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Classic Instruments
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
Roy Orbison’s Marshall Model 1961
Dream Baby
One of the most-desirable vintage amplifiers ever made goes by a name it never officially had. Possibly the first Marshall brought to America, ownership by the great Roy Orbison adds…
The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS,…
Kay Jazz Special and Value Leader
Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965 (VG, March 2011), and while each met with a modicum…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
Gibson’s Experimental Archtop
Orville Gibson invented the carved-top guitar in the 1890s, and his company refined the design with f-shaped sound holes in 1922, then brought the concept to full potential with larger-bodied…
Fender’s Tweed-to Tolex Transition
Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…
Intriguing Twosome
A Look at Gibson’s EB-6
As the ’50s drew to a close, Gibson was locked in a heated battle with Fender for a share of the high-end electric-guitar market. But when it came to the…
Maestro Rover R0-1
The UFO of Rotating Speakers
To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar signal into an organ speaker – a Leslie rotating-speaker cabinet.…
First Guitar of Rock and Roll
Scotty Moore’s Gibson ES-295
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…
The Epiphone Excellente
When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made in the Gibson factory but designed to be slightly less…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
Jake Andrews – “ Apricot Brandy”
Austin Stalwart Goes Full Steam for “Apricot Brandy” Jake Andrews was just eight years old when he sat in at Antone’s with an impressed Albert King, and not long after…
Pop ’N Hiss: Taste
Breakout Blues
The ’60s may have been the most musically significant decade in the history of popular music, but very few countries were represented then or in the years that followed. Fronted…
Peavey T-20
The Next Step
Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…
22 Classic Modulation Effects
Mod Squad
We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence of our favorite heroes and songs.
Westone Genesis
1987 Westone XA6520TBU Genesis. Photo: Bill Ingalls Jr. Instrument courtesy of Rudy Abbott. The relationship between Japanese instrument builders and domestic distributors was critical in the evolution of guitar sales…
G&L F-100
1981 G&L F-100-I If guitars are in your blood – really in your blood – you can’t walk away from them. That was certainly the case with Clarence Leonidas Fender,…
The Collings SoCo Deluxe
Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars. The Texas-based builder is one of the most recognized and…
Furry Lewis’ 1968 Gibson B-25N
Heart In Hand
Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was born, Walter “Furry” Lewis was seven years old when his…
Dumble Garage Band Ripper
Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…
Guild F-512
Iconic ’70s 12-String
Today, players typically equate the 12-string acoustic with Taylor and Martin. For its part, though, Guild’s F-512 remains one of the most revered, and this particular one veers off-spec with…
1952 Bigsby Doubleneck
Few instruments combine excellent craftsmanship, historical significance in the development and evolution of the guitar, and memorabilia appeal as much as this Bigsby guitar, custom made in 1952 for the…
1968 Teisco May Queen
Perennial Classic, Made in Japan
While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…
Mick Taylor’s ’58 Les Paul Standard
The Ya Ya’s Out!
Hard-edged face of the British Invasion, the Rolling Stones introduced the world to the implements, trappings, and accessories of rock-and-roll superstardom. With help from radio, television, and teen ’zines, the…
James Ashborn
Innovative Entrepreneur
Circa 1850 James Ashborn guitar. All photos: M. E. Brune. James Ashborn was born in England circa 1816 and came to New England in the late 1830s, for reasons unknown.…
The House of Stathopoulo Harp Guitar
Surreal Missing Link
One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…
Epiphone’s Zephyr Emperor Regent
1955 Epiphone Zephyr Emperor Regent. Instrument courtesy of Lloyd Chiate. Photo: Billy Mitchell, courtesy George Gruhn. Epiphone’s Zephyr Emperor Regent of the early 1950s represents not only the most deluxe…
Robin’s ’80s Import Basses
While the Robin guitar brand’s reverse “imported then domestic” chronology has been documented in this space, the basses shown here are the first import models marketed by the company (and…
DeArmond Tremolo Control
Even now – four decades on – Billy F Gibbons remembers the first time he heard a DeArmond Tremolo Control work its peculiar magic. “We first heard the effect not…
Jeff “Skunk” Baxter
License To Thrill
To a generation of music fans, Jeff “Skunk” Baxter was one of the most recognizable guitarists of the early ’70s. On TV shows like “Midnight Special” and “American Bandstand,” he…
Fender Precision Bass
The Fender Precision Bass, introduced in 1951, was arguably more revolutionary and more influential on popular music than the Telecaster or Stratocaster. As the first commercially successful electric bass, it…
Hagstrom Guitars
The Fastest Necks
Ca. ’73 Hagstrom Viking I N also known in the U.S. as the Scandia. Part 2 This month we continue the Hagstrom saga. To recap: the Hagstrom company was founded…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
