• Thomas Custom Guitars

    Classic Instruments

    Thomas Custom Guitars

    Rarities from the Pacific Northwest

    Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

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  • Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Battle-Scarred

    B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

  • The Martin OM-28

    The Martin OM-28

    Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

Classics: August 2022

Billy Soutar’s custom-order 1936 Gibson L-7

April 11, 2023 · Ward Meeker

While scanning an Elderly Instruments ad in Vintage Guitar one day in early 2009, Billy Soutar spotted the description of…

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La Baye 2X4

May 25, 2016 · Michael Wright

1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh…

Greg Martin John Sebastian’s ’59 Gibson Les Paul Standard Vintage Guitar magazine Feature Image

John Sebastian’s ’59 Gibson Les Paul Standard

Vintage Guitar magazine Presents Greg Martin's Head Shop

April 30, 2018 · Doug Yellow Bird

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on…

Peavey’s Razer, Mystic, and Foundation

Peavey’s Razer, Mystic, and Foundation

Contrasting Chronologies

March 11, 2016 · Willie G. Moseley

Just a handful of years after Peavey turned the world of electric guitar upside-down with its T-60 guitar and T-40…


1978 Dean Z

The mid 1970s were a turbulent time in guitar history. The American guitar establishment – at least Gibson and Fender – was owned by big corporations that tended to run…

Classics: November 2022

Vern Juran’s Harmony stratotone

Like many baby-boomer kids, 11-year-old Vern Juran was into slot-car racing and bikes with ape-hanger handlebars, banana seats, and sissy bars. He also loved guitars, and the second-hand Harmony Stratotone…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick demise only to be reborn due to late-blooming popularity. Another…

The 1966 Murph Squire II-T

So-Cal Attention Getter

Despite what many enthusiasts believe, there has been only one really significant “lawsuit” that defined a class of guitars – Norlin v. Elger, 1977 – but there have been plenty…

Chris Butler’s Vox Mark VI: Waitress Server

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to London, Dallas to Detroit, youthful contempt spurred the creation of…

  • Classics: February 2024

    Classics: February 2024

    Sean Slade’s 1964 SG Junior

    They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

  • ’72 Marshall “NARB” Tremolo 100

    ’72 Marshall “NARB” Tremolo 100

    Mirror Image

    When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

Teisco Del Rey Basses

’60s Egalitarianism from Japan

July 13, 2015 · Willie G. Moseley

Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…

Dan’s Guitar RX: A New Tool Makes Luthiery Easier

With a Little Help…

April 4, 2022 · Dan Erlewine

I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup…

Gretsch Jet Firebird

One of the flashiest Jets in the Gretsch Company’s Air Force

December 31, 2013 · Jim Hilmar

Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company…

The Oud

The Oud

Ancient to Modern

July 5, 2016 · Neil Haverstick

If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound,…


The Gretsch 6120 Tenor

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other tenors, including the Duo Jet, archtop acoustic, and archtop electric…

Guild’s S-100/S-200 “Kickstand” Models

Much like several other well-known manufacturers, Guild has, through the years, changed ownership, locations, and identities. Guild was founded in 1952 by Alfred Dronge, a teacher and music-store owner in…

MORLEYWAH-HOME-MAIN-BIG

The Morley Rotating Wah

Chromed Tone

There was a time in the mythic ’70s when guitarists were real men and lugged around 15-pound Morley Rotating Wah pedals to gigs and studios. And if they weren’t real…

Hilary Gardner’s jazz/country connection

Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here,…

The Electra Endorser

Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS,…

The Charvel Model 4

Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…

  • “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

  • Hangin’ with Kid and Lisa “Little Baby” Andersen

    Hangin’ with Kid and Lisa “Little Baby” Andersen

    Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Bex Marshall and her ’63 Hummingbird

August 26, 2024 · Vintage Guitar

Family History Straight from the “Classics” feature in the August issue, here’s Bex Marshall playing the ’63 Gibson Hummingbird bought…

Premier Twin 12

February 5, 2016 · Dave Hunter

Sometimes it takes just the slightest aesthetic twist to get an amp nut all worked up. This 1960 Premier Twin…

Gretsch 7680 Super Axe

December 6, 2021 · Michael Wright

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the…

GIBSON F-7 1934

1934 Gibson F-7

January 12, 2015 · George Gruhn

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs…