The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an…

This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25,…
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by…

In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice…

Inspirational Icon
The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this, made famous in the hands of John Sebastian in the…

Twenty-Three and Thee
If you have no recollection of the revolutionary amplifier with 19 knobs, 23 tubes, and built-in tape echo created by Leo in California, chances are you’re thinking of the wrong…

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by…

Amps Beyond the Everyday
The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are among the all-time classics. But what if you’re looking for…

Tasty slide on a square-neck Oahu Singer/songwriter Jeff Plankenhorn’s music is a rootsy mix that embraces blues and pop while dodging categorization. Here, he and his vintage square-neck Oahu offer…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The Gibson Super 400 debuted in 1935 as the first production-model 18″ archtop guitar with f-shaped sound holes; 30 years…

Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his…
The Secret's Out!
Like plants, Japanese guitars have an almost secret life of which few people outside are aware. While many Americans in…

Famous Sounds Abound in New Book
Stompboxes inspire their own special mania. While the allure of guitars is obvious with their colorful, curvaceous looks, effects are…

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…

Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The…

Reid Farrell’s Fender Tele
In 1964, high-school freshman Reid Farrell bought a Fiesta Red ’59 Telecaster with help from his guitar teacher, John Andrews. The price? $125, in its original hard case. A couple…

Breakout Blues
The ’60s may have been the most musically significant decade in the history of popular music, but very few countries were represented then or in the years that followed. Fronted…
Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the 12-frets-to-the-body 000-42? It has long been held that Martin has…

$10 at a time
In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Season 03 Episode 04 In Episode 3.4 of “Buy That Guitar,” host Ram Tuli is joined by Steve “Frog” Forgey…
…Revealed!
The Gretsch company rose to the upper echelon of guitar manufacturers in the 1950s with the introduction of a diverse…

The Showman
In addition to several significant shifts in style and presentation, for Fender, the transition of the late 1950s into the…

Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and…