•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Fender’s First Reissues

The CBS Era Concludes in Style

March 2, 2016 · Edward B. Driscoll Jr.

By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

January 10, 2023 · Lynn Wheelwright

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the…

The ‘‘Blackburst’’

The ‘‘Blackburst’’

Les Paul Standard of a Different Shade

January 12, 2016 · Ward Meeker

Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed,…

GIBSON-F2-2-HOME-MAIN-BIG

1905 Gibson F-2

February 26, 2016 · George Gruhn

In the opinion of most American mandolinists, Gibson brought mandolin design to a level of perfection in 1922, with the…


Park Model 1229

Half-Stack Heaven

Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…

Gretsch 6119 Tennessean

Gretsch 6119 Tennessean

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

Gibson’s Depression-Era Exports

Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…

Hard Rock Cafe

Guardians of Grandeur

The Men Who Tend to the Guitars of the Hard Rock Cafe

“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case; we’re very strategic.” – Jerry Fraize When Peter Morton and…

Realistic Entertainer-34

As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Big Beat Boys

Musings on Fab and Gear, 50 Years Ago

March 9, 2016 · Peter Stuart Kohman

Americans tend to link the beginnings of the Beatles phenomenon to a specific date – February 9, 1964, when the…

Weymann Model 890 Jimmie Rodgers Special

Hey Hey, Tell ’Em About US

May 19, 2025 · Peter Stuart Kohman

Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s…

National Model N-720

Star of an Era's End

November 3, 2005 · Michael Wright

Most acoustic guitar players will likely show disdain for any instrument with a bolt-on neck. Even though there have been…

Danelectro Viscount

January 11, 2016 · Dave Hunter

1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength,…


The ‘‘Blackburst’’

The ‘‘Blackburst’’

Les Paul Standard of a Different Shade

Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed, guitars with non-standard parts/materials from the factory, or those once owned…

The Fender Tremolux

Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the…

1971 Dumble Special 16 #0001

Prehistoric Beast

1971 Dumble Special 16 • Preamp tubes: three 12AX7 • Output tubes: eight 6L6GC (most likely) • Rectifier: solid-state • Controls: Volume 1, Volume 2, Treble, Middle, Bass, Accent; Bright…

Steve Evans’ Guitars & Cars Passion Project

Pretty Pairs

Steve Evans was just 12 years old in 1968, when he began to appreciate the sleek bodies of electric guitars in the brochures he collected through the mail – gazing…

The Cost of Protection

100 Years of Instrument Cases

Modern guitars are typically sold with a hard case. But that wasn’t always so. Here, we look at the history of the relationship between cases, guitars, and those who’ve bought…

“Buy That Guitar” podcast with special guest Tommie James

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli speaks with…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Mark Lettieri’s funky finesse

January 2, 2025 · Vintage Guitar

Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that…

Epiphone Crestwood

’60s Un-Gibson Solidbody

July 14, 2017 · Eric C. Shoaf

Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge…

Classics: October 2022

Eddie Quinn’s Gibson L-5

June 14, 2023 · Ward Meeker

Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind…

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Gretsch Rancher

October 24, 2013 · Russ Sutherland

“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how…