•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Matchless JJ-30

Stage Staunch

May 9, 2019 · Dave Hunter

Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature…

Robin’s ’80s Import Basses

April 15, 2016 · Willie G. Moseley

While the Robin guitar brand’s reverse “imported then domestic” chronology has been documented in this space, the basses shown here…

Hallmark Swept-Wing

Brief Flight from South of Bakersfield

March 31, 2017 · Willie G. Moseley

Bob Shade exemplifies the adage “Imitation is the sincerest form of flattery.” The guitar builder has an enviable assortment of…

The Les Paul Becomes The SG

Double Time

April 24, 2019 · George Gruhn

It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952,…


The Birth of the Gretsch Duo Jet

Gretsch Gets With It!

In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin profile, light weight, and utilitarian dual-pickup configuration combined to make…

Electra MPC

Standard X340

One of the more successful Japanese-made guitar brands of the 1970s was Electra, the brand name used for electric guitars sold by St. Louis Music of St. Louis, Missouri.  If…

Italian Smorgasbord

The Goya Rangemaster 116 SB

American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their first steps on imported instruments – often good and interesting…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the mist of murky memory. But one critical element of the…

Fender’s 5E7 Bandmaster

There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in its first few years, earning status as a true classic…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Rocky Athas’ Texas ’Tude!

September 26, 2024 · Vintage Guitar

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV,…

The G&L El Toro

April 26, 2016 · Willie G. Moseley

At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he…

Chris Butler’s Vox Mark VI: Waitress Server

December 10, 2024 · Ward Meeker

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

October 30, 2025 · Dan Erlewine

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed…


The Schaffer-Vega Diversity System

Making Rock Roll

“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…

Memphissippi Sounds’ Yella P asks “Who’s Gonna Ride”

’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the Memphis Slim House in the Soulsville neighborhood of Memphis (Stax…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was born, Walter “Furry” Lewis was seven years old when his…

Thomas Custom Guitars

Rarities from the Pacific Northwest

Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich…

Gibson ES-300 Prototype

Les Paul and the First Gibson ES-300

When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle seated deep in a sea of metallic gold, accentuating the…

Epiphone Coronet

Epiphone Coronet

This Epiphone Coronet from 1959 was probably a shocking sight to a guitar buyer of the late ’50s. Not only was a solidbody guitar out of character for the company…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Larry Campbell and Teresa Williams: Funky Syncopation

July 29, 2024 · Vintage Guitar

Fine pickin’ on “The Way You Make Me Feel” Husband-and-wife team Martin D-18, while Teresa comps on an Emmylou Harris…

Jeff Hanna

Decades of Dirt

May 9, 2023 · Ward Meeker

One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella…

GIBSON-EB-2-HOME-MAIN-BIG

Gibson EB-2

Kalamazoo’s Biggest Bass Innovation?

October 22, 2015 · Willie G. Moseley

In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market…

Fender Blender

The Fender Blender

Extreme Fuzz

July 7, 2016 · Michael Dregni

When Robin Trower segued from his wah-driven blues-rock riffing into the slowed, deep-blues groove of the second half of his…