The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Nearing Permanent Home, Museum Honors Raitt
“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The…

This may well be the most desirable Fender Stratocaster on the face of the planet. And it happens to be…

A New Dimension in Electro-Thoracity
When Steppenwolf’s John Kay took the stage, it was easy to believe he was performing a suitably ’60s ceremony celebrating…
Most Bizarre Guitar Effect of All Time?
Led Zeppelin’s final studio album, 1979’s In Through The Out Door, opens with an eerie, otherworldly drone that weaves and…

Twice as Heavy
With progressive-rock juggernaut Emerson, Lake & Palmer, bassist/vocalist Greg Lake (1947-2016) played more than one instrument made by the renowned British luthier Tony Zemaitis. Known for their fancy tops of…

Backbone Instruments 1962-’64
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

A ’Burst by Any Other Name…
One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar collectors, it means there aren’t many seats in the “’Burst Club.”…

Windy-City Wonders
“Art for art’s sake.” The expression is common. But how often is it practiced? In a basement studio on Chicago’s North Side, Carl Johnson epitomized the maxim while building archtop guitars…

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45. It’s just one of the great…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Stand-Up Steel
Born in Northern California in 1920, Walt Smith took piano lessons and became a child prodigy on several instruments before…

Gibson "Florentine"
Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of…

Late ’60s: Baldwin And Decline
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Viewed from our contemporary perspective, it’s difficult to fully appreciate how different the music scene in general – and the…

Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the first to lose the Les Paul name. But that has…

The Righteous Flame-throwin’ Tube
“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there is a simple solution…” Those who plug into Fender amplifiers…

Austin Great Goes Full Steam for “Eyes On The Prize” Jake Andrews’ video encore: “Eyes On The Prize” Jake Andrews makes a VG-social-media curtain call by playing “Eyes On The…

Family Ties
Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a notion… So, as soon as his tiny hands could fret…

Anyone who’s ever caught Ted Nugent on tour has seen this instrument, and during the Summer of 2003 it was intended to be the only guitar used by the Motor…

Rare Pair
Eight decades ago, the Seattle Post-Intelligencer revealed the story of Paul H. Tutmarc debuting his latest invention – a solidbody electric bass. The 1935 article includes a photograph showing the…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design…

A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their…

Orange Crushed
Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only…

Of DeArmonds and Details
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang…