Walrus Audio’s Mako Series MKII bolster the sounds of their first-gen predecessors, using altered algorithms, new controls, and better tonal quality. The most-obvious changes are new fine-tune settings and a menu screen. The M1 High-Fidelity Modulation Machine offers Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filters. Running between a Deluxe Reverb a Les Paul Traditional or…
Old-World Build For a New Gen
Dino’s Guitars Rust Box Italians have historically been known for great craftsmanship and detail. Names like Lamborghini and Maserati conjure the image of the exotic and the high-end detail required…

Little Monsters
In this age of shrinking guitar rigs, Tech 21’s Fly Rig pedals show just how guitar-related technology is getting smaller but more powerful. Fly Rigs measure a mere 11.5 x…

Ground Shaker
EarthQuaker Devices has a knack for launching pedals that range from ideal tools for those seeking otherworldly sonic textures to vintage-inspired stompboxes for old-school players. Falling more in the latter…
LSL Instruments is best known for high-end Leo-style guitar builds, but they’ve also started delving into overdrive pedals. The Lucid OD is their version of a Klon Centaur – one of the priciest stompboxes in human history ($5,000-plus for the first-gen gold box with the horse logo). The box offers Volume, Gain, and Tone knobs…
With is Clean compressor, Chase Bliss set out to create a pedal that would duplicate the vivid interactivity of a dirty tube amp, but with a completely clean tone. While a standard compressor can give your guitar (bass, keyboard, etc.) a professional sheen, the Clean is a stereo unit that can polish mixes or deliver…
Wait – what? Did Eastwood just bring back the Super Axe, that incredibly rare bird from the late ’70s? Indeed, they did. A Korean-made reissue, it captures the spirit of Gretsch’s chambered curiosity. Grabbing one, the first thing you’ll notice is the oversized yet thin body, with its arched top and the enchanting lines of…
Exotic Tones For Eclectic Players
Hailed by its creators as the greatest product introduced by Electro-Harmonix in over 20 years, the new Tube Zipper was developed jointly by E-H’s legendary stompbox guru, Mike Matthews, and…
New Axe From the "Woodstock Contingent"
Before starting his Black Creek Musical Instrument Company, upstate New Yorker Chris Hofschneider spent time building instruments with other members of what has grown into the “Woodstock Contingent,” an elite…
Zemaitis company makes its initial offering
Zemaitis S22 Metal Top Amongst the sometimes bizarre, always esoteric lot that is any given group of vintage guitar collectors, the name Antanus Casimere Zemaitis carries a special connotation. The…

One Guitar, All night
There are gigs where a guitarist needs to cover a vast range of sounds and tones yet yearns to schlep just one 6-string to the show. It might be a…
Fender’s ’57 Twin Amp and ’57 Deluxe – Tweed for Two
Fender “tweed” guitar amplifiers – the Twin, Deluxe, Bassman, Champ, etc., from the 1950s – are the most sought after amps in the annals of guitardom. Whether it is Leo’s…

What’s In A Name?
Positioning its sonic M.O. squarely in the 1960s and ’70s, Jam Pedals strives to create a distinct line of effects. Beyond their fun graphics and tongue-in-cheek names, Jam’s stompboxes are…
So often has the phrase “Mark Sampson era” been applied to pre-2000 Matchless amps or early examples of the Bad Cat line that the term has become a “thing” in and of itself. As applied to Bad Cat’s new Era 30, it means Sampson is back in the fold (see our interview in the March…
Now more than 90 years old, the lap steel was the earliest example of an electric guitar and remains a stringed instrument every guitarist should try, largely because it’s so accessible. In fact, a lap steel is about as straightforward as you can get – it’s a plank that sits on your lap and is…
If the iconic Soldano SLO-100 is perpetually on your wish list but its price tag keeps you from pulling the trigger, its creator now has a realistic alternative. Expanding on the original single-channel SLO Overdrive pedal, the SLO Plus introduces a Normal channel alongside Overdrive, each with dedicated controls that allow for detailed tweaking of…
For 2025, Orange has expanded on its compact Pedal Baby introduced a few years back with a new trio – the Dual Baby, Gain Baby, and Tour Baby. All 100-watt amps with solid-state Class A/B output stages, Jfet preamp stages (another form of solid-state), and two footswitchable channels, they’re housed in 12″ x 3.25″ x…
Based on the famed Roland SDE-3000 rack unit, Boss’ SDE-3 combines some classic delay sounds of the 1980s, updated with a bevy of modern tricks and features. Like a lot of delays, it can be run in mono, but you’ll get the biggest bang going in stereo to different amps or outputs. The core of…
The evolution of Randall Smith’s legendary high-gain Mesa/Boogie design into the revered Mark IIC+ of the mid ’80s established a rock amp that many guitarists still consider the epitome of the form. Building on what was already a high-gain amp by the standards of the day, the M/B team piled on even more gain, more…

