•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Heathkit TA-16 Starmaker

Basement Jams & Blown Speakers

October 29, 2025 · Dave Hunter

1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part 3: The 1960s

April 5, 2024 · Peter Stuart Kohman

Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still…

Bruce Kulick

Star Board: Bruce Kulick

March 7, 2016 · Ward Meeker

Bruce Kulick played lead guitar in Kiss for more than a decade, and today stays busy as a solo performer…

Mosrite Basses

The Golden Decade: Ventures and Beyond

July 9, 2014 · Willie G. Moseley

Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early…


Perfect Curves Fender’s Stratocaster Turns 60

Perfect Curves

Fender’s Stratocaster Turns 60

Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

Martin 0-28K

Martin 0-28K

The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the exotic sound of Hawaiian music in the 1920s, and koa…

Dan’s Guitar RX: A 1955 Gibson Touch-up

Team Effort.

 To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul…

Guild Aristocrat M-75

Guild didn’t intro-duce a true solidbody electric guitar until 1963, but the Aristocrat of 1954 gave the appearance that Guild was competing head-to-head with Gibson’s new Les Paul Model. However,…

D’Angelico New Yorker

Top of the Line from a Master Builder

Having earned its place in the VG Hall of Fame as one of the finest guitars in the history of the instrument, the New Yorker is significant primarily due to…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Gibson GA-200 Rhythm King Vintage Guitar magazine

Gibson GA-200 Rhythm King

July 9, 2015 · Dave Hunter

Preamp tubes: two 12AX7, one 12AY7, two 6BJ8, two 6SK7, one 6V6 (used as a voltage divider) Output tubes: two…

The Les Paul Becomes The SG

Double Time

April 24, 2019 · George Gruhn

It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952,…

Dickerson Standard Lap Steel

December 30, 2014 · Michael Wright

Though today they are viewed as little more than curious relics of a lost era, during the Great Depression, “mother…

National Model N-720

Star of an Era's End

November 3, 2005 · Michael Wright

Most acoustic guitar players will likely show disdain for any instrument with a bolt-on neck. Even though there have been…


Metropolitan Tanglewood

A Rare Modern Map

Many guitar aficionados are aware of the instruments proffered by Houston’s Alamo Music. The Texas manufacturer has created unique low-end (sonically, that is) items, some as regular production basses, others…

The Schaffer-Vega Diversity System

Making Rock Roll

“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…

Classics: December 2022

Reid Farrell’s Fender Tele

In 1964, high-school freshman Reid Farrell bought a Fiesta Red ’59 Telecaster with help from his guitar teacher, John Andrews. The price? $125, in its original hard case. A couple…

VG Q&A: A Gilded ’63 Jazz Bass

Plus, Swappable Pickups, Bartell Guitars, and a Mystery Lap Steel

I am the third owner of a 1963 Jazz Bass with a neck stamp “7Jan63A,” pots dated that May, and serial number from that spring. It also has original gold…

Vox Pacemaker V-3

1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold…

Gibson’s 17″ Pre-War Electrics

ES-300 of 1940-’43

Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Hangin’ with Kid and Lisa “Little Baby” Andersen

September 5, 2024 · Vintage Guitar

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with…

Eastwood EEB-1 and EUB-1 Basses

Horizontal Vibe

July 1, 2020 · Phil Feser

Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis…

Bob Spalding: Instrumental Legend

October 30, 2023 · Vintage Guitar

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on…

Classics – May 2021

January 25, 2022 · Ward Meeker

This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25,…