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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Robin Basses
A Photo Retrospective
Alamo Music Products holds a unique place in the history of electric guitars and basses. The Houston-based company began its…
“Buy That Guitar” podcast with special guest Tony Nagy
Season 03 Episode 05 In Episode 3.5 of “Buy That Guitar,” host Ram Tuli is joined by Tony Nagy, manager…
Fender Deluxe Reverb
Vintage Guitar magazine Hall of Fame 2011 Instrument
In the June ’07 issue of VG, amp profiler extraordinaire Dave Hunter said of the Fender Deluxe Reverb, “If guitarists…
Chordal Colorations
Iconic Axes of Different Hues
Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in…
Barney Kessel’s ES-350 Rides Again
Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…
Fender Coronado XII Wildwood
Instrument Profile
Sex, drugs, and rock and roll. Yea, baby! Okay, to be honest, there’s no real evidence that this 1967 Fender Coronado XII Wildwood was ever associated with sex or rock…
Matchless JJ-30
Stage Staunch
Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature Series amp ever made by the original company. Designed for…
Soldier’s Story
Six Strings Document Tale of the “Blue and Gray” in World War I
Through blood, dirt, rain, and all other forms of hell in the trenches of World War I, U.S. Army Private Ben Miller witnessed the healing power of music as it emanated from…
Epiphone Excellente
Sonny James' Epiphone Excellente
The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best. But in its seven-year production run, from late ’63 until…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
The Vox Saturn IV
In the mid 1960s, England’s Vox company was in the right place at the right time. Buoyed by frontline British…
A.J.’s 1950 Fender Broadcaster
$10 at a time
In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid…
Hornby Skewes Zonk Machines
Fuzz Bonk
In 1965, fuzz was the “it” sound. Guitarists had recorded with fuzz before, of course, but after Keith Richards plugged…
Gospel Guitars
Semie Moseley’s Venerated Brand
When he wasn’t crafting Mosrites, Semie Moseley could often be found on the road, providing music for evangelists. It makes…
George Ducas: Modern Honky-Tonkin’
Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and Wynn Stewart. His new album, “Long Way From Home,” was…
Epiphone Rivoli
Former Gibson president Ted McCarty (1909-2001) is credited for his leadership of the company when it peaked in terms of innovation, design, and execution. Under his guidance from 1948 until…
The Sammick Viper
Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some experience brief popularity, then slip into obscurity – think Bond…
Dave Gant’s Amp Collection
Key Collection: Nashville pro Dave Gant fosters an impressive gathering of amps
Dave Gant grew up in Ada, Oklahoma, and while the city of 17,000 will never be confused with Memphis or Nashville in terms of musical impact, it is the birthplace…
Domino Californian Rebel
Instrument Profile
California. The Left Coast. It was probably home to North America’s earliest inhabitants, as emigrants from Asia crossed the Bering Strait and began their march toward South America. But California…
Gibson’s “Non-Reverse” Firebirds
When Down Was Up
Some guitars get no respect, at least historically. At the dawn of the ’70s, Gibson’s original (1963-’65) Firebirds were already being hailed as classics, while the versions that replaced them…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed…
Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned…
The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the…
Gretsch 6119 Tennessean
Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing…
