Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Triumph over Tragedy
The story of Mossman guitars is one of both tragedy and triumph. Often forgotten in the rejuvenated interest with acoustic guitars of the 1990s, Mossmans are best known for their…

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on the sound and style of bluegrass music after joining Bill…

Archtop Elite
The image of Elvis Presley on his 1968 NBC “comeback special” was, in a word, badass. Dressed in black leather and striking rock-and-roll poses, the King epitomized attitude while brandishing…
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…

Fretted cheesecake advertising through the years, Part Two
Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called the “cheesecake” style! This term generally…

We’ve seen some pristine vintage pieces in these pages over the years, but as far as time-capsule amps go, when you consider age-to-condition ratio, this National-Dobro Model C might very…
They were days, before Kent State, when everywhere you looked, kids sat under trees, singin’ songs and swappin’ licks. Fresh-faced young girls with names like “Star” painted flowers on their cheeks and…

Relentless Explorer
More than 40 years into his career, Steve Vai is still pushing himself as a musician and exploring the boundaries of the guitar. A new custom, multi-neck Ibanez called The…

The SB Series Guitars and Basses
As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as the solidbody EB-0/EB-3 and Thunderbirds, as well as the semi-hollow…

Trans-Galactic Toneway
Relatively unsung among early entrants to the field of solid-state guitar amplifiers, Gibson was the first high-output, high-quality manufacturer to bring one to market. And while it quickly proved the…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…

Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his…

Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here,…

If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s Fender Jazz Bass catches your eye. And “lefty” versions are especially intriguing, given their rarity. The…
The World of Paul Reed Smith
Just after we entered the small, crowded office, the door burst open and an intruder blurted out, “Excuse me. Check this out. Is it right?” The company’s R&D chief handed…
Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…
In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…
Peavey RJ-IV bass, serial number 04938996. Photo: Bill Ingalls Jr. Instrument courtesy of Naffaz Skota. Americans by the millions “know” Randy Jackson. But not many realize that his gig as…

$100 Cowboy Flat-Top
Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that tune changed in 1926, when it introduced the L-1 and…

The UFO of Rotating Speakers
To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar signal into an organ speaker – a Leslie rotating-speaker cabinet.…

Relentless Explorer
More than 40 years into his career, Steve Vai is still pushing himself as a musician and exploring the boundaries of the guitar. A new custom, multi-neck Ibanez called The…

Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves up funky stew with bayou bite. Here, he plays the…

When Down Was Up
Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics, while the versions that replaced them…
Electric guitar lore from the 1980s almost invariably includes (sometimes snide) references to hair bands, pointy headstocks, black hardware, and so on. But many of the asymmetrical/angular instruments from that…
The First AC-30?
Introduction That the Vox AC-30 Twin is a great-sounding amplifier goes without saying, since it spent the past 40 years creating music for countless artists of varying stature and styles.…

’60s Un-Gibson Solidbody
Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge was to design a new solidbody instrument that could be…

Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…

Playing for Elvis
Psych-blues guitar maestro J.D. Simo was the wizard behind the guitar work heard on Elvis, the new Baz Luhrmann film starring Tom Hanks and Austin Butler. Unlike the actors who…

• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker: 10″ field coil • Output: barely scraping double digits… if…

Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of…
They were days, before Kent State, when everywhere you looked, kids sat under trees, singin’ songs and swappin’ licks. Fresh-faced young girls with names like “Star” painted flowers on their cheeks and…

John Entwistle’s fretless ’78 Wal
Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their efforts evolved into a company known as Electric Wood, and…