•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The Burke Guitar

The Axe that Time Forgot

April 13, 2021 · Ward Meeker

For more than 60 years, aluminum has been used as a component in guitar construction. Exactly whose idea it was…

1843 Martin & Coupa

Retail Rarity

September 20, 2019 · George Gruhn

In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under…

Gibson GA-83S Stereo-Vib

Gibson GA-83S Stereo-Vib

March 16, 2016 · Dave Hunter

If you hung around the audio world’s collective R&D room long enough in the late 1950s and early ’60s, you’d…

Warwick Thumb Bass

Generational Innovation

April 15, 2019 · Willie G. Moseley

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…


1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

Classics – March 2021

Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer…

Perfect Curves Fender’s Stratocaster Turns 60

Perfect Curves

Fender’s Stratocaster Turns 60

Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

Veillette-Citron Shark

It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The ‘‘Blackburst’’

The ‘‘Blackburst’’

Les Paul Standard of a Different Shade

January 12, 2016 · Ward Meeker

Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed,…

The story of the Martin F-50

December 24, 2025 · Vintage Guitar

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric…

1942 Martin D-45

October 23, 2013 · George Gruhn

The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and…

 The Guitars of Gary Rossington 

A Legend’s Legacy

October 30, 2025 · Ward Meeker

When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his…


Beat Portraits: Burns Volume 1

Beginnings – The Early 1960s

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Cole Eclipse Pro Special

Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of thrill – and satisfaction – when you find something that’s…

Yamaha Weddington Custom

A Better “Classic”

In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a…

Star Board: Joe Moss

Star Board: Joe Moss

Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for crowds in venues ranging from clubs to festivals around the…

Freddie Green

Artistry in Rhythm

Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

Silver Lining

Gibson and the Master Models

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked a market. For a time, they placed a considerable burden…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

The Vox/Thomas Organ V-8 Berkeley Super Reverb

Organ Transplant

March 7, 2023 · Dave Hunter

Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the…

Six-String Basses from the 1950s and ’60s

The Big Twang!

February 4, 2022 · Peter Stuart Kohman

Electric bass, bass guitar, baritone guitar; four, five, or six strings – many varieties of low-tuned instruments are available today.…

Fender Princeton feature

The Fender Princeton

January 27, 2011 · Dave Hunter

1962 6G2 Fender Princeton Preamp tubes: One 7025, one 12AX7 Output tubes: two 6V6GT in fixed bias Rectifier: 5Y3 Controls:…

Dave Murphy: Acoustic Country!

May 15, 2025 · Vintage Guitar

 Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new…