• Jon Butcher’s psychedelia mastery

    Classic Instruments

    Jon Butcher’s psychedelia mastery

    Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…

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Supro Guitars and Amplifiers Part I

Supro Part 1

Some of the earliest electric guitars, amps-in-cases, pickups under the bridge, fiberglass guitars, built-in electronic vibratos. Sound curious enough for you? The subject of Supro guitars and amplifiers represents a…

Jimmy Bryant

Country-Jazz Virtuoso

When Leo Fender strode into a cowboy bar on the outskirts of Hollywood one day in 1950, he had no idea the contraption he was toting would become a central…

Ampeg Gemini II G-15

Ampeg Gemini II G-15

Preamp tubes: three 12AX7, one 6CG7, one 7199. Output tubes: two 7868. Rectifier: solidstate Controls: volume, treble and bass on each channel; echo (reverb) and speed and intensity (tremolo) on…

Bob Spalding: Instrumental Legend

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on rockin’. Longtime guitarist/bassist Bob Spalding indulged us by grabbing three…

1985 Guild Nightbird Prototype Home Main Big

1985 Guild Nightbird Prototype

In early 1984, Mark Dronge, son of the Guild founder Alfred Dronge, was president of Guild. That year, Mark and I struck a deal to design six acoustic Guild guitars…

Ray Benson’s Gibson ES-355

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…

Mosrite Basses

The Golden Decade: Ventures and Beyond

Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early 1960s or – if that person also happens to be…

Martin Style 000-28K

During the 1920s and ’30s, Martin made a considerable number of guitars with bodies constructed of Hawaiian Koa wood. The Hawaiian music craze was in full swing and the demand…

Watkins Rapier 33

If you were an American teenager in the late 1950s or early ’60s, and you wanted to play the new rock music, you likely did not have a solidbody electric…

Rosewood Dobro

Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also…

1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

The Roland Space Echo

Perfect Slap-Back

When Brian Setzer kickstarted the Stray Cats into action in 1979, his gear lineup was a hodgepodge of orthodox rockabilly ware along with the bizarre. His ’59 Gretsch 6120 and…

Fender Custom Shop Marks 30 Years

Dream Makers

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

Guild in the Post-Fender Era

Guild in the Post-Fender Era

Round and Round She Goes

Since its beginnings in 1952, Guild has gone through many changes in ownership, location, marketing approach, and design philosophy. In the course of a change in ownership and three moves,…

How Ron Wood’s New Barbarians Saved the Stones

Ear-to-Ear Violence

Today, the Rolling Stones continue to perform live, more than 50 years since their first gig. But few realize how an unsung side project formed and funded by Ron Wood…

Stromberg Master 400

Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and possess a sound epitomized by a power and projection unsurpassed…

The Rogue VB-100 Violin Bass

Fab As It Looks?

The Rogue VB-100 Series II is an homage to the venerable Höfner 500/1 semi-hollowbody. Popularly known as the “Beatle bass,” this axe was used by Paul McCartney on many early/mid-’60s…

Toys For Tots and Dreams Psychedelic Realized Vintage Guitar magazine Presents Greg Martin's Head Shop

Toys For Tots and Psychedelic Dreams

This is a regular series of exclusive Vintage Guitar online articles where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. As Christmas rapidly approaches,…

The Schaffer-Vega Diversity System

Making Rock Roll

“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…

Martin 00-42 Special

It has all the appoint-ments of a Martin 00-45, particularly the abalone pearl trim around all the borders of the body, but this guitar is entered into Martin’s books as…

Ted Newman Jones’ West-Texas Guitars

Melodious Coterie

Boxcars Among the vast papers, drawings, photographs, and tapes at Texas Tech’s Crossroads of Music Archive is a guitar beloved by the late Jesse “Guitar” Taylor. Known as “Dice,” it…

Martin’s “12-Fret” 000-42

Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the 12-frets-to-the-body 000-42? It has long been held that Martin has…

Geddy Lee

Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird

Nearly two years in the making, Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird features players and collectors discussing their connection to iconic…

Univox Uni–Fuzz & Super–Fuzz

Univox Uni–Fuzz & Super–Fuzz

Full, Fat Fuzzzy

Pete Townshend sent many a guitar and amp to an early grave. But there’s no known evidence of him doing the same with effects pedals. Never mind that spearing a…

1988 Guild Liberator Elite

Every once in awhile you find a guitar that’s almost too beautiful to play. It’s just enough to sit there and admire it, not risking a ding. A good case…

Dallas Shaftesbury 30

We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of VG, but less often do we delve into the equally…

Ampeg’s Jet Reverb Prototype

Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but also for producing what was one of the consistently best-sounding…

Rick Vito’s Tale Of Two Grails

Find of a Lifetime

Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures, Philadelphia native Rick Vito’s inspirations are all legendary. And as…

B.C. Rich Guitars

From Flamenco to Heavy Metal

From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

The Gibson Starfire TR 1000 RVT

Trans-Galactic Toneway

Relatively unsung among early entrants to the field of solid-state guitar amplifiers, Gibson was the first high-output, high-quality manufacturer to bring one to market. And while it quickly proved the…