• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Veillette-Citron Shark

December 19, 2025 · Michael Wright

It’s not often a guitar can be said to have been inspired by a TV show, but that is the…

Hofner 185

April 14, 2016 · Peter Stuart Kohman

Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition,…

Rick Vito’s Tale Of Two Grails

Find of a Lifetime

December 6, 2022 · Ward Meeker

Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures,…

Classics: Steve Kimock 1968 Goldstop

January 3, 2025 · Ward Meeker

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful…


Songbirds: Museum with a Mission

Treasures in Tennessee

Ask anyone who geeks out on vintage guitars, from the well-heeled collector to the dreamer whose prized possession is a relic’d reissue, and you’ll hear the stories… First sighting of…

Keith Richards’ 1963 Gibson SG Custom

Ready to Ramble

In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les Paul since being developed in 1952. Redesigned in response to…

Fender Super Reverbs from 1963 and ’68

First and Last

Among the many distinct eras of vintage-amp production, Fender’s so-called “blackface” models are legendary. Made from late 1963 until ’67, they’re loved for the elegant black control panel and their…

The Gretsch 6120 Tenor

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other tenors, including the Duo Jet, archtop acoustic, and archtop electric…

Burke Guitar

Axe That Time Forgot

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has never been a cut-and-dried matter of fact, but it has…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Sovtek MIG-50

Curtain Call

February 4, 2022 · Dave Hunter

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…

Yamaha SA-15

May 27, 2025 · Michael Wright

Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies,…

Martin D-28 and D-45

Definitive Flat-tops

April 4, 2018 · George Gruhn

Martin’s pre-WWII dreadnought guitars set the standard for the modern flat-top, and thus both have been inducted into the VG…

Guild Basses in the Early 1980s

Traditional, Temporary

Guild Basses in the Early 1980s

June 21, 2016 · Willie G. Moseley

The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned…


The Watkins Dominator

Crying V

Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing – the allure of its blue-and-cream Rexine covering, gold-threaded grillecloth,…

The Gretsch 6169 Electromatic Twin Western

What good was selling a newfangled electric guitar back at the dawn of the revolution if you didn’t have an electric guitar amplifier to go along with it? Any significant…

Park Model 1229

Half-Stack Heaven

Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…

GIBSON F-7 1934

1934 Gibson F-7

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole.…

Heathkit TA-16 Starmaker

Basement Jams & Blown Speakers

1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us.…

Gibson’s Style O Artist Guitar and K-4 Mandocello

Gibson’s Style O Artist Guitar and K-4 Mandocello

Two For the Scroll

The mandolin originated in the Middle East as a bowl-back instrument. Crusaders brought it back to Europe and early Italian builders evolved the design, giving it four paired strings tuned…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Sonny James's Epiphone Excellente

Epiphone Excellente

Sonny James' Epiphone Excellente

November 19, 2002 · Walter Carter

The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best.…

Bob Spalding: Instrumental Legend

October 30, 2023 · Vintage Guitar

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on…

Gibson Goldtops

Molten Mojo, Head-To-Head Vintage Versus Reissue

May 28, 2022 · Nathaniel Riverhorse Nakadate

In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly…

Marshall 2100 Lead & Bass

Rock Breaker

February 1, 2024 · Dave Hunter

Adescendant of the legendary “Bluesbreaker” combo that helped launch the cranked-Marshall sound into the annals of rock, the 2100 combo…