• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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Prodigal Sunburst

Joe Walsh Reunites with a ’59 Les Paul Standard

A master of delivering crystal-clear musical messages with an off-kilter wit, whether talking, singing, picking, or sliding on guitar, everything Joe Walsh does brings an undeniable charisma. For decades, Walsh…

Carvin Factory Tour

Carvin Does It Different

Imagine a company that builds 600 high-quality guitars and basses per month, with a normal backorder count of 700. “Well, that’s okay…” some guitar enthusiasts might observe, “but some guitar…

Ovation Solidbody Guitars

No matter how hard they tried

The Pedulla Buzz Bass

Fast and Fretless

Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless. Designed by luthier Michael Pedulla in Brockton, Massachusetts, it was…

Supro S6651

Supro S6651 Big Star

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…

Beat Portraits: Burns Volume 10

Saga of The Lost Supersounds

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Soul-jazz legend Calvin Keys

Exclusive spin on “Six to Seven” Calvin Keys has worked with Jimmy Smith, Ahmad Jamal, and Ray Charles. Here, he and his ’72 Gibson Johnny Smith play “Six to Seven,”…

Beat Portraits: Burns Volume 1

Beginnings – The Early 1960s

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part One

There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…

Veleno Guitars

Shiny Metal (Rare) Birds

Throughout the years luthiers have built guitars out of a lot of exotic materials, from Torres’ paper mache acoustics to Danelectro’s masonite to Dan Armstrong’s lucite guitars to Steinberger’s all-graphite…

The Duane Allman “Layla” Guitar?

A ’57 Gibson Les Paul Emerges To Tell a Story

Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly afterward, its new owner started to wonder if maybe it…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade in vintage musical instruments as well as antique art, furniture,…

Maestro GA-45T

AMP-O-RAMA

Until just a couple years ago, Fender really was the only major name in collectible vintage American-made tube guitar amplifiers. Sure, Magnatone, Standel, Danelectro/Silvertone, Supro and the other Valco-made amps…

McKinley James’ Blues

 Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

United Guitar Corporation

United They Stood…. A Jersey City Tale

The history of the United Guitar Corporation, which unfolded in Jersey City, just over the river from the glitter of New York, is one of the great obscure stories in…

Carvin DN440T

One of the few family-owned guitar/amplifier manufacturing enterprises remaining in the industry, Carvin was founded by Lowell Kiesel in 1946 and started by making pickups, then transitioned to building lap…

Yamaha Weddington Custom

A Better “Classic”

In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a…

Marshall 2100 Lead & Bass

Rock Breaker

Adescendant of the legendary “Bluesbreaker” combo that helped launch the cranked-Marshall sound into the annals of rock, the 2100 combo is also one of the rarest post-plexi models – and…

Classics: Harold “Sonny” Wright’s 1965 Gibson J-45

Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who could impress on the piano, it makes sense that Harold…

Guild S-200 Thunderbird

Back in 1958, when Gibson introduced its revolutionary Explorer, Flying V, and mysterious Moderne, the public – rather like Queen Victoria – was not amused. Although a few bold players…

Gretsch 6134 White Penguin

There’s no doubt the White Penguin is one of the rarest Gretsch instruments. It is estimated that no more than a few dozen were made from the introduction of the…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was born, Walter “Furry” Lewis was seven years old when his…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

The History of Hamer Guitars

High-End Boutique or Budget Vintage, Part II

Hamer was started when Jol Dantzig and Paul Hamer, partners in Northern Prairie Music in the early 1970s, moved from repairing old guitars to making new, improved versions of their…

Veleno Guitars

Shiny Metal (Rare) Birds

Throughout the years luthiers have built guitars out of a lot of exotic materials, from Torres’ paper mache acoustics to Danelectro’s masonite to Dan Armstrong’s lucite guitars to Steinberger’s all-graphite…

A.J.’s 1950 Fender Broadcaster

$10 at a time

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we…

1942 Martin D-45

The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and collectors debate whether it’s the “best guitar ever made,” in…

The National Silvo Electric Hawaiian

One of the most innovative companies of the pre-World-War-II era, National found out quickly that innovation was a double-edged sword. Just as their resonator guitars of the late 1920s made…

Watkins Scout

Merit Badge

Watkins amps never landed big stars, or at least didn’t hold on to the endorsements of guitarists once they became big stars. Various Beatles shared a small late-’50s Westminster from…

G&L Legacy

One Heckuva Guitar

I enjoy covering sleeper gear in this column. During the past 11 years, we’ve looked at bargains like the Gibson L-6S, Seagull S-6+, Martin D-1 and the Peavey Bandit, to…