Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s…
Race on
Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of…

’60s Egalitarianism from Japan
Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…

Mashed Fender
The owner of a ’62 Jazz Bass recently sent it to my shop for repair and renovation. He’d bought it…

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of…

On the Road to ’59
Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and early ’80s were asking Gibson to build a Les Paul…

David Hamburger and his ’56 00-18 Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar when he plays it. Here, he shares the title track…

Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and best-quality sound, Martin itself recommends the size 0, exemplified by…

They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

Danny Gattons ’51 Nocaster
From learning a first lick to playing an entire song with friends, musicians thrive on motivations big and small. Growing…

Gibson Barney Kessel Custom model
This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the…

VG’s Annual Salute to Fathers Who Inspire
Marty Ashby’s very musical family has been playing together since he was a little kid. Here’s a shot of them…

Classic P-90 tones! The Gringo Pistoleros’ Larry Wilson shows us a bit of “I Can Still Remember When,” from the…

Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…
What a Dude Does
You can’t keep an iconic rocker down. Brian Setzer’s The Devil Always Collects is his first album in more than two years. Featuring the Grammy winner’s trademark rockabilly fire, it’s…

Jazz Ace on an Heirloom Guitar For this exclusive rendition of “Just In Time,” swing ace John Pizzarelli grabbed the D’Angelico Model B that was played by his late (and…

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45. It’s just one of the great…

Sam Ash’s Early PRSs
Sammy Ash first laid eyes on a PRS guitar in the early ’80s, after catching a glimpse of one in Guitar Player magazine. “I stopped at the newsstand to look…

Season 03 Episode 04 In Episode 3.4 of “Buy That Guitar,” host Ram Tuli is joined by Steve “Frog” Forgey of Elderly Instruments. Forgey has been at Elderly Instruments since…
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been

“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Southern Gold
In the late 1960s, Gibson reintroduced the single-cutaway Les Paul based on its classic ’50s model. But, a new version…

Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…

Tenor Banjo
The banjo and American music cross paths in a remarkably entangled web of complexity. The banjo was brought to the…

Blooms in the Desert
When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the…