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Classic Instruments
Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that…
Ask Zac: Deep Dive on the Wide Range
Plus, Joey Molland’s Stratotone
I have collected several Fender Wide Range humbucking pickups from the early ’70s, and I’m curious about how to check whether they’re set to factory specs, and then how to…
Kay Violin-Style Guitar
1938 Kay Violin-Style Guitar. One prominent thread in the story of the guitar is a quest for more volume – a search that was effectively achieved with the dominance of…
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Gibson J-35
Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…
Martin F-9
1939 Martin F-9. Photo: Kelsey Vaughn, courtesy Gruhn Guitars. One of Martin’s most successful innovations of the 1970s arose, ironically, from one of the company’s least successful ventures of the…
G&L SC/SB Series
Matching Mojo
Early-’80s G&L SC-3. Bill Ingalls, Jr. Early-’80s G&L SB-1. During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments…
Park Model 1229
Half-Stack Heaven
Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…
Classics: July 2021
Warren Garstecki’s 1932 Gibson HG-22
Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…
Alive! Guitar Revived
The Tale of Frampton’s ’54 Les Paul Custom
Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.
1986 Dumble Overdrive Special
The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become more so over the course of the past decade, with…
The Roland Space Echo
Perfect Slap-Back
When Brian Setzer kickstarted the Stray Cats into action in 1979, his gear lineup was a hodgepodge of orthodox rockabilly ware along with the bizarre. His ’59 Gretsch 6120 and…
The City of Guitars
Git-Shopping in Paris
On your way to Paris for a romantic getaway? Wanting to see the sights in the City of Light? Then take this advice; forget Rick Steves, think Stevie Ray. Skip…
The Gibson J-185
The J-185 is regarded by many players and collectors as the finest-sounding Gibson flat-top made after World War II. The only flat-top of its size and shape made by Gibson…
Rex Solidbody By Michael Wright
Circa 1959 Rex solidbody. While a lot of vintage-guitar enthusiasts are content to pursue well-known treasures, there are others who appreciate a good mystery. For me, it’s been a pleasure…
Magnatone Amps
More Magnatone!
Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…
The Mesa/Boogie Mark IIC+
Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the way to the massively featured Mark V, many fans of…
The Gibson L-5
Loyd Loar's Timeless Masterpiece
Timeless elegance. A jazz icon. The inspirational archtop guitar. These are just a few of the descriptions that fit Gibson’s L-5. Add to those a historical antecedent: the L-5 in…
1988 Guild Liberator Elite
Every once in awhile you find a guitar that’s almost too beautiful to play. It’s just enough to sit there and admire it, not risking a ding. A good case…
Vahdah Olcott-Bickford and the Martin Style 00-44G
Special Signature
Of the nearly 200 artists who have been granted a “signature” Martin guitar, only one was given their own style number. It wasn’t Clapton. It wasn’t Cash. Rather, it’s Vahdah…
B.C. Rich Guitars
From Flamenco to Heavy Metal
From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…
Booker White’s 1933 National Duolian
Hard Traveled
“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard Rock was a hard-traveled guitar – much like White himself.…
Ray Benson’s Gibson ES-355
Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…
Fixing Tuner Holes in a Rare Gibson
Replacement Plague
I’ve worked on plenty of old Gibsons, but guitars like this 1939 J-55 are rare. It’s only the second one I’ve ever seen, and first I’ve worked on. It was…
The Original ES-150
How Gisbson Won The ES War
The story of the ES-150, Gibson’s first commercially successful electric guitar, has been told many times, and its association with legendary jazz pioneer Charlie Christian is a staple of the…
Martin Bodies in the 19th Century
Size matters
Exactly when did C.F. Martin begin formally using the two-part system indicating size and level of ornamentation on his instruments? Nobody knows for certain. Martin was thinking along these lines…
Gittler Guitar
Avraham Bar Rashi
One of the most intriguing electric stringed instruments to ever appear on the American amplified music landscape was the rare and starkly-minimalist Gittler. Simply an electric guitar constructed with as…
Gibson Hawiian Guitars
EH-100 and EH-150
Introduction “No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip…
Acoustic Black Widow
Black Widow Guitars
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
1939-’42 Gibson SJ-100
$100 Cowboy Flat-Top
Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that tune changed in 1926, when it introduced the L-1 and…
Classics – April 2021 Edition
Like so many Vintage Guitar readers, Steve Evans was propped in front of a TV that February night in 1964 when the Beatles first performed on “The Ed Sullivan Show.”…
