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Classic Instruments
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
Bruce and Butter
It would be an understatement to say that REO Speedwagon bassist Bruce Hall and his 1965 Fender Jazz Bass, dubbed “Butter,” have been through a lot. Born and raised in…
National N-275
Gibson is widely known for its guitars, mandolins, and banjos, but many are unaware the company built instruments for nearly 30 brands for several distributors and music store chains, primarily…
1933 Gibson L-00
While most of the instruments featured in this space are high-end, often elaborately ornamented models that were expensive when new and command high prices today as collectible, the L-00 was…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The Gretsch 6120 Tenor
This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other tenors, including the Duo Jet, archtop acoustic, and archtop electric…
The Fender Songwriter
Ill-Fated Mini Acoustic
Just when you think you’ve seen or heard of everything Fender ever did, along comes another tidbit about a guitar that was prototyped but never produced. In 1969 and ’70…
The Audiovox 736 Electric Bass and 936 Amp
Rare Pair
Eight decades ago, the Seattle Post-Intelligencer revealed the story of Paul H. Tutmarc debuting his latest invention – a solidbody electric bass. The 1935 article includes a photograph showing the…
Guild Aristocrat M-75
Guild didn’t intro-duce a true solidbody electric guitar until 1963, but the Aristocrat of 1954 gave the appearance that Guild was competing head-to-head with Gibson’s new Les Paul Model. However,…
Name that Twang
The Guild-Duane Eddy Connection
The fledgling Guild company scored a coup when it signed Johnny Smith to an endorsement deal in 1956. Perched atop the jazz-guitar scene at the time, Smith helped Guild join…
Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
D’Angelico Excel Plectrum Guitar
Superb Build, Sound Worthy of a Listen
John D’Angelico is widely regarded as one of the finest archtop guitar builders who ever lived. From 1932, when he started making guitars on his own, until his death in…
Andre Segovia’s Hauser
Built in 1937
While visiting the Spanish guitar exhibit at the Metropolitan Museum of Art in New York City during the fall of 1991, I had the opportunity to measure and photograph, in…
Small Screen, Big Pickin’
Crew Strives to Keep it Real on “Nashville”
It’s not often that prime-time network television captures an audience of working class, professional musicians. In 1968, players watched Elvis Presley and Scotty Moore swap their Gibson SJ-200 and a…
Jeff Hanna
Decades of Dirt
One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…
’68 Truetone by Kay/Valco
Historical Hodge-Podge
The year 1968 was not a good one for American manu-facturers of stringed instruments.M.C.A. closed the original Danelectro, and what was left of Kay and Valco was locked in a…
Gibson Trini Lopez
In the early 1960s, as Les Paul was leaving Gibson’s artist roster, the company recruited three of the most respected jazz guitarists to put their signatures on new “artist” model…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through a Marshall, or jazz through a Roland – every player…
Keith Richards’ 1963 Gibson SG Custom
Ready to Ramble
In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les Paul since being developed in 1952. Redesigned in response to…
1952 Bigsby Doubleneck
Few instruments combine excellent craftsmanship, historical significance in the development and evolution of the guitar, and memorabilia appeal as much as this Bigsby guitar, custom made in 1952 for the…
John Oates’ Prized Guild F-30
Roots Return
Most people know Hall & Oates as a pop-music hit machine that has sold millions of records. What you may not know is that John Oates is a lifetime student…
Dumble Garage Band Ripper
Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…
Hanburt Electric Guitars
Rarities From the Pacific Northwest
As a brand of American electric instruments, the name “Hanburt” is about the furthest thing from being a household term. Nevertheless, the recently documented saga behind this obscure line of…
’53 Gibson Les Paul Junior
Gibson records say the Les Paul Junior was introduced in 1954. But this instrument has tone and volume pot codes from ’53. It also differs in regard to other specifications,…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…
Tele of Two Legends
The Amazing Story of One Unique Fender
One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…
Hanburt Electric Guitars
Rarities From The Pacific Northwest
Hanburt “Style 1” in maple. Photo by Julie Woods. Black walnut “Style 1”. Photo by Julie Woods. As a brand of American electric instruments, the name “Hanburt” is about the…
The Fender Telecaster
Simplicity. You can sum up the success of Fender’s venerable Telecaster model with one word. A cross-cultural phenomenon right down to its name – in a bind, the company essentially…
Teisco Guitars, Part II
Rock 'n' Roll Dreams, Part II
Teisco Del Rey In 1964, the company name changed again, this time to Teisco Co., Ltd. At some point in ’64 the Japanese Teisco logo changed from the circle Swan-S…
The Gibson Les Paul Special
Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the first to lose the Les Paul name. But that has…
The Komet Constellation
Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…
Delta Labs Concept 1
Preamp tubes: Two 6U8A, two 12FQ7, in addition to more-common types Output tubes: eight 33JV6 horizontal-output tubes Rectifier: solidstate Controls: Volume, Treble, Mid, Bass, Resonance, Distortion; Echo effect: Mix, Repeat,…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
