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2025 December Issue on Spotify
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free…
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Super PickupGiveaway 2025
Win Big! 11 Sets! 11 Winners! Win a set of pickups from one of these sponsors: Deadline is March 15, 2026. Complete the survey below to enter giveaway. One entry…
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Paul Johnson
The Hepcats Live at the Ajax Novelty Company
This isn’t live, there may not be an Ajax Novelty Company, and the three felines known as the Hepcats are actually the brainchild of Paul Johnson, whose Belairs were early-’60s…
NEWSWIRE
ARTISTS
Gary Duncan
Millennium Mercury Man
One of the more respected musical aggregations to emerge from the fabled San Francisco “psychedelic music” era in the late…

Derek St. Holmes
Making Rock and Roll Cool Again
Derek St. Holmes has been in the rock and roll business since the early 1970s and is best known for…

Joe Satriani
Shockwave Supernova
Joe Satriani’s latest record is a concept album that bridges the gap between traditional blues guitar techniques, and the fiery…

Tab Benoit
What 10 Sounds Like
I Hear Thunder marks a return to recording for Tab Benoit. With 13 years between albums, he is recording music that…
CLASSIC INSTRUMENTS
The Rickenbacker 4000
The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision…

1949 Bigsby Tenor
By the advent of the solidbody electric guitar in the 1950s, tenor guitarists were a dying breed. Consequently, electric tenors…

Jimmy Day’s 1950 Fender Super-Amp
Just Like Hank
As fascinating as we might find any vintage amplifier, at its heart, it’s often just a dusty box of archaic…

Ted Nugent’s 1962 Gibson Byrdland
Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was…
APPROVED GEAR
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Lively Drives
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Posh Squash
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Chet Powered!

Earthquaker Devices Sea Machine
Chorus of Praise
Earthquaker Devices Sea Machine Price: $215 Contact: www.earthquakerdevices.com Known primarily for its monstrous distortion and fuzz units, the folks at…

Xaviere XV-950
Jazzy Looks, Multi-Purpose
Gibsonguildgretsch! Cumbersome as it may be in word form, Xaviere’s XV-950 gracefully combines attributes from the “big trio.” The XV-950…

From Badass to Bonamassa
New Pedals from MRX, Cry Baby, and Way Huge
The latest from Dunlop includes a pair of overdrives and a fresh addition to the venerable Cry Baby wah family.…

Strymon Zuma
Power Station
Are you tripping over a spiderweb of effects power cords? Have a pedalboard that requires an advanced degree in electrical…
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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Outlaws
Rising Tides
By the mid ’70s, Southern rock emerged as one of the most-exciting and successful genres in pop music, thanks to the Allman Brothers Band and Lynyrd Skynyrd. Another important early Southern-rock band making its mark with country influences was Outlaws – the Tampa group nicknamed “Florida Guitar Army.” Rhythm guitarist Henry Paul, lead guitarists Hughie
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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“Buy That Guitar” podcast with special guest Timm Kummer
Season 03 Episode 09 In Episode 3.9 of “Buy That Guitar,” host Ram Tuli is joined by Timm Kummer, a legendary figure in the world of collectible guitars with a passion for unearthing, restoring, and dealing in rare instruments. Over his 45 years in the industry, Timm has built a reputation for specializing in “true
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Reeves Gabrels’ Newest Reverend Spacehawk
For his gig with The Cure, Reeves Gabrels needed a guitar that could cover a lot of sonic territory. The folks at Reverend helped him create the Spacehawk; the latest version is the Spacehawk Supreme he uses here to play an instrumental take on “Two Chords And A Lie” running through an MXR Super Compressor,

































