Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
The First Days of Fender Acoustics
One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…
Quest For Guitar Fortunes
Back in the Swinging ’60s, one of the coolest things hip companies could do was own a guitar company. After all, guitar-driven pop music was red hot, especially after the…
Webster’s latest defines the word “deluxe” as “…notably luxurious, elegant, or expensive.” The Epiphone Deluxe archtop guitar was certainly luxurious. When introduced in 1931, it sported a triple-bound top with…
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…

Definitive Flat-tops
Martin’s pre-WWII dreadnought guitars set the standard for the modern flat-top, and thus both have been inducted into the VG Hall of Fame.
An Evaluation of Effects and Pedals
The idea for this article came about when I purchased a box of effects pedals from the owner of a music store which had closed in the late seventies. Most…
Built in 1937
While visiting the Spanish guitar exhibit at the Metropolitan Museum of Art in New York City during the fall of 1991, I had the opportunity to measure and photograph, in…

On the Road to ’59
Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and early ’80s were asking Gibson to build a Les Paul…
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by TV and movie themes played by Al Caiola emanating from…

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
From Liden, NJ. to Linden Avenue, Burbank, CA.
The Ampeg Horizontal Bass, perhaps because of its rarity and odd beauty, has become quite a collector’s item. And because production records for Ampeg products were lost or destroyed after…

Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all time, Maestro’s Fuzz-Tone – dissatisfaction. It’s also fitting as some…

In 1952, Gibson’s Les Paul model guitar was brand spanking new. But it wasn’t cutting-edge. True, it was the company’s first solidbody electric guitar, and thus earned a bit of…
Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

Windy-City Wonders
“Art for art’s sake.” The expression is common. But how often is it practiced? In a basement studio on Chicago’s North Side, Carl Johnson epitomized the maxim while building archtop guitars…
'60s alt-materials make short run
Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…
Perennial Classic, Made in Japan
While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…

The mid 1970s were a turbulent time in guitar history. The American guitar establishment – at least Gibson and Fender – was owned by big corporations that tended to run…

Designer's Dream Come True
In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era,…
Short-Lived Flat-top
The Hawaiian guitar style came to the American mainland during the Pan Pacific Exposition of 1915. And while the popularity of Hawaiian music and playing faded in the ’40s, the…
Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a…

Les Paul and the First Gibson ES-300
When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle seated deep in a sea of metallic gold, accentuating the…

Plus One
My friend Alex Aguilar recently asked me to do something most guitarists would consider sacrilegious – add a Master Volume pot to a Les Paul, and put it in easy…
One Heckuva Guitar
I enjoy covering sleeper gear in this column. During the past 11 years, we’ve looked at bargains like the Gibson L-6S, Seagull S-6+, Martin D-1 and the Peavey Bandit, to…

The Strings of Power Hey there! Nate Westgor from Willie’s American Guitars dives into the world of guitar strings, discussing the differences between flat tops, half rounds, and flatwound strings.…
Proving a Point
This instrument, bearing a handwritten label reading “Made by O.H. Gibson 1906 Kalamazoo Mich” is arguably the most elaborate scroll-model mandolin ever made by Orville Gibson. The 1906 date is…

Fender 5E3 Deluxe Preamp tubes: one 12AY7, 12AX7 PI Output tubes: two 6V6GT, cathode-bias Rectifier: 5Y3 tube Controls: Independent Volumes for each channel, shared Tone. Output: 15 watts RMS +/-…

Power of Three
The earliest renditions of our gear icons are often the most valuable, but on many occasions it’s the transition models – those that bridged one era to the next –…
A nylon-string good for beginners, experts alike
The sound of a nylon-string guitar has captivated musicians and listeners for decades. However, unless you're a classical guitar "artist," chances are your main axe isn't a nylon string. My…

Back in 1958, when Gibson introduced its revolutionary Explorer, Flying V, and mysterious Moderne, the public – rather like Queen Victoria – was not amused. Although a few bold players…