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Classic Instruments
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Gibson’s First Cherry Red 335
It came from the Books
Gibson introduced the ES-335T in the spring of 1958 as the progenitor to its double-cutaway,semi-hollow body “thinline” series of guitars. Characterized by the maple block running down their centers, most…
Epiphone Excellente
Sonny James' Epiphone Excellente
The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best. But in its seven-year production run, from late ’63 until…
Familiar Names Create Music as J&B Brothers
Austin-Powered
The J&B Brothers make a sound equal parts Texas country, blues, folkie, rock, jazz, and soul – the spices that make music from the region so damn tasty. They’re also…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
The Martin 0-42
Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and best-quality sound, Martin itself recommends the size 0, exemplified by…
Ken Fischer
1945-2006
Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will be remembered as one of the most authoritative and intuitive…
Jimmy Bryant
Country-Jazz Virtuoso
When Leo Fender strode into a cowboy bar on the outskirts of Hollywood one day in 1950, he had no idea the contraption he was toting would become a central…
Gibson ES-300
King for a Day
Top-of-the-line. The king. Top banana. The mostest. Top dog. The big daddy. All these descriptions apply to the ES-300, Gibson’s first deluxe electric guitar. For a few short years in…
Robert Perine
How I helped Leo Fender
In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…
Antonio de Torres
The Birth of the Modern Guitar
To date, I have covered most of the major schools of guitar construction/design, and some of their contributions to the evolution of the gut/nylon-string guitar. In the April ’96 issue…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
Ibanez Model 2020
Like most things, the closer you look at certain phenomena, the more you find often subtle, unexpected surprises. A good example is this Ibanez Model 2020, which dates from around…
Family Feud
The Les Paul Junior Tone Showdown
What’s All This Excitement About Les Paul Juniors? First it was PAF-equipped Les Pauls, then dot-neck 335s. You know, all the really expensive, elitist “vehicles of tone.” I couldn’t be…
Fender 5E7 Bandmaster
Preamp tubes: one 12AY7, two 12AX7 Output tubes: two 6L6s, fixed biased Rectifier: 5U4G tube Controls: Volume, Volume, Treble, Bass, Presence Output: 28 watts RMS +/- Speaker: three 10″ Jensen…
Classics: May 2022
“Wild” Jimmy Spruill’s ’66 Fender Jaguar
Wilbert Harrison’s 1959 version of Leiber and Stoller’s “Kansas City” shares space at the summit of all-time blues/pop classics, its guitar part ably handled by New York City session ace…
Sound City L/B 120 Mark IV
Preamp tubes: three ECC83 (12AX7), one ECC81 (12AT7, in the phase inverter) Output tubes: six EL34 Rectifier: solidstate Controls: Normal Volume, Brilliant Volume, Bass, Middle, Treble, Presence Output: approximately 120…
Robert Perine
How I helped Leo Fender
In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…
Supro Guitars and Amplifiers Part I
Supro Part 1
Some of the earliest electric guitars, amps-in-cases, pickups under the bridge, fiberglass guitars, built-in electronic vibratos. Sound curious enough for you? The subject of Supro guitars and amplifiers represents a…
Rosalie Allen’s SJ-200
Trophy Flat-Top
On the pages featuring the Super Jumbo 200, Gibson’s 1940 catalog trumpeted, “This king of the flat-top guitars was especially created for professional entertainers who want an instrument adaptable to…
The Gibson Les Paul Model
Its official name – Les Paul model – doesn’t do it justice. After all, Gibson has made over a hundred different Les Paul models through the years. But call it…
Beat Portraits: Burns Volume 5
1964: Solid Heyday
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…
Rickenbacker 375F
Seven Siblings
Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap of history for good reason, there are always instruments that…
Fender’s Musicmaster and Duo‑Sonic
Little Brothers
Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up guitar to play along with “Rock Around the Clock.”
The Watkins Dominator
Crying V
Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing – the allure of its blue-and-cream Rexine covering, gold-threaded grillecloth,…
Kalamazoo KG-1
Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name such as Fender or Gibson. That’s certainly the case with…
’53 Gibson Les Paul Junior
Gibson records say the Les Paul Junior was introduced in 1954. But this instrument has tone and volume pot codes from ’53. It also differs in regard to other specifications,…
Beat Portraits: Burns Volume 2
The Black Bison Leads the Herd
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…
Fender’s Tweed-to Tolex Transition
Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…
Carson Creation
One Very Personal Stratocaster
An itinerant Western-music guitarist who befriended Leo Fender and other employees at his up-and-coming company in the early ’50s, Bill Carson was the “test pilot” for the Fender Stratocaster prototype,…
Classics: Steve Kimock 1968 Goldstop
It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful day in the summer of 1969, 12-year-old Stevie Kimock walked…
Watkins Joker
Beat-Gen Beaut
This could be just what every well-heeled young “Beat” guitarist and singer in Britain needed in the early 1960s – a guitar amp/PA with reverb, tremolo, mic stand, and tape…
Earliest Gretsch 6120
…Revealed!
The Gretsch company rose to the upper echelon of guitar manufacturers in the 1950s with the introduction of a diverse and dynamic array of electric models. Arguably the most identifiable…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
