•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Star Board: Joe Moss

Star Board: Joe Moss

December 18, 2015 · Vintage Guitar

Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for…

Kevin Keaton’s 1958 Esquire

Swamp Thing

June 17, 2022 · Ward Meeker

June 10, 2020, was a summer night like most in the life of Kevin Keaton, a postal mail carrier and…

Music Man’s Hybrid Boogie Amp: The RD-50

December 26, 2017 · Paul Bechtoldt

Say hey, fellow guitarists! If you live in the Northeast, it’s great to have a hobby that doesn’t require going…

Charlie Starr: Open-Tuning Magic on “Azalea”

June 28, 2024 · Vintage Guitar

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and…


Supro’s 600R DeLuxe

Supro’s 600R DeLuxe

“The Magic of Concert Hall Sound”

In the early days of reverb, no one was thinking about surf music; they were striving instead to replicate the warm, resonant, live sound of a concert hall. So, when…

Rosewood Dobro

Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also…

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Music Man HD-130 Reverb

Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…

Jerry Kennedy

A-Team Guitarist, A-List Producer

Jerry Glenn Kennedy, a 13-year-old who recorded for RCA Victor as “Jerry Glenn,” got the shock of his young life when he walked into a Nashville recording studio in September…

VG Q&A: ’71 Mahogany Precision?

Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono

I have a Fender Precision Bass with a 1971 neck date and serial number 296XXX, and I’ve always suspected the body was mahogany rather than the typical ash or alder.…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Coppock Guitars

Vintage Rarities from the Pacific Northwest

June 3, 2023 · Peter Blecha

The obscure Coppock brand of electric guitars first surfaced in 1994, with the publication of Electric Guitars & Basses: A…

Gretsch Country Gent #1

January 29, 2015 · Edward Ball

The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist…

Ecco-Fonic

October 12, 2014 · Michael Dregni

John Adomono was an American guitar hero of the Cold War years. JFK named him his favorite guitarist, and Adomono…

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Lyon and Healy

April 8, 2016 · R.J. Klimpert

So what is it? Its original black-finished spruce top is simply ladder-braced from within, but its back and sides feature…


Dumble Garage Band Ripper

Orange Crushed

Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…

1971 Dumble Special 16 #0001

Prehistoric Beast

1971 Dumble Special 16 • Preamp tubes: three 12AX7 • Output tubes: eight 6L6GC (most likely) • Rectifier: solid-state • Controls: Volume 1, Volume 2, Treble, Middle, Bass, Accent; Bright…

BAKERSFIELD-HOME-MAIN-BIG

Basses from Bakersfield

The history of guitar manufacturing in the Bakersfield area of California includes names like Mosrite, Hallmark, and Standel. One of the most unusual (and rare) was the Gruggett Stradette. Guitar…

Fender Harvard

Given the current craze for semi-small “home” and “recording” amps, Fender’s 5F10 Harvard of 1955-’60 could be the ideal tweed amp, yet, in its day, it fell between two stools…

Gibson Johnny Smith

In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound…

Two Tickets to the Top

Keeley Electronics’ Katana and Flexi 4×2

Any gearhead who’s been paying attention the last seven years knows the name Robert Keeley. Since 2001, he and his staff at Keeley Electronics have produced a variety of boutique…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Bird Golden Eagle 4/25

Soaring In Birdland

April 24, 2019 · Dave Hunter

Many of the oddballs, also-rans, and otherwise unusual creations we see in the amp world fall into the “B-list” category…

Burke Guitar

Axe That Time Forgot

June 15, 2023 · Ward Meeker

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has…

Christopher Thorn

Alt-Rocker/Studio Guru

June 14, 2022 · Greg Prato

Best known as half of the guitar tandem in the ’90s alternative-rock band Blind Melon (that’s his rhythm on “No…

Movie Star, Rancher

Mid-’50s Muse of Wire and Wood

January 5, 2015 · Ward Meeker

In the years immediately after World War II, Americans were settling into a new way of life, and plunging headlong…