• Classics: Jeremy Graf’s 1961 Fender Stratocaster

    Classic Instruments

    Classics: Jeremy Graf’s 1961 Fender Stratocaster

    A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That

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  • Dave Murphy: Acoustic Country!

    Dave Murphy: Acoustic Country!

     Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album.…

  • Round-Up Range

    Round-Up Range

    Rolling on a Post-Pandemic Project

    Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…

’66 Epiphone Casino

April 6, 2020 · George Gruhn

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked…

1980 Renaissance T-200G Home thumb

Renaissance T-200G

January 8, 2014 · Michael Wright

What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think…

The Fender “Korinacaster”

Double-Cut Kuriosity

October 5, 2015 · Ward Meeker

There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the…

The Rickenbacker B14A

Silver Service

April 4, 2022 · Dave Hunter

  For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember,…


Rickenbacker 481

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we do an injustice to pianos and cornets, which have reached…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…

Fender’s V-Front 5B4 Super-Amp

Wonder Wedge

Though all tweed Fender amps of the late ’40s and ’50s are lauded and lusted after, the V-front Super might be the most iconic – and elusive. So, when a…

Gretsch Jet Firebird

One of the flashiest Jets in the Gretsch Company’s Air Force

Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company built airplanes. There were the flashy “fighters” like the Duo-Jet, Silver…

Epiphone by Gibson Firebird 500

Race on

Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of guitars. And for all the influence some of its unusual…

  • Walter Becker’s Bogner Ecstasy 100B

    In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his” amplifier home. Whether it was Fender’s tweed creations, early Marshalls, or the first generation of Mesa/Boogies, most revolutionary new amp designs have found stars lining…

  • Yamaha Weddington Custom

    Yamaha Weddington Custom

    A Better “Classic”

    In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…

Revisiting The Jazzmaster

May 2, 2017 · Michael Wright

While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster –…

Hilary Gardner’s jazz/country connection

September 30, 2024 · Vintage Guitar

Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other…

Ted Nugent 1962 Gibson Byrdland

Ted Nugent’s 1962 Gibson Byrdland

November 12, 2015 · Willie G. Moseley

Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was…

Gibson Style J Mando-bass

December 16, 2014 · George Gruhn

Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that…


The 1966 Murph Squire II-T

So-Cal Attention Getter

Despite what many enthusiasts believe, there has been only one really significant “lawsuit” that defined a class of guitars – Norlin v. Elger, 1977 – but there have been plenty…

Dwight Twilley’s ’57 Fender Super

Cowboy Fringe

Plenty of vintage amps have made it into these pages on their own merits. But when a hallowed creation also has a fun artist-related history – like this road-worn 1957…

Beyond the Parlor Part Three: Women

Beyond the Parlor

Part Three: Women

Ed. Note: In the final installment in his series on the guitar in 19-century America, Tim Brookes offers a study of several women who played the guitar, and what the instrument meant…

Molly Miller – top-flight instrumental rock, jazz, and twang

Trio rips on “2 West” Instrumental guitar music is having a moment. Offering a stellar example, Molly Miller and her trio show us “2 West,” filmed during soundcheck on their…

Beat Portraits: Burns Volume 11

Burns Oddities and Ends

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Carvin 8-15-B

Mail-Order Prize

In the days when the printed catalog was king, Carvin guitars and amplifiers often boasted a stature that outweighed their in-the-wild availability, while robust quality and appealing feature sets kept…

  • Classics: January 2024

    Classics: January 2024

    Bill Woodward's 1953 Gibson Les Paul

    Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of the earliest Les Pauls, this ’53 was purchased new (along with a matching Les Paul amp, at Charles E. Wells Music Company) by Bill Woodard,…

  • Prototypes and Pathfinders

    Prototypes and Pathfinders

    Five Amps That Set the Tone – Or Hoped To

    Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…

NGM Visits Texas

Nearing Permanent Home, Museum Honors Raitt

April 14, 2020 · Dan Forte

“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

February 3, 2016 · George Gruhn

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade…

Bruce Kulick

Star Board: Bruce Kulick

March 7, 2016 · Ward Meeker

Bruce Kulick played lead guitar in Kiss for more than a decade, and today stays busy as a solo performer…

Martin 5-18

Martin 5-18

October 11, 2014 · George Gruhn

The Martin style 5-18 is the smallest guitar in Martin catalogs; at the lower bout, it measures 11.25″, while at…