• VG Q&A: Parlor Mystery

    Classic Instruments

    VG Q&A: Parlor Mystery

    Plus, a Pro’s List of Repair Glues

    My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.…

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Walter Becker’s Bogner Ecstasy 100B

In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his”…

Star Stomps

Famous Sounds Abound in New Book

Stompboxes inspire their own special mania. While the allure of guitars is obvious with their colorful, curvaceous looks, effects are (usually) basic boxes covered in a toad’s load of warty…

Martin Bodies in the 19th Century

Size matters

Exactly when did C.F. Martin begin formally using the two-part system indicating size and level of ornamentation on his instruments? Nobody knows for certain. Martin was thinking along these lines…

Sue Foley

Femme Flamenco

In a time when pop-music performers rely heavily on post-recording fix-ups and pre-recorded tracks onstage, it’s refreshing – even admirable – when someone takes the “honest road.” Singer/guitarist Sue Foley…

1982 Epiphone U.S. Map

The idea of making “presentation- grade” guitars – special instruments meant as much for marketing as for rich customers – probably goes back to the beginnings of guitarmaking. Certainly by…

The Story of Jay Gower

Startup in Music City

In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In the 1950s, though, musicians typically returned broken instruments to the…

The Birth of the Gretsch Duo Jet

Gretsch Gets With It!

In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin profile, light weight, and utilitarian dual-pickup configuration combined to make…

1968 Fender Vibrolux Reverb

Silver Serenade

Amplifier collectors swarm to models with descriptors like “first year” and “golden age,” but other types can be far more interesting; a transitional model or amp from a short-lived evolutionary…

Fender’s 1951-’54 Telecaster

In Detail

Fender’s first Spanish-style guitar was a lesson in functional simplicity with its solid body, single pickup, and bolt-on neck. And it didn’t receive a welcome fit for the legend it…

The Duane Allman “Layla” Guitar?

A ’57 Gibson Les Paul Emerges To Tell a Story

Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly afterward, its new owner started to wonder if maybe it…

Gibson ES-357

In June of 1984 trucks came to take most of the machines out of Gibson’s historic Kalamazoo, Michigan factory and move them down to Nashville, Tennessee. The End of an…

Classics: February 2024

Sean Slade’s 1964 SG Junior

They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial…

Fender’s Mid-’50s Precision Bass

The "In-Between" Version

In the world of electric basses, the 1952 Fender Precision is the one that started it all. While it’s true that Gibson, Rickenbacker, and Audiovox all built electric basses some…

Beat Portraits: Burns Volume 10

Saga of The Lost Supersounds

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Hilary Gardner’s jazz/country connection

Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here,…

Philip Kubicki

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

Guyatone Micro Effects

Little Boxes, Big Effects

Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was on to a good thing, the company recently added five…

“Buy That Guitar” podcast with special guest Tommie James

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli speaks with…

Gretsch Astro Jet

“Meet George Jetson! And his boy Elroy!” The year was supposed to be 2062 AD, but it was really 1962 when the catchy theme song introducing the characters in the…

The (Way) Back Beat: Top O’ The Line, For Only $150!

The Immortal Danelectro Guitarlin

Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that…

Recording King Ray Whitley

As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company president Guy Hart, a former accountant, recognized that Gibson could…

Robin Ranger

1993 Robin Ranger, serial number 931353. Photo: Bill Ingalls, Jr. Instrument courtesy of Charles Farley. The saga of Alamo Music Products is one of both “retro-innovation” and an against-the-trend manufacturing…

Echoplex, Part I: Pre-Echoplex Days

Don Dixon and Mike Battle

Don Dixon, Guitar Player Seeing the name Don Dixon, many think, “Producer for R.E.M., Smithereens, etc., recording artist, husband of songbird Marti Jones.” All correct. But when that Don Dixon…

Electro/Rickenbacher Amps

Pre-WWII Electro/ Rickenbacher Amps

Introduction Experiments at marketing electrified musical instruments and their accompanying amplifiers may have started in the late 1920s, but it wasn’t until the early ’30s that any long term commitments…

The Duane Allman “Layla” Guitar?

A ’57 Gibson Les Paul Emerges To Tell a Story

Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly afterward, its new owner started to wonder if maybe it…

Two Legendary Les Paul Deluxes

Southern Gold

In the late 1960s, Gibson reintroduced the single-cutaway Les Paul based on its classic ’50s model. But, a new version called the Deluxe proved the most popular Les Paul of…

Greg Lake’s 
Zemaitis Doubleneck

Twice as Heavy

With progressive-rock juggernaut Emerson, Lake & Palmer, bassist/vocalist Greg Lake (1947-2016) played more than one instrument made by the renowned British luthier Tony Zemaitis. Known for their fancy tops of…

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La Baye 2X4

1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh Cream, the Beatles best record ever, the Jimi Hendrix Experience.…

Marty Friedman’s Melodic Grandeur

Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard on the record. Read our cover feature and a review…

1968 Fender Vibrolux Reverb

Silver Serenade

Amplifier collectors swarm to models with descriptors like “first year” and “golden age,” but other types can be far more interesting; a transitional model or amp from a short-lived evolutionary…