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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Gibson ES-300 Prototype
Les Paul and the First Gibson ES-300
When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle…
Greg Martin’s ’53 Fender Telecaster
Vintage Guitar magazine Presents Greg Martin's Head Shop
This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on…
Guyatone LG-160T
The Secret's Out!
Like plants, Japanese guitars have an almost secret life of which few people outside are aware. While many Americans in…
Fender Harvard
Given the current craze for semi-small “home” and “recording” amps, Fender’s 5F10 Harvard of 1955-’60 could be the ideal tweed…
1933 Gibson L-00
While most of the instruments featured in this space are high-end, often elaborately ornamented models that were expensive when new and command high prices today as collectible, the L-00 was…
One of Two of a Kind
Gibson’s L-3 Ganus Brothers Special
Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy against one-off projects, this guitar illustrates how the company did…
First to Sunburst
The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in an attempt to outdo Fender’s two-toned Strat, rechristened it the…
The Strat in Transition
Leap Forward, Step Back
Believing the long-term survival of his company hinged on creating the world’s best electric guitar, in 1953, Leo Fender set out to improve on his own Telecaster before Gibson or…
Greg Martin honors Dickey Betts
Tribute licks Kentucky Headhunters co-founder Greg Martin was a senior in high school when he first heard the Allman Brothers Band “At Fillmore East.” Like so many guitarists, for Martin,…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
Classics: July 2022
Jack Jones Doubleneck
In November of 1954, 16-year-old Jack Jones walked into a Seattle pawn shop and noticed a strange doubleneck guitar. “It…
Gibson Style J Mando-bass
Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that…
The Micro-Frets Saga
Genius in MD
Had fate been just a notch kinder, Ralph Jones might today be a ’60s counterculture icon alongside Bob Dylan, Muhammad…
Last ’Burst?
Single-Cut Saga From the End of an Era
Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny,…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part Two
Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called the “cheesecake” style! This term generally…
The Epiphone Excellente
When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made in the Gibson factory but designed to be slightly less…
First to Sunburst
The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in an attempt to outdo Fender’s two-toned Strat, rechristened it the…
The Gretsch 1955-’61 White Falcon
Jimmie Webster’s Master Showpiece
Mike Campbell: Rick Gould. When it came to fancy electric guitars in the early/mid 1950s, Gibson’s Super 400 was ensconced as the undisputed King of the Hill. Through the years,…
Matchless DC-30
Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…
Fender‘s 50th Anniversary Strat
Height of the Reissue
In celebration of the 50th “birthday” of its famous Stratocaster model, Fender has taken the reissue concept to new heights. And why not? Arguably the most popular guitar – electric,…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Vega De Luxe Electric Plectrum Banjo
Billed as “the latest orchestral sensation… unparalleled for versatility,” Vega’s electric banjos – developed to compete with one being made…
Stromberg Master 400
The Stromberg Master 400, measuring a gigantic 19″, is considered by many to be the ultimate orchestral rhythm guitar. The…
The Sammick Viper
Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some…
The Valley Arts Custom Pro Bass
Keeping the Arts Alive
In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students…
