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Classic Instruments
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Surf Bass
Out of the Doghouse
The big twang of surf guitar is still an instantly recognizable rock and roll idiom today, more than 35 years after the style was developed. People who weren’t alive when…
Building a Studio
The Art of Home Recording
VG will equip readers with the knowledge and skill to achieve professional-sounding home recordings. We guide you through the setup of a home studio – a starting point to this…
Bay State Parlor Guitar
The Parlor Guitar
The parlor guitar. Designed by Mr. Parlor? No. First manufactured by the Parlor, Inc? No. Endorsed by the well-known recording artist, Parlor? Now don’t be silly, of course not! Then…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
Wolf Marshall
Jazz-Lore Generator
Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…
Fender’s 1951-’54 Telecaster
In Detail
Fender’s first Spanish-style guitar was a lesson in functional simplicity with its solid body, single pickup, and bolt-on neck. And it didn’t receive a welcome fit for the legend it…
Classics: December 2023
Cliff Antone’s 1952 Fender Precision
Texas is known for music, especially Austin, which in the mid ’70s became a hotbed thanks to clubs like Armadillo World Headquarters, Castle Creek, and Soap Creek Saloon, which mostly…
Gretsch Rancher
“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how Gretsch first introduced the Rancher Jumbo – offspring of the 1940s…
The BBE Soul Vibe
Taking Soul to New Levels
The original Shin-Ei Uni-vibe became hugely famous after Jimi Hendrix used it with Band of Gypsys (and at Woodstock). Later practitioners like Frank Marino and especially Robin Trower used the…
The Oud
Ancient to Modern
If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
The Collins Kids
Mostly-Moseley Memories
Siblings Lorrie and Larry Collins sprang into the public eye in the mid 1950s – dawn of the television era – on a program called “Town Hall Party.” The big-sister/little-brother…
Fender’s 5E7 Bandmaster
There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in its first few years, earning status as a true classic…
Renaissance T-200G
What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think it would be the perfect medium for a mean rock…
La Baye 2X4
1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh Cream, the Beatles best record ever, the Jimi Hendrix Experience.…
Univox Guitars
Merson/Unicord Part 1
Ca. 1974 or ’75 Univox Hi Flyer Mosrite copy with the later Univox see- through humbuckers. While most think of the history of American guitars in terms of American manufacturers,…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…
Match Game
“There’s no telling how much time I spent at the library, looking at books about cars,” says Steve Evans of his years spent researching automobile names that matched those given…
Rob Allen Custom Basses
As a leading-edge shop owner ca-rrying 26 high-end bass-related lines, I’m regularly approached to become an authorized dealer for many products. I’m fair but skeptical with the inquiries and always…
Acoustic Black Widow
Black Widow Guitars
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
JMI Vox AC15 “Two-Tone” 1×12″
TV Star
The permutations of early Vox models remain endlessly fascinating to vintage-amp enthusiasts, and few get us as worked up as a rare transitional version of the hallowed AC15. The “TV-front”…
Classics: December 2023
Cliff Antone’s 1952 Fender Precision
Texas is known for music, especially Austin, which in the mid ’70s became a hotbed thanks to clubs like Armadillo World Headquarters, Castle Creek, and Soap Creek Saloon, which mostly…
Vox Pacemaker V-3
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold…
Clapton’s Fool
History’s Greatest Guitar?
Eric Clapton’s The Fool. A name immediately recognizable to guitarists, yet baffling to others. What is Clapton’s Fool? Very simply, it is one of the most important and famous electric…
Eko’s “Celluloid” ’60s Basses
Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…
Magnatone Amps
More Magnatone!
Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…
Scott Sharrard’s fiery slide!
Little Feat ace plays outro from “You’ll Be Mine” In case you’re wondering how Scott Sharrard got the gig wearing the Little Feat slide shoes once filled by Lowell George…
Fender Headless Bass
Forgotten Prototype
Reflecting back through my years in the guitar industry, much of my time has been spent in product development, prototyping, and the making of specialty guitars. In recent years, quite…
The Supro “Model 24”
Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the lid on the Jimmy Page amp. Well, maybe not the…
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock…
Molly Miller – top-flight instrumental rock, jazz, and twang
Trio rips on “2 West” Instrumental guitar music is having a moment. Offering a stellar example, Molly Miller and her trio show us “2 West,” filmed during soundcheck on their…
Seth Lover
Seth Lover
The history of the musical instrument business is full of stories, from the drab to the miraculous. Some bean-counters will busily push their way to the forefront, grabbing for a…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
