The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on…

Seven Siblings
Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap…

Gibson records say the Les Paul Junior was introduced in 1954. But this instrument has tone and volume pot codes…

Plus, Joey Molland’s Stratotone
I have collected several Fender Wide Range humbucking pickups from the early ’70s, and I’m curious about how to check…

Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…

The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become more so over the course of the past decade, with…

Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952, the Gibson Les Paul Model (a.k.a. goldtop) reached peak production…

Soaring In Birdland
Many of the oddballs, also-rans, and otherwise unusual creations we see in the amp world fall into the “B-list” category – the budget, student, and catalog amps that often display…

A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup…

Sonic Niche
Emerging in ’60s catalogs from Hagström and Framus, eight-string basses occupy a distinct place among musical instruments – their potent,…

Iconic Axes of Different Hues
Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in…

Masterful Tapestry Soak it in as Jussi Jaakonaho and his 1970 Gibson SG Standard jam on ”Beauty Box” through a…

A Return to Glory for “Jerry”
In 1977, I was doing guitar repair in Big Rapids, Michigan, and my services included picking up and delivering repair instruments for several stores. One was Schafer Music, in Mount…

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…

Snappy and Smooth
From its early days with the script-logo Distortion + to the modern Zack Wlyde overdrive, MXR has been a mainstay in the overdrive/distortion pedal market for the past 30-plus years.…

Instrument Profile
Gibson, like all American guitarmakers, had to shut down electric guitar production for three years during World War II. But when production resumed in 1946, Gibson made up for the…

In the depths of the Great Depression, people turned to entertainment for distraction. Not that there was much to be had when cash was in short supply, but two inexpensive…

So-Cal Attention Getter
Despite what many enthusiasts believe, there has been only one really significant “lawsuit” that defined a class of guitars – Norlin v. Elger, 1977 – but there have been plenty…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Few who love vintage amps can resist its art-deco appeal, let alone its luscious hand-wiring and edgy, touch-sensitive 6V6 tone.…

Eclectic sounds from Marietta and Bucky Roebuck Wild Rabbit Salad’s “Postcard From Houston” Bucky and Marietta Roebuck of Wild Rabbit…

How a Zoologist Became a Guitar animal
If you bumped into a bearded, corduroy-jacketed George Gruhn in a Nashville coffee shop, you might think you’d stumbled upon…

Double-Bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success…