In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…

Unplugged, and Worth the Wait! A prominent blues artist since the late ’80s, Tinsley Ellis grabbed the ’37 National Style O heard on several tracks from his new album, “Naked…
Quintessential Pre-War Amp
Introduction Gibson’s E-150/EH-150 amplifiers have long been regarded as the quintessential pre-WWII model, one of the most influential and recognizable amps of all time. It wasn’t the first amp Gibson…

“Buy That Guitar” podcast with special guest Daniel Escauriza Season 01 Episode 06 In Episode 8 of “Buy That Guitar,” presented by Vintage Guitar, host Ram Tuli is joined by…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…

With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…

Sonic Satellite
By the end of the 1950s, “space” was the name of the game, and any forward-thrusting gear that hoped to grab a share of the rock-and-roll market was named accordingly.…

The Fender “Mary Kaye” Stratocaster. A term guitar aficionados have come to associate with a ’50s Strat with blond finish with gold-plated hardware… Although Mary Kaye never owned one and…
Supro Part 1
Some of the earliest electric guitars, amps-in-cases, pickups under the bridge, fiberglass guitars, built-in electronic vibratos. Sound curious enough for you? The subject of Supro guitars and amplifiers represents a…

Half-Stack Heaven
Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…
How I helped Leo Fender
In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…

The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder in the history of the instrument. His mandolins, however, are…

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils Lofgren has worked with Bruce Springsteen & the E Street…

’60s Un-Gibson Solidbody
Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge was to design a new solidbody instrument that could be…

Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in an attempt to outdo Fender’s two-toned Strat, rechristened it the…

Aiming High
In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…
Father of the Mighty Marshall Stack
When it comes to guitar amplifiers, two names stand tall beyond the others: Leo Fender and Jim Marshall. Even

Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here,…

What do you get when you cross a helicopter with a Martin dreadnought? Easy answer – Ovation guitars, perhaps the greatest champion of alternative materials in an age when traditional…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

Trio rips on “2 West” Instrumental guitar music is having a moment. Offering a stellar example, Molly Miller and her trio show us “2 West,” filmed during soundcheck on their…
“There’s no telling how much time I spent at the library, looking at books about cars,” says Steve Evans of his years spent researching automobile names that matched those given…

The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that…
Remember the Alamo, Part 1
Mention the Alamo and most of us conjure up a rich variety of images. Whether it’s Davy Crockett (Fess Parker, maybe John Wayne) swinging his flintlock rifle as General Santa…

Mail-Order Prize
In the days when the printed catalog was king, Carvin guitars and amplifiers often boasted a stature that outweighed their in-the-wild availability, while robust quality and appealing feature sets kept…

Shadows and Light
In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this foursome launched an incredibly successful string of guitar instrumental hits…
Unlocking the Mystery
It was 1983, and Gibson was in the throes of its darkest days. Norlin Industries, Gibson’s parent company at the time, had incurred excessive debt, sales had fallen 30 percent…

Nearing Permanent Home, Museum Honors Raitt
“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The Honky Tonk Gods.” And though he was referring to the…

1) This ’57, from batch 253xx, has the added intrigue of a gold G-cutout tailpiece in place of the Bigsby vibrato. In addition to the standard Amber Red stain on…
