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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Star Board: Carl Verheyen
In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star…
La Baye 2X4
1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh…
The Charvel Model 4
Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA…
Dumble Garage Band Ripper
Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only…
The Story of Nudie’s Mosrite Mandolin
In the mid 1970s, Kosmo and Kathy Cominos collected knives, jukeboxes, wristwatches, etc… But their favorite finds were celebrity-associated musical instruments like this unique Mosrite mandolin, built for Nudie Cohn,…
Pandemic Peak?
The Guitar Market’s “Covid Surge”
In the September ’20 issue, VG surveyed guitar dealers to learn how they’d been impacted by the early weeks of the Covid 19 pandemic. Times were uncertain, and by March…
The Fender “Korinacaster”
Double-Cut Kuriosity
There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the adventurous sort. Rather, history tells us he was a pragmatic,…
The Martin 000-18HS
According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at least three Martin 000-18HS guitars in 1937. Two others have…
Last ’Burst?
Single-Cut Saga From the End of an Era
Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny, Number One. And don’t forget E.C.’s colorful Crash Strats. But…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
Standard in Custom
Schecter’s Custom Shop Marks 35 Years
Riding high after 35 years with an array of original instruments, an impressive artist roster that started early with Pete…
Chris Butler’s Vox Mark VI: Waitress Server
Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to…
Classics: November 2022
Vern Juran’s Harmony stratotone
Like many baby-boomer kids, 11-year-old Vern Juran was into slot-car racing and bikes with ape-hanger handlebars, banana seats, and sissy…
Dad’s Day 2021
VG’s Annual Salute to Fathers Who Inspire
Marty Ashby’s very musical family has been playing together since he was a little kid. Here’s a shot of them…
Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach…
Eastwood EEB-1 and EUB-1 Basses
Horizontal Vibe
Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis Kager, an amp technician and guitar specialist who worked for…
Ro-Pat-In’s First Electric Spanish
Granddaddy to the Stars!
The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the mist of murky memory. But one critical element of the…
Vox Guitars Invade America
From Dartford to Sepulveda
The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the 1964 British invasion, Vox even displaced Fender for a time…
The Valley Arts Custom Pro Bass
Keeping the Arts Alive
In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…
Epiphone by Gibson Firebird 500
Race on
Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of guitars. And for all the influence some of its unusual…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Gibson’s Earliest Dreadnought?
Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a…
Barney Kessel’s ES-350 Rides Again
Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar…
The Marshall Major
Force Commander
Any player who shows up these days with a 200-watt guitar amp will elicit a hearty, “Are you out of…
La Baye 2X4
1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh…
