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Classic Instruments
Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
Ca. 1960 Custom Mosrite/Gretsch
A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…
Parsons/White StringBender
From the origins of country-rock to Jimmy Page, Metallica, and a slew of modern country-pickin’ wizards, the string bender lends unique sounds to any form of music by giving players…
Nick Moss – clean and tasty on “Scratch N Sniff”
Instro-rock, fully greased Get ready to have your funtime socks knocked off, ‘cuz this exclusive Nick Moss run through “Scratch N Sniff” is dangerous! A track from his latest album,…
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
I have a Fender Precision Bass with a 1971 neck date and serial number 296XXX, and I’ve always suspected the body was mahogany rather than the typical ash or alder.…
Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…
Classics: September 2022
Danny Gatton’s ES-295
Glenn Holley was just five years old when he became infatuated with the sound of rockabilly music thanks to Elvis Presley. “By 10, I had more than 30 of his…
Fender’s 6G9 Tremolux
Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; tremolo Speed and Intensity for both channels…
“Buy That Guitar” podcast with special guest Willie G. Moseley
Season 03 Episode 01 In Episode 3.1 of “Buy That Guitar,” host Ram Tuli is joined by longtime VG contributor Willie G. Moseley, who describes himself as a “stereotypical Babyboomer…
Alamo Guitars
Remember the Alamo, Part 1
Mention the Alamo and most of us conjure up a rich variety of images. Whether it’s Davy Crockett (Fess Parker, maybe John Wayne) swinging his flintlock rifle as General Santa…
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.
The “Okie Dokie Stomp” Esquire
Gate’s Swing
As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig without knowing “Okie Dokie Stomp.” The famed track by Clarence…
Ibanez Overdrives
Versatile tones from the TS line's progenitors
Before Ibanez made the fabled Tubescreamer, the company released two overdrive pedals designed to enhance sustain and distortion at lower volume. The first was simply called Overdrive, the second was…
Gibson Guitars
The Experimental '70s
That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a…
Gibson’s 1958-’62 ES-335TD
The Redoubtable “Dot-Neck” Early every guitar conceived or designed by Ted McCarty during his tenure as president of Gibson (1948-’66) is today seen as exemplary of the company’s best work.…
Teisco Checkmate 30
Café Culture
In a world where the best riffs often come when one is lounging in the family room, sipping espresso and noodling on a favorite electric guitar, the Teisco Checkmate 30…
Fender Mustang Bass
Truly Transitional
Ca. 1967 Fender Mustang Bass, serial number 219057. VG archive. Instrument courtesy of Rockahaulix. Fender’s short-scale Mustang Bass, introduced in 1966, was a transitional instrument in many ways. The company…
1965 Gibson Thunderbird
Cardinal Red Rarity
Looking to finally make a real dent in Fender’s solidbody bass market, in the mid ’60s Gibson launched a line of electric guitars and basses that emulate Fender’s latest designs.
The Epiphone Devon Tremolo EA-35T Combo
Tonally TransAtlantic
After giving the upstart Fender a run for its money in the amplifier department throughout the 1950s, Gibson segued into something that looked like surrender; by the early ’60s, its…
D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…
The Fender Songwriter
Ill-Fated Mini Acoustic
Just when you think you’ve seen or heard of everything Fender ever did, along comes another tidbit about a guitar that was prototyped but never produced. In 1969 and ’70…
Traditional, Temporary
Guild Basses in the Early 1980s
The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…
Kalamazoo KG-1
Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name such as Fender or Gibson. That’s certainly the case with…
The Beatles’ Casinos
Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common was the Epiphone Casino. Each owned one and used it…
1942 Martin D-45
The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and collectors debate whether it’s the “best guitar ever made,” in…
Gretsch 6119 Tennessean
Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…
Vintage Gibson Amplifiers
EH-100 and 125
“No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip cover,…
Ampeg R-12-R Reverberocket
1962 Ampeg R-12-R Reverberocket Preamp tubes: two 6SL7, two 6SN7 Output tubes: two 6V6, cathode-biased Rectifier: 5Y3 Controls: Volume, Tone, Dimension (reverb), Speed, and Intensity (tremolo) Speakers: Jensen Special Design…
Ampeg’s Jet Reverb Prototype
Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but also for producing what was one of the consistently best-sounding…
Orange OR80 Combo
Sunshine State
Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…
Matchless Superchief 120
A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…
Classics: December 2021
1967 Rickenbacker 360/12
Live-music fans who roamed South Florida from the early ’80s until the mid 2000s might recognize Craig Ball’s ’67 Rickenbacker 360/12. Ball was lead guitarist in the Rockerfellas, a band…
