• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

The West Avalon R

Too Funky

August 29, 2022 · Dave Hunter

1971 West Avalon R • Preamp tubes: two 12AX7, two 12AT7 • Output tubes: two EL34 • Rectifier: solid-state •…

Dallas Shaftesbury 30

March 7, 2017 · Dave Hunter

We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of…

1978 Gibson RD Artist

May 5, 2016 · Michael Wright

Throughout most of the 1970s, Les Pauls ruled the guitar roost. But toward the end of the decade, some players became…

Gibson K-5 Mandocello

August 26, 2021 · George Gruhn and Walter Carter

The violin-style f-holes of Gibson’s F-5 mandolin, L-5 guitar, and other Style 5 instruments, are the most famous and most…


Beat Portraits: Burns Volume 11

Burns Oddities and Ends

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Valco ‘Thunder stick’

Put your gut money on a dark horse every so often, and you might find the rest of the regurgitating bandwagon world awash in your taillights. Every sublime guitar collection…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

Gibson’s Depression-Era Exports

Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…

22 Classic Modulation Effects

Mod Squad

We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence of our favorite heroes and songs.

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Round-Up Range

Rolling on a Post-Pandemic Project

May 13, 2025 · Dan Erlewine

Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up…

Rising Rockers

Five Alternative Club Classic Amps of the ’50s

January 28, 2026 · Dave Hunter

In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics…

The Slingerland May Bell

February 1, 2022 · Michael Wright

It’s hard to imagine a more poorly “documented” guitar brand than Slinglerland. The company has been around since before World…

Matchless JJ-30

Stage Staunch

May 9, 2019 · Dave Hunter

Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature…


Classics: December 2022

Reid Farrell’s Fender Tele

In 1964, high-school freshman Reid Farrell bought a Fiesta Red ’59 Telecaster with help from his guitar teacher, John Andrews. The price? $125, in its original hard case. A couple…

Beat Portraits: Burns Volume 4

Shadows and Light

In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this foursome launched an incredibly successful string of guitar instrumental hits…

Eko’s “Celluloid” ’60s Basses

Cool or Gaudy?

By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…

'39 Gibson EH-185

’39 Gibson EH-185

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…

In Detail: Gibson’s 1954-’58 Les Paul Junior

In 1952, Gibson’s Les Paul model guitar was brand spanking new.  But it wasn’t cutting-edge. True, it was the company’s first solidbody electric guitar, and thus earned a bit of…

Excelsior Americana

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than this? Okay, according to specs and tonal preferences, sure there…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Dwight Twilley’s ’57 Fender Super

Cowboy Fringe

February 8, 2023 · Dave Hunter

Plenty of vintage amps have made it into these pages on their own merits. But when a hallowed creation also…

Scott Sharrard’s fiery slide!

August 28, 2024 · Vintage Guitar

Little Feat ace plays outro from “You’ll Be Mine” In case you’re wondering how Scott Sharrard got the gig wearing…

The Peoples’ Guitar

Gibson’s Depression-Era Exports

July 10, 2017 · L.B. Fred

Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names,…

1939-’42 Gibson SJ-100

$100 Cowboy Flat-Top

September 1, 2023 · Peter Stuart Kohman

Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that…