• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Classics: February 2024

Sean Slade’s 1964 SG Junior

October 25, 2024 · Dennis Pernu

They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and…

The D’Angelico Excel Mandolin

March 13, 2015 · George Gruhn

The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder…

Gretsch 7680 Super Axe

December 6, 2021 · Michael Wright

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the…

Guild F-512

Iconic ’70s 12-String

December 28, 2017 · George Gruhn

Today, players typically equate the 12-string acoustic with Taylor and Martin. For its part, though, Guild’s F-512 remains one of…


Peavey’s Razer, Mystic, and Foundation

Peavey’s Razer, Mystic, and Foundation

Contrasting Chronologies

Just a handful of years after Peavey turned the world of electric guitar upside-down with its T-60 guitar and T-40 bass, the company was feeling its oats. While the T…

Alive! Guitar Revived

The Tale of Frampton’s ’54 Les Paul Custom

Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…

Freddie Green

Artistry in Rhythm

Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

Etched in Time

“Signature” Gibsons from the Early Days of Cable

In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television program to focus on and feature guitar players and builders.…

Gibson Barney Kessel Custom Prototype Vintage guitar magazine

Gibson’s Experimental Kessel Prototype

Gibson Barney Kessel Custom model

This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the label clearly indicates it was made as an experimental prototype.…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Rosewood Dobro

Rosewood Dobro

January 18, 2016 · George Gruhn

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not…

Rickenbacker 481

November 24, 2020 · Michael Wright

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we…

Chris Butler’s Vox Mark VI: Waitress Server

December 10, 2024 · Ward Meeker

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to…

Fender AA964 Princeton

What’s (Not) in a Name

October 24, 2023 · Dave Hunter

Getting the job done – five simple knobs on the Princeton’s control panel. 1966 Fender Princeton • Preamp tubes: one…


Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan Georg Stauffer, whose apprentices included one C.F. Martin, Sr. It…

The “Okie Dokie Stomp” Esquire

Gate’s Swing

As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig without knowing “Okie Dokie Stomp.” The famed track by Clarence…

Danelectro’s Four-String Basses

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir of American-made electric instruments of their time, many a babyboomer…

Tinsley Ellis’ new dimension

Unplugged, and Worth the Wait! A prominent blues artist since the late ’80s, Tinsley Ellis grabbed the ’37 National Style O heard on several tracks from his new album, “Naked…

Stromberg G-5

In the world of archtop guitars, the Stromberg name represents the ultimate instrument – in size, at least – in the big-band era of the late 1930s and ’40s. The…

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Gretsch’s “Golden” Tenors

In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice of popular music. Amplification provided its volume, and innovative artists…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Christopher Thorn

Alt-Rocker/Studio Guru

June 14, 2022 · Greg Prato

Best known as half of the guitar tandem in the ’90s alternative-rock band Blind Melon (that’s his rhythm on “No…

Martin Elegant, a.k.a. “Lula”

December 29, 2014 · George Gruhn

It’s an extraordinarily rare event to find a high-grade, historically significant mid-1800s guitar in a pawn shop, but that is…

Music Man’s Hybrid Boogie Amp: The RD-50

December 26, 2017 · Paul Bechtoldt

Say hey, fellow guitarists! If you live in the Northeast, it’s great to have a hobby that doesn’t require going…

Heil Talk Box

January 7, 2016 · Michael Dregni

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an…