• Classics: Jeremy Graf’s 1961 Fender Stratocaster

    Classic Instruments

    Classics: Jeremy Graf’s 1961 Fender Stratocaster

    A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That

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  • Dave Murphy: Acoustic Country!

    Dave Murphy: Acoustic Country!

     Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album.…

  • Round-Up Range

    Round-Up Range

    Rolling on a Post-Pandemic Project

    Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…

The Cost of Protection

100 Years of Instrument Cases

July 10, 2018 · George Gruhn

Modern guitars are typically sold with a hard case. But that wasn’t always so. Here, we look at the history…

VG Q&A: ’71 Mahogany Precision?

Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono

June 5, 2025 · George Gruhn

I have a Fender Precision Bass with a 1971 neck date and serial number 296XXX, and I’ve always suspected the…

J.D. Simo

Playing for Elvis

July 13, 2023 · Oscar Jordan

Psych-blues guitar maestro J.D. Simo was the wizard behind the guitar work heard on Elvis, the new Baz Luhrmann film…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

April 8, 2024 · Michael Wright

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the…


Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

Fender Jazz Bass

“Stack-knob” is a catch phrase that for decades has perked the ears of collectors; these relatively rare examples of the earliest Fender Jazz Bass are among the first electric basses…

Classics: July 2022

Jack Jones Doubleneck

In November of 1954, 16-year-old Jack Jones walked into a Seattle pawn shop and noticed a strange doubleneck guitar. “It was like a magnet – I knew it was meant…

Martin 000-30

When a guitar maker introduces an innovative new feature at the same time an appealing, existing feature is being discontinued, the result can be a rare configuration of specifications. Although…

VOXAC50-HOME-MAIN-BIG

Vox AC50

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS,…

  • Walter Becker’s Bogner Ecstasy 100B

    In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his” amplifier home. Whether it was Fender’s tweed creations, early Marshalls, or the first generation of Mesa/Boogies, most revolutionary new amp designs have found stars lining…

  • Yamaha Weddington Custom

    Yamaha Weddington Custom

    A Better “Classic”

    In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…

Rickenbacker 481

November 24, 2020 · Michael Wright

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we…

Chordal Colorations

Iconic Axes of Different Hues

October 3, 2015 · Michael Dregni

Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in…

Fender Deluxe Reverb

Vintage Guitar magazine Hall of Fame 2011 Instrument

October 20, 2014 · Ward Meeker

In the June ’07 issue of VG, amp profiler extraordinaire Dave Hunter said of the Fender Deluxe Reverb, “If guitarists…

Tommy Castro

Circling Back

December 12, 2025 · Ward Meeker

In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his…


Yamaha Image

Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it, in many ways that description fits Yamaha guitars. Whether you…

United Guitar Corporation

United They Stood…. A Jersey City Tale

The history of the United Guitar Corporation, which unfolded in Jersey City, just over the river from the glitter of New York, is one of the great obscure stories in…

Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?

And Not-So-Strange Variations on an ’87 LP Standard

I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m about to put it together, and am wondering if what…

Hallmark Swept-Wing

Brief Flight from South of Bakersfield

Bob Shade exemplifies the adage “Imitation is the sincerest form of flattery.” The guitar builder has an enviable assortment of ’60s Hallmark guitars and basses, and they’ve inspired his own…

Classics: January 2023

Jay Mitzner’s ’53 Gibson Les Paul.

Overhearing his 13-year-old son noodling on a beginner guitar in his bedroom one day in 1958, it occurred to Murray Mitzner that the boy was not only passionate about the…

National Bel-Air, Photo courtesy George Gruhn Big thmbnail

National Bel-Air

The idea of Gibson providing guitar parts to another prominent guitar maker is laughable today, but in the 1940s and ’50s, relationships were cozier between some of the major instrument…

  • Classics: January 2024

    Classics: January 2024

    Bill Woodward's 1953 Gibson Les Paul

    Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of the earliest Les Pauls, this ’53 was purchased new (along with a matching Les Paul amp, at Charles E. Wells Music Company) by Bill Woodard,…

  • Prototypes and Pathfinders

    Prototypes and Pathfinders

    Five Amps That Set the Tone – Or Hoped To

    Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…

Epiphone Riviera

August 28, 2022 · George Gruhn and Walter Carter

The Epiphone Riviera helped reinvent Epiphone in the 1960s as a modern guitar company whose instruments sported such contemporary features…

Kevin Keaton’s 1958 Esquire

Swamp Thing

June 17, 2022 · Ward Meeker

June 10, 2020, was a summer night like most in the life of Kevin Keaton, a postal mail carrier and…

Philip Sayce – Strat monster!

March 12, 2024 · Vintage Guitar

Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running…

The Fender Master Series

April 16, 2018 · Gary Koehler

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And…