• Classics: Jeremy Graf’s 1961 Fender Stratocaster

    Classic Instruments

    Classics: Jeremy Graf’s 1961 Fender Stratocaster

    A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That

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  • Dave Murphy: Acoustic Country!

    Dave Murphy: Acoustic Country!

     Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album.…

  • Round-Up Range

    Round-Up Range

    Rolling on a Post-Pandemic Project

    Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…

The Collings SoCo Deluxe

November 23, 2020 · Phil Feser

Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…

Matchless JJ-30

Stage Staunch

May 9, 2019 · Dave Hunter

Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature…

Classics: February 2022

Chuck Panozzo’s Gibson ES-125

October 6, 2022 · Ward Meeker

For nearly five decades, Chuck Panozzo has been the bassist in Styx, enjoying the ride as it went from playing…

Hofner 185

April 14, 2016 · Peter Stuart Kohman

Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition,…


VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very few Japanese makers put dot…

VG Q&A: Jimi Flip

Plus, Precision Bass rests and an odd Galliano

I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found a lefty model. Does anybody know? – Garry Curry The…

1933 Gibson L-5 “Special”

Though many collectors focus on instruments in fine original condition, every so often one emerges that, regardless of condition, is no less exciting than a paleontologist finding the “missing link.”…

Ditson’s Style 11 and the Birth of the Dreadnought

Martin’s Big Step

In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New York, Philadelphia, or Boston could have bought a guitar, bowl-back…

The Valley Arts Custom Pro Bass

Keeping the Arts Alive

In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

  • Walter Becker’s Bogner Ecstasy 100B

    In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his” amplifier home. Whether it was Fender’s tweed creations, early Marshalls, or the first generation of Mesa/Boogies, most revolutionary new amp designs have found stars lining…

  • Yamaha Weddington Custom

    Yamaha Weddington Custom

    A Better “Classic”

    In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…

Carvin DN640K

January 27, 2016 · Willie G. Moseley

Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air…

Whooooo Wal You?

John Entwistle’s fretless ’78 Wal

January 10, 2020 · Willie G. Moseley

Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their…

Hard Rock Cafe

Guardians of Grandeur

The Men Who Tend to the Guitars of the Hard Rock Cafe

February 11, 2016 · Ward Meeker

“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case;…

Guyatone Micro Effects

Little Boxes, Big Effects

April 29, 2020 · Phil Feser

Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was…


Vega Model 120

Viewed from our contemporary perspective, it’s difficult to fully appreciate how different the music scene in general – and the guitar scene in particular – was back in the early…

Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan Georg Stauffer, whose apprentices included one C.F. Martin, Sr. It…

Epiphone Coronet

Epiphone Coronet

This Epiphone Coronet from 1959 was probably a shocking sight to a guitar buyer of the late ’50s. Not only was a solidbody guitar out of character for the company…

The Fender AA165 Pro Reverb

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for their rich vintage tones and renowned as everyday workhorses that…

Vega Model 120

Viewed from our contemporary perspective, it’s difficult to fully appreciate how different the music scene in general – and the guitar scene in particular – was back in the early…

Fender 
Telecaster Thinline

Weight-Loss Trial

Born in turbulent times on the downslope of the “guitar boom,” Fender’s Telecaster Thinline has always existed in the shadow of its classic older sibling. But it does not lack…

  • Classics: January 2024

    Classics: January 2024

    Bill Woodward's 1953 Gibson Les Paul

    Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of the earliest Les Pauls, this ’53 was purchased new (along with a matching Les Paul amp, at Charles E. Wells Music Company) by Bill Woodard,…

  • Prototypes and Pathfinders

    Prototypes and Pathfinders

    Five Amps That Set the Tone – Or Hoped To

    Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…

Brennen Leigh’s Heart-Tugging Honky-Tonk

September 5, 2023 · Vintage Guitar

Shades of Norman Blake and Dolly Parton A student of the “Carter Scratch” guitar technique – melody on the low…

The Fender Tremolux

January 29, 2024 · Dave Hunter

Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s.…

Excelsior Americana

March 7, 2014 · Dave Hunter

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than…

Peavey RJ-IV

October 23, 2014 · Willie G. Moseley

Peavey RJ-IV bass, serial number 04938996. Photo: Bill Ingalls Jr. Instrument courtesy of Naffaz Skota. Americans by the millions “know”…