As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
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David Hood’s Alembic Bass
Like the engineers and musicians who, in the ’60s and ’70s, helped create legendary songs at FAME Studios and its…

Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument…

Taking Soul to New Levels
The original Shin-Ei Uni-vibe became hugely famous after Jimi Hendrix used it with Band of Gypsys (and at Woodstock). Later…

Café Culture
In a world where the best riffs often come when one is lounging in the family room, sipping espresso and noodling on a favorite electric guitar, the Teisco Checkmate 30…

Thinline Revival
Like you, I got a kick out of the February “Classics” feature on Chuck Panozzo being reunited with his Gibson ES-125TC, which had suffered water damage and was literally coming…

Chuck Panozzo’s Gibson ES-125
For nearly five decades, Chuck Panozzo has been the bassist in Styx, enjoying the ride as it went from playing garage parties in suburban Chicago through its heyday as AOR-radio…

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…

Power of Three
The earliest renditions of our gear icons are often the most valuable, but on many occasions it’s the transition models – those that bridged one era to the next –…

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker:…

When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made…
In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the…
Schecter’s Custom Shop Marks 35 Years
Riding high after 35 years with an array of original instruments, an impressive artist roster that started early with Pete…

If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played…

Trick Your Tweed
Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…

A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…

Italian Connection
An internet search for “Rex guitars” will turn up a fair – if confusing – amount of information about the brand used on budget guitars and banjos made by Gretsch…

1958 Magnatone Custom 280
When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation. The watery, warbling “true vibrato” that the larger Magnatones are…

This Gibson RB-3 five-string from 1925 is a rare piece, as is any five-string banjo from the era dominated by tenor banjos. But it’s more important as a representative of…
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952,…

John Entwistle’s fretless ’78 Wal
Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their…

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,”…

Michael Bloomfield 1963 Fender Stratocaster
Antonio Mazzara’s passion for music started at age 10, when he started playing a nylon-string classical guitar before moving up…