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Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Gibson’s 17″ Pre-War Electrics
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…
A Guide to Vintage Dobros
John Dopyera left National in 1929 to begin work on a secret project – a single-cone resonator guitar he believed superior to the Triolian. His instrument became synonymous with resonator…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
Fender’s Musicmaster and Duo‑Sonic
Little Brothers
Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up guitar to play along with “Rock Around the Clock.”
D’Angelico Excel Plectrum Guitar
Superb Build, Sound Worthy of a Listen
John D’Angelico is widely regarded as one of the finest archtop guitar builders who ever lived. From 1932, when he started making guitars on his own, until his death in…
Dan’s Guitar RX: A New Tool Makes Luthiery Easier
With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…
Epiphone Model M Steel
Misjudged Beauty
The Epiphone company already had a long history when it hit big with banjos in the early 20th century. And it was quick to change with the times as musical…
Martin 5K
ukulele
The braguinha, forerunner of the ukulele, was a small four-string instrument tuned in fifths. Named after the town of Braga in Portugal, the instrument arrived in Hawaii with the first…
Fender’s V-Front 5B4 Super-Amp
Wonder Wedge
Though all tweed Fender amps of the late ’40s and ’50s are lauded and lusted after, the V-front Super might be the most iconic – and elusive. So, when a…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Peter Green
A Guitar For Greeny
Establishing the provenance of a vintage guitar can be a daunting task, even for a seasoned pro. In the case of one particular 1960 Gibson Les Paul Standard, the investigation…
The Gibson ES-5
Instrument Profile
Gibson, like all American guitarmakers, had to shut down electric guitar production for three years during World War II. But when production resumed in 1946, Gibson made up for the…
Gibson’s First Cherry Red 335
It came from the Books
Gibson introduced the ES-335T in the spring of 1958 as the progenitor to its double-cutaway,semi-hollow body “thinline” series of guitars. Characterized by the maple block running down their centers, most…
Murph Squire 11-T
1965 Murph Squire 11-T We live in a golden age, with an incredible selection of guitars available in virtually any price range. But if there ever was another golden age,…
Robert Perine
How I helped Leo Fender
In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…
Model 2020
Like most things, the closer you look at certain phenomena, the more you find often subtle, unexpected surprises. A good example is this Ibanez Model 2020, which dates from around…
Audiovox #736
The World's First Electric Bass Guitar!
While there have been lively debates raging in the rare instrument community for many years about any number of puzzling early guitars – not to mention the perennial issue of…
Classics: January 2024
Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of…
Acoustic Black Widow
Black Widow Guitars
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
Kramer Pacer Deluxe
Superstrat or Bust
On rare occasions, the zeitgeist – not some lucky designer – creates a guitar that captures hearts and minds. Such was the case in 1982, when tastes in popular music…
Quest for Volume
Django Reinhardt's Selmer #503
Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de France was starting to make waves, Django first began using…
Gibson Humbucker
Crunchy, Clean Dirt
Gibson and Fender may be the longstanding heavyweight rivals of the electric guitar game, but they have one very important thing in common: they revolutionized the guitar industry. Fender took…
Kevin Keaton’s 1958 Esquire
Swamp Thing
June 10, 2020, was a summer night like most in the life of Kevin Keaton, a postal mail carrier and guitarist who gigs in an acoustic duo and an AC/DC…
Vintage Dobros
A Guide
When John Dopyera stormed out of the National shop in January 1929, his resignation stemmed from more than a spur-of-the-moment tantrum. For months, the inventor of the resonator guitar spent…
J.D. Simo
Playing for Elvis
Psych-blues guitar maestro J.D. Simo was the wizard behind the guitar work heard on Elvis, the new Baz Luhrmann film starring Tom Hanks and Austin Butler. Unlike the actors who…
Audiovox Electronic Bass
Discovered! The World's First Electric Bass Guitar
While there have been lively debates raging in the rare instrument community for many years about any number of puzzling early guitars – not to mention the perennial issue of…
The “Conversion” Les Paul
Myth, Magic – and Mojo!
One of the more intriguing topics in guitardom is the Gibson Les Paul “conversion.” What is it? Most of the time, it’s a reference to Les Pauls made from 1952…
Classics: March 2022
Chris Leuzinger’s 1952 Gibson Les Paul
If your radio was tuned to a country station even for a few minutes anytime in the last 30 years, odds are you’ve heard Chris Leuzinger’s 1952 Les Paul. A…
Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of…
Epiphone C-10
A nylon-string good for beginners, experts alike
The sound of a nylon-string guitar has captivated musicians and listeners for decades. However, unless you're a classical guitar "artist," chances are your main axe isn't a nylon string. My…
1982 Gibson Victory Custom
When you consider their status as a last-gasp instrument made by Gibson in its waning days as a property of Norlin Industries, the ironically dubbed “Victory” series of guitars and…
