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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Gibson ES-300 Prototype
Les Paul and the First Gibson ES-300
When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle…
David Hidalgo Plays Joe Walsh’s ’59 Les Paul
David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his…
Webster-Chicago RMA 375 Model 166-1
Grammy Winner
Modified or repurposed amps generally don’t fit into our monthly discussion here, but some are representative enough of a certain…
JMI Vox AC15 “Two-Tone” 1×12″
TV Star
The permutations of early Vox models remain endlessly fascinating to vintage-amp enthusiasts, and few get us as worked up as…
Ca. 1960 Custom Mosrite/Gretsch
A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…
Mick Taylor’s ’58 Les Paul Standard
The Ya Ya’s Out!
Hard-edged face of the British Invasion, the Rolling Stones introduced the world to the implements, trappings, and accessories of rock-and-roll superstardom. With help from radio, television, and teen ’zines, the…
Gibson’s Earliest Dreadnought?
Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this…
Andy Peake – Roots Without Boundaries
Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof, take a listen to his new album, “Pocket Change.” Here,…
Duane Eddy
Of DeArmonds and Details
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang box-set anthology, which included 40 songs he helped re-master and…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
The Pedulla Buzz Bass
Fast and Fretless
Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless.…
1934 Gibson F-7
Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs…
Echoplex EP-2
Sam Phillips didn’t invent tape echo with his mid-’50s recordings of Elvis, but he just as well may have. So…
1978 Steinberger Prototype Bass
When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic…
Name that Twang
The Guild-Duane Eddy Connection
The fledgling Guild company scored a coup when it signed Johnny Smith to an endorsement deal in 1956. Perched atop the jazz-guitar scene at the time, Smith helped Guild join…
The Fender AA165 Pro Reverb
Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for their rich vintage tones and renowned as everyday workhorses that…
The Rickenbacker 4000
The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…
Epiphone Riviera
The Epiphone Riviera helped reinvent Epiphone in the 1960s as a modern guitar company whose instruments sported such contemporary features as thinline, semi-hollow, double-cutaway bodies and humbucking pickups. In the…
Pieces of a Prototype
Secrets of a Socal "Parts" Guitar
If you were a guitar – particularly one with a natural or translucent finish – your “fingerprint” would be the grain of the wood used to make your body. …
Classics: Harold “Sonny” Wright’s 1965 Gibson J-45
Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who could impress on the piano, it makes sense that Harold…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Warwick Thumb Bass
Generational Innovation
Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…
The Martin 3K
The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which…
Hornby Skewes Zonk Machines
Fuzz Bonk
In 1965, fuzz was the “it” sound. Guitarists had recorded with fuzz before, of course, but after Keith Richards plugged…
Greg Lake’s Zemaitis Doubleneck
Twice as Heavy
With progressive-rock juggernaut Emerson, Lake & Palmer, bassist/vocalist Greg Lake (1947-2016) played more than one instrument made by the renowned…
