•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Bell 30 RV Stereo-Reverb Combo

Accordion to Plan

August 5, 2022 · Dave Hunter

1961 Bell 30 RV Stereo-Reverb • Preamp tubes: three 6EU7, one 7199, one 12AU7, one 12AX7 • Output tubes: four…

Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?

And Not-So-Strange Variations on an ’87 LP Standard

May 2, 2022 · George Gruhn

I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m…

The story of the Martin F-50

December 24, 2025 · Vintage Guitar

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric…

Gibson Marauder M-1

June 8, 2023 · Michael Wright

Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck…


Revisiting The Jazzmaster

While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster – Fender’s top-of-the-line guitar when it was introduced in 1958. Then,…

1939 Gibson Super 400 Premier

The Gibson Super 400 debuted in 1935 as the first production-model 18″ archtop guitar with f-shaped sound holes; 30 years prior, the company’s Style O was the same size and…

The Collings SoCo Deluxe

Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars. The Texas-based builder is one of the most recognized and…

The Koch Studiotone

No-Sweat Double-Duty

Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…

Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

Battle-Scarred

B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Two Legendary Les Paul Deluxes

Southern Gold

April 24, 2019 · Willie G. Moseley

In the late 1960s, Gibson reintroduced the single-cutaway Les Paul based on its classic ’50s model. But, a new version…

Guyatone Micro Effects

Little Boxes, Big Effects

April 29, 2020 · Phil Feser

Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was…

Fender’s 1961 Showman

The Show Must Go On

September 23, 2019 · Dave Hunter

When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s,…

Fender 6G13-A Vibrasonic

April 21, 2017 · Dave Hunter

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment…


Classics: September 2022

Danny Gatton’s ES-295

Glenn Holley was just five years old when he became infatuated with the sound of rockabilly music thanks to Elvis Presley. “By 10, I had more than 30 of his…

Hofner 185

Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a…

Greg Koch: Gristly “Blues”

Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The…

History of the Fender Bassman

High Times for Low-End

If they could have just one amplifier, many guitarists – from bar-room grinders to arena megastars – would choose a Fender Bassman. One of the most lauded and influential amps…

Classics: Harold “Sonny” Wright’s 1965 Gibson J-45

Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who could impress on the piano, it makes sense that Harold…

Rickenbacker 325

A Pop Icon and His Beloved Axe

Details In 1962, the Ac’cent Vibrato replaced the original Rick’s standard Kauffman unit, which was derived from a nearly 30-year-old design – and notorious for taking the guitar out of…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

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Gibson Tal Farlow

April 18, 2016 · Kevin Vey

The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced…

Steve Dawson and his Tricone, “Singin’ the Blues”

September 6, 2023 · Vintage Guitar

Roots Artists Expands the Genren The wildly talented Steve Dawson uses a modern National Tricone for this take on “Singin’…

Danelectro Viscount

January 11, 2016 · Dave Hunter

1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength,…

Mark Lettieri’s funky finesse

January 2, 2025 · Vintage Guitar

Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that…