Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

United They Stood…. A Jersey City Tale
The history of the United Guitar Corporation, which unfolded in Jersey City, just over the river from the glitter of…
As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar…

John Adomono was an American guitar hero of the Cold War years. JFK named him his favorite guitarist, and Adomono…

Force Commander
Any player who shows up these days with a 200-watt guitar amp will elicit a hearty, “Are you out of…

Just Like Hank
As fascinating as we might find any vintage amplifier, at its heart, it’s often just a dusty box of archaic technology. Occasionally, though, one is a nexus to a point…

Austin-Powered
The J&B Brothers make a sound equal parts Texas country, blues, folkie, rock, jazz, and soul – the spices that make music from the region so damn tasty. They’re also…

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful day in the summer of 1969, 12-year-old Stevie Kimock walked…

When a guitar maker introduces an innovative new feature at the same time an appealing, existing feature is being discontinued, the result can be a rare configuration of specifications. Although…

Swamp Guide
Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…

They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

The Martin style 5-18 is the smallest guitar in Martin catalogs; at the lower bout, it measures 11.25″, while at…

Most guitar aficionados are comfortable with the notion of guitar brands being made by the company of the same name.…

Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed…

Industrial Art
National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer…

This Gibson RB-3 five-string from 1925 is a rare piece, as is any five-string banjo from the era dominated by tenor banjos. But it’s more important as a representative of…

Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof, take a listen to his new album, “Pocket Change.” Here,…

In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice of popular music. Amplification provided its volume, and innovative artists…

Dream Baby
One of the most-desirable vintage amplifiers ever made goes by a name it never officially had. Possibly the first Marshall brought to America, ownership by the great Roy Orbison adds…

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching instruments and maybe matching amplifiers. Better still, add matching stage…

[caption id="attachment_19277" align="alignleft" width="300"] We are here at the Philly show checking out all the killer guitars! Here's a '54 Goldtop Les Paul, 59 TV Junior, '55 Junior, '59 Epiphone…
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been

“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Stringin’ on “Blue Lounge” Harp legend Charlie Musselwhite has recorded and performed with a stunning array of guitarists in his…

And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is…

When trying to determine originality, guitar dealers and collectors have a tendency to study instruments with the care of a…

Trio rips on “2 West” Instrumental guitar music is having a moment. Offering a stellar example, Molly Miller and her…