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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Watkins Rapier 33
If you were an American teenager in the late 1950s or early ’60s, and you wanted to play the new…
Vox/Thomas Organ V-14 Super Beatle
Solid Sound
After producing some of the most-iconic guitar amplifiers of the early 1960s, Vox leaned unwittingly into a failing technology –…
Dan’s Guitar RX: Finding An Old Friend, Part 2
What Goes Around…
In the September, issue I told the story of the ’58 ES-335 I sold to my friend, Al, for $225…
The Fender Blender
Extreme Fuzz
When Robin Trower segued from his wah-driven blues-rock riffing into the slowed, deep-blues groove of the second half of his…
Dave Murphy: Acoustic Country!
Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made…
Holy Cripes!
The Story of Jerry Garcia’s Last Guitars
Steve Cripe left a unique legacy in the annals of music history. He was not a guitar player, not a songwriter. In fact, you may not even know his name.…
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records,…
Star Board: Carl Verheyen
In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…
Gibson Humbucker
Crunchy, Clean Dirt
Gibson and Fender may be the longstanding heavyweight rivals of the electric guitar game, but they have one very important thing in common: they revolutionized the guitar industry. Fender took…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Maestro Rover R0-1
The UFO of Rotating Speakers
To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar…
Magnatone X-5 Zephyr
Last Gasp
Ever since Lonnie Mack unleashed The Wham of That Memphis Man and Buddy Holly sang “Peggy Sue,” Magnatone amplifiers have…
Dano Redux
A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he…
Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer,…
Dave Murphy: Acoustic Country!
Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made…
“Buy That Guitar” podcast with special guest Rick Hogue
“Buy That Guitar” podcast with special guest Rick Hogue Season 01 Episode 09 In Episode 9 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Rick Hogue…
1978 Dean Z
The mid 1970s were a turbulent time in guitar history. The American guitar establishment – at least Gibson and Fender – was owned by big corporations that tended to run…
The Murph 12-String
Tugging At Your Heartstrings
Here’s a story that has “Hollywood blockbuster” written all over it. It’s got so many cinematic staples, you can almost hear “Oscar” murmured in hushed tones. There’s the Holy Grail…
1944 Martin 00-28
This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007,…
Beat Portraits: Burns Volume 2
The Black Bison Leads the Herd
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Etched in Time
“Signature” Gibsons from the Early Days of Cable
In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television…
Gretsch’s “Golden” Tenors
In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice…
Eko’s “Celluloid” ’60s Basses
Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products…
Cole Eclipse Pro Special
Straight-from-the-catalog instruments are fun – and reassuring – because you know exactly what you’ve got. But there’s another kind of…
