•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

    Read more >>

  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Steve Wariner’s ’62 Fender Jazz Bass

January 27, 2014 · Willie G. Moseley

An eye-popping collectible in its own right, this Olympic White ’62 Fender Jazz Bass scores a few points higher on…

Gibson’s Experimental Archtop

April 6, 2023 · George Gruhn and Walter Carter

Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes…

Park 75

November 13, 2015 · Dave Hunter

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble,…

The Murph 12-String

Tugging At Your Heartstrings

March 1, 2021 · Teisco Del Rey

Here’s a story that has “Hollywood blockbuster” written all over it. It’s got so many cinematic staples, you can almost…


Fender’s 1951-’54 Telecaster

In Detail

Fender’s first Spanish-style guitar was a lesson in functional simplicity with its solid body, single pickup, and bolt-on neck. And it didn’t receive a welcome fit for the legend it…

The Watkins Dominator

Crying V

Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing – the allure of its blue-and-cream Rexine covering, gold-threaded grillecloth,…

Dan’s Guitar RX: Finding An Old Friend

What Goes Around…

I grew up in Ann Arbor, Michigan, where I learned to play guitar during the folk boom that, for me, started with the Kingston Trio in 1959; their music led…

The Electra Endorser

Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS,…

Classics: Steve Kimock 1968 Goldstop

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful day in the summer of 1969, 12-year-old Stevie Kimock walked…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Penco A-15-JD

July 29, 2023 · Michael Wright

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…

The Vox AC15

AMP-O-RAMA

June 24, 2020 · Dave Hunter

The Vox AC30 grabbed most of the headlines for years, but many tonehounds have come to appreciate the sweet, juicy…

Gibson K-5 Mandocello

August 26, 2021 · George Gruhn and Walter Carter

The violin-style f-holes of Gibson’s F-5 mandolin, L-5 guitar, and other Style 5 instruments, are the most famous and most…

Fender Princeton, Deluxe, and Tremolux

Three Small Tweeds

Fender Princeton, Deluxe, and Tremolux

November 24, 2015 · Baker Rorick

From 1954 through ’59, the Fender Electric Instrument Mfg. Co. built guitar amplifiers with controls mounted atop using “chickenhead” knobs…


The Electra Endorser

Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS,…

Rickenbacker 375F

Seven Siblings

Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap of history for good reason, there are always instruments that…

United They Stood, Part 2

Ghosts of Jersey City

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…

Gibson’s 1958-’62 ES-335TD

The Redoubtable “Dot-Neck” Early every guitar conceived or designed by Ted McCarty during his tenure as president of Gibson (1948-’66) is today seen as exemplary of the company’s best work.…

“Buy That Guitar” podcast with special guest Daniel Escauriza

“Buy That Guitar” podcast with special guest Daniel Escauriza Season 01 Episode 06 In Episode 8 of “Buy That Guitar,” presented by Vintage Guitar, host Ram Tuli is joined by…

Gibson Trini Lopez

In the early 1960s, as Les Paul was leaving Gibson’s artist roster, the company recruited three of the most respected jazz guitarists to put their signatures on new “artist” model…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Gibson Les Paul Special 3/4

January 18, 2010 · George Gruhn and Walter Carter

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s…

National-Dobro Model C

December 21, 2021 · Dave Hunter

We’ve seen some pristine vintage pieces in these pages over the years, but as far as time-capsule amps go, when…

Muireann Bradley, Old Soul

January 22, 2024 · Vintage Guitar

Vintage Blues, Vintage L-50 Direct from Ireland, 17-year-old Muireann Bradley indulges us (and tugs at our Led Zep heartstrings) with…

Fender’s 1960 Bandmaster

Power of Three

March 20, 2019 · Dave Hunter

The earliest renditions of our gear icons are often the most valuable, but on many occasions it’s the transition models…