Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

One of the few family-owned guitar/amplifier manufacturing enterprises remaining in the industry, Carvin was founded by Lowell Kiesel in 1946 and started by making pickups, then transitioned to building lap…

Little Brothers
Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up guitar to play along with “Rock Around the Clock.”

In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band that hit with songs like “Baja.” We’re talking real astronauts,…
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…

Height of the Reissue
In celebration of the 50th “birthday” of its famous Stratocaster model, Fender has taken the reissue concept to new heights. And why not? Arguably the most popular guitar – electric,…
Electric guitar lore from the 1980s almost invariably includes (sometimes snide) references to hair bands, pointy headstocks, black hardware, and so on. But many of the asymmetrical/angular instruments from that…
Part Four
Well, we near the end of the long tale of Hamer USA Guitars, a saga that began in the early 1970s and is today a great success story in American…
One singular work of the late French master Robert Bouchet, whose influence in the world of guitar making was enormous, is an exceptionally fine and well-preserved example from 1967 –…

Masked Marshall
When is a Marshall not a Marshall? When it’s a Park, of course! Though it might not scream “classic rock tone” for the guitarist masses, in the eyes and ears…

A Bat By Any Other Name
Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany, aren’t big on details. So when it comes to researching…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Which came first – electric guitar or amp?
The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…

A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

Gibson’s L-3 Ganus Brothers Special
Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy against one-off projects, this guitar illustrates how the company did…

The Art of Home Recording
Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.
Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the 12-frets-to-the-body 000-42? It has long been held that Martin has…

Ready to Ramble
In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les Paul since being developed in 1952. Redesigned in response to…

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular American guitars, most notably of the Gibson Les Paul. Indeed,…
The Experimental '70s
That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a…
Remember that line from the old song, “If it weren’t for bad luck, I’d have no luck at all…”? In some ways, it’s a summation of the life of Semie…

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young Benjamin Braddock in the classic film The Graduate: “Plastics.” In…

A Likely First
Had he survived to this day, Elvis Presley – cultural icon extraordinaire – would be 80 years old. The man who would rise from very modest means to become arguably…

Scream Machine
The history of Vox amplifiers’ evolution through the early/mid-’60s directly tracks with The Beatles’ increasing needs to be heard over the screams of fanatical audiences. Simultaneously, the arrival of the…

Fender 5E3 Deluxe Preamp tubes: one 12AY7, 12AX7 PI Output tubes: two 6V6GT, cathode-bias Rectifier: 5Y3 tube Controls: Independent Volumes for each channel, shared Tone. Output: 15 watts RMS +/-…

Something New From Something Old
In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab the issue and check it out. This month, I’ll take…

Two For the Scroll
The mandolin originated in the Middle East as a bowl-back instrument. Crusaders brought it back to Europe and early Italian builders evolved the design, giving it four paired strings tuned…
Rock 'n' Roll Dreams, Part I
Few non-American guitar brands have meant so much to so many American guitar buffs as Teisco guitars. Indeed, through their mid-’60s connection with the Sears and Roebuck company, many a…

Head ‘em out!
The romantic concept of the “Old West” – an enduring element of American pop culture – was spurred by pulp novels before John Ford introduced the world to My Darling…

Grammy Winner
Modified or repurposed amps generally don’t fit into our monthly discussion here, but some are representative enough of a certain standard to make an exception. Witness this gem from 1952.…

Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts for, say, a Popeye and Olive Oyl set? “Spinach Special?”…

Horizontal Vibe
Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis Kager, an amp technician and guitar specialist who worked for…
1960 Schulte Custom Doubleneck, courtesy of Eric Schulte. You know the experience. You stop at your favorite music store, scan the axes hanging on the rack, and get a little…