• Thomas Custom Guitars

    Classic Instruments

    Thomas Custom Guitars

    Rarities from the Pacific Northwest

    Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

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  • Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Battle-Scarred

    B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

  • The Martin OM-28

    The Martin OM-28

    Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

Martin 0-42

The Martin 0-42

December 4, 2015 · George Gruhn

Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and…

Ken Fischer

1945-2006

June 10, 2020 · Dave Hunter

Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will…

Star Board: Joe Moss

Star Board: Joe Moss

December 18, 2015 · Vintage Guitar

Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for…

Silver Lining

Gibson and the Master Models

December 26, 2017 · George Gruhn

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked…


Dan’s Guitar RX: Mending Chuck Panozzo’s 1960 ES-125

Thinline Revival

Like you, I got a kick out of the February “Classics” feature on Chuck Panozzo being reunited with his Gibson ES-125TC, which had suffered water damage and was literally coming…

The Fender Master Series

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…

Three Larsons

At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A comparable set of three Martins would be a 0-40, 00-40…

Custom Kraft Red Fury

Most guitar aficionados are comfortable with the notion of guitar brands being made by the company of the same name. But when it comes to guitars made by one company…

The story of the Martin F-50

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from…

  • Classics: February 2024

    Classics: February 2024

    Sean Slade’s 1964 SG Junior

    They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

  • ’72 Marshall “NARB” Tremolo 100

    ’72 Marshall “NARB” Tremolo 100

    Mirror Image

    When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

Marshall Super Tremolo Model 1961

November 30, 2016 · Dave Hunter

The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition…

Dad’s Day 2021

VG’s Annual Salute to Fathers Who Inspire

March 7, 2022 · Vintage Guitar

Marty Ashby’s very musical family has been playing together since he was a little kid. Here’s a shot of them…

The Watkins Dominator

Crying V

March 18, 2019 · Dave Hunter

Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing…

Classics: August 2022

Billy Soutar’s custom-order 1936 Gibson L-7

April 11, 2023 · Ward Meeker

While scanning an Elderly Instruments ad in Vintage Guitar one day in early 2009, Billy Soutar spotted the description of…


Martin OM-18 and 000-28

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions to any serious collection. Martin has offered sunburst finishes as…

Mr. Smith goes to Rudy’s

“Upstairs” at a famed NYC guitar boutique

Nashville has Music Row and London has Soho, but if your heart starts palpitating at the mere mention of carved wood, PAFs, and steel strings, it’s hard to beat New…

Quest for Volume

Django Reinhardt's Selmer #503

Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de France was starting to make waves, Django first began using…

’66 Epiphone Casino

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked well below the semi-hollow Sheraton and Riviera or the solidbody…

Tyler Morris Features a Martin Style 2 1/2-17

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…

BAKERSFIELD-HOME-MAIN-BIG

Basses from Bakersfield

The history of guitar manufacturing in the Bakersfield area of California includes names like Mosrite, Hallmark, and Standel. One of the most unusual (and rare) was the Gruggett Stradette. Guitar…

  • “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

  • Hangin’ with Kid and Lisa “Little Baby” Andersen

    Hangin’ with Kid and Lisa “Little Baby” Andersen

    Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Metropolitan Tanglewood

A Rare Modern Map

January 25, 2006 · Willie G. Moseley

Many guitar aficionados are aware of the instruments proffered by Houston’s Alamo Music. The Texas manufacturer has created unique low-end…

The Epiphone Devon Tremolo EA-35T Combo

Tonally TransAtlantic

January 25, 2022 · Dave Hunter

After giving the upstart Fender a run for its money in the amplifier department throughout the 1950s, Gibson segued into…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

April 8, 2024 · Michael Wright

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the…

One of Two of a Kind

Gibson’s L-3 Ganus Brothers Special

July 9, 2018 · George Gruhn

Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy…