•  VG Q&A: Harmony History

    Classic Instruments

     VG Q&A: Harmony History

    And an Archtop Mystery

    I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number

    Read more >>

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

  • “Buy That Guitar” podcast with special guest Alan Greenwood

    “Buy That Guitar” podcast with special guest Alan Greenwood

    Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the magazine’s history, the Price Guide, and the current state of the vintage market. Links:Vintage Guitar magazine Subscribe to our “Overdrive” newsletter for the latest happenings…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

January 10, 2023 · Lynn Wheelwright

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

November 30, 2023 · Dave Hunter

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

April 29, 2021 · Peter Stuart Kohman

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick…

Gibson Johnny Smith

June 29, 2015 · George Gruhn

In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the…


Thomm Jutz plays “Come All You Fair And Tender Ladies”

Flatpicked English folk with an Appalachian touch Sparse and haunting, Thomm Jutz and his ’48 Martin D-18 share a solo take on “Come All You Fair And Tender Ladies,” from…

1944 Martin 00-28

This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007,…

National N-275

Gibson is widely known for its guitars, mandolins, and banjos, but many are unaware the company built instruments for nearly 30 brands for several distributors and music store chains, primarily…

“Buy That Guitar” podcast with special guest Tommie James

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli speaks with…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Classics: November 2022

Vern Juran’s Harmony stratotone

July 13, 2023 · Ward Meeker

Like many baby-boomer kids, 11-year-old Vern Juran was into slot-car racing and bikes with ape-hanger handlebars, banana seats, and sissy…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

November 30, 2023 · Dave Hunter

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as…

Fender’s 1961 Showman

The Show Must Go On

September 23, 2019 · Dave Hunter

When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s,…

Standel 400S

June 12, 2023 · Willie G. Moseley

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the…


Guild Basses in the Early 1980s

Traditional, Temporary

Guild Basses in the Early 1980s

The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…

The Story of Nudie’s Mosrite Mandolin

In the mid 1970s, Kosmo and Kathy Cominos collected knives, jukeboxes, wristwatches, etc… But their favorite finds were celebrity-associated musical instruments like this unique Mosrite mandolin, built for Nudie Cohn,…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part 3: The 1960s

Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still marketed to a primarily male audience, and with that testosterone…

Gibson EB-4L

Right Ideas, Wrong Era

The antennae of many guitar collectors/enthusiasts pop up when they encounter a Gibson-made instrument bearing a six-digit serial number with “Made In The USA” embossed on the back of its…

Valco ‘Thunder stick’

Put your gut money on a dark horse every so often, and you might find the rest of the regurgitating bandwagon world awash in your taillights. Every sublime guitar collection…

Zac Schulze gets straight to it!

If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

  • Gibson’s “SG” Les Paul

    Gibson’s “SG” Les Paul

    Classic Shape That Filled Big Shoes

    In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” it exemplified a new marketing emphasis for Gibson. According to Les Paul himself, it was designed and introduced without his consultation or knowledge.…

Classics: February 2022

Chuck Panozzo’s Gibson ES-125

October 6, 2022 · Ward Meeker

For nearly five decades, Chuck Panozzo has been the bassist in Styx, enjoying the ride as it went from playing…

Tony Mottola

Mr. Big, Guitar Pioneer

June 12, 2025 · Jim Carlton

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands…

Classics: November 2023

Al Caiola’s Gretsch Prototype

July 31, 2024 · Ward Meeker

Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by…

Fender “Wide-Panel” Twin

The Fender “Wide-Panel” Twin

June 29, 2016 · Dave Hunter

While Fender’s high-powered 5F8-A Twin of 1958-’60 (VG, March ’09) has been much raved about in recent years, there’s a…