• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Gibson Goldtops

Molten Mojo, Head-To-Head Vintage Versus Reissue

May 28, 2022 · Nathaniel Riverhorse Nakadate

In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

January 19, 2015 · Ward Meeker

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was…

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Gibson 1958-’60 Les Paul Standard

A ’Burst by Any Other Name…

June 9, 2016 · Ward Meeker

One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar…

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Vox AC50

April 21, 2015 · Dave Hunter

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble…


Tyler Morris Features a Martin Style 2 1/2-17

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…

Fender’s Mid-’50s Precision Bass

The "In-Between" Version

In the world of electric basses, the 1952 Fender Precision is the one that started it all. While it’s true that Gibson, Rickenbacker, and Audiovox all built electric basses some…

Sonny James's Epiphone Excellente

Epiphone Excellente

Sonny James' Epiphone Excellente

The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best. But in its seven-year production run, from late ’63 until…

Three Larsons

At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A comparable set of three Martins would be a 0-40, 00-40…

Bob Spalding: Instrumental Legend

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on rockin’. Longtime guitarist/bassist Bob Spalding indulged us by grabbing three…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Rickenbacker 345

January 2, 2024 · George Gruhn

Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In…

Kramer Aluminum-Neck Basses

March 29, 2016 · Willie G. Moseley

When it entered the music-instrument market in 1976, Kramer Guitars made a big splash with an aggressive marketing campaign, big-name…

Gibson Custom Colors in the 1960s

Burning Embers, Chilled Whites

January 11, 2017 · Andre R. Duchossoir

Unlike its rival from the West Coast, Gibson did not readily embrace the concept of offering custom-color finishes. It wasn’t…


The Story of Jay Gower

Startup in Music City

In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In the 1950s, though, musicians typically returned broken instruments to the…

D’Angelico New Yorker

Top of the Line from a Master Builder

Having earned its place in the VG Hall of Fame as one of the finest guitars in the history of the instrument, the New Yorker is significant primarily due to…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…

Peter Green

Peter Green

A Guitar For Greeny

Establishing the provenance of a vintage guitar can be a daunting task, even for a seasoned pro. In the case of one particular 1960 Gibson Les Paul Standard, the investigation…

Cole Eclipse Pro Special

Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of thrill – and satisfaction – when you find something that’s…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Mosrite Basses

The Golden Decade: Ventures and Beyond

July 9, 2014 · Willie G. Moseley

Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early…

The Audiovox 736 Electric Bass and 936 Amp

Rare Pair

August 12, 2022 · Peter Blecha

Eight decades ago, the Seattle Post-Intelligencer revealed the story of Paul H. Tutmarc debuting his latest invention – a solidbody…

100 Years of Boston’s MFA

Playable Exhibits

May 9, 2019 · Michael Wright

Musical instruments – guitars – present an interesting philosophical dichotomy. On one hand, they’re utilitarian objects whose very purpose –…

The story of the Martin F-50

December 24, 2025 · Vintage Guitar

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric…