•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

 Jason Isbell

New Vistas, Old Gear

January 2, 2026 · Rich Kienzle

Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic…

George Benson

Breezin’ With The Boss of Jazz Guitar

August 26, 2025 · Oscar Jordan

Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped…

Wolf Strat

A Legend’s Guitar, Discovered

December 28, 2017 · Pete Prown

After possessing it for several years, curiosity finally got the best of the owner of this 1963 Stratocaster. He had…

Beat Portraits: Burns Volume 2

The Black Bison Leads the Herd

January 31, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…


Wes Beech

Life in The Plasmatics

From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech…

1963 Fender 6G7-A Bandmaster

Last of the Oxbloods

Those who love vintage amplifiers are often fascinated by little anomalies that present themselves in an otherwise period-correct specimen, and when that amp is a mint-condition sweetheart from the golden…

1978 Steinberger Prototype Bass

1978 Steinberger Prototype Bass

When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic concept in its design. Much like Leo Fender and John…

Quest for Volume

Django Reinhardt's Selmer #503

Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de France was starting to make waves, Django first began using…

Harmony H27

Fancier Than You May Think

“The H27 was fanciest semi-hollow bass ever offered by Harmony.” During the guitar boom of the 1960s, the Chicago-based Harmony company struggled to keep up with the demand for instruments…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Dan’s Guitar RX: Creating the Iris DE-11

Something New From Something Old

September 8, 2022 · Dan Erlewine

In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab…

Tom Petersson’s Gretsch 12-string Basses

Tricked-Out Trio

December 26, 2017 · Willie G. Moseley

Cheap Trick fans are aware of his contribution to the band’s songs, but few know he actually invented the 12-string…

The Story of Jay Gower

Startup in Music City

April 18, 2019 · George Gruhn

In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In…


The Hagstrom EDP46 DeLuxe

World War II was responsible for an unbelievable amount of what we today know as the modern world, from computers to plastics. Even though there was a previous similarly named…

GIBSON FIREBIRDS

Gibson Firebirds

Say the words “custom color” to a collector or enthusiast and most will think of “Fender.” But Gibson had its own multicolored baby – the Firebird. Born in 1963 and…

1980 Renaissance T-200G Home thumb

Renaissance T-200G

What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think it would be the perfect medium for a mean rock…

The National Silvo Electric Hawaiian

One of the most innovative companies of the pre-World-War-II era, National found out quickly that innovation was a double-edged sword. Just as their resonator guitars of the late 1920s made…

Gibson’s Style O Artist Guitar and K-4 Mandocello

Gibson’s Style O Artist Guitar and K-4 Mandocello

Two For the Scroll

The mandolin originated in the Middle East as a bowl-back instrument. Crusaders brought it back to Europe and early Italian builders evolved the design, giving it four paired strings tuned…

1962 Premier E-727

One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to manufacture guitars, but quite another to…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

1986 Dumble Overdrive Special

1986 Dumble Overdrive Special

July 5, 2016 · Dave Hunter

The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become…

Kalamazoo KG-1

April 21, 2010 · Michael Wright

Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name…

Fender’s V-Front 5B4 Super-Amp

Wonder Wedge

July 12, 2023 · Dave Hunter

Though all tweed Fender amps of the late ’40s and ’50s are lauded and lusted after, the V-front Super might…

The Fender AA165 Pro Reverb

March 11, 2019 · Dave Hunter

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for…