• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Vivi-Tone “Skeleton

A Master’s Magnificent Misfire

December 12, 2025 · Peter Stuart Kohman

The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and…

Songbirds: Museum with a Mission

Treasures in Tennessee

April 19, 2019 · Rusty Russell

Ask anyone who geeks out on vintage guitars, from the well-heeled collector to the dreamer whose prized possession is a…

The Vox Saturn IV

June 30, 2015 · Willie G. Moseley

In the mid 1960s, England’s Vox company was in the right place at the right time. Buoyed by frontline British…

Epiphone 1968 Les Paul Prototype

Fraternal Twin

May 9, 2023 · Willie G. Moseley

Ted McCarty’s leadership at Gibson was highlighted by the introduction of top-shelf instruments created by knowledgable, intuitive designers and builders.…


Nat Talks Strings!

The Strings of Power Hey there! Nate Westgor from Willie’s American Guitars dives into the world of guitar strings, discussing the differences between flat tops, half rounds, and flatwound strings.…

Heathkit TA-16 Starmaker

Basement Jams & Blown Speakers

1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us.…

Beat Portraits: Burns Volume 8

Late ’65: Transistors, Troubles, and Takeover!

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 7 and 8 for this special edition of VG…

GRETSCHBURST-HOME-MAIN-BIG

Horses of Another Color

1) This ’57, from batch 253xx, has the added intrigue of a gold G-cutout tailpiece in place of the Bigsby vibrato. In addition to the standard Amber Red stain on…

Kalamazoo KG-1

Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name such as Fender or Gibson. That’s certainly the case with…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

BAKERSFIELD-HOME-MAIN-BIG

Basses from Bakersfield

March 4, 2014 · Willie G. Moseley

The history of guitar manufacturing in the Bakersfield area of California includes names like Mosrite, Hallmark, and Standel. One of…

The Peoples’ Guitar

Gibson’s Depression-Era Exports

July 10, 2017 · L.B. Fred

Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names,…

Epiphone Rivoli

March 17, 2010 · Willie G. Moseley

Former Gibson president Ted McCarty (1909-2001) is credited for his leadership of the company when it peaked in terms of…

Eastwood EEB-1 and EUB-1 Basses

Horizontal Vibe

July 1, 2020 · Phil Feser

Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis…


Gibson’s “SG” Les Paul

Classic Shape That Filled Big Shoes

In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new…

Martin 5-18

Martin 5-18

The Martin style 5-18 is the smallest guitar in Martin catalogs; at the lower bout, it measures 11.25″, while at the upper bout it is 8.25″. And its body is…

Dumble Garage Band Ripper

Orange Crushed

Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…

EKO 995

The Beatles’ appearance on “The Ed Sullivan Show” in February of 1964 is often referred to as the most important event in the history of rock music, having inspired thousands…

Gibson’s GA-8 Discoverer

Sonic Satellite

By the end of the 1950s, “space” was the name of the game, and any forward-thrusting gear that hoped to grab a share of the rock-and-roll market was named accordingly.…

The Koch Studiotone

No-Sweat Double-Duty

Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

1944 Martin 00-28

March 16, 2015 · George Gruhn

This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number…

The Vox/Thomas Organ V-8 Berkeley Super Reverb

Organ Transplant

March 7, 2023 · Dave Hunter

Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the…

United They Stood, Part 2

Ghosts of Jersey City

July 11, 2022 · Peter Stuart Kohman

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost…

Classics: January 2024

Bill Woodward's 1953 Gibson Les Paul

October 4, 2024 · Ward Meeker

Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and…