• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

The Rickenbacker 4000

March 21, 2016 · Willie G. Moseley

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision…

Matchless DC-30

Matchless DC-30

February 22, 2016 · Dave Hunter

Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls:…

Jimmy James’ Psychedelic R&B

September 4, 2024 · Vintage Guitar

“Parlor Strut” on a vintage Harmony! Proving that ’60s import guitars can make cool sounds, Parlor Greens guitarist Jimmy James…

The Oud

The Oud

Ancient to Modern

July 5, 2016 · Neil Haverstick

If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound,…


Dan’s Guitar RX: Reviving a ’56 Duo-Jet

Ugly, But An Oldy

Blake Burkeholder, a repair expert in my shop, has always wanted a Gretsch. So, when he found a ’56 Duo-Jet fixer-upper at a reasonable price, he grabbed it. Like other…

JOHNNYSMITH-HOME-MAIN-BIG

The Guild and Gibson Johnny Smith Models

The name “Johnny Smith” is synonymous with class, elegance, and style. Most guitar players are familiar, if not with the man or his music, certainly with the guitars that bear…

Beat Portraits: Burns Volume 10

Saga of The Lost Supersounds

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Classics: August 2021

Guild F-20 Troubadour and Dan Armstong Lucite

John Wiley couldn’t have known it then, but when his parents rewarded two years of applying himself to guitar lessons by giving him a brand-new Guild F-20 Troubadour in 1960,…

1986 Dumble Overdrive Special

1986 Dumble Overdrive Special

The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become more so over the course of the past decade, with…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Booker White’s 1933 National Duolian

Hard Traveled

May 30, 2017 · Michael Dregni

“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard…

Cry, Baby!

The Story of the Vox Wah

December 9, 2015 · Michael Dregni

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah…

Beat Portraits: Burns Volume 4

Shadows and Light

February 7, 2018 · Peter Stuart Kohman

In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this…

Peavey Forum

Peavey Forum Basses

Durable, Dependable

January 2, 2014 · Willie G. Moseley

In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s,…


The RFT 12AX7

The Righteous Flame-throwin’ Tube

“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there is a simple solution…” Those who plug into Fender amplifiers…

Replacing Rotted Tuning Keys on a ’62 ES-335

Buttons for a Buzzcock

Steve Garvey played bass in the seminal punk band Buzzcocks during its classic era – 1977 to ’81 – with guitarist Steve Diggle, drummer John Maher, and front man/guitarist Pete…

Kid Ramos’ Revelation!

West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an…

Building a Studio

The Art of Home Recording

VG will equip readers with the knowledge and skill to achieve professional-sounding home recordings. We guide you through the setup of a home studio – a starting point to this…

Gretsch Country Gentleman

Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced. Only a handful  have become cultural icons – given no…

'39 Gibson EH-185

’39 Gibson EH-185

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

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Traynor YBA-2 Bass Mate

May 10, 2016 · Dave Hunter

Canadian amp maker Traynor gets a lot of respect in some circles for turning out solid, good-sounding tube amps that…

Guild in the Post-Fender Era

Guild in the Post-Fender Era

Round and Round She Goes

March 4, 2016 · Jay Pilzer

Since its beginnings in 1952, Guild has gone through many changes in ownership, location, marketing approach, and design philosophy. In…

Martin D-28 and D-45

Definitive Flat-tops

April 4, 2018 · George Gruhn

Martin’s pre-WWII dreadnought guitars set the standard for the modern flat-top, and thus both have been inducted into the VG…

Carvin 8-15-B

Mail-Order Prize

January 11, 2024 · Dave Hunter

In the days when the printed catalog was king, Carvin guitars and amplifiers often boasted a stature that outweighed their…