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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Gretsch’s “Golden” Tenors
In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice…
The Martin 000-18HS
According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at…
1971 Dumble Special 16 #0001
Prehistoric Beast
1971 Dumble Special 16 • Preamp tubes: three 12AX7 • Output tubes: eight 6L6GC (most likely) • Rectifier: solid-state •…
Custom-Color Stratocasters
The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…
Martin 0-28K
The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the exotic sound of Hawaiian music in the 1920s, and koa…
Gospel Guitars
Semie Moseley’s Venerated Brand
When he wasn’t crafting Mosrites, Semie Moseley could often be found on the road, providing music for evangelists. It makes sense that his aspirations and beliefs were manifested in these…
The Strat in Transition
Leap Forward, Step Back
Believing the long-term survival of his company hinged on creating the world’s best electric guitar, in 1953, Leo Fender set out to improve on his own Telecaster before Gibson or…
The Les Paul Becomes The SG
Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952, the Gibson Les Paul Model (a.k.a. goldtop) reached peak production…
Quest for Volume
Django Reinhardt's Selmer #503
Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de France was starting to make waves, Django first began using…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
The España 6/12 Doubleneck
More is always better, right? Eleven is better than 10 on an amplifier, three pickups are better than two, and…
Classics: Steve Kimock 1968 Goldstop
It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful…
VG Q&A: Jimi Flip
Plus, Precision Bass rests and an odd Galliano
I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found…
The Charvel Model 4
Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA…
Vintage Instrument Research
An Ever-Changing Landscape
Fretted instruments can be examined in much the same way as zoological taxonomist or forensic pathologist would approach them. They fit well into a Linnaean taxonomic order, and in fact…
Marshall 2100 Lead & Bass
Rock Breaker
Adescendant of the legendary “Bluesbreaker” combo that helped launch the cranked-Marshall sound into the annals of rock, the 2100 combo is also one of the rarest post-plexi models – and…
Rickenbacker Transonic
Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and…
Epiphone Rivoli
Former Gibson president Ted McCarty (1909-2001) is credited for his leadership of the company when it peaked in terms of innovation, design, and execution. Under his guidance from 1948 until…
The “Conversion” Les Paul
Myth, Magic – and Mojo!
One of the more intriguing topics in guitardom is the Gibson Les Paul “conversion.” What is it? Most of the time, it’s a reference to Les Pauls made from 1952…
Classics: November 2023
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by TV and movie themes played by Al Caiola emanating from…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
National-Dobro 6107A
Preamp tubes: 56, 57 Output tubes: two 2A3 Rectifier: 5Z3 Controls: Volume Output: 6 watts RMS +/- Speaker: one 10″…
Sovtek MIG-50
Curtain Call
Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…
Epiphone by Gibson Firebird 500
Race on
Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of…
Dan’s Guitar RX: A ’57 Strat Goes Under the Knife
Battle-Scarred
B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes…
