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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Carvin DN640K
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air…
Kevin Keaton’s 1958 Esquire
Swamp Thing
June 10, 2020, was a summer night like most in the life of Kevin Keaton, a postal mail carrier and…
Alternative ’60s Club Classics
Amps Beyond the Everyday
The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are…
Gibson Wall-Board Guitar
Out of the Woods, Off the Wall
In the world of “guitarcheology,” it’s well-documented that the truly interesting stuff – prototypes, one-offs, custom instruments – usually surface…
Guardians of Grandeur
The Men Who Tend to the Guitars of the Hard Rock Cafe
“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case; we’re very strategic.” – Jerry Fraize When Peter Morton and…
Tom Petersson
Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed instruments. Now a resident of Nashville, Petersson still plays the…
Wolf Marshall
Jazz-Lore Generator
Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…
Fender’s 1961 Showman
The Show Must Go On
When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s, one of the biggest leaps was in the “piggyback” head-and-cabinet…
Star Board: Rudy Jaramillo
Rudy Jaramillo is quick to mention that his effects setup is very simple. “I go into my 1) Boss tuner, then to a 2) Boss Blues Driver that has been…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
The Gibson GA-20
Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a…
Jimmy Day’s 1950 Fender Super-Amp
Just Like Hank
As fascinating as we might find any vintage amplifier, at its heart, it’s often just a dusty box of archaic…
Teisco Checkmate 30
Café Culture
In a world where the best riffs often come when one is lounging in the family room, sipping espresso and…
Daion Headhunter HH-555
The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a…
The Modulus Graphite Flight 6 Monocoque
High-/Low-Tech
In guitar history, irony is almost always the result of circumstances. The market changes overnight or someone makes a mistake that proves successful, etc. Rarely is the irony planned by…
Mosrite Basses
The Golden Decade: Ventures and Beyond
Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early 1960s or – if that person also happens to be…
Classics – March 2021
Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…
The Vox Saturn IV
In the mid 1960s, England’s Vox company was in the right place at the right time. Buoyed by frontline British Invasion endorsers such as the Beatles and American bands such…
Gibson J-200 Rosewood
The Gibson company was founded on the belief that carved-top guitars were superior to flat-top designs, and consequently, Gibson was a reluctant entrant in the rising flat-top market of the…
Standard in Custom
Schecter’s Custom Shop Marks 35 Years
Riding high after 35 years with an array of original instruments, an impressive artist roster that started early with Pete Townshend and Mark Knopfler, and a line of high-gain amplifiers,…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Geddy Lee
Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird
Nearly two years in the making, Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and…
Magnatone X-5 Zephyr
Last Gasp
Ever since Lonnie Mack unleashed The Wham of That Memphis Man and Buddy Holly sang “Peggy Sue,” Magnatone amplifiers have…
Ampeg’s Jet Reverb Prototype
Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but…
Tyler Morris and a 1953 Gibson Les Paul model
Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70…
