•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The ViVi-Tone Aggrandizer

The ViVi-Tone Aggrandizer

March 28, 2016 · Dave Hunter

• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker:…

1933 Gibson L-5 “Special”

November 7, 2014 · George Gruhn

Though many collectors focus on instruments in fine original condition, every so often one emerges that, regardless of condition, is…

Standel 400S

June 12, 2023 · Willie G. Moseley

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the…

One of Two of a Kind

Gibson’s L-3 Ganus Brothers Special

July 9, 2018 · George Gruhn

Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy…


The BBE Soul Vibe

Taking Soul to New Levels

The original Shin-Ei Uni-vibe became hugely famous after Jimi Hendrix used it with Band of Gypsys (and at Woodstock). Later practitioners like Frank Marino and especially Robin Trower used the…

Weymann Model 848

Mail-Order Rara Avis

From 1864 through the 1940s, H.A. Weymann and Son, Inc. made, imported, and sold marching band, orchestral, percussion, and other instruments through its own mail-order catalog. Heinrich “Henry” Arnold Weymann…

Benson Model 300H

Wrecking Ball

Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and studio great Howard Roberts – so he co-designed his own.…

Perfect Curves Fender’s Stratocaster Turns 60

Perfect Curves

Fender’s Stratocaster Turns 60

Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

D.K. Harrell and His ’76 ES-335

B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Six-Strings, 60 Years Ago

A Likely First

February 15, 2016 · Michael Dregni

Had he survived to this day, Elvis Presley – cultural icon extraordinaire – would be 80 years old. The man…

Dan’s Guitar RX: Installing an Acoustic Pickup System

Un-Unplugged

November 10, 2022 · Dan Erlewine

For years, one of the most common jobs I’ve been asked to do is put a pickup in an acoustic…

Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

May 30, 2017 · George Gruhn

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan…

The Roland Space Echo

Perfect Slap-Back

September 4, 2015 · Michael Dregni

When Brian Setzer kickstarted the Stray Cats into action in 1979, his gear lineup was a hodgepodge of orthodox rockabilly…


First-Rate Second Fiddles

Jimi’s Gibsons at the Hard Rock Cafe

No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…

Dumble Garage Band Ripper

Orange Crushed

Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…

Maestro Rover R0-1

The UFO of Rotating Speakers

To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar signal into an organ speaker – a Leslie rotating-speaker cabinet.…

The Charvel Model 4

Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…

Gibson Kalamazoo Award

Designer's Dream Come True

In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era,…

The ’66 Vox UL 730

Beatle Juice

Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the 1966 “UL” series. More importantly, it represents a bridge between…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Metropolitan Tanglewood

A Rare Modern Map

January 25, 2006 · Willie G. Moseley

Many guitar aficionados are aware of the instruments proffered by Houston’s Alamo Music. The Texas manufacturer has created unique low-end…

Beat Portraits: Burns Volume 8

Late ’65: Transistors, Troubles, and Takeover!

February 14, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

The Fender “Korinacaster”

Double-Cut Kuriosity

October 5, 2015 · Ward Meeker

There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the…

Fender’s 5E7 Bandmaster

December 26, 2017 · Dave Hunter

There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in…