• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

    Read more >>

  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

The Birth of the Gretsch Duo Jet

Gretsch Gets With It!

March 4, 2022 · Edward Ball

In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin…

Tommy Castro

Circling Back

December 12, 2025 · Ward Meeker

In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his…

Dave Murphy: Acoustic Country!

May 15, 2025 · Vintage Guitar

 Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new…

Jorge Garcia’s FM Anthems, in Jazz

October 30, 2025 · Vintage Guitar

Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like…


Marshall Super Tremolo Model 1961

The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition of the JTM45. Whenever a discussion turns to how the…

“Buy That Guitar” podcast with special guest Howie Statland

“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland…

National Style O

National Style O

Although it has never been the favorite guitar of Hawaiian players, National’s Style O, with its shining metal body and tropical imagery, stands today as one of the strongest icons…

2021 Readers’ Choice Awards

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along with Album of the Year. Included are selections for the…

Matchless Superchief 120

A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Classics: Marc Schoenberger’s Rickenbacker Combo 600

January 27, 2026 · Ward Meeker

Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician,…

Jim Kelley FACS Reverb

January 23, 2017 · Dave Hunter

Truly a deserving name in the early era of the “boutique” amp scene, Jim Kelley is also an extremely under-recognized…

’72 Marshall “NARB” Tremolo 100

Mirror Image

October 25, 2024 · Dave Hunter

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s…

Beyond the Parlor

Beyond the Parlor

Part One: The Guitar in Non-Anglo America

November 5, 2015 · Tim Brookes

Ed. Note: In this series, Tim Brookes attacks the common argument that the guitar in 19th-century America was small, quiet,…


Home Feature Image

Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

The Watkins Dominator

Crying V

Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing – the allure of its blue-and-cream Rexine covering, gold-threaded grillecloth,…

Steve Dawson and his Tricone, “Singin’ the Blues”

Roots Artists Expands the Genren The wildly talented Steve Dawson uses a modern National Tricone for this take on “Singin’ the Blues,” then offers a look at his Celtic Cross…

The “Last” Trainwreck?

Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the guitar-amp world. Aside from the fact he was a good…

Classics: June 2023

Danny Gattons ’51 Nocaster

From learning a first lick to playing an entire song with friends, musicians thrive on motivations big and small. Growing up in Hempstead, New York, Bob Fener walked past Sam…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Geddy Lee

Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird

August 7, 2023 · Ward Meeker

Nearly two years in the making, Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and…

The Vox AC15

AMP-O-RAMA

June 24, 2020 · Dave Hunter

The Vox AC30 grabbed most of the headlines for years, but many tonehounds have come to appreciate the sweet, juicy…

Rick Vito’s Tale Of Two Grails

Find of a Lifetime

December 6, 2022 · Ward Meeker

Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures,…

D.K. Harrell and His ’76 ES-335

October 29, 2025 · Vintage Guitar

B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues…