• The story of the Martin F-50

    Classic Instruments

    The story of the Martin F-50

    Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

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Standard in Custom

Schecter’s Custom Shop Marks 35 Years

Riding high after 35 years with an array of original instruments, an impressive artist roster that started early with Pete Townshend and Mark Knopfler, and a line of high-gain amplifiers,…

Westone Genesis

1987 Westone XA6520TBU Genesis. Photo: Bill Ingalls Jr. Instrument courtesy of Rudy Abbott. The relationship between Japanese instrument builders and domestic distributors was critical in the evolution of guitar sales…

Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

Sound City L/B 120 Mark IV

Sound City L/B 120 Mark IV

Preamp tubes: three ECC83 (12AX7), one ECC81 (12AT7, in the phase inverter) Output tubes: six EL34 Rectifier: solidstate Controls: Normal Volume, Brilliant Volume, Bass, Middle, Treble, Presence Output: approximately 120…

John Oates’ Prized Guild F-30

Roots Return

Most people know Hall & Oates as a pop-music hit machine that has sold millions of records. What you may not know is that John Oates is a lifetime student…

Gibson Goldtops

Molten Mojo, Head-To-Head Vintage Versus Reissue

In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly whipped out his golden Gibson electric guitar. Simple-minded purists howled…

Epiphone’s Professional Guitar and Amp

Epiphone’s Professional Guitar and Amp

Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…

The Fender Bass V

Innovation in the Opposite Direction

Like any other group of gearheads, bassists love to rap with peers about their stuff. One classic debate compares five-string electric basses to standard four-string instruments. The bottom line in…

The Komet Constellation

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…

A 5E3 Mystery

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

The Roots of Echo

Pre-Echoplex Devices, Part I

Post-WWII advances in recording techniques, including the use of artificial reverberation and delay enhanced music as opposed to merely capturing it. The sound became almost as important as the material…

Delta Labs Concept 1

Delta Labs Concept 1

Preamp tubes: Two 6U8A, two 12FQ7, in addition to more-common types Output tubes: eight 33JV6 horizontal-output tubes Rectifier: solidstate Controls: Volume, Treble, Mid, Bass, Resonance, Distortion; Echo effect: Mix, Repeat,…

Fender’s 5E7 Bandmaster

There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in its first few years, earning status as a true classic…

D’Angelico Excel Plectrum Guitar

Superb Build, Sound Worthy of a Listen

John D’Angelico is widely regarded as one of the finest archtop guitar builders who ever lived. From 1932, when he started making guitars on his own, until his death in…

Kramer Pacer Deluxe

Superstrat or Bust

On rare occasions, the zeitgeist – not some lucky designer – creates a guitar that captures hearts and minds. Such was the case in 1982, when tastes in popular music…

MORLEYWAH-HOME-MAIN-BIG

The Morley Rotating Wah

Chromed Tone

There was a time in the mythic ’70s when guitarists were real men and lugged around 15-pound Morley Rotating Wah pedals to gigs and studios. And if they weren’t real…

Fixing a faulty pickup selector lever

And a few oddball pickups from the Duncan archives

When I use the pickup  selector lever switch on my Fender Strato-caster, one of the pickups cuts out. What could be the problem? There could be a few problems with…

The Misadventures of Temple of Doom

Indiana Wright

The steel jaws of the trap had snapped shut. But events had spun so wildly out of control. And now, as Indiana Wright slipped from consciousness, he was not quite…

Sun Rises Again

Sun Rises Again

January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and roll with the 1951 Jackie Brenston-Ike Turner ode to an…

Dallas Rangemaster and Scala Combos

Texas Two Step

Fascinating also-rans, C-list classics, or both, the amps manufactured by London-based Dallas Music Ltd beginning in 1959 tie directly to legendary British gear. All but unheard of stateside, they were…

Vox AC-30 Amp

Trademark sound of the British Invasion

Electric guitarists often speak of the “Fender sound” or the “Marshall sound” when referring to amplifiers. And these amps certainly provide distinct coloration to the amplified signal, with different, but…

Martin 0-28K

Martin 0-28K

The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the exotic sound of Hawaiian music in the 1920s, and koa…

G&L SC-2

When is a Tele not a Tele?

When is a Tele not a Tele? Well, when it’s a Leo Fender-made SC-2, among other things. This is a neat guitar my favorite repairman, Doug Lawrance, found here in…

Beat Portraits: Burns Volume 6

1964: Nu-Sonics and Transistor Trials

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

Veillette-Citron Shark

It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as…

Warwick Thumb Bass

Generational Innovation

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a time when that nation was divided following World War II.…

D’Angelico Excel Plectrum Guitar

Superb Build, Sound Worthy of a Listen

John D’Angelico is widely regarded as one of the finest archtop guitar builders who ever lived. From 1932, when he started making guitars on his own, until his death in…

VG Q&A: Jimi Flip

Plus, Precision Bass rests and an odd Galliano

I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found a lefty model. Does anybody know? – Garry Curry The…

Steve Dawson and his Tricone, “Singin’ the Blues”

Roots Artists Expands the Genren The wildly talented Steve Dawson uses a modern National Tricone for this take on “Singin’ the Blues,” then offers a look at his Celtic Cross…

Beyond the Parlor

Beyond the Parlor

Part One: The Guitar in Non-Anglo America

Ed. Note: In this series, Tim Brookes attacks the common argument that the guitar in 19th-century America was small, quiet, and suitable only for young middle-class ladies playing in parlors. Part…