• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Last ’Burst?

Single-Cut Saga From the End of an Era

April 24, 2019 · Ward Meeker

Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny,…

Dan’s Guitar RX: A New Tool Makes Luthiery Easier

With a Little Help…

April 4, 2022 · Dan Erlewine

I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup…

Javier Batiz

January 14, 2026 · Willie G. Moseley

Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his…

Intriguing Twosome

A Look at Gibson’s EB-6

July 9, 2018 · Willie G. Moseley

As the ’50s drew to a close, Gibson was locked in a heated battle with Fender for a share of…


Chordal Colorations

Iconic Axes of Different Hues

Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in terms of their origin or their roles in helping to…

Tom Petty and Mike Campbell

Guitars at Heart for 30 Years

Remember the first time you strummed a D chord or fumbled your way oh-so-slowly through “Walk Don’t Run”? Chances are you wanted to be in the Beatles, or you wanted…

Teisco Del Rey Basses

’60s Egalitarianism from Japan

Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like a tsunami during the “guitar boom” – and were the…

Epiphone Empero1965 Main

1965 Epiphone Emperor

The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934.…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Gibson L-00

1933 Gibson L-00

March 3, 2016 · Dave Hunter

While most of the instruments featured in this space are high-end, often elaborately ornamented models that were expensive when new…

'39 Gibson EH-185

’39 Gibson EH-185

March 18, 2016 · Dave Hunter

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble…

Hot Wires - A Brief History of the Modern Guitar String

Hot Wires

A Brief History of the Modern Guitar String

June 9, 2016 · Pete Prown

If you’ve ever bent a guitar string and given it a shake, send a silent thank you to guitarist James…

Daion Headhunter HH-555

April 30, 2010 · Michael Wright

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a…


Fender Deluxe Reverb

Vintage Guitar magazine Hall of Fame 2011 Instrument

In the June ’07 issue of VG, amp profiler extraordinaire Dave Hunter said of the Fender Deluxe Reverb, “If guitarists were to vote for the one ‘best amp for all…

Classics: September 2022

Danny Gatton’s ES-295

Glenn Holley was just five years old when he became infatuated with the sound of rockabilly music thanks to Elvis Presley. “By 10, I had more than 30 of his…

The Supro 1600R Supreme and 600 Reverb

Toneful Twosome

Supro amps from the late 1950s and early ’60s are some of the most stylish of the era, and boast circuits that generated classic tones at the hands of a…

Rocky Athas’ Texas ’Tude!

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more…

Veillette-Citron Shark

It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick demise only to be reborn due to late-blooming popularity. Another…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

1939-’42 Gibson SJ-100

$100 Cowboy Flat-Top

September 1, 2023 · Peter Stuart Kohman

Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that…

Fall Philly 2014

November 13, 2014 · Lisa Sharken

[caption id="attachment_19277" align="alignleft" width="300"] We are here at the Philly show checking out all the killer guitars! Here's a '54…

Five Classic Amps

Five Classic Amps

A Tone-Spotter’s Arsenal To Cover It All

March 31, 2016 · Dave Hunter

When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through…

Excelsior Americana

March 7, 2014 · Dave Hunter

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than…