I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the magazine’s history, the Price Guide, and the current state of the vintage market. Links:Vintage Guitar magazine Subscribe to our “Overdrive” newsletter for the latest happenings…

Martin’s Big Step
In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New…

David Hood’s Alembic Bass
Like the engineers and musicians who, in the ’60s and ’70s, helped create legendary songs at FAME Studios and its…

This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25,…
Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the…

“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar” presented by Vintage Guitar mag, host Ram Tuli is joined…

Season 03 Episode 04 In Episode 3.4 of “Buy That Guitar,” host Ram Tuli is joined by Steve “Frog” Forgey of Elderly Instruments. Forgey has been at Elderly Instruments since…

From the late 1920s through the early ’40s, Gibson produced instruments under a variety of brand names for retailers like Montgomery Ward and mail-order houses like Tonk Brothers. While the…

A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a watertight provenance and emerges from a heart-warming backstory. If we…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and…

The 1960s were arguably the most memorable decade in the history of American guitar manufacturing. True, some legendary electric guitar…

One of the flashiest Jets in the Gretsch Company’s Air Force
Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company…

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s…

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along with Album of the Year. Included are selections for the…

Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September…

Gibson is widely known for its guitars, mandolins, and banjos, but many are unaware the company built instruments for nearly 30 brands for several distributors and music store chains, primarily…

We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of VG, but less often do we delve into the equally…

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils Lofgren has worked with Bruce Springsteen & the E Street…

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” it exemplified a new marketing emphasis for Gibson. According to Les Paul himself, it was designed and introduced without his consultation or knowledge.…

Most guitar aficionados are comfortable with the notion of guitar brands being made by the company of the same name.…

One For the “Wizard”
Player endorsements are part of the tradition of guitarmaking going back to its earliest use for public performance. LeRoy G.A.…

In Detail
Body is two-piece mahogany. Pickguard mounts to body with 13 screws. Pickups are patent-number humbuckers with chrome-plated covers. Tune-O-Matic bridge…

Classic Shape That Filled Big Shoes
In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under…