• Zac Schulze gets straight to it!

    Classic Instruments

    Zac Schulze gets straight to it!

    If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…

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Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Murph Squire 11-T

1965 Murph Squire 11-T We live in a golden age, with an incredible selection of guitars available in virtually any price range. But if there ever was another golden age,…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…

Wes Beech

Life in The Plasmatics

From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech…

Ken Fischer

1945-2006

Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will be remembered as one of the most authoritative and intuitive…

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Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…

The Acoustic

Black Widow

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

The Martin OM-28

Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken…

Gretsch 6134 White Penguin

There’s no doubt the White Penguin is one of the rarest Gretsch instruments. It is estimated that no more than a few dozen were made from the introduction of the…

Ampeg VT-22

Ampeg VT-22

Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared:…

Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

Battle-Scarred

B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to…

Ray Benson’s Gibson ES-355

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…

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Traynor YBA-2 Bass Mate

Canadian amp maker Traynor gets a lot of respect in some circles for turning out solid, good-sounding tube amps that are built with quality components and, in many cases, can…

Carvin DN640K

Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for…

Greg Koch: Gristly “Blues”

Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The…

Greg Martin’s ’53 Fender Telecaster!

Greg Martin’s ’53 Fender Telecaster

Vintage Guitar magazine Presents Greg Martin's Head Shop

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. Greetings from Kentucky, hope…

Gibson’s Mastertone Banjos

Gibson’s Mastertone Banjos

This Gibson RB-3 five-string from 1925 is a rare piece, as is any five-string banjo from the era dominated by tenor banjos. But it’s more important as a representative of…

1843 Martin & Coupa

Retail Rarity

In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under Johann Stauffer in Vienna and for more than five years…

Gibson Nick Lucas

It’s a rare occasion when a star performer hooks up with a guitar company to create a classic signature instrument. Gibson’s Les Paul model comes to mind, as does Gretsch’s…

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Epiphone Zephyr De Luxe Regent and Zephyr Amplifier

The Zephyr De Luxe Regent was Epiphone’s second-from-the-top electric guitar produced from the late 1940s through the mid ’50s. The instrument went through several name changes, from Zephyr De Luxe…

Supro Thunderbolt

Supro Thunderbolt

Designed “…exclusively for the electric Bass guitar,” it was simplicity itself, with no “fancy extra circuits.” But much like with Fender’s Bassman, guitarists had other ideas!

Dano Redux

A Look at Everyone's First Electric Guitar

In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

Bill Gruggett

Still Buildin' em in Bakersfield

The agrarian area of California that includes such cities as Bakersfield and Tulare has a special significance to country music lovers and guitar lovers alike. The musical mystique, of course,…

Gibson J-185

Flat-top worthy of comparison

One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Rickenbacker 481

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we do an injustice to pianos and cornets, which have reached…

Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?

And Not-So-Strange Variations on an ’87 LP Standard

I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m about to put it together, and am wondering if what…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Fender Super Reverbs from 1963 and ’68

First and Last

Among the many distinct eras of vintage-amp production, Fender’s so-called “blackface” models are legendary. Made from late 1963 until ’67, they’re loved for the elegant black control panel and their…

Kid Ramos’ Revelation!

West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an…

Danelectro’s Four-String Basses

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir of American-made electric instruments of their time, many a babyboomer…