• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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The Pedulla Buzz Bass

Fast and Fretless

Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless. Designed by luthier Michael Pedulla in Brockton, Massachusetts, it was…

The Gibson Les Paul Model

Its official name – Les Paul model – doesn’t do it justice. After all, Gibson has made over a hundred different Les Paul models through the years. But call it…

1924 Francisco Simplicio

1924 Francisco Simplicio Francisco Simplicio was one of the most highly regarded Spanish (to be precise, he was Catalan) makers of the first half of the 20th century, being the…

Classics: Steve Kimock 1968 Goldstop

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful day in the summer of 1969, 12-year-old Stevie Kimock walked…

Alive! Guitar Revived

The Tale of Frampton’s ’54 Les Paul Custom

Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…

The Rickenbacker B14A

Silver Service

  For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember, the brand evolved out of the first company founded entirely…

Lloyd Loar

An Alternative View

The Master Model instruments created at Gibson in the early 1920s are famous for their sound and build. Credit for their design is often laid at the feet of “acoustic…

Rickenbacker 4005

California’s Rickenbacker guitar company has a tradition of things a bit differently. One of the earliest electric guitars was their “Frying Pan” solidbody Hawaiian. And the company’s 1930s Spanish and…

Dan’s Guitar RX: A 1955 Gibson Touch-up

Team Effort.

 To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul…

Pieces of a Prototype

Secrets of a Socal "Parts" Guitar

  If you were a guitar – particularly one with a natural or translucent finish – your “fingerprint” would be the grain of the wood used to make your body. …

The Murph 12-String

Tugging At Your Heartstrings

Here’s a story that has “Hollywood blockbuster” written all over it. It’s got so many cinematic staples, you can almost hear “Oscar” murmured in hushed tones. There’s the Holy Grail…

Beyond the Parlor Part Three: Women

Beyond the Parlor

Part Three: Women

Ed. Note: In the final installment in his series on the guitar in 19-century America, Tim Brookes offers a study of several women who played the guitar, and what the instrument meant…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

Martin OM-18 and 000-28

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions to any serious collection. Martin has offered sunburst finishes as…

Audiovox and Serenader Amps

An Interview with Bud Tutmarc

Introduction With this month’s feature story on the Audiovox bass (page 80), plus a comparison between Audiovox pickup (page 81) and early Dobro pickups, it seems appropriate to also dedicate…

Steve Evans’ Guitars & Cars Passion Project

Pretty Pairs

Steve Evans was just 12 years old in 1968, when he began to appreciate the sleek bodies of electric guitars in the brochures he collected through the mail – gazing…

All That Glitters

Gibson’s Copper Iridescent Les Pauls

Like large celestial bodies, some guitar collectors have a gravity that draws objects to them. In 2016, rare custom-color Les Pauls began entering Joe Bonamassa’s orbit. Brought to Gruhn Guitars,…

Home Feature Image

The Gretsch Round-Up

In 1954, what could possibly be more “contemporary Western” than a Gretsch Round-Up? Introduced in 1954, the Round-Up (listed in Gretsch literature as model PX6130) and the Rancher (PX6022) were…

Robert Perine

How I helped Leo Fender

In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…

FENDER BANDMASTER 5E7

Fender 5E7 Bandmaster

Preamp tubes: one 12AY7, two 12AX7 Output tubes: two 6L6s, fixed biased Rectifier: 5U4G tube Controls: Volume, Volume, Treble, Bass, Presence Output: 28 watts RMS +/- Speaker: three 10″ Jensen…

Movie Star, Rancher

Mid-’50s Muse of Wire and Wood

In the years immediately after World War II, Americans were settling into a new way of life, and plunging headlong toward an economic prosperity never before experienced by everyday people.…

Magnatone Amps

More Magnatone!

Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…

Domino Californian Rebel

Instrument Profile

California. The Left Coast. It was probably home to North America’s earliest inhabitants, as emigrants from Asia crossed the Bering Strait and began their march toward South America. But California…

BASSMAN-HOME-MAIN-THUMB

1964 Fender Bassman

1964 Fender 6G6-B Bassman Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel:…

Prodigal Sunburst

Joe Walsh Reunites with a ’59 Les Paul Standard

A master of delivering crystal-clear musical messages with an off-kilter wit, whether talking, singing, picking, or sliding on guitar, everything Joe Walsh does brings an undeniable charisma. For decades, Walsh…

Eric Schulte Custom Guitars

1960 Schulte Custom Doubleneck, courtesy of Eric Schulte. You know the experience. You stop at your favorite music store, scan the axes hanging on the rack, and get a little…

Dickerson Melody King

Few who love vintage amps can resist its art-deco appeal, let alone its luscious hand-wiring and edgy, touch-sensitive 6V6 tone. A tweed Champ doesn’t stand a chance in a cage…

Mark Sampson: Matchess

Man

The garage behind Mark Sampson’s Southern California home is a Batcave for vintage tube amp lovers. Dark, dusty storage areas are crammed with ancient tan-colored Vox AC-10 “TV” models from…

The Gibson EB-3

When it came to electric basses, Michigan-based Gibson spent the ’50s playing follow the leader to California’s Fender. So it’s a touch ironic that while Fender made only one model…

G&L Legacy

One Heckuva Guitar

I enjoy covering sleeper gear in this column. During the past 11 years, we’ve looked at bargains like the Gibson L-6S, Seagull S-6+, Martin D-1 and the Peavey Bandit, to…