• The story of the Martin F-50

    Classic Instruments

    The story of the Martin F-50

    Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

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The Gibson L-5

Loyd Loar's Timeless Masterpiece

Timeless elegance. A jazz icon. The inspirational archtop guitar. These are just a few of the descriptions that fit Gibson’s L-5. Add to those a historical antecedent: the L-5 in…

1963 Fender 6G7-A Bandmaster

Last of the Oxbloods

Those who love vintage amplifiers are often fascinated by little anomalies that present themselves in an otherwise period-correct specimen, and when that amp is a mint-condition sweetheart from the golden…

Acoustic Black Widow

Black Widow Guitars

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

1949 Bigsby Tenor

By the advent of the solidbody electric guitar in the 1950s, tenor guitarists were a dying breed. Consequently, electric tenors are relatively rare, and a tenor guitar made by solidbody…

Gibson Barney Kessel Custom Prototype Vintage guitar magazine

Gibson’s Experimental Kessel Prototype

Gibson Barney Kessel Custom model

This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the label clearly indicates it was made as an experimental prototype.…

Fender’s Musicmaster and Duo-Sonic

Little Brothers

Often forgotten amongst Fender’s many classics, the Musicmaster and Duo-Sonic were conceived to capitalize on teenagers taking up the guitar in droves as Bill Haley and the Comets’ “Rock Around…

Dan’s Guitar RX: Rock-And-Roll High School(er)

Building a From-Scratch Class Project, the Conclusion

In my November ’22 column, Ceil Thompson’s class-project guitar was nearing completion – the lacquer coats were applied and, after it cured for two weeks, she was ready for final…

Martin’s “12-Fret” 000-42

Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the 12-frets-to-the-body 000-42? It has long been held that Martin has…

Merle Travis Bigsby Electric Guitar

Longtime vintage guitar enthusiasts are probably familiar with one of the icons of solidbody electric guitars – the late 1940s Bigsby instrument built for legendary picker Merle Travis. The guitar…

Sound City L/B 120 Mark IV

Sound City L/B 120 Mark IV

Preamp tubes: three ECC83 (12AX7), one ECC81 (12AT7, in the phase inverter) Output tubes: six EL34 Rectifier: solidstate Controls: Normal Volume, Brilliant Volume, Bass, Middle, Treble, Presence Output: approximately 120…

Samantha Fish: Slide-Blues Fury!

“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…

1000 Years of the Guitar Part 2

History of the Guitar

A hand-colored postcard photo of a woman in a Spanish costume, ca. 1910. Well, we’re on the cusp of the new Millennium. Excited? Last month we began our look at…

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

Mark Sampson: Matchess

Man

The garage behind Mark Sampson’s Southern California home is a Batcave for vintage tube amp lovers. Dark, dusty storage areas are crammed with ancient tan-colored Vox AC-10 “TV” models from…

The City of Guitars

Git-Shopping in Paris

On your way to Paris for a romantic getaway? Wanting to see the sights in the City of Light? Then take this advice; forget Rick Steves, think Stevie Ray. Skip…

First-Rate Second Fiddles

Jimi’s Gibsons at the Hard Rock Cafe

No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…

Supro S6651

Supro S6651 Big Star

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…

The Fender Stratocaster

Aiming High

In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…

Fender Prototypes

Gone… And Forgotten

Philip Kubicki has been active in the music industry for over 30 years. He began building acoustic guitars at age 15. At 19, he was one of the first employees…

L-5 to Super 400

L-5 to Super 400

The Story of Gibson’s Big Archtops

The archtop guitar is a uniquely American instrument which can be traced directly to the creative genius of one person – Orville Gibson. In the mid 1890s, the man who…

Fender’s “First-Gen” Strat

The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction in 1954, no other electric has outsold its archetypical design.…

Gibson’s GA-8 Discoverer

Sonic Satellite

By the end of the 1950s, “space” was the name of the game, and any forward-thrusting gear that hoped to grab a share of the rock-and-roll market was named accordingly.…

Revisiting The Jazzmaster

While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster – Fender’s top-of-the-line guitar when it was introduced in 1958. Then,…

Tyler Morris – 1963 Fender Stratocaster

Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!

Gibson EB-4L

Right Ideas, Wrong Era

The antennae of many guitar collectors/enthusiasts pop up when they encounter a Gibson-made instrument bearing a six-digit serial number with “Made In The USA” embossed on the back of its…

Rickenbacher Model 200A

Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of guitar amplification – the early 1950s, maybe even late ’40s…

The Vox AC15

AMP-O-RAMA

The Vox AC30 grabbed most of the headlines for years, but many tonehounds have come to appreciate the sweet, juicy glories of the smaller AC15, particularly in the wake of…

Kangaroo Amp Covers

Anti-Aging for Amps

Kangaroo Amp Covers Once upon a time, Steve Purcell, proprietor of Kangaroo Amp Covers, grew weary of being the forgetful type. As a gigging guitarist, he never had a problem…

Geddy Lee

Bass Conservator

In its 40-plus years, Rush evolved on its own terms. Mixing rock and jazz influences, the band’s 19 studio albums fostered a cultish fan base of prog-rockers, headbangers, and others…

Beat Portraits: Burns Volume 8

Late ’65: Transistors, Troubles, and Takeover!

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 7 and 8 for this special edition of VG…