The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes…

And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is…

Making Rock Roll
“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in…

Decades of Dirt
One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella…

Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed instruments. Now a resident of Nashville, Petersson still plays the…

Trick Your Tweed
Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…

Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this…
Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann,…

Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965 (VG, March 2011), and while each met with a modicum…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Michael Bloomfield 1963 Fender Stratocaster
Antonio Mazzara’s passion for music started at age 10, when he started playing a nylon-string classical guitar before moving up…

Right Ideas, Wrong Era
The antennae of many guitar collectors/enthusiasts pop up when they encounter a Gibson-made instrument bearing a six-digit serial number with…

Late ’65: Transistors, Troubles, and Takeover!
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Sonic Niche
Emerging in ’60s catalogs from Hagström and Framus, eight-string basses occupy a distinct place among musical instruments – their potent,…

A Bat By Any Other Name
Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany, aren’t big on details. So when it comes to researching…

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…

Masked Marshall
When is a Marshall not a Marshall? When it’s a Park, of course! Though it might not scream “classic rock tone” for the guitarist masses, in the eyes and ears…

Guild F-20 Troubadour and Dan Armstong Lucite
John Wiley couldn’t have known it then, but when his parents rewarded two years of applying himself to guitar lessons by giving him a brand-new Guild F-20 Troubadour in 1960,…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

Crunchy, Clean Dirt
Gibson and Fender may be the longstanding heavyweight rivals of the electric guitar game, but they have one very important thing in common: they revolutionized the guitar industry. Fender took…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced.…

Although it has never been the favorite guitar of Hawaiian players, National’s Style O, with its shining metal body and…

The history of guitar manufacturing in the Bakersfield area of California includes names like Mosrite, Hallmark, and Standel. One of…

Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and…