-
Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
-
Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
-
Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Peavey RJ-IV
Peavey RJ-IV bass, serial number 04938996. Photo: Bill Ingalls Jr. Instrument courtesy of Naffaz Skota. Americans by the millions “know”…
Orville Gibson A model
All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model…
Rickenbacher Model 200A
Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of…
Gibson M-III Standard
Missing the Mark(et)
Gibson’s bread and butter has long been tried-and-true designs that represent remarkable innovations – even if they date back to…
Rickenbacker Transonic
Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and…
Ted Newman Jones’ West-Texas Guitars
Melodious Coterie
Boxcars Among the vast papers, drawings, photographs, and tapes at Texas Tech’s Crossroads of Music Archive is a guitar beloved by the late Jesse “Guitar” Taylor. Known as “Dice,” it…
Replacing Rotted Tuning Keys on a ’62 ES-335
Buttons for a Buzzcock
Steve Garvey played bass in the seminal punk band Buzzcocks during its classic era – 1977 to ’81 – with guitarist Steve Diggle, drummer John Maher, and front man/guitarist Pete…
Wolf Strat
A Legend’s Guitar, Discovered
After possessing it for several years, curiosity finally got the best of the owner of this 1963 Stratocaster. He had to know: Who is Lil’Bill?
Memphissippi Sounds’ Yella P asks “Who’s Gonna Ride”
’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the Memphis Slim House in the Soulsville neighborhood of Memphis (Stax…
-
Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
-
The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Sigma by Martin
Following the Line
Long overlooked and relegated to an obscure corner of the collectible market, Sigma by Martin guitars have recently gained popularity…
The Dallas Rangemaster
Eric Clapton christened it “woman tone.” On the famed 1966 “Beano” album, John Mayall’s Blues Breakers With Eric Clapton, the…
Dickerson Standard Lap Steel
Though today they are viewed as little more than curious relics of a lost era, during the Great Depression, “mother…
Tony Mottola
Mr. Big, Guitar Pioneer
Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands…
Gibson M-III Standard
Missing the Mark(et)
Gibson’s bread and butter has long been tried-and-true designs that represent remarkable innovations – even if they date back to the 1950s. This is testament to how good those innovations…
Alvino Rey’s “Mini” Gibsons
Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists, sometimes by request, other times to lure a potential endorser.…
Nick Moss – clean and tasty on “Scratch N Sniff”
Instro-rock, fully greased Get ready to have your funtime socks knocked off, ‘cuz this exclusive Nick Moss run through “Scratch N Sniff” is dangerous! A track from his latest album,…
Star Board: Elliot Easton
Elliot Easton’s “Pedalboard” Though Elliot Easton enjoys his loaded full-size Pedaltrain board, his new band, The Empty Hearts (with Clem Burke, Wally Palmar, and Andy Babiuk), does a lot of…
Robin’s ’80s Import Basses
While the Robin guitar brand’s reverse “imported then domestic” chronology has been documented in this space, the basses shown here are the first import models marketed by the company (and…
The Gretsch Round-Up
In 1954, what could possibly be more “contemporary Western” than a Gretsch Round-Up? Introduced in 1954, the Round-Up (listed in Gretsch literature as model PX6130) and the Rancher (PX6022) were…
-
Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
-
Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
-
Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
-
The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
-
Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
-
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
-
McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
-
Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Nat Talks Strings!
The Strings of Power Hey there! Nate Westgor from Willie’s American Guitars dives into the world of guitar strings, discussing…
Gibson’s 17″ Pre-War Electrics
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer…
Jabo, Vince, and Broadcaster 0048
Special Addition
It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about…
30 Most Valuable Guitars
To mark VG’s 30th anniversary, we dig into the 30 most-valuable production guitars.
