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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
The Collings SoCo Deluxe
Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…
Dallas Rangemaster and Scala Combos
Texas Two Step
Fascinating also-rans, C-list classics, or both, the amps manufactured by London-based Dallas Music Ltd beginning in 1959 tie directly to…
Star Stomps
Famous Sounds Abound in New Book
Stompboxes inspire their own special mania. While the allure of guitars is obvious with their colorful, curvaceous looks, effects are…
Gibson Style J Mando-bass
Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that…
Sound City L/B 120 Mark IV
Preamp tubes: three ECC83 (12AX7), one ECC81 (12AT7, in the phase inverter) Output tubes: six EL34 Rectifier: solidstate Controls: Normal Volume, Brilliant Volume, Bass, Middle, Treble, Presence Output: approximately 120…
Thomm Jutz plays “Come All You Fair And Tender Ladies”
Flatpicked English folk with an Appalachian touch Sparse and haunting, Thomm Jutz and his ’48 Martin D-18 share a solo take on “Come All You Fair And Tender Ladies,” from…
Alvino Rey’s “Mini” Gibsons
Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists, sometimes by request, other times to lure a potential endorser.…
KayKraft Style A
Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history to the history of guitar evolution to the kind of…
1942 Martin D-45
The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and collectors debate whether it’s the “best guitar ever made,” in…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Martin Elegant, a.k.a. “Lula”
It’s an extraordinarily rare event to find a high-grade, historically significant mid-1800s guitar in a pawn shop, but that is…
Fender’s “First-Gen” Strat
The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction…
Guild S-200 Thunderbird
Back in 1958, when Gibson introduced its revolutionary Explorer, Flying V, and mysterious Moderne, the public – rather like Queen…
In Detail: Gibson’s 1954-’58 Les Paul Junior
In 1952, Gibson’s Les Paul model guitar was brand spanking new. But it wasn’t cutting-edge. True, it was the company’s…
Popa Chubby’s Dangerous Attitude
NYC blues beast rips on “I Don’t Want Nobody A fixture in New York City blues joints and familiar face in others worldwide, Popa Chubby melds blues-rock with punk-rock immediacy.…
Peter Green
A Guitar For Greeny
Establishing the provenance of a vintage guitar can be a daunting task, even for a seasoned pro. In the case of one particular 1960 Gibson Les Paul Standard, the investigation…
The Gibson GA-20
Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a watertight provenance and emerges from a heart-warming backstory. If we…
Brian Setzer
What a Dude Does
You can’t keep an iconic rocker down. Brian Setzer’s The Devil Always Collects is his first album in more than two years. Featuring the Grammