•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

NGM Visits Texas

Nearing Permanent Home, Museum Honors Raitt

April 14, 2020 · Dan Forte

“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The…

Eric Clapton’s “Blackie”

Eric Clapton’s “Blackie”

March 13, 2015 · Willie G. Moseley

This may well be the most desirable Fender Stratocaster on the face of the planet. And it happens to be…

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Kustom’s The Bag

A New Dimension in Electro-Thoracity

May 1, 2016 · Michael Dregni

When Steppenwolf’s John Kay took the stage, it was easy to believe he was performing a suitably ’60s ceremony celebrating…

Gizmotron

Most Bizarre Guitar Effect of All Time?

March 18, 2015 · Michael Dregni

Led Zeppelin’s final studio album, 1979’s In Through The Out Door, opens with an eerie, otherworldly drone that weaves and…


Greg Lake’s 
Zemaitis Doubleneck

Twice as Heavy

With progressive-rock juggernaut Emerson, Lake & Palmer, bassist/vocalist Greg Lake (1947-2016) played more than one instrument made by the renowned British luthier Tony Zemaitis. Known for their fancy tops of…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

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Gibson 1958-’60 Les Paul Standard

A ’Burst by Any Other Name…

One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar collectors, it means there aren’t many seats in the “’Burst Club.”…

The Story of Albanus Guitars

Windy-City Wonders

“Art for art’s sake.” The expression is common. But how often is it practiced? In a basement studio on Chicago’s North Side, Carl Johnson epitomized the maxim while building archtop guitars…

Charlie Starr: Open-Tuning Magic on “Azalea”

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45.  It’s just one of the great…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The Story of Melobar

Stand-Up Steel

October 4, 2022 · Willie G. Moseley

Born in Northern California in 1920, Walt Smith took piano lessons and became a child prodigy on several instruments before…

Late 1920s Gibson L-1 "Florentine" Home page main

Late 1920s Gibson L-1 (Flattop)

Gibson "Florentine"

April 9, 2015 · George Gruhn

Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of…

Beat Portraits: Burns Volume 9

Late ’60s: Baldwin And Decline

February 21, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Vega Model 120

April 4, 2017 · Dave Hunter

Viewed from our contemporary perspective, it’s difficult to fully appreciate how different the music scene in general – and the…


The Gibson Les Paul Special

Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the first to lose the Les Paul name. But that has…

The RFT 12AX7

The Righteous Flame-throwin’ Tube

“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there is a simple solution…” Those who plug into Fender amplifiers…

Jake Andrews’ video encore: “Eyes On The Prize”

Austin Great Goes Full Steam for “Eyes On The Prize” Jake Andrews’ video encore: “Eyes On The Prize” Jake Andrews makes a VG-social-media curtain call by playing “Eyes On The…

Freddie King’s Gibson ES-345 Keeps on Playin’

Family Ties

Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a notion… So, as soon as his tiny hands could fret…

Ted Nugent 1962 Gibson Byrdland

Ted Nugent’s 1962 Gibson Byrdland

Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was intended to be the only guitar used by the Motor…

The Audiovox 736 Electric Bass and 936 Amp

Rare Pair

Eight decades ago, the Seattle Post-Intelligencer revealed the story of Paul H. Tutmarc debuting his latest invention – a solidbody electric bass. The 1935 article includes a photograph showing the…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

The Birth of Newman Guitars

September 29, 2022 · Vintage Guitar

  Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design…

Yamaha Weddington Custom

A Better “Classic”

December 9, 2024 · Michael Wright

In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their…

Dumble Garage Band Ripper

Orange Crushed

June 14, 2023 · Dave Hunter

Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only…

Duane Eddy

Of DeArmonds and Details

May 2, 2024 · Willie G. Moseley

(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang…