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Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Trainwreck Express “Nancy”
World’s most desirable amplifier? Aside from any “standard” vintage amps that have been elevated through their associations with major artists, the few original-design, made-by-hand amps out there that wear the…
Ampeg A-2
Compressor Pedal
When it comes to effects pedals, compressors and sustain ped-als usually fall into the “love it or hate it” category. Aside from a graphic equalizer, it is probably the least…
Webster-Chicago RMA 375 Model 166-1
Grammy Winner
Modified or repurposed amps generally don’t fit into our monthly discussion here, but some are representative enough of a certain standard to make an exception. Witness this gem from 1952.…
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
Selmer/RSA Truvoice TV10
Shock and Awe
If the British market needed a couple of decades to decide what form the guitar amplifier would ultimately take, we shouldn’t be surprised; well into the rock-and-roll age, the U.K.…
1962 Premier E-727
One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to manufacture guitars, but quite another to…
Fender Telecaster, Part I
Go Tele It On the Mountain, Part I
Sometimes the most revolutionary ideas are simple. Certainly this was the case Leo Fender’s Telecaster guitar, which was revolutionary in its design and impact, and relatively simple, even elemental. Which…
EKO 995
The Beatles’ appearance on “The Ed Sullivan Show” in February of 1964 is often referred to as the most important event in the history of rock music, having inspired thousands…
The Koch Studiotone
No-Sweat Double-Duty
Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…
The Charvel Model 4
Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Gibson Style R Harp Guitar
Harp guitars with a standard six-string guitar neck and varying numbers of sub-bass harp-style strings have been made by a variety of American builders. Some of the best-known include Gibson,…
Mark Lettieri’s funky finesse
Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that make him such a great player. Here, he jams on…
Gibson Guitars
The Experimental '70s
That guitar collectors are a conser-vative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a…
The Musical Instrument Museum
Blooms in the Desert
When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the elusive flowering of the torch cactus, which happens on just…
Sun Rises Again
January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and roll with the 1951 Jackie Brenston-Ike Turner ode to an…
The Martin 0-42
Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and best-quality sound, Martin itself recommends the size 0, exemplified by…
Teisco Checkmate 30
Café Culture
In a world where the best riffs often come when one is lounging in the family room, sipping espresso and noodling on a favorite electric guitar, the Teisco Checkmate 30…
Classics: September 2021
Fenton Robinson’s Gibson ES-225
Kevin Ludwig first became aware of Fenton Robinson in 1975, when he heard Boz Scaggs’ version of “Somebody Loan Me a Dime,” which spurred him to buy Robinson’s 1974 Alligator…
Stratospheric Variations
A History of offset double-cut guitars
When you think about it, it’s quite remarkable how few guitar archetypes there really are. By “archetypes” we’re referring to aesthetic design, or shapes. If you pull back and squint,…
Last ’Burst?
Single-Cut Saga From the End of an Era
Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny, Number One. And don’t forget E.C.’s colorful Crash Strats. But…
G&L SC/SB Series
Matching Mojo
Early-’80s G&L SC-3. Bill Ingalls, Jr. Early-’80s G&L SB-1. During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments…
Gibson 1938 Electric Bass
Likely The First!
Gibson 1938 Electric Bass This interesting piece of fretted Americana can be appreciated by any vintage instrument aficionado – particularly bassists – as it was probably the first instrument of…
Vox Guitars Invade America
From Dartford to Sepulveda
The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the 1964 British invasion, Vox even displaced Fender for a time…
Fender Stratocaster
Aiming High
In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…
’39 Gibson EH-185
Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…
Roger Mayer
Straight-shooting Effects Builder to the Stars
In the early 1960s, a young Research Laboratory engineer named Roger Mayer filled his “spare time” hanging out with a jaw-dropping collection of up-and-comers on the fledgling London blues-rock scene,…
1967 Robert Bouchet
One singular work of the late French master Robert Bouchet, whose influence in the world of guitar making was enormous, is an exceptionally fine and well-preserved example from 1967 –…
Teisco Del Rey Basses
’60s Egalitarianism from Japan
Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like a tsunami during the “guitar boom” – and were the…
Penco A-15-JD
The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular American guitars, most notably of the Gibson Les Paul. Indeed,…
Fender 1957 Shoreline Gold Strat
30 Years under the Bed
Surely, as guitar collectors/dealers/enthusiasts, VG readers have heard folkloric stories of early-1960’s teenagers who, after buying cool guitars to jam with their friends in the basement or garage, were called…
Kay Jazz Special and Value Leader
Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965 (VG, March 2011), and while each met with a modicum…
