duncan

When I use the pickup  selector lever switch on my Fender Strato-caster, one of the pickups cuts out. What could…

Replacing Rotted Tuning Keys on a ’62 ES-335

Buttons for a Buzzcock

February 8, 2022 · Dan Erlewine

Steve Garvey played bass in the seminal punk band Buzzcocks during its classic era – 1977 to ’81 – with…