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Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Dave Amato
Collect 'Em and Smile
This year marks Boston-born Dave Amato’s 19th annum with REO Speedwagon. The guitarist moved to California in 1980 and became a working session player before gigging with Ted Nugent, Jimmy…
Rickenbacker 4005
California’s Rickenbacker guitar company has a tradition of things a bit differently. One of the earliest electric guitars was their “Frying Pan” solidbody Hawaiian. And the company’s 1930s Spanish and…
Gibson Goldtops
Molten Mojo, Head-To-Head Vintage Versus Reissue
In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly whipped out his golden Gibson electric guitar. Simple-minded purists howled…
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
The Gibson GA-20
Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a watertight provenance and emerges from a heart-warming backstory. If we…
Gibson 1958-’60 Les Paul Standard
A ’Burst by Any Other Name…
One Thousand, Seven Hundred and Twelve. That’s the number of Les Paul Standards Gibson produced between 1958 and 1960. Amongst guitar collectors, it means there aren’t many seats in the “’Burst Club.”…
Martin 5K
ukulele
The braguinha, forerunner of the ukulele, was a small four-string instrument tuned in fifths. Named after the town of Braga in Portugal, the instrument arrived in Hawaii with the first…
Alternative ’60s Club Classics
Amps Beyond the Everyday
The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are among the all-time classics. But what if you’re looking for…
Gibson’s 17″ Pre-War Electrics
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…
Martin Bodies in the 19th Century
Size matters
Exactly when did C.F. Martin begin formally using the two-part system indicating size and level of ornamentation on his instruments? Nobody knows for certain. Martin was thinking along these lines…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Road to Rock
The Electrifying Sounds of Post-War Guitar
Fans often mark the beginning of rock and roll as either Elvis Presley’s Sun Sessions or Bill Haley & the Comets’ “Rock Around the Clock,” both recorded in 1954. But…
Audiovox and Serenader Amps
An Interview with Bud Tutmarc
We dedicate this month’s column to the “legendary” Seattle line. Having never had the opportunity to play through one or take one apart, we’ll have to let catalog descriptions suffice…
The Fender “Wide-Panel” Twin
While Fender’s high-powered 5F8-A Twin of 1958-’60 (VG, March ’09) has been much raved about in recent years, there’s a lot to be said for a Twin that’s closer to…
30 Most Valuable Guitars
To mark VG’s 30th anniversary, we dig into the 30 most-valuable production guitars.
Supro’s 600R DeLuxe
“The Magic of Concert Hall Sound”
In the early days of reverb, no one was thinking about surf music; they were striving instead to replicate the warm, resonant, live sound of a concert hall. So, when…
Lyon and Healy
So what is it? Its original black-finished spruce top is simply ladder-braced from within, but its back and sides feature Brazilian rosewood with dramatic bookmatched figure. Its unbound 18-fret fingerboard…
A Guide to Vintage Dobros
John Dopyera left National in 1929 to begin work on a secret project – a single-cone resonator guitar he believed superior to the Triolian. His instrument became synonymous with resonator…
B.C. Rich Eagle
When my son was young I used to do “guitar shows” for his classes, showing off 10 or so electric guitars that started with conventional shapes – a Les Paul…
Jack Westheimer
Pioneer of Global Guitarmaking
Ca. ’63 Teisco Model SD-4L. Today we pretty much take it for granted that if you want an inexpensive guitar, you’re going to buy one made in Korea, Taiwan, Mexico,…
Fender’s 1961 Showman
The Show Must Go On
When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s, one of the biggest leaps was in the “piggyback” head-and-cabinet…
Ibanez Overdrives
Versatile tones from the TS line's progenitors
Before Ibanez made the fabled Tubescreamer, the company released two overdrive pedals designed to enhance sustain and distortion at lower volume. The first was simply called Overdrive, the second was…
Alembic Distillate DMSB
1982 Alembic Distillate DMSB. Photo: Bill Ingalls Jr. Active pickups in electric guitars and basses have been around for more than four decades; in 1962, British guitar builder Burns offered…
Vintage Gibson Amplifiers
EH-100 and 125
“No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip cover,…
First to Sunburst
The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in an attempt to outdo Fender’s two-toned Strat, rechristened it the…
Classics: May 2022
“Wild” Jimmy Spruill’s ’66 Fender Jaguar
Wilbert Harrison’s 1959 version of Leiber and Stoller’s “Kansas City” shares space at the summit of all-time blues/pop classics, its guitar part ably handled by New York City session ace…
National Style O
Industrial Art
National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer lies in the state of the guitar as a musical…
Boss MA-1
Spice Up a Small Amp
Normally, when you think of an effect pedal, an image of a stompbox comes to mind; one you step on, or one that performs a dramatic effect on the sound…
The Fender Master Series
Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…
Lyon and Healy
So what is it? Its original black-finished spruce top is simply ladder-braced from within, but its back and sides feature Brazilian rosewood with dramatic bookmatched figure. Its unbound 18-fret fingerboard…
Paul Reed Smith Guitars
The World of Paul Reed Smith
Just after we entered the small, crowded office, the door burst open and an intruder blurted out, “Excuse me. Check this out. Is it right?” The company’s R&D chief handed…
Freddie Green
Artistry in Rhythm
Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…
