• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Mesa/Boogie Mark IIC+

The Mesa/Boogie Mark IIC+

September 25, 2015 · Dave Hunter

Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the…

Selmer/RSA Truvoice TV10

Shock and Awe

June 12, 2025 · Dave Hunter

If the British market needed a couple of decades to decide what form the guitar amplifier would ultimately take, we…

Danelectro’s Four-String Basses

January 8, 2016 · Willie G. Moseley

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir…


Höfner’s Fledermaus Gitarre

A Bat By Any Other Name

Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany, aren’t big on details. So when it comes to researching…

Classics: July 2021

Warren Garstecki’s 1932 Gibson HG-22

Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…

Tony Mottola

Mr. Big, Guitar Pioneer

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands of studio dates and made hundreds of concert and television…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

The Fender Master Series

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Dan’s Guitar RX: A New Tool Makes Luthiery Easier

With a Little Help…

April 4, 2022 · Dan Erlewine

I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup…

The Duane Allman “Layla” Guitar?

A ’57 Gibson Les Paul Emerges To Tell a Story

March 7, 2018 · Ward Meeker

Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly…

The “Conversion” Les Paul

The “Conversion” Les Paul

Myth, Magic – and Mojo!

June 21, 2016 · Pete Prown

One of the more intriguing topics in guitardom is the Gibson Les Paul “conversion.” What is it? Most of the…

The West Avalon R

Too Funky

August 29, 2022 · Dave Hunter

1971 West Avalon R • Preamp tubes: two 12AX7, two 12AT7 • Output tubes: two EL34 • Rectifier: solid-state •…


Roy Orbison’s Marshall Model 1961

Dream Baby

One of the most-desirable vintage amplifiers ever made goes by a name it never officially had. Possibly the first Marshall brought to America, ownership by the great Roy Orbison adds…

Michael Bloomfield’s ’63 Telecaster

Michael Bloomfield’s ’63 Telecaster

This Guitar Killed Folk!

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s…

Greg Martin honors Dickey Betts

Tribute licks Kentucky Headhunters co-founder Greg Martin was a senior in high school when he first heard the Allman Brothers Band “At Fillmore East.” Like so many guitarists, for Martin,…

Fender Precision Bass

The “Final” Configuration

The Fender Precision Bass was the first commercially successful solidbody electric bass. Played somewhat like a guitar and sporting a fretted neck, the “P-Bass” won over players in almost every…

Gibson Blond j-35 Photo: Kelsey Vaughn, courtesy George Gruhn. Vintage Guitar magazine Home Feature

Gibson’s “blond” J-35

In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…

The Musical Instrument Museum

Blooms in the Desert

When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the elusive flowering of the torch cactus, which happens on just…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Epiphone 1968 Les Paul Prototype

Fraternal Twin

May 9, 2023 · Willie G. Moseley

Ted McCarty’s leadership at Gibson was highlighted by the introduction of top-shelf instruments created by knowledgable, intuitive designers and builders.…

Elliot Easton

Star Board: Elliot Easton

November 25, 2015 · Ward Meeker

Elliot Easton’s “Pedalboard” Though Elliot Easton enjoys his loaded full-size Pedaltrain board, his new band, The Empty Hearts (with Clem…

Dumble Overdrive Special OD150 WR

March 6, 2019 · Dave Hunter

Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May…

The RFT 12AX7

The Righteous Flame-throwin’ Tube

July 1, 2020 · Nathaniel Riverhorse Nakadate

“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there…