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Classic Instruments
Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
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Dan’s Guitar RX: A ’57 Strat Goes Under the Knife
Battle-Scarred
B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…
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The Martin OM-28
Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…
Fender Palomino
Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts…
Kid Ramos’ Revelation!
West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage…
Teisco Del Rey Basses
’60s Egalitarianism from Japan
Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…
Samantha Fish: Slide-Blues Fury!
“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin…
The Beatles’ Casinos
Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common was the Epiphone Casino. Each owned one and used it…
Marcus King
Swamp Guide
Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…
Keith Richards’ 1977 Mesa/Boogie Mark I
Still Rollin’
As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…
The Fender Tremolux
Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the…
Classics: September 2023
Bill Fudge’s Micro-Frets Huntington
Several years before he became a luthier who deserves much greater recognition, Ralph Jones sold new Fender guitars and amps out of his home studio in Rockville, Maryland. One early…
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Classics: February 2024
Sean Slade’s 1964 SG Junior
They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…
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’72 Marshall “NARB” Tremolo 100
Mirror Image
When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…
Sun Rises Again
January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and…
History of the Fender Bassman
High Times for Low-End
If they could have just one amplifier, many guitarists – from bar-room grinders to arena megastars – would choose a…
National Westwood
Whether Valco – the company that made National guitars in the 1950s and ’60s – was actually inspired by U.S.…
The España 6/12 Doubleneck
More is always better, right? Eleven is better than 10 on an amplifier, three pickups are better than two, and…
Daion Headhunter HH-555
The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…
The Fender Tremolux
Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the…
Philip Sayce – Strat monster!
Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running through a Diaz Texas Ranger and KR Mega Vibe into…
The Supro 1600R Supreme and 600 Reverb
Toneful Twosome
Supro amps from the late 1950s and early ’60s are some of the most stylish of the era, and boast circuits that generated classic tones at the hands of a…
Dumble Garage Band Ripper
Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…
Six-String Kicks
Wood from Famed Bowling Alley Set to Sing
Few things scratch America’s cumulative itch for nostalgia like Route 66 – the famed wagon-trail-cum-highway that offered passage to those migrating west from Chicago in the mid 19th century, then…
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been
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“Buy That Guitar” podcast with special guest Howie Statland
“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…
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Hangin’ with Kid and Lisa “Little Baby” Andersen
Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…
Fender’s 1961 Showman
The Show Must Go On
When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s,…
The Collings SoCo Deluxe
Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…
Martin OM-18P Plectrum Guitar
While the most commonly played and collected Martin guitars have a six-string neck, the company has also made a number…
1965 Gibson Thunderbird
Cardinal Red Rarity
Looking to finally make a real dent in Fender’s solidbody bass market, in the mid ’60s Gibson launched a line…
