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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Watkins Scout
Merit Badge
Watkins amps never landed big stars, or at least didn’t hold on to the endorsements of guitarists once they became…
Mel Bay D’Aquisto
Teacher’s Aid
Melbourne “Mel” Bay (1913-1997) began his musical career at the age of 13 in his hometown of Bunker, Missouri. Largely…
Beat Portraits: Burns Volume 10
Saga of The Lost Supersounds
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…
VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony…
Gibson Firebirds
Say the words “custom color” to a collector or enthusiast and most will think of “Fender.” But Gibson had its own multicolored baby – the Firebird. Born in 1963 and…
Gretsch Rancher
“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how Gretsch first introduced the Rancher Jumbo – offspring of the 1940s…
Steve Evans’ Guitars & Cars Passion Project
Pretty Pairs
Steve Evans was just 12 years old in 1968, when he began to appreciate the sleek bodies of electric guitars in the brochures he collected through the mail – gazing…
Mr. Smith goes to Rudy’s
“Upstairs” at a famed NYC guitar boutique
Nashville has Music Row and London has Soho, but if your heart starts palpitating at the mere mention of carved wood, PAFs, and steel strings, it’s hard to beat New…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Replacing Rotted Tuning Keys on a ’62 ES-335
Buttons for a Buzzcock
Steve Garvey played bass in the seminal punk band Buzzcocks during its classic era – 1977 to ’81 – with…
Teisco Del Rey Basses
’60s Egalitarianism from Japan
Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…
George Benson
Breezin’ With The Boss of Jazz Guitar
Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped…
Dan’s Guitar RX: Creating the Iris DE-11
Something New From Something Old
In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab…
Gibson Super 400 PN
The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing it and the L-5 Premiere in clear “natural” finish. The…
Fender’s 5E7 Bandmaster
There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in its first few years, earning status as a true classic…
Epiphone 1968 Les Paul Prototype
Fraternal Twin
Ted McCarty’s leadership at Gibson was highlighted by the introduction of top-shelf instruments created by knowledgable, intuitive designers and builders. Another brilliant move was his guiding the purchase of foundering…
Star Board: Joe Moss
Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for crowds in venues ranging from clubs to festivals around the…
Classics: September 2021
Fenton Robinson’s Gibson ES-225
Kevin Ludwig first became aware of Fenton Robinson in 1975, when he heard Boz Scaggs’ version of “Somebody Loan Me a Dime,” which spurred him to buy Robinson’s 1974 Alligator…
Rickenbacker 345
Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In fact, artists often find that nothing else works as well…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
First Guitar of Rock and Roll
Scotty Moore’s Gibson ES-295
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the…
Jabo, Vince, and Broadcaster 0048
Special Addition
It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about…
John Pizzarelli Swings On A Vintage D’angelico
Jazz Ace on an Heirloom Guitar For this exclusive rendition of “Just In Time,” swing ace John Pizzarelli grabbed the…
Tyler Morris Features a Martin Style 2 1/2-17
Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a…
