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    Joe Bonamassa sends best wishes to Vintage Guitar on it’s 30th anniversary

    Joe Bonamassa used his ’55 Strat plugged into his stage rig – two tweed Bassmans and two high-powered Twins dialed waaayy down – to send best wishes to “Vintage Guitar” and founder/publisher Alan Greenwood to help mark the magazine’s 30th anniversary. He also gives credit where due for his gear obsession! Keep up with Joe at www.jbonamassa.com

    Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes in 1922, and brought the concept to full potential in the mid ’30s with larger-bodied archtops. • While Gibson inarguably blazed the trail in the industry when it came to archtop design, that trail had


    Gibson 1928 L-1 Blues Tribute

    Blues Time Machine

    Gibson 1928 L-1 Blues Tribute Price: $4,255 retail; $3,299 street Info: www.gibson.com. The Gibson L-1 boasts the kind of intriguing history that makes it a legend. In the late 1920s, it was the company’s low-end model. But Mississippi Delta blues man Robert Johnson happened upon one: two surviving photographs show him holding an L-1, though

    Stanley Clarke

    Stanley Clarke

    Godfather of Bass

    Despite being widely credited for pushing the electric bass past its status as a rear-of-the-stage device intended to simply help drummers provide rhythmic backing, and in turn influencing two generations of players, Stanley Clarke remains deferential and unassuming. In the decade and a half before his arrival on the music scene in Philadelphia, the bass

    Gibson EH-150

    An Odd Gibson EH-150

    10 Strings, Lap-Style

    Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had a great deal to do with a surge in popularity of lap steels – and quickly after, the introduction of Spanish-style steel-string and electric guitars.


    1944 Martin 00-28

    This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007, they were entered on the Martin shop order slip as 00-28G, indicating they were classical guitars designed strictly for gut strings. There is no indication

    Gibson Kalamazoo Award

    Designer's Dream Come True

    In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era, won the hearts of Gibson brass, ultimately became the Kalamazoo Award. Gruhn’s Guide to Vintage Guitars tells us that the Kalamazoo Award was a 17″


    Seymour Duncan Sails Into VG Hall of Fame

    Vintage Guitar today announced that Seymour Duncan has been inducted to its Hall of Fame. Each year, the magazine’s staff and readers select inductees in three categories – Player, Innovator, and Instrument. Duncan, who enters as an Innovator, shares recognition this year with Keith Richards and the Fender Deluxe Reverb. “Though he didn’t invent the


    Fletcher Bright and Bill Evans with Norman and Nancy Blake

    Songs That Are Mostly Older Than Us

      This jam session recorded in veteran fiddler Fletcher Bright’s living room in Lookout Mountain, Tennessee, exudes a warmth, passion, and joyfulness that’s right in line with the old-time music, fiddle tunes, and bluegrass the quartet plays. Banjo man Bill Evans organized proceedings, rounding up old friends Norman and Nancy Blake. They cut these 16

    Kevn Kinney

    Kevn Kinney

    Small 'n Happy

    As any fan of Drivin ’N Cryin can attest, Kevn Kinney at his creative best surrenders little to the greatest singer/songwriters in pop – his message is delivered in succinct, pointed turns of phrase transmitted by a voice like no other and accompanied by riffs that sink deeper than a treble hook. As any fan


    The G&L El Toro

    At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point, G&L had marketed the one-pickup L-1000, the two-pickup L-2000, and the no-frills SB-1 and SB-2 models – all with fairly traditional, straightforward designs. The brand’s

    Eric Gales

    Eric Gales

    Makin’ Good

    The wild and crazy life of Eric Gales has been well documented, but through it all, his guiding light has been a passion for music. From humble beginnings as a child prodigy and talent-show winner in his hometown of Memphis to performing with Billy Cox on the Experience Hendrix tour, his desire has been unshakable.


    Amptweaker’s TightFuzz and Bass TightFuzz

    A Good Buzz

    Amptweaker’s TightFuzz and Bass TightFuzz Price: $280 retail/$199 street (TightFuzz); $310 retail, $219 street (Bass TightFuzz) Info: www.amptweaker.com. Since the birth of the fuzz pedal in 1960s, its scratchy, buzzy, sometimes “psychedelic” sound has freed the creativity of many guitar players. Now, the crew at Amptweaker is seeking to feed that creative “buzz” with its


    The Fender Master Series

    Approximately 25 years ago, Dan Smith had an idea. He conceptualized a solidbody guitar with routed chambers. These chambers would, in theory, provide a more resonant tonal characteristic. He also formulated and designed a basic shape for the guitar. Then, in the early 1980s, Fender became interested in producing and marketing instruments which would be

    Elliot Easton

    Elliot Easton

    Shifting Gears Again

    Not long after he released an instrumental album with an aggregation known as the Tiki Gods, veteran southpaw guitarist Elliot Easton abruptly put the project into stasis when an opportunity arose to make music with fellow veteran musicians. The new band is known as the Empty Hearts, and includes Wally Palmar (Romantics) on guitar and

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    Joe Satriani

    Shockwave Supernova

    Joe Satriani’s latest record is a concept album that bridges the gap between traditional blues guitar techniques, and the fiery yet accessible compositions that made him famous. For Satriani it’s all about lyricism and the song, but Shockwave Supernova takes things up a notch with stronger melodies, soul, and a dramatic narrative. VG dropped in

    Blake Aaron

    Blake Aaron

    Melodic Passion

    Blake Aaron’s fifth solo release, Soul Stories, features eight originals and a couple of covers that have at least one thing in common. Each instrumental relies heavily on the listener keeping the melody in mind. “That’s really important to me; it’s what a song is all about. It’s got to be catchy and deep, which


    Jake E. Lee

    The Legend Returns

    Jake E. Lee found fame replacing Randy Rhoads to co-write two of Ozzy Osborne’s most popular albums – Bark At The Moon and Ultimate Sin. It cemented his place in metal history as he brought a refreshing blues-based edginess and dynamic stage presence. Lee went on to form Badlands, releasing three critically acclaimed blues-rock albums,

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    Avid Technology Eleven Rack

    Rack and Roll

    The proliferation of digital guitar gear grows by leaps and bounds every year as more players learn to love the world of tones and effects offered by the technology. You’ll obviously get no argument from us that tube amps and analog stompboxes are great, but for more and more musicians, digital is here to stay.