• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Mosrite Basses

The Golden Decade: Ventures and Beyond

July 9, 2014 · Willie G. Moseley

Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early…

Webb Wilder’s take on “Beautiful Delilah”

November 3, 2025 · Vintage Guitar

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,”…

Javier Batiz

January 14, 2026 · Willie G. Moseley

Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his…

The Gretsch 6120 Tenor

December 2, 2014 · George Gruhn

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other…


Martin 000-30

When a guitar maker introduces an innovative new feature at the same time an appealing, existing feature is being discontinued, the result can be a rare configuration of specifications. Although…

The Epiphone Excellente

When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made in the Gibson factory but designed to be slightly less…

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1905 Gibson F-2

In the opinion of most American mandolinists, Gibson brought mandolin design to a level of perfection in 1922, with the introduction of the Master Model F-5. It wasn’t much earlier…

Etched in Time

“Signature” Gibsons from the Early Days of Cable

In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television program to focus on and feature guitar players and builders.…

The Epiphone Devon Tremolo EA-35T Combo

Tonally TransAtlantic

After giving the upstart Fender a run for its money in the amplifier department throughout the 1950s, Gibson segued into something that looked like surrender; by the early ’60s, its…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

 The Guitars of Gary Rossington 

A Legend’s Legacy

October 30, 2025 · Ward Meeker

When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his…

Clapton’s Fool

History’s Greatest Guitar?

November 23, 2015 · J. Craig Oxman

Eric Clapton’s The Fool. A name immediately recognizable to guitarists, yet baffling to others. What is Clapton’s Fool? Very simply,…

The Fender Master Series

April 16, 2018 · Gary Koehler

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And…

Benson Model 300H

Wrecking Ball

January 6, 2023 · Dave Hunter

Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and…


The story of the Martin F-50

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from…

Gibson M-III Standard

Missing the Mark(et)

Gibson’s bread and butter has long been tried-and-true designs that represent remarkable innovations – even if they date back to the 1950s. This is testament to how good those innovations…

Classics: October 2021

Ibanez IC200 Iceman

Pete Prown’s obsession with the Ibanez Iceman began when the company’s 1978 guitar catalog landed atop dealer display cases; the teen rocker dreamily eyed what would be the first step…

Guild’s S-100/S-200 “Kickstand” Models

Much like several other well-known manufacturers, Guild has, through the years, changed ownership, locations, and identities. Guild was founded in 1952 by Alfred Dronge, a teacher and music-store owner in…

Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

Spectrum 5

Joining playful mid-’60s cultural icons such as the Ford Mustang, NBC’s “The Monkees,” the Beatles’ “Nowhere Man” and Cassius Clay, the Teisco Del Rey Spectrum 5 was the high-water mark of original…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Classics: December 2021

1967 Rickenbacker 360/12

August 11, 2022 · Ward Meeker

Live-music fans who roamed South Florida from the early ’80s until the mid 2000s might recognize Craig Ball’s ’67 Rickenbacker…

1961 Fender Bassman

Blond Ambition

November 16, 2022 · Dave Hunter

1961 Fender 6G6(A) Bassman • Preamp tubes: four 7025 (12AX7) • Output tubes: two 5881 (6L6GC) • Rectifier: GZ34 tube…

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Rickenbacker Electric 12-Strings

Double-Bound for Glory

May 21, 2016 · Richard R. Smith

George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success…

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Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

January 2, 2017 · Andre R. Duchossoir

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s…