•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Ram Tuli Crunches Numbers for The Guide

Strats and Data

June 11, 2024 · Ward Meeker

Combine a knack for numbers with a love of old guitars and you get… well, you might get any of…

Arbiter Fuzz Face

January 14, 2016 · Michael Dregni

When Jimi Hendrix released his first album, 1967’s Are You Experienced, he launched a new level of guitar heroics as…

The “Okie Dokie Stomp” Esquire

Gate’s Swing

October 9, 2019 · Ward Meeker

As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

April 8, 2024 · Michael Wright

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the…


’53 Gibson Les Paul Junior

Gibson records say the Les Paul Junior was introduced in 1954. But this instrument has tone and volume pot codes from ’53. It also differs in regard to other specifications,…

The Supro “Model 24”

Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the lid on the Jimmy Page amp. Well, maybe not the…

Gibson Wall-Board Guitar

Out of the Woods, Off the Wall

In the world of “guitarcheology,” it’s well-documented that the truly interesting stuff – prototypes, one-offs, custom instruments – usually surface close to the source. For instance, in the 1970s, Fender…

Rick Vito’s Tale Of Two Grails

Find of a Lifetime

Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures, Philadelphia native Rick Vito’s inspirations are all legendary. And as…

Benson Model 300H

Wrecking Ball

Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and studio great Howard Roberts – so he co-designed his own.…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Three Larsons

April 27, 2016 · George Gruhn

At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A…

The Komet Constellation

January 4, 2016 · Dave Hunter

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself…

Gibson Barney Kessel Custom Prototype Vintage guitar magazine

Gibson’s Experimental Kessel Prototype

Gibson Barney Kessel Custom model

May 18, 2016 · George Gruhn

This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the…


Ca. 1960 Custom Mosrite/Gretsch

A Bakersfield/Brooklyn Cowboy

In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…

The City of Guitars

Git-Shopping in Paris

On your way to Paris for a romantic getaway? Wanting to see the sights in the City of Light? Then take this advice; forget Rick Steves, think Stevie Ray. Skip…

Classics: March 2022

Chris Leuzinger’s 1952 Gibson Les Paul

If your radio was tuned to a country station even for a few minutes anytime in the last 30 years, odds are you’ve heard Chris Leuzinger’s 1952 Les Paul. A…

Marshall Super Tremolo Model 1961

The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition of the JTM45. Whenever a discussion turns to how the…

Toys For Tots and Dreams Psychedelic Realized Vintage Guitar magazine Presents Greg Martin's Head Shop

Toys For Tots and Psychedelic Dreams

This is a regular series of exclusive Vintage Guitar online articles where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. As Christmas rapidly approaches,…

Fender’s 1957 Precision Bass

Fender’s 1957 Precision Bass

When an instrument maintains the same basic design and profile for more than a half-century, it’s safe to say that in terms of design and execution, it was “done right.”…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Gibson Super 400 PN

January 27, 2014 · George Gruhn

The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing…

 Joey Molland

January 16, 2026 · Pete Prown

The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was…

Classics: Tommy Castro’s ’66 Fender Stratocaster

December 12, 2025 · Ward Meeker

Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time…

Hard Rock Cafe

Guardians of Grandeur

The Men Who Tend to the Guitars of the Hard Rock Cafe

February 11, 2016 · Ward Meeker

“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case;…