• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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Webster-Chicago RMA 375 Model 166-1

Grammy Winner

Modified or repurposed amps generally don’t fit into our monthly discussion here, but some are representative enough of a certain standard to make an exception. Witness this gem from 1952.…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…

1968 Fender Vibrolux Reverb

Silver Serenade

Amplifier collectors swarm to models with descriptors like “first year” and “golden age,” but other types can be far more interesting; a transitional model or amp from a short-lived evolutionary…

Teisco Checkmate 30

Café Culture

In a world where the best riffs often come when one is lounging in the family room, sipping espresso and noodling on a favorite electric guitar, the Teisco Checkmate 30…

Marshall Amplifiers

From Birth to the 21st Century

From the first JTM to models for Clapton and Townshend, Jim Marshall has been building amps since the early 1960s. Though inspired by others, his amps are entities unto themselves.…

G.L. Stiles Solidbody

Every once in awhile, a guitar comes out of left field. In the case of this solidbody electric labeled “Lee Stiles,” the throw came from West Virginia by way of…

Charlie Starr: Open-Tuning Magic on “Azalea”

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45.  It’s just one of the great…

Park Model 1229

Half-Stack Heaven

Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used the sister brand to try a few nifty circuit changes,…

Ibanez Destroyer II

1985 Ibanez Destroyer II DT-250. Photo: Michael Wright. Back in 1958, when Gibson unleashed its now legendary trio – the Explorer, Flying V, and Moderne – its designers probably had…

Ray Benson’s Gibson ES-355

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…

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Gibson Tal Farlow

The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced in ’62, it was based on the ES-350 – the…

The Thompson Tremor Bender

Big Bend

Longtime musician and professional tool-and-die maker Don Thompson recently introduced the Tremor Bender, a retrofit stringbending device for most Fender- and Gibson-style instruments. Thompson’s goal was to make a stringbender…

Martin 000-18HS

The Martin 000-18HS

According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at least three Martin 000-18HS guitars in 1937. Two others have…

Gibson’s Crest Models

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to…

Boggs' Quad

Boggs’ Quad

Four-neck Fender From a Friend

Noted in musical history as one of the players who pushed the steel guitar beyond Hawaiian music to more-complex chording and wild interchanges with Spanish-style electric guitarists, Noel Boggs emerged…

The 1966 Murph Squire II-T

So-Cal Attention Getter

Despite what many enthusiasts believe, there has been only one really significant “lawsuit” that defined a class of guitars – Norlin v. Elger, 1977 – but there have been plenty…

Mark Lettieri’s funky finesse

Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that make him such a great player. Here, he jams on…

Realistic Entertainer-34

As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar amps today. Maybe they were never valued enough to be…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…

Greg Martin’s ’53 Fender Telecaster!

Greg Martin’s ’53 Fender Telecaster

Vintage Guitar magazine Presents Greg Martin's Head Shop

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. Greetings from Kentucky, hope…

FENDER BANDMASTER 5E7

Fender 5E7 Bandmaster

Preamp tubes: one 12AY7, two 12AX7 Output tubes: two 6L6s, fixed biased Rectifier: 5U4G tube Controls: Volume, Volume, Treble, Bass, Presence Output: 28 watts RMS +/- Speaker: three 10″ Jensen…

Dan’s Guitar RX: A New Tool Makes Luthiery Easier

With a Little Help…

I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…

Rickenbacker Electric 12-String

Double-bound for Glory

George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success with musicians came early. Rick steels were the measure of…

Marcelo Barbero Guitars

Twentieth-century guitarmaking legend

Before we start, I need to correct a major blunder in my last installment on Ignacio Fleta (VG, June '99) which was caught by sharp-eyed reader Jim Forderer of Los…

Alive! Guitar Revived

The Tale of Frampton’s ’54 Les Paul Custom

Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…

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Gretsch’s “Golden” Tenors

In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice of popular music. Amplification provided its volume, and innovative artists…

Gibson’s 1966-’70 Flying V

In Detail

Body is two-piece mahogany. Pickguard mounts to body with 13 screws. Pickups are patent-number humbuckers with chrome-plated covers. Tune-O-Matic bridge with Gibson’s basic spring vibrato (a.k.a. Vibrola) tailpiece. Control pots…

Ovation UKII 1291

Rodney Dangerfield of solidbody electric guitars

1980 Ovation UKII 1291 If there’s a Rodney Dangerfield of solidbody electric guitars, it would be named Ovation. For more than a decade, Ovation tried unsuccessfully to leverage its achievements…

Cry, Baby!

The Story of the Vox Wah

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah masterpiece thanks to Junior Marvin and his Thomas Organ Cry…

“Buy That Guitar” podcast with special guest Tommie James

“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli speaks with…