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Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Universal Audio’s OX Amp Top Box
The Tube Abides
Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube, first with transistors, then with zeros and ones. Yet the…
Fender Telecaster, Part I
Go Tele It On the Mountain, Part I
Sometimes the most revolutionary ideas are simple. Certainly this was the case Leo Fender’s Telecaster guitar, which was revolutionary in its design and impact, and relatively simple, even elemental. Which…
Yamaha Weddington Custom
A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a…
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
Raul Malo’s Instrumental Side
Mavericks frontman with a vintage Jazzmaster Though he is renowned and beloved for his vocals in the Mavericks, Raul Malo’s new album, “Say Less,” is a showcase for his…
Eleonora Strino’s old-school jazz
Italian jazzer lays it down on “It Don’t Mean a Thing” Eleonora Strino brings serious old-school jazz chops, put to great use on original compositions and interpretations like this take…
Bob Spalding: Instrumental Legend
Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on rockin’. Longtime guitarist/bassist Bob Spalding indulged us by grabbing three…
Supro Resophonic FolkStar
Fiberglass. In 1961, it was a space-age material; lightweight, easy to mold, and super strong, it could be used for just about anything. Back then, neighborhood kids who liked guitars…
Microphones and Their Uses
The Art of Home Recording
The means to make high-quality home recordings are well within the grasp of every guitarists. But, they can only as good as what you put in. We dig into the…
Fender Custom Colors in the 1960s
Misty Lakes, Foamy Shores
In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…
Slingerland Songster
Cool enough for Sol Hoppi!
If you ask anyone what the company Slingerland has done for the history of music the answer most often given is, “Drums.” Indeed, the company has been quite successful through…
Robin Ranger
1993 Robin Ranger, serial number 931353. Photo: Bill Ingalls, Jr. Instrument courtesy of Charles Farley. The saga of Alamo Music Products is one of both “retro-innovation” and an against-the-trend manufacturing…
Rickenbacher Model 200A
Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of guitar amplification – the early 1950s, maybe even late ’40s…
Eko’s “Celluloid” ’60s Basses
Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…
Zemaitis Guitar
Tony Z and the Cult of the Zemaitis Guitar
While England has produced some notable guitar brands, such as Burns, Shergold and Eggle, it is rare for an individual maker to gain acceptance in a world where an “established…
Movie Star, Rancher
Mid-’50s Muse of Wire and Wood
In the years immediately after World War II, Americans were settling into a new way of life, and plunging headlong toward an economic prosperity never before experienced by everyday people.…
“Buy That Guitar” podcast with special guest Redd Volkaert
Season 03 Episode 03 In Episode 3.3 of “Buy That Guitar,” host Ram Tuli is joined by Redd Volkaert, one of modern country’s foremost pickers. Any fan of Western swing and…
Last ’Burst?
Single-Cut Saga From the End of an Era
Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny, Number One. And don’t forget E.C.’s colorful Crash Strats. But…
Trainwreck Express “Nancy”
World’s most desirable amplifier? Aside from any “standard” vintage amps that have been elevated through their associations with major artists, the few original-design, made-by-hand amps out there that wear the…
Fender California Stratocaster
Have you priced ’57 or ’62 reissue Strats recently? The pride of the Fender line ran about $750 when it was introduced in 1982, but today you’d be hard-pressed to…
Gibson’s Experimental Kessel Prototype
Gibson Barney Kessel Custom model
This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the label clearly indicates it was made as an experimental prototype.…
Fender‘s 50th Anniversary Strat
Height of the Reissue
In celebration of the 50th “birthday” of its famous Stratocaster model, Fender has taken the reissue concept to new heights. And why not? Arguably the most popular guitar – electric,…
“Buy That Guitar” podcast with special guest Tony Nagy
Season 03 Episode 05 In Episode 3.5 of “Buy That Guitar,” host Ram Tuli is joined by Tony Nagy, manager of the repair shop at Gruhn Guitars. Vintage instruments, prized…
Name that Twang
The Guild-Duane Eddy Connection
The fledgling Guild company scored a coup when it signed Johnny Smith to an endorsement deal in 1956. Perched atop the jazz-guitar scene at the time, Smith helped Guild join…
Boggs’ Quad
Four-neck Fender From a Friend
Noted in musical history as one of the players who pushed the steel guitar beyond Hawaiian music to more-complex chording and wild interchanges with Spanish-style electric guitarists, Noel Boggs emerged…
Instro-Meister Eric Penna
Blues Switch-Up in Trabants Eric Penna’s main gig is playing bass for the garage/surf band Insect Surfers, but he side-hustles playing guitar in the blues-instrumental band Trabants. After corralling bassist…
Gretsch’s “Golden” Tenors
In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice of popular music. Amplification provided its volume, and innovative artists…
Parsons/White StringBender
From the origins of country-rock to Jimmy Page, Metallica, and a slew of modern country-pickin’ wizards, the string bender lends unique sounds to any form of music by giving players…
Border Crossing
C.F. Martin and the Influence of German and Spanish Guitar Designs
It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan Georg Stauffer, whose apprentices included one C.F. Martin, Sr. It…
Kendrick 2210
Big things come in small packages
The shipping box reads “Delicate Instrument,” but don’t let that fool you. The Kendrick 2210 is delicate in same way that a surgical scalpel or nitro glycerine are. With explosive…
