• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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The Rogue VB-100 Violin Bass

Fab As It Looks?

The Rogue VB-100 Series II is an homage to the venerable Höfner 500/1 semi-hollowbody. Popularly known as the “Beatle bass,” this axe was used by Paul McCartney on many early/mid-’60s…

Jay Geils

Blues and Archtops

If you grew up listening to music in the ’70s, you probably associate the name J. Geils with a five-piece band that played raucous rock and roll to hip-shaking partiers.…

Fender’s 1957 Precision Bass

Fender’s 1957 Precision Bass

When an instrument maintains the same basic design and profile for more than a half-century, it’s safe to say that in terms of design and execution, it was “done right.”…

National Westwood and Glenwood

'60s alt-materials make short run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…

Earliest Gretsch 6120

…Revealed!

The Gretsch company rose to the upper echelon of guitar manufacturers in the 1950s with the introduction of a diverse and dynamic array of electric models. Arguably the most identifiable…

Custom Pearl

PH-44 Phaser

This month, our “Little Known Wonder” is the Pearl PH-44 Phaser. The Pearl Instrument Company made a series of effects in the early ’80s called Sound Spice effects pedals. Although…

The Gittler Guitar

A Talk With Builder Avraham Bar Rashi

One of the most intriguing instruments to appear on the amplified-music landscape was the starkly-minimalist Gittler. An electric guitar constructed with as few parts as needed to render it fully…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the mist of murky memory. But one critical element of the…

Five Classic Amps

Five Classic Amps

A Tone-Spotter’s Arsenal To Cover It All

When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through a Marshall, or jazz through a Roland – every player…

Guitar Picks

What's So Special About Guitar Picks

You may have one in your pocket. They only cost about 25 cents. But if you have always used one to play guitar, you are lost if you don’t have…

Rickenbacker 325

A Pop Icon and His Beloved Axe

Details In 1962, the Ac’cent Vibrato replaced the original Rick’s standard Kauffman unit, which was derived from a nearly 30-year-old design – and notorious for taking the guitar out of…

Peavey Forum

Peavey Forum Basses

Durable, Dependable

In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s, “…the company hadn’t forgotten their regular customers,” specifically citing the…

1904 José Ramírez I

Possibly no name is more associated with the classical guitar than that of José Ramírez (1858-1923), the founder of a long dynasty of Madrid makers dating from the late 19th…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

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Gibson 1958-’60 Les Paul Standard

A ’Burst by Any Other Name…

One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar collectors, it means there aren’t many seats in the “’Burst Club.”…

1965 Epiphone Emperor

The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934.…

Fender Telecaster, Part II

Go Tele It On the Mountain, Part II

Given the simplicity of its design, it’s truly remarkable how much staying power the revolutionary Telecaster has exhibited in the half-century since its introduction. Especially for a slab of wood…

The Schaffer-Vega Diversity System

Making Rock Roll

“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…

The Gibson EB-3

When it came to electric basses, Michigan-based Gibson spent the ’50s playing follow the leader to California’s Fender. So it’s a touch ironic that while Fender made only one model…

BBE DI-1000 and DI-100X Direct Boxes

Electronic Icing for Your Tone

Have you ever wished your guitar sound just had a little more zing? A little more kick to your electric, or shine to your acoustic tone? If so, listen up.…

Fall Philly 2014

[caption id="attachment_19277" align="alignleft" width="300"] We are here at the Philly show checking out all the killer guitars! Here's a '54 Goldtop Les Paul, 59 TV Junior, '55 Junior, '59 Epiphone…

1967 EKO Condor

1967 EKO Condor The Summer of Love. Hippies, flower power, psychedelic drugs. Sergeant Pepper’s Lonely Hearts Club Band, and feelin’ groovy. 1967 was a heady time for a lot of…

Brennen Leigh’s Heart-Tugging Honky-Tonk

Shades of Norman Blake and Dolly Parton A student of the “Carter Scratch” guitar technique – melody on the low strings, rhythm on the high – Brennen Leigh plays and…

Jim Campilongo & Steve Cardenas

Mutual Musical Idiosyncrasies

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September…

Stromberg G-5

In the world of archtop guitars, the Stromberg name represents the ultimate instrument – in size, at least – in the big-band era of the late 1930s and ’40s. The…

Matching Mojo

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments and maybe matching amplifiers. Better still, add matching stage…

1843 Martin & Coupa

Retail Rarity

In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under Johann Stauffer in Vienna and for more than five years…

Orville Gibson’s Handmade 1906 Artist Mandolin

Proving a Point

This instrument, bearing a handwritten label reading “Made by O.H. Gibson 1906 Kalamazoo Mich” is arguably the most elaborate scroll-model mandolin ever made by Orville Gibson. The 1906 date is…

1939 Martin D-45

From 1933 to ’42, Martin produced a total of 91 D-45 guitars. At the time, the model was the most deluxe and highest-priced flat-top guitar in the Martin line. Today,…

Prototypes and Pathfinders

Five Amps That Set the Tone – Or Hoped To

Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination…