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Classic Instruments
Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
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Dan’s Guitar RX: A ’57 Strat Goes Under the Knife
Battle-Scarred
B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…
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The Martin OM-28
Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…
The Birth of Newman Guitars
Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design…
Tyler Morris and a 1953 Gibson Les Paul model
Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70…
Mosrite Basses
The Golden Decade: Ventures and Beyond
Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early…
The “Last” Trainwreck?
Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the…
Classics: October 2022
Eddie Quinn’s Gibson L-5
Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind of a young virtuoso who made the violin sound like…
Heathkit TA-16 Starmaker
Basement Jams & Blown Speakers
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us.…
Familiar Names Create Music as J&B Brothers
Austin-Powered
The J&B Brothers make a sound equal parts Texas country, blues, folkie, rock, jazz, and soul – the spices that make music from the region so damn tasty. They’re also…
Gibson’s Depression-Era Exports
Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…
Recording King Ray Whitley
As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company president Guy Hart, a former accountant, recognized that Gibson could…
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Classics: February 2024
Sean Slade’s 1964 SG Junior
They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…
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’72 Marshall “NARB” Tremolo 100
Mirror Image
When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…
Sigma by Martin
Following the Line
Long overlooked and relegated to an obscure corner of the collectible market, Sigma by Martin guitars have recently gained popularity…
Tele of Two Legends
The Amazing Story of One Unique Fender
One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny,…
1982 Gibson Victory Custom
When you consider their status as a last-gasp instrument made by Gibson in its waning days as a property of…
Hanburt Electric Guitars
Rarities From the Pacific Northwest
As a brand of American electric instruments, the name “Hanburt” is about the furthest thing from being a household term.…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part Two
Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called the “cheesecake” style! This term generally…
Beat Portraits: Burns Volume 9
Late ’60s: Baldwin And Decline
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…
The Fender Stratocaster
Aiming High
In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…
Robin Basses
A Photo Retrospective
Alamo Music Products holds a unique place in the history of electric guitars and basses. The Houston-based company began its journey in the early ’80s as Robin Guitars, importing retro-influenced…
Fender’s Mid-’50s Precision Bass
The "In-Between" Version
In the world of electric basses, the 1952 Fender Precision is the one that started it all. While it’s true that Gibson, Rickenbacker, and Audiovox all built electric basses some…
Tokai Talbo
For aficionados of copy guitars – replicas of mostly American classics that give U.S. manufacturers apoplectic fits – perhaps no company is more respected than Tokai, whose 1970s and early-’80s…
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been
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“Buy That Guitar” podcast with special guest Howie Statland
“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…
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Hangin’ with Kid and Lisa “Little Baby” Andersen
Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…
Tokai Talbo
For aficionados of copy guitars – replicas of mostly American classics that give U.S. manufacturers apoplectic fits – perhaps no…
Watkins Scout
Merit Badge
Watkins amps never landed big stars, or at least didn’t hold on to the endorsements of guitarists once they became…
The Vox Saturn IV
In the mid 1960s, England’s Vox company was in the right place at the right time. Buoyed by frontline British…
Big Beat Boys
Musings on Fab and Gear, 50 Years Ago
Americans tend to link the beginnings of the Beatles phenomenon to a specific date – February 9, 1964, when the…
