• Veillette-Citron Shark

    Classic Instruments

    Veillette-Citron Shark

    It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…

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G&L F-100

1981 G&L F-100-I If guitars are in your blood – really in your blood – you can’t walk away from them. That was certainly the case with Clarence Leonidas Fender,…

Classics: April 2023

Kim Simmons’ 1973 Gibson Les Paul

For Gio da Silva and several million others in Generation X, the mid ’90s were an exciting time. Young adults when music was experiencing a blues revival spirit-guided by Stevie…

Gibson Grenada Five-string

Gibson Grenada Five-string

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on the sound and style of bluegrass music after joining Bill…

Cry, Baby!

The Story of the Vox Wah

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah masterpiece thanks to Junior Marvin and his Thomas Organ Cry…

Matchless Superchief 120

A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…

Realistic Entertainer-34

As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be…

Rickenbacker Electric 12-String

Double-bound for Glory

George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success with musicians came early. Rick steels were the measure of…

Mossman Guitars

Triumph over Tragedy

The story of Mossman guitars is one of both tragedy and triumph. Often forgotten in the rejuvenated interest with acoustic guitars of the 1990s, Mossmans are best known for their…

D’Aquisto New Yorker Classic

During his 30-plus years as an independent guitarmaker, James L. D’Aquisto was acclaimed as the premier maker of archtop guitars. He gained the title initially as the successor to his…

Martin 000-18HS

The Martin 000-18HS

According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at least three Martin 000-18HS guitars in 1937. Two others have…

Steve Evans’ Guitars & Cars Passion Project

Pretty Pairs

Steve Evans was just 12 years old in 1968, when he began to appreciate the sleek bodies of electric guitars in the brochures he collected through the mail – gazing…

 The Guitars of Gary Rossington 

A Legend’s Legacy

When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along…

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Gibson ES-5 Switchmaster

In 1949, Gibson did something nifty, introducing the ES-5. The number 5 had special significance for Gibson, dating back to the Lloyd-Loar-inspired master Models of 1924. Each of these –…

Classics – April 2021 Edition

Like so many Vintage Guitar readers, Steve Evans was propped in front of a TV that February night in 1964 when the Beatles first performed on “The Ed Sullivan Show.”…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

Tony Mottola

Mr. Big, Guitar Pioneer

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands of studio dates and made hundreds of concert and television…

Guild Basses in the Early 1980s

Traditional, Temporary

Guild Basses in the Early 1980s

The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…

Philip Kubicki

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

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Gibson 1958-’60 Les Paul Standard

A ’Burst by Any Other Name…

One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar collectors, it means there aren’t many seats in the “’Burst Club.”…

Perfect Curves Fender’s Stratocaster Turns 60

Perfect Curves

Fender’s Stratocaster Turns 60

Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

B.C. Rich Stealth Bass

Electric guitar lore from the 1980s almost invariably includes (sometimes snide) references to hair bands, pointy headstocks, black hardware, and so on. But many of the asymmetrical/angular instruments from that…

Cry, Baby!

The Story of the Vox Wah

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah masterpiece thanks to Junior Marvin and his Thomas Organ Cry…

Guyatone LG-160T

The Secret's Out!

Like plants, Japanese guitars have an almost secret life of which few people outside are aware. While many Americans in the ’60s were seeing fairly low-end commodity guitars at the…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer…

1982 Epiphone U.S. Map

The idea of making “presentation- grade” guitars – special instruments meant as much for marketing as for rich customers – probably goes back to the beginnings of guitarmaking. Certainly by…

Doc Buffington’s ’48 Fender Pro Amp

Gold Bond

Ever plugged into a well-played vintage combo, run your hands over its road-worn tweed covering – scuffed to a cashmere-like texture – and thought, “If only this amp could talk”?…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

Standel 400S

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…