•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

    Read more >>

  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Epiphone Empero1965 Main

1965 Epiphone Emperor

November 1, 2022 · George Gruhn

The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response…

Ampeg’s Jet Reverb Prototype

March 1, 2017 · Dave Hunter

Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part 3: The 1960s

April 5, 2024 · Peter Stuart Kohman

Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still…

Watkins Scout

Merit Badge

July 9, 2019 · Dave Hunter

Watkins amps never landed big stars, or at least didn’t hold on to the endorsements of guitarists once they became…


Mark Lettieri’s funky finesse

Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that make him such a great player. Here, he jams on…

Fender Palomino

Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts for, say, a Popeye and Olive Oyl set? “Spinach Special?”…

1978 Dean Z

The mid 1970s were a turbulent time in guitar history. The American guitar establishment – at least Gibson and Fender – was owned by big corporations that tended to run…

Penco A-15-JD

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular American guitars, most notably of the Gibson Les Paul. Indeed,…

A 5E3 Mystery

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Hilary Gardner returns with a fresh take on a holiday classic!

December 24, 2024 · Vintage Guitar

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic…

GIBSON-EB-2-HOME-MAIN-BIG

Gibson EB-2

Kalamazoo’s Biggest Bass Innovation?

October 22, 2015 · Willie G. Moseley

In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market…

Heil Talk Box

January 7, 2016 · Michael Dregni

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an…

Silver Lining

Gibson and the Master Models

December 26, 2017 · George Gruhn

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked…


Gibson EDS-1275 and EMS-1235

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by…

Fender Custom Shop Marks 30 Years

Dream Makers

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

L-5 to Super 400

L-5 to Super 400

The Story of Gibson’s Big Archtops

The archtop guitar is a uniquely American instrument which can be traced directly to the creative genius of one person – Orville Gibson. In the mid 1890s, the man who…

United They Stood, Part 2

Ghosts of Jersey City

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…

Etched in Time

“Signature” Gibsons from the Early Days of Cable

In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television program to focus on and feature guitar players and builders.…

Wolf Marshall

Jazz-Lore Generator

Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Fender AA964 Princeton

What’s (Not) in a Name

October 24, 2023 · Dave Hunter

Getting the job done – five simple knobs on the Princeton’s control panel. 1966 Fender Princeton • Preamp tubes: one…

Double Neck Triple Neck Vintage guitar magazine Home main

Doublenecks, Triplenecks…

And the California Weird Factor

March 25, 2016 · Deke Dickerson

If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is…

Park 75

November 13, 2015 · Dave Hunter

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble,…

Universal Audio’s OX Amp Top Box

The Tube Abides

October 14, 2019 · Ray Wuolo

Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube,…