• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

    Read more >>

  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Tony Mottola

Mr. Big, Guitar Pioneer

June 12, 2025 · Jim Carlton

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands…

Alternative ’60s Club Classics

Amps Beyond the Everyday

August 26, 2025 · Dave Hunter

The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are…

VG Q&A: Odd Dots

Import fretboard markers, and Kay’s Model 1961

April 8, 2024 · Michael Wright

In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the…

1961 Fender Bassman

Blond Ambition

November 16, 2022 · Dave Hunter

1961 Fender 6G6(A) Bassman • Preamp tubes: four 7025 (12AX7) • Output tubes: two 5881 (6L6GC) • Rectifier: GZ34 tube…


Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?

And Not-So-Strange Variations on an ’87 LP Standard

I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m about to put it together, and am wondering if what…

The España 6/12 Doubleneck

More is always better, right? Eleven is better than 10 on an amplifier, three pickups are better than two, and so on! That’s the promise of the seven-string. So when…

Nioma Guitars

Rarities from a West Coast Music School

NIOMA musical instruments from the 1930s and ’40s – with their vaguely Hawaiian-looking name – have mystified vintage-guitar enthusiasts over the decades when they’ve occasionally surfaced in retail shops and…

Daion Headhunter HH-555

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…

The Oud

The Oud

Ancient to Modern

If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Martin OM-18 and 000-28

March 13, 2014 · Bill Bush

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions…

New Lease on Life

The Sound of Rock Gets a Brush-Up

April 30, 2021 · Dave Hunter

If restoring dusty, neglected old tube amps built more than half a century ago isn’t challenging enough, restoring amps with…

Fender Princeton feature

The Fender Princeton

January 27, 2011 · Dave Hunter

1962 6G2 Fender Princeton Preamp tubes: One 7025, one 12AX7 Output tubes: two 6V6GT in fixed bias Rectifier: 5Y3 Controls:…

Beat Portraits: Burns Volume 3

Backbone Instruments 1962-’64

January 31, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…


Marshall 2100 Lead & Bass

Rock Breaker

Adescendant of the legendary “Bluesbreaker” combo that helped launch the cranked-Marshall sound into the annals of rock, the 2100 combo is also one of the rarest post-plexi models – and…

Fender’s Musicmaster and Duo-Sonic

Little Brothers

Often forgotten amongst Fender’s many classics, the Musicmaster and Duo-Sonic were conceived to capitalize on teenagers taking up the guitar in droves as Bill Haley and the Comets’ “Rock Around…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

Classics: November 2023

Al Caiola’s Gretsch Prototype

Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by TV and movie themes played by Al Caiola emanating from…

Small Screen, Big Pickin’

Crew Strives to Keep it Real on “Nashville”

It’s not often that prime-time network television captures an audience of working class, professional musicians. In 1968, players watched Elvis Presley and Scotty Moore swap their Gibson SJ-200 and a…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

1939 Gibson Super 400 Premier

February 28, 2017 · George Gruhn

The Gibson Super 400 debuted in 1935 as the first production-model 18″ archtop guitar with f-shaped sound holes; 30 years…

Park Model 1229

Half-Stack Heaven

August 15, 2024 · Dave Hunter

Vintage Park amplifiers have long offered happy hunting for those seeking stealthy “Marshall in disguise” kicks. But the maker used…

Fender’s “First-Gen” Strat

August 9, 2016 · George Gruhn

The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction…

Harmony H27

Fancier Than You May Think

July 1, 2020 · Willie G. Moseley

“The H27 was fanciest semi-hollow bass ever offered by Harmony.” During the guitar boom of the 1960s, the Chicago-based Harmony…