• Thomas Custom Guitars

    Classic Instruments

    Thomas Custom Guitars

    Rarities from the Pacific Northwest

    Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

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  • Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Dan’s Guitar RX: A ’57 Strat Goes Under the Knife

    Battle-Scarred

    B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

  • The Martin OM-28

    The Martin OM-28

    Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

The Gretsch 1955-’61 White Falcon

Jimmie Webster’s Master Showpiece

March 28, 2023 · Ward Meeker

Mike Campbell: Rick Gould. When it came to fancy electric guitars in the early/mid 1950s, Gibson’s Super 400 was ensconced…

Gibson Blond j-35 Photo: Kelsey Vaughn, courtesy George Gruhn. Vintage Guitar magazine Home Feature

Gibson’s “blond” J-35

January 17, 2016 · George Gruhn

In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish…

Epiphone by Gibson Firebird 500

Race on

January 6, 2023 · Michael Wright

Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of…

Five Classic Amps

Five Classic Amps

A Tone-Spotter’s Arsenal To Cover It All

March 31, 2016 · Dave Hunter

When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through…


Rosewood Dobro

Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also…

The Cost of Protection

100 Years of Instrument Cases

Modern guitars are typically sold with a hard case. But that wasn’t always so. Here, we look at the history of the relationship between cases, guitars, and those who’ve bought…

Philip Sayce – Strat monster!

Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running through a Diaz Texas Ranger and KR Mega Vibe into…

Whooooo Wal You?

John Entwistle’s fretless ’78 Wal

Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their efforts evolved into a company known as Electric Wood, and…

Jim Lauderdale’s honkey-tonk toe-dip

Singer/Songwriter’s Stylistic Twist Jim Lauderdale paid a visit to one of his favorite Nashville hangs and grabbed a gorgeous 1940 Martin D-28 to play “Wishbone,” a standout track from his…

  • Classics: February 2024

    Classics: February 2024

    Sean Slade’s 1964 SG Junior

    They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

  • ’72 Marshall “NARB” Tremolo 100

    ’72 Marshall “NARB” Tremolo 100

    Mirror Image

    When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

Fender’s First Reissues

The CBS Era Concludes in Style

March 2, 2016 · Edward B. Driscoll Jr.

By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s…

Carvin DN640K

January 27, 2016 · Willie G. Moseley

Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air…

A Hero’s Gretsch 6117

March 16, 2022 · Willie G. Moseley

In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band…

Jimmy James’ Psychedelic R&B

September 4, 2024 · Vintage Guitar

“Parlor Strut” on a vintage Harmony! Proving that ’60s import guitars can make cool sounds, Parlor Greens guitarist Jimmy James…


100 Years of Boston’s MFA

Playable Exhibits

Musical instruments – guitars – present an interesting philosophical dichotomy. On one hand, they’re utilitarian objects whose very purpose – arguably their only purpose – is to create art, to…

Gibson Marauder M-1

Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck guitar!” So they do. And the result is almost always…

Jim Lauderdale’s honkey-tonk toe-dip

Singer/Songwriter’s Stylistic Twist Jim Lauderdale paid a visit to one of his favorite Nashville hangs and grabbed a gorgeous 1940 Martin D-28 to play “Wishbone,” a standout track from his…

1924 Martin 00-45

1924 Martin 00-45

When trying to determine originality, guitar dealers and collectors have a tendency to study instruments with the care of a forensic pathologist. Still, modifications can be difficult to detect, and…

Gibson’s Experimental Archtop

Orville Gibson invented the carved-top guitar in the 1890s, and his company refined the design with f-shaped sound holes in 1922, then brought the concept to full potential with larger-bodied…

“Buy That Guitar” podcast with special guest Steve “Frog” Forgey

Season 03 Episode 04 In Episode 3.4 of “Buy That Guitar,” host Ram Tuli is joined by Steve “Frog” Forgey of Elderly Instruments. Forgey has been at Elderly Instruments since…

  • “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland

    “Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

  • Hangin’ with Kid and Lisa “Little Baby” Andersen

    Hangin’ with Kid and Lisa “Little Baby” Andersen

    Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Fender’s 1960 Bandmaster

Power of Three

March 20, 2019 · Dave Hunter

The earliest renditions of our gear icons are often the most valuable, but on many occasions it’s the transition models…

Benson Model 300H

Wrecking Ball

January 6, 2023 · Dave Hunter

Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and…

Höfner’s Fledermaus Gitarre

A Bat By Any Other Name

May 1, 2022 · Ward Meeker

Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany,…

The Gretsch 6120 Tenor

December 2, 2014 · George Gruhn

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other…