The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The Axe that Time Forgot
For more than 60 years, aluminum has been used as a component in guitar construction. Exactly whose idea it was…

Retail Rarity
In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under…

If you hung around the audio world’s collective R&D room long enough in the late 1950s and early ’60s, you’d…

Generational Innovation
Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…

The Next Step
Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…

1965: Summer Of The Hollowbodies
The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer…

Fender’s Stratocaster Turns 60
Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Les Paul Standard of a Different Shade
Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed,…

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric…
The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and…

A Legend’s Legacy
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his…

Beginnings – The Early 1960s
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…
Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of thrill – and satisfaction – when you find something that’s…

A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a…

Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for crowds in venues ranging from clubs to festivals around the…

Artistry in Rhythm
Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

Gibson and the Master Models
Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked a market. For a time, they placed a considerable burden…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Organ Transplant
Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the…

The Big Twang!
Electric bass, bass guitar, baritone guitar; four, five, or six strings – many varieties of low-tuned instruments are available today.…

1962 6G2 Fender Princeton Preamp tubes: One 7025, one 12AX7 Output tubes: two 6V6GT in fixed bias Rectifier: 5Y3 Controls:…

Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new…