• Jon Butcher’s psychedelia mastery

    Classic Instruments

    Jon Butcher’s psychedelia mastery

    Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…

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The Modulus Graphite Flight 6 Monocoque

High-/Low-Tech

In guitar history, irony is almost always the result of circumstances. The market changes overnight or someone makes a mistake that proves successful, etc. Rarely is the irony planned by…

Stromberg Master 400

Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and possess a sound epitomized by a power and projection unsurpassed…

Jeff Plankenhorn’s “Alone At Sea”

Tasty slide on a square-neck Oahu Singer/songwriter Jeff Plankenhorn’s music is a rootsy mix that embraces blues and pop while dodging categorization. Here, he and his vintage square-neck Oahu offer…

Freddie Green

Artistry in Rhythm

Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

Rocky Athas’ Texas ’Tude!

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more…

Ibanez Destroyer

Odd Retro Nod

The early/mid 1970s were the “glory days” for imported copies of classic American-made guitars and basses. Back then, the “vintage” vibe as it related to American-made electric guitars was in…

Paul Reed Smith Guitars

The World of Paul Reed Smith

Just after we entered the small, crowded office, the door burst open and an intruder blurted out, “Excuse me. Check this out. Is it right?” The company’s R&D chief handed…

Michael Bloomfield’s ’63 Telecaster

Michael Bloomfield’s ’63 Telecaster

This Guitar Killed Folk!

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s…

B.C. Rich Eagle

1981 B.C. Rich Eagle. Photo: Michael Wright. When my son was young I used to do “guitar shows” for his classes, showing off 10 or so electric guitars that started…

Nils Lofgren Shines Solo – Again

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils Lofgren has worked with Bruce Springsteen & the E Street…

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Rickenbacker Electric 12-Strings

Double-Bound for Glory

George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success with musicians came early. Rick steels were the measure of…

Fender Original Electric Bass Guitar

Fender Myth Debunked! (Part I)

Perhaps this essay should have been titled “Audiovox vs. The Piltdown Man,” due to the doubts had by myself and a number of others regarding the authenticity of this month’s…

Bob Spalding: Instrumental Legend

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on rockin’. Longtime guitarist/bassist Bob Spalding indulged us by grabbing three…

Seth Lover

Seth Lover

The history of the musical instrument business is full of stories, from the drab to the miraculous. Some bean-counters will busily push their way to the forefront, grabbing for a…

Fender Telecaster, Part I

Go Tele It On the Mountain, Part I

Sometimes the most revolutionary ideas are simple. Certainly this was the case Leo Fender’s Telecaster guitar, which was revolutionary in its design and impact, and relatively simple, even elemental. Which…

The Story of Albanus Guitars

Windy-City Wonders

“Art for art’s sake.” The expression is common. But how often is it practiced? In a basement studio on Chicago’s North Side, Carl Johnson epitomized the maxim while building archtop guitars…

Memphissippi Sounds’ Yella P asks “Who’s Gonna Ride”

’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the Memphis Slim House in the Soulsville neighborhood of Memphis (Stax…

Rex Solidbody By Michael Wright

Circa 1959 Rex solidbody. While a lot of vintage-guitar enthusiasts are content to pursue well-known treasures, there are others who appreciate a good mystery. For me, it’s been a pleasure…

Supro Guitars and Amplifiers Part I

Supro Part 1

Some of the earliest electric guitars, amps-in-cases, pickups under the bridge, fiberglass guitars, built-in electronic vibratos. Sound curious enough for you? The subject of Supro guitars and amplifiers represents a…

Gibson’s First Cherry Red 335

It came from the Books

Gibson introduced the ES-335T in the spring of 1958 as the progenitor to its double-cutaway,semi-hollow body “thinline” series of guitars. Characterized by the maple block running down their centers, most…

Gibson Roy Smeck Electric Tenor Banjo

Photo by Julie Woods. At the dawn of electrical amplification, no one knew where the new technology would take stringed instruments (or keyboard instruments, for that matter). As the electric…

Supro’s 600R DeLuxe

Supro’s 600R DeLuxe

“The Magic of Concert Hall Sound”

In the early days of reverb, no one was thinking about surf music; they were striving instead to replicate the warm, resonant, live sound of a concert hall. So, when…

Ghalia Volt’s Stompin’ slide!

Belgium Born, Delta Fostered Brussels native Ghalia Volt moved to the U.S. in 2013 to busk in music-rich cities like Chicago, St. Louis, Memphis, Nashville, and Clarksdale, Mississippi, where for…

Seth Lover

Seth Lover

The history of the musical instrument business is full of stories, from the drab to the miraculous. Some bean-counters will busily push their way to the forefront, grabbing for a…

One of Two of a Kind

Gibson’s L-3 Ganus Brothers Special

Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy against one-off projects, this guitar illustrates how the company did…

Ditson’s Style 11 and the Birth of the Dreadnought

Martin’s Big Step

In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New York, Philadelphia, or Boston could have bought a guitar, bowl-back…

’66 Epiphone Casino

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked well below the semi-hollow Sheraton and Riviera or the solidbody…

Duane Eddy

Of DeArmonds and Details

(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang box-set anthology, which included 40 songs he helped re-master and…

Wah-Wah Pedals

An Evaluation of Effects and Pedals

The idea for this article came about when I purchased a box of effects pedals from the owner of a music store which had closed in the late seventies. Most…

Seymour Duncan

Story of an electric guitar guru

Seymour Duncan is one of the most unassuming human beings on the face of the Earth, bar none. His name is held in high regard in many circles, especially those…