• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Dan’s Guitar RX: Doubleneck Redux

A Return to Glory for “Jerry”

July 31, 2025 · Dan Erlewine

In 1977, I was doing guitar repair in Big Rapids, Michigan, and my services included picking up and delivering repair…

Sovtek MIG-50

Curtain Call

February 4, 2022 · Dave Hunter

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…

A Master’s Pallet

George Fullerton’s Fender Jazzmaster

A Master's Pallet

March 20, 2015 · George Gruhn

This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research…

In Detail: Gibson’s 1954-’58 Les Paul Junior

April 26, 2022 · Ward Meeker

In 1952, Gibson’s Les Paul model guitar was brand spanking new.  But it wasn’t cutting-edge. True, it was the company’s…


Mr. Smith goes to Rudy’s

“Upstairs” at a famed NYC guitar boutique

Nashville has Music Row and London has Soho, but if your heart starts palpitating at the mere mention of carved wood, PAFs, and steel strings, it’s hard to beat New…

Dan’s Guitar RX: Reviving a ’56 Duo-Jet

Ugly, But An Oldy

Blake Burkeholder, a repair expert in my shop, has always wanted a Gretsch. So, when he found a ’56 Duo-Jet fixer-upper at a reasonable price, he grabbed it. Like other…

1949 Bigsby Tenor

By the advent of the solidbody electric guitar in the 1950s, tenor guitarists were a dying breed. Consequently, electric tenors are relatively rare, and a tenor guitar made by solidbody…

Dano Redux

A Look at Everyone's First Electric Guitar

In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

Burke Guitar

Axe That Time Forgot

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has never been a cut-and-dried matter of fact, but it has…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Fender’s First Reissues

The CBS Era Concludes in Style

March 2, 2016 · Edward B. Driscoll Jr.

By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s…

Paul Benjaman: Tulsa twanger

August 27, 2024 · Vintage Guitar

Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves…

Muireann Bradley, Old Soul

January 22, 2024 · Vintage Guitar

Vintage Blues, Vintage L-50 Direct from Ireland, 17-year-old Muireann Bradley indulges us (and tugs at our Led Zep heartstrings) with…

Vahdah Olcott-Bickford and the Martin Style 00-44G

Special Signature

March 10, 2023 · Walter Carter

Of the nearly 200 artists who have been granted a “signature” Martin guitar, only one was given their own style…


Jon Butcher’s psychedelia mastery

Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of…

John Sebastian & Arlen Roth

Reimagine the Lovin’ Spoonful

In the ’60s, the Lovin’ Spoonful boasted one of the most impressive song catalogs in rock and roll. During the age of psychedelia and college courses examining the Beatles and…

Classics: August 2022

Billy Soutar’s custom-order 1936 Gibson L-7

While scanning an Elderly Instruments ad in Vintage Guitar one day in early 2009, Billy Soutar spotted the description of a 1936 Gibson L-7, “Custom… with factory Charlie Christian pickup.”…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

GRETSCHBURST-HOME-MAIN-BIG

Horses of Another Color

1) This ’57, from batch 253xx, has the added intrigue of a gold G-cutout tailpiece in place of the Bigsby vibrato. In addition to the standard Amber Red stain on…

The ‘‘Blackburst’’

The ‘‘Blackburst’’

Les Paul Standard of a Different Shade

Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed, guitars with non-standard parts/materials from the factory, or those once owned…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Popa Chubby’s Dangerous Attitude

November 23, 2023 · Vintage Guitar

NYC blues beast rips on “I Don’t Want Nobody A fixture in New York City blues joints and familiar face…

The “Conversion” Les Paul

The “Conversion” Les Paul

Myth, Magic – and Mojo!

June 21, 2016 · Pete Prown

One of the more intriguing topics in guitardom is the Gibson Les Paul “conversion.” What is it? Most of the…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part 3: The 1960s

April 5, 2024 · Peter Stuart Kohman

Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still…

Watkins Rapier 33

October 8, 2015 · Michael Wright

If you were an American teenager in the late 1950s or early ’60s, and you wanted to play the new…