• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Jabo, Vince, and Broadcaster 0048

Special Addition

September 9, 2022 · Rich Kienzle

It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about…

Star Board: Rudy Jaramillo

Star Board: Rudy Jaramillo

April 28, 2016 · Ward Meeker

Rudy Jaramillo is quick to mention that his effects setup is very simple. “I go into my 1) Boss tuner,…

Matching Mojo

May 4, 2023 · Willie G. Moseley

During the “guitar boom” of the 1960s, one method of getting a band noticed was to equip it with matching…

A.J.’s 1950 Fender Broadcaster

$10 at a time

July 25, 2017 · Dave Yeats

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid…


Martin Style 000-28K

During the 1920s and ’30s, Martin made a considerable number of guitars with bodies constructed of Hawaiian Koa wood. The Hawaiian music craze was in full swing and the demand…

Home Feature Image

La Baye 2X4

1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh Cream, the Beatles best record ever, the Jimi Hendrix Experience.…

Gibson’s 17″ Pre-War Electrics

ES-300 of 1940-’43

Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade in vintage musical instruments as well as antique art, furniture,…

1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

The Birth of the Gretsch Duo Jet

Gretsch Gets With It!

March 4, 2022 · Edward Ball

In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin…

Silver Lining

Gibson and the Master Models

December 26, 2017 · George Gruhn

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked…

Vega De Luxe Electric Plectrum Banjo

April 5, 2017 · George Gruhn

Billed as “the latest orchestral sensation… unparalleled for versatility,” Vega’s electric banjos – developed to compete with one being made…

Marty Friedman’s Melodic Grandeur

June 26, 2024 · Vintage Guitar

Vintage Strat, new style on “Illumination” A devout Jackson user with a longstanding signature model, Fender Strat that’s also heard…


Star Board: Carl Verheyen

In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…

Guild’s S-100/S-200 “Kickstand” Models

Much like several other well-known manufacturers, Guild has, through the years, changed ownership, locations, and identities. Guild was founded in 1952 by Alfred Dronge, a teacher and music-store owner in…

Eastwood EEB-1 and EUB-1 Basses

Horizontal Vibe

Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis Kager, an amp technician and guitar specialist who worked for…

Weymann Model 890 Jimmie Rodgers Special

Hey Hey, Tell ’Em About US

Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…

The España 6/12 Doubleneck

More is always better, right? Eleven is better than 10 on an amplifier, three pickups are better than two, and so on! That’s the promise of the seven-string. So when…

Bruce and Butter

It would be an understatement to say that REO Speedwagon bassist Bruce Hall and his 1965 Fender Jazz Bass, dubbed “Butter,” have been through a lot. Born and raised in…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Etched in Time

“Signature” Gibsons from the Early Days of Cable

January 7, 2014 · Ward Meeker

In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television…

Paul Bigsby’s Myrtlewood Guitars

April 30, 2024 · Deke Dickerson

= Few things are as satisfying as a guitar with a good story to tell. Some vintage guitars might be…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

April 29, 2021 · Peter Stuart Kohman

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick…

Fender’s Musicmaster and Duo‑Sonic

Little Brothers

August 28, 2018 · Terry Foster

Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up…