The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Contrasting Chronologies
Just a handful of years after Peavey turned the world of electric guitar upside-down with its T-60 guitar and T-40…

Jay Mitzner’s ’53 Gibson Les Paul.
Overhearing his 13-year-old son noodling on a beginner guitar in his bedroom one day in 1958, it occurred to Murray…

The Next Step
Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup…

Fenton Robinson’s Gibson ES-225
Kevin Ludwig first became aware of Fenton Robinson in 1975, when he heard Boz Scaggs’ version of “Somebody Loan Me…

Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the way to the massively featured Mark V, many fans of…

Head ‘em out!
The romantic concept of the “Old West” – an enduring element of American pop culture – was spurred by pulp novels before John Ford introduced the world to My Darling…

The “Final” Configuration
The Fender Precision Bass was the first commercially successful solidbody electric bass. Played somewhat like a guitar and sporting a fretted neck, the “P-Bass” won over players in almost every…

“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how Gretsch first introduced the Rancher Jumbo – offspring of the 1940s…

The Amazing Story of One Unique Fender
One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it,…

Wrecking Ball
Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and…

Little Brothers
Often forgotten amongst Fender’s many classics, the Musicmaster and Duo-Sonic were conceived to capitalize on teenagers taking up the guitar…

Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who…

Building a Better…. Gibson?
In the late 1970s, trends combined to spawn several new guitar companies in the Chicago area motivated by a desire to “build a better Gibson.” The list included Dean and…

Extreme Fuzz
When Robin Trower segued from his wah-driven blues-rock riffing into the slowed, deep-blues groove of the second half of his ’74 anthem “Too Rolling Stoned,” he kicked it over to…

Secrets of a Socal "Parts" Guitar
If you were a guitar – particularly one with a natural or translucent finish – your “fingerprint” would be the grain of the wood used to make your body. …

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…

Gibson is widely known for its guitars, mandolins, and banjos, but many are unaware the company built instruments for nearly 30 brands for several distributors and music store chains, primarily…

Sunshine State
Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Doomsayer
Best-known as Ozzy Osbourne’s longest-tenured guitarist, Zakk Wylde has also been the leader of Black Label Society since the late…

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,”…

Tribute licks Kentucky Headhunters co-founder Greg Martin was a senior in high school when he first heard the Allman Brothers…

From Dartford to Sepulveda
The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the…