Fender’s ’68 Custom Deluxe Reverb Price: $999.99 list Contact: www.fender.com In 1968, Fender gave its amp line what collectors today look back on as a major facelift when it introdued the silver-and-turquoise silkscreened faceplate and aluminum “drip edge” grille trim. The company recently reissued that classic look with its ’68 Custom Deluxe Reverb, but this

North Mississippi Allstars

Prayer For Peace

If you’re a fan of heart-stopping slide guitar, you’re likely familiar with Luther Dickinson and his wicked blend of gospel-saturated blues and fat rural elegance. The North Mississippi Allstars have been at it for 30 years now, waving the Northern Mississippi flag and honoring their mentors in the best way. With one foot in the

Xaviere XV-950

Jazzy Looks, Multi-Purpose

Gibsonguildgretsch! Cumbersome as it may be in word form, Xaviere’s XV-950 gracefully combines attributes from the “big trio.” The XV-950 employs a classic Florentine cutaway body measuring a small-ish 15″ at the lower bout, 2″ thick at the edge, (25/8" at the arch), and is made with hand-laid laminated maple front and back. There is

Peerless Retromatic

Peerless Retromatic

Modern Vintage

Peerless Retromatic Price: $1,699 Info: www.peerlessguitars.eu While many new guitars of the last decade have touted authentic (or semi-authentic) “retro” features, the Peerless Retromatic represents an evolution in the retro-guitar revolution. That’s because in addition to its sexy design and vintage-inspired accoutrements, the Retromatic is refreshingly modern, giving its player the choice between a humbucker

Dallas Shaftesbury 30

We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of VG, but less often do we delve into the equally fascinating histories of B- and C-list British guitar amps of the 1950s, ’60s, and early ’70s. Nevertheless, there was plenty of life in the British

Kiko Loureiro

Kiko Loureiro

Metal-Fusion From Brazil

“When I would play with musicians from the neighborhood, I noticed that my passion for Brazilian music was making me different from other guys,” explains guitarist Kiko Loureiro, a player who found his niche by combining his Brazilian heritage with his love of metal, shred, and fusion. His current album, Sounds Of Innocence, seamlessly blends

Blues Player of the Year

Joe Bonamassa Awarded in 2016 Old-school genres like the blues are about tradition – make an album every couple/three years, tour, take a break. Joe Bonamassa don’t play that. Find all the details in the 2016 VG Readers’ Choice Awards. B.B. King Awarded in 2015 When B.B. King passed in May of 2015, VG fielded

Fano Alt de Facto RB6

Classic That Never Was

Fano Alt de Facto RB6 Price: $2,495 Info: fanoguitars.com In recent years, a trend in the guitar realm has been to re-create the magic of vintage-style instruments. This has ranged from player-modded updates of classics to manufacturers painstakingly attempting to age/“relic” guitars. Dennis Fano uses both approaches in his Alt de Facto line of guitars,

Ed Mundell

Gettin’ Ultra Electric

Since he arrived in Los Angeles in 2010, it’s been “all systems go” for former Monster Magnet guitarist Ed Mundell. After 19 years with the band, Mundell moved west from New Jersey to launch a new phase of his career. His latest project, the Ultra Electric Mega Galactic, is a hard-chargin’ instrumental space rock trio

Tinsley Ellis

Tinsley Ellis

Tougher Than Ever

After decades of roadhouses, bars, and international touring, bluesman Tinsley Ellis is still going strong. A 1979 graduate of Emory University, he always aspired to play blues guitar. “The first bluesy stuff I ever heard was by the British Invasion acts,” he recalled. “Hearing ‘Little Red Rooster’ by The Rolling Stones for the first time

Terry Burrows

The Stratocaster Manual, The Les Paul Manual

Two boards, three pickups, some hardware, and various electric bits and pieces: Stratocasters are simple creations at heart. But setting one up perfectly, repairing it – especially stageside in the heat of a gig – and modding it are all art forms. These two manuals offer hard-won wisdom. These are not books about how to

Reverend Ron Ashton Vintage Guitar magazine

Reverend Guitars Ron Asheton Model

Raw Power

Reverend Guitars Ron Asheton Model Price: $1,079 Info: www.reverendguitars.com. If Ron Asheton had recorded just one album in his musical career – the Stooges’ 1969 debut – he still would be regarded as a legend. The Stooges’ proto-punk opus laid the blueprint for a thousand punk, alt-rock, and grunge bands that followed and featured the

Gibson’s Budget Redux

The SB Series Guitars and Basses

As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as the solidbody EB-0/EB-3 and Thunderbirds, as well as the semi-hollow EB-2 series. However, it struggled to win a share of the budget market despite offering a bass version of its popular Melody Maker and the

The Fender Bullet Deluxe/JP-90

No Frills, Didn’t Fly

    Fender has tried more than once to market basses with a low-budget vibe. And while the idea is laudable, most of the offerings never really caught on. In the early ’80s, Fender – then owned by CBS – was on a downward slide thanks in part to quality-control issues and uninspired products. And

Kenny Lovelace

The Killer’s Axe Man

Playing behind the Killer, you wouldn’t want to hit a wrong note. Kenny Lovelace has picked his guitar with Jerry Lee Lewis for 47 years and counting, so he must be doing something right. It wasn’t always that way, however. “The first time I played with Jerry Lee, in 1966, I was standing right next

Anthony Phillips

Anthony Phillips

Progressive 12-String Master

Ant Phillips was a founding member of Genesis and, along with guitarist/bassist Mike Rutherford, created the signature 12-string acoustic sound that marked the band’s classic albums. Phillips left the group after 1970’s Trespass album to study music, but his ’77 solo debut, The Geese and the Ghost, is regarded as a prog classic. It also

Home Feature Image

Beyond the Parlor

Part Two: Man and Machine

Ed. Note: In part two of his series on the guitar in 19-century America, Tim Brookes addresses the common belief that the guitar was strictly a ladies’ parlor instrument by finding guitars being made – and played – by men. “Over the last century,” began a recent guitar history, parroting conventional wisdom, “the guitar has evolved from a

NRBQ

High Noon: a 50-Year Retrospective
New Rhythm And Blues

This five-disc retrospective captures the essence of what is one of America’s best, if not best-known, bands from the past half century. To describe NRBQ to someone who has never heard them is a chore. You can say they’re quirky, charming, interesting, or unique, but that doesn’t get to the root of things. And, amazingly,