Filling the Gaps
Brian Wampler, who developed a reputation first for modding effects pedals, then for building originals including a custom overdrive for heavy-hitter country picker Brad Paisley, plays by the rules set…
The Larrivee C-09
The acoustic guitar wars are heating up, with wonderful instruments from Martin, Gibson, and upstarts like Taylor. Bill is making superb instruments down in Texas, and way up in Vancouver,…

The Right Thing Right
Nostalgia can be a confounding thing. When most fans think of Johnny Marr, they remember him flailing on an array of Ricks, Gibson semi-hollows, and Strats during his days with…

Dream Babies
Recording/touring guitarist, studio engineer, and industry veteran Jamie Scott made the metamorphosis into amp designer by learning to repair and modify Marshall heads. He quickly realized that he wanted amps…

Twin Tones
Introduced in 2017, Christos Ntaifotis’ original White Whale tremolo/reverb became one of his company’s best sellers. Its success, however, didn’t breed complacency, and after years of gathering user input, they…
Hailing from Louisiana, Gerard Melancon is a former professional gigging and studio player who parlayed experience on the road and as a guitar repairman into a devout attitude toward building…

Tones of Destiny
The Providence Velvet Comp, Red Rock OD, and Phase Force Price: $199 (per piece, list) Contact: www.providence.jp Providence is a Japan-based manufacturer of effects, cables, guitars, pickups, and audio-switching devices.…

Semi-Hollow Magic
There comes a time in a guitarist’s life when one becomes hollowbody curious, and semi-hollow guitars are often the gateway – and they ain’t cheap. Ibanez offers a solution with…

Hand-Wired Heaven
For the past few years, builder Bruce Clement of BC Audio has been getting attention for his killer-sounding and meticulously wired tube heads and matching cabs. New for 2017 is…

Hybrid Hotshot
Some might see it as a Frankenstein’s monster, while others will view it as the best of all worlds. The D’Angelico Excel 59 is a throwback to an original John…

Captain Crunch
Over the years, the Boss Metal Zone has often been lampooned for its ferocious personality. But if you plug one in, you’ll be hard-pressed to understand why – it’s a…
Hot Stuff from Chile
How much more vintage can you get? If you’re talking about guitar tone woods, not much more vintage than the tops on guitars by LBenito. Built in Chile, using alerce…

Weather-Ready
Composite and graphite guitars have been around for more than 50 years, from famous Ovation acoustics to the Parker Fly, Steinberger, Brian Moore MC/1, and RainSong acoustics. The China-based Donner…
Ninety Pounds of Force and Finesse
Garcia Amplification’s 60-watt combo Matthew Garcia has been a guitarist for 27 years, many of them spent on the road six nights each week, 50 weeks each year. During his…

Radio King
Matt Richards builds basic cathode-bias amps housed in the carcasses of vintage radios. They’re designed to be compatible with various tubes, giving the user a range of output and tone…

What’s In A Name?
Positioning its sonic M.O. squarely in the 1960s and ’70s, Jam Pedals strives to create a distinct line of effects. Beyond their fun graphics and tongue-in-cheek names, Jam’s stompboxes are…

CopperSound’s Foxcatcher Boost/Overdrive and Polaris Chorus/Vibrato
Offering hand-built pedals from their shop in Easton, Massachusetts, CopperSound seems to be finding a niche among small-batch builders, namely by rethinking some well-loved tones and technologies. One recent offering…

More Than Just Chime
The original Roland Jazz Chorus doesn’t get the kind of love that American and British amps in the rock and blues world receive, but its place in history is well…

Glitch Niche
These days, there’s a litany of “glitch” pedals on the market – boxes that deconstruct guitar signal into 8-bit bleeps and lo-fi bloops. Chase Bliss’ entry is the Onward. Unlike…

Tiny Tools
The shrinkologists at Fishman recently introduced a line of mini AFX pedals that do many jobs in an acoustic/electric guitar while offering a minimal footprint, 9-volt power, and optional true-bypass.…

Model Of Perfection
With digital recording more popular than ever, audio designers are working to capture guitar tone directly, without miking an amp. Universal Audio – renowned maker of studio gear – has…