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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
The Modulus Graphite Flight 6 Monocoque
High-/Low-Tech
In guitar history, irony is almost always the result of circumstances. The market changes overnight or someone makes a mistake…
Intriguing Twosome
A Look at Gibson’s EB-6
As the ’50s drew to a close, Gibson was locked in a heated battle with Fender for a share of…
The Yosco No. 2
Tenor Banjo
The banjo and American music cross paths in a remarkably entangled web of complexity. The banjo was brought to the…
Recording King Ray Whitley
As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company…
Recording Electric Guitars
The Art of Home Recording
The process might seem simple – stick mic in front of amp, press "Record." Truth is, though, that even just one guitar and amp can render results that vary greatly.…
Gibson’s Style O Artist Guitar and K-4 Mandocello
Two For the Scroll
The mandolin originated in the Middle East as a bowl-back instrument. Crusaders brought it back to Europe and early Italian builders evolved the design, giving it four paired strings tuned…
Selmer/RSA Truvoice TV10
Shock and Awe
If the British market needed a couple of decades to decide what form the guitar amplifier would ultimately take, we shouldn’t be surprised; well into the rock-and-roll age, the U.K.…
Dallas Shaftesbury 30
We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of VG, but less often do we delve into the equally…
Vox AC100
Scream Machine
The history of Vox amplifiers’ evolution through the early/mid-’60s directly tracks with The Beatles’ increasing needs to be heard over the screams of fanatical audiences. Simultaneously, the arrival of the…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Dan’s Guitar RX: Installing an Acoustic Pickup System
Un-Unplugged
For years, one of the most common jobs I’ve been asked to do is put a pickup in an acoustic…
The Gretsch Round-Up
In 1954, what could possibly be more “contemporary Western” than a Gretsch Round-Up? Introduced in 1954, the Round-Up (listed in…
National Style O
Although it has never been the favorite guitar of Hawaiian players, National’s Style O, with its shining metal body and…
Ditson’s Style 11 and the Birth of the Dreadnought
Martin’s Big Step
In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New…
Carvin DN640K
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for…
Brennen Leigh’s Heart-Tugging Honky-Tonk
Shades of Norman Blake and Dolly Parton A student of the “Carter Scratch” guitar technique – melody on the low strings, rhythm on the high – Brennen Leigh plays and…
Thomm Jutz plays “Come All You Fair And Tender Ladies”
Flatpicked English folk with an Appalachian touch Sparse and haunting, Thomm Jutz and his ’48 Martin D-18 share a solo take on “Come All You Fair And Tender Ladies,” from…
Marcus King
Swamp Guide
Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…
Microphones and Their Uses
The Art of Home Recording
The means to make high-quality home recordings are well within the grasp of every guitarists. But, they can only as good as what you put in. We dig into the…
Standel 400S
In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Gretsch 6130 Round-up
Head ‘em out!
The romantic concept of the “Old West” – an enduring element of American pop culture – was spurred by pulp…
Dan’s Guitar RX: A New Tool Makes Luthiery Easier
With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup…
Vox Pacemaker V-3
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier:…
Supro S6651
Supro S6651 Big Star
Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us…
