If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…

West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an…

Soulful Blues Beyond I-IV-V Sensational fingerstylist Eric Bibb uses the ’47 Levin Model 13 Ambassadör to honor us with a bit of Lead Belly’s “Bring Me a Little Water, Sylvie,”…

This month, we take a guided tour of the pedalboard belonging to Craig Bartock, guitarist with Heart. Craig Bartock, a well-known (and busy) guitarist/composer, has been the touring lead guitarist…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
From Flamenco to Heavy Metal
From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

The Next Step
Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

Surreal Missing Link
One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…

John Adomono was an American guitar hero of the Cold War years. JFK named him his favorite guitarist, and Adomono played a command performance at the White House. He performed…
Big things come in small packages
The shipping box reads “Delicate Instrument,” but don’t let that fool you. The Kendrick 2210 is delicate in same way that a surgical scalpel or nitro glycerine are. With explosive…

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along with his wife, Dale, looked for advice from his lifelong friend and bandmate, Rickey Medlocke. The stash was considerable – 71 guitars including his famous…
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
As a leading-edge shop owner ca-rrying 26 high-end bass-related lines, I’m regularly approached to become an authorized dealer for many products. I’m fair but skeptical with the inquiries and always…
“Signature” Gibsons from the Early Days of Cable
In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television program to focus on and feature guitar players and builders.…

Preamp tubes: one 12AY7, two 12AX7 Output tubes: two 6L6s, fixed biased Rectifier: 5U4G tube Controls: Volume, Volume, Treble, Bass, Presence Output: 28 watts RMS +/- Speaker: three 10″ Jensen…

Tribute licks Kentucky Headhunters co-founder Greg Martin was a senior in high school when he first heard the Allman Brothers Band “At Fillmore East.” Like so many guitarists, for Martin,…
On the Trail to the Original
Is this the first Gibson SJ-200? Maybe. Technically, Gibson called it the Special L-5, but it is also known in guitar lore as the prototype SJ-200. Photos courtesy of Ken…

Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…

Metal-bodied guitars built by the National String Instrument Company before World War II represent a giant leap in guitar design and technology. When they debuted in 1926, they were startling…

Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…

Preamp tubes: three 12AX7, one 6CG7, one 7199. Output tubes: two 7868. Rectifier: solidstate Controls: volume, treble and bass on each channel; echo (reverb) and speed and intensity (tremolo) on…
Fiberglass. In 1961, it was a space-age material; lightweight, easy to mold, and super strong, it could be used for just about anything. Back then, neighborhood kids who liked guitars…

For centuries, Indian musicians have utilized the resonant sympathetic strings of the sitar to create the unique sounds of classical Indian music. Traditional sitar design combines a body fashioned from a…

Genius in MD
Had fate been just a notch kinder, Ralph Jones might today be a ’60s counterculture icon alongside Bob Dylan, Muhammad Ali, and Steve McQueen. Hyperbole? Perhaps. But at the very…

Find of a Lifetime
Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures, Philadelphia native Rick Vito’s inspirations are all legendary. And as…
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…
Perennial Classic, Made in Japan
While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…
Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the guitar-amp world. Aside from the fact he was a good…
Electricfying Early Jazz
In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…
Short-Lived Flat-top
The Hawaiian guitar style came to the American mainland during the Pan Pacific Exposition of 1915. And while the popularity of Hawaiian music and playing faded in the ’40s, the…
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by TV and movie themes played by Al Caiola emanating from…
One Heckuva Guitar
I enjoy covering sleeper gear in this column. During the past 11 years, we’ve looked at bargains like the Gibson L-6S, Seagull S-6+, Martin D-1 and the Peavey Bandit, to…
Not Your Typical Martin
Over the years, I’ve tried to include instruments in this column that were functional and affordable. Occasionally, we’ve lucked out and found spectacular instruments that offer more than your money’s…