•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Valco ‘Thunder stick’

April 5, 2010 · Nathaniel Riverhorse Nakadate

Put your gut money on a dark horse every so often, and you might find the rest of the regurgitating…

The House of Stathopoulo Harp Guitar

Surreal Missing Link

April 3, 2020 · Paul Fox

One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a…

Heil Talk Box

January 7, 2016 · Michael Dregni

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an…

Mark Erlewine’s 40 Years with Willie Nelson’s Trigger

Wooden Wonder

April 26, 2019 · Ward Meeker

For a decade, Willie Nelson chased fame as a performer in the Nashville mold of the ’60s – hair coifed,…


The Story of Jay Gower

Startup in Music City

In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In the 1950s, though, musicians typically returned broken instruments to the…

Virginia Museum of Fine Arts Hosts “Storied Strings” Exhibit

Guitars In Art

Dr. Leo Mazow’s vision for the new “Storied Strings: The Guitar in American Art” exhibition at the Virginia Museum of Fine Arts stemmed from the overwhelming popularity of (dare it…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

1963 Fender Twin Reverb Prototype

1963 Fender Twin Reverb Prototype

The Twin has long been the flagship of Fender’s high-wattage amp lineup, and it achieved/retained that status through several iterations in the company’s formative years. In the October issue, we…

MIM Hosts Stephen Stills and Ushers in Dragons and Vines Exhibition

On November 5th, Phoenix, Arizona’s Musical Instrument Museum (MIM) celebrated the opening of their newest exhibition, “Dragons and Vines: Inlaid Guitar Masterpieces.” Curators teamed up with Maryland-based Pearl Works to…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Excelsior Americana

March 7, 2014 · Dave Hunter

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than…

Gibson J-185

The Gibson J-185

November 20, 2015 · George Gruhn

The J-185 is regarded by many players and collectors as the finest-sounding Gibson flat-top made after World War II. The…

Ray Benson’s Gibson ES-355

June 8, 2024 · Teisco Del Rey

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though…

Wandré Modele Karak

November 2, 2017 · Michael Wright

We all recognize that guitars are art, but rarely has the instrument been as consciously approached from this perspective by…


Fender’s 1957 Precision Bass

Fender’s 1957 Precision Bass

When an instrument maintains the same basic design and profile for more than a half-century, it’s safe to say that in terms of design and execution, it was “done right.”…

John Pizzarelli Swings On A Vintage D’angelico

Jazz Ace on an Heirloom Guitar For this exclusive rendition of “Just In Time,” swing ace John Pizzarelli grabbed the D’Angelico Model B that was played by his late (and…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

Gibson GA-CB Custom Built

Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument Gain, tremolo Intensity and Frequency, Treble, Bass; four-position Jensen High…

Classics: October 2022

Eddie Quinn’s Gibson L-5

Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind of a young virtuoso who made the violin sound like…

Supro S6651

Supro S6651 Big Star

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Park 75

November 13, 2015 · Dave Hunter

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble,…

The Norma EG 470-2 Deluxe

June 25, 2020 · Michael Wright

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young…

Gibson 1953 GA-40 Les Paul Model

Brown Sound

March 31, 2025 · Dave Hunter

Gibson landing Les Paul’s name on the headstock of its debut solidbody electric in 1952 was the biggest guitar-star endorsement…

Recording Electric Guitars

The Art of Home Recording

July 8, 2016 · Dave Hunter

The process might seem simple – stick mic in front of amp, press "Record." Truth is, though, that even just…