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Classic Instruments
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
The Acoustic
Black Widow
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
Matchless DC-30
Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…
Park Model 1229
Half-Stack Heaven
Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
Alembic Distillate DMSB
1982 Alembic Distillate DMSB. Photo: Bill Ingalls Jr. Active pickups in electric guitars and basses have been around for more than four decades; in 1962, British guitar builder Burns offered…
An Early Manuel Ramírez
This fascinating instrument from the shop of Manuel Ramírez ca. 1909 is unusual in that the complete history of the instrument is known to us, there having been only two…
Wolf Marshall
Jazz-Lore Generator
Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…
Gretsch Chet Atkins Nashville 7660
1972 Gretsch Chet Atkins Nashville 7660. Photo: Michael Wright. In many ways, the storied past of Gretsch guitars is a microcosmic reflection of the many twists and turns of the…
The Modulus Graphite Flight 6 Monocoque
High-/Low-Tech
In guitar history, irony is almost always the result of circumstances. The market changes overnight or someone makes a mistake that proves successful, etc. Rarely is the irony planned by…
Classics: December 2023
Cliff Antone’s 1952 Fender Precision
Texas is known for music, especially Austin, which in the mid ’70s became a hotbed thanks to clubs like Armadillo World Headquarters, Castle Creek, and Soap Creek Saloon, which mostly…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
’67 Fender Coronado II
One of the first fender Flops
Leo Fender’s company designed many innovative instruments before it was acquired by CBS in 1965. Soon afterward, the powers that be decided the company ought to have a series of…
Univox et al Merson/Unicord
Part 1
While most think of the history of American guitars in terms of American manufacturers, if you’ve followed this column you know the tradition is much richer. Among the major players…
O’Hagan Guitars
Jaws Invades the Upper Mississippi
By the shores of Gitche Gumee, Minnehaha gives a little yelp of surprise. There, just behind Mary Tyler Moore, cutting the murky waters of Old Muddy with its triangular fin…
Movie Star, Rancher
Mid-’50s Muse of Wire and Wood
In the years immediately after World War II, Americans were settling into a new way of life, and plunging headlong toward an economic prosperity never before experienced by everyday people.…
Ibanez Tube Screamer
From the first notes of Stevie Ray Vaughan’s “Texas Flood,” you can hear it loud and clear; that snarly tone is not just pure Stratocaster and amplifier! To get that…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…
The “Last” Trainwreck?
Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the guitar-amp world. Aside from the fact he was a good…
Bigsby Merle Travis Electric Guitar
In Its Original Configuration
The guitar built by Paul Bigsby for legendary picker Merle Travis in the late 1940s is one of the icons of solidbody electric guitars. Its single-cut body and pre-Fender, Stratocaster-like headstock…
D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…
The Duane Allman “Layla” Guitar?
A ’57 Gibson Les Paul Emerges To Tell a Story
Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly afterward, its new owner started to wonder if maybe it…
McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…
Gibson’s Depression-Era Exports
Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…
Intriguing Twosome
A Look at Gibson’s EB-6
As the ’50s drew to a close, Gibson was locked in a heated battle with Fender for a share of the high-end electric-guitar market. But when it came to the…
Matchless JJ-30
Stage Staunch
Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature Series amp ever made by the original company. Designed for…
1986 Dumble Overdrive Special
The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become more so over the course of the past decade, with…
The “Last” Trainwreck?
Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the guitar-amp world. Aside from the fact he was a good…
PRS Basses
Subjective Funk & Cool
The Paul Reed Smith bass was introduced at the January ’96 NAMM show. Set-neck and bolt-on (CE model) models were offered, with mahogany bodies and one-piece mahogany necks. On Bass…
The History of Hamer, Part Four
Part Four
Well, we near the end of the long tale of Hamer USA Guitars, a saga that began in the early 1970s and is today a great success story in American…
The Sebastian ‘Burst
Inspirational Icon
The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this, made famous in the hands of John Sebastian in the…
Gibson’s Budget Redux
The SB Series Guitars and Basses
As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as the solidbody EB-0/EB-3 and Thunderbirds, as well as the semi-hollow…
Ecco-Fonic
John Adomono was an American guitar hero of the Cold War years. JFK named him his favorite guitarist, and Adomono played a command performance at the White House. He performed…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
