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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Six-Strings, 60 Years Ago
A Likely First
Had he survived to this day, Elvis Presley – cultural icon extraordinaire – would be 80 years old. The man…
Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?
And Not-So-Strange Variations on an ’87 LP Standard
I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through…
Gibson’s Experimental Archtop
Orville Gibson invented the carved-top guitar in the 1890s, and his company refined the design with f-shaped sound holes in…
First-Rate Second Fiddles
Jimi’s Gibsons at the Hard Rock Cafe
No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…
Orange OR80 Combo
Sunshine State
Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…
The Sebastian ‘Burst
Inspirational Icon
The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this, made famous in the hands of John Sebastian in the…
The Rickenbacker 4000
The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…
Beat Portraits: Burns Volume 6
1964: Nu-Sonics and Transistor Trials
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Fender’s Mid-’50s Precision Bass
The "In-Between" Version
In the world of electric basses, the 1952 Fender Precision is the one that started it all. While it’s true…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through…
“Buy That Guitar” podcast with special guest Binky Philips
Season 03 Episode 01 In Episode 3.2 of “Buy That Guitar,” presented by Vintage Guitar magazine, host Ram Tuli engages…
Gibson Grenada Five-string
The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on…
“Buy That Guitar” podcast with special guest Rick Hogue
“Buy That Guitar” podcast with special guest Rick Hogue Season 01 Episode 09 In Episode 9 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Rick Hogue…
Rickenbacker 4005
California’s Rickenbacker guitar company has a tradition of things a bit differently. One of the earliest electric guitars was their “Frying Pan” solidbody Hawaiian. And the company’s 1930s Spanish and…
Rick Derringer
Explore The Possibilities
Rick Derringer and his compadres in the McCoys smashed their way into the pantheon of rock and roll in the mid ’60s with the three-chord anthem “Hang On Sloopy,” a…
Classics – March 2021
Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…
Classics: December 2022
Reid Farrell’s Fender Tele
In 1964, high-school freshman Reid Farrell bought a Fiesta Red ’59 Telecaster with help from his guitar teacher, John Andrews. The price? $125, in its original hard case. A couple…
Gibson’s “blond” J-35
In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Classics: June 2023
Danny Gattons ’51 Nocaster
From learning a first lick to playing an entire song with friends, musicians thrive on motivations big and small. Growing…
The Norma EG 470-2 Deluxe
Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young…
Chordal Colorations
Iconic Axes of Different Hues
Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in…
Keith Richards’ 1977 Mesa/Boogie Mark I
Still Rollin’
As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as…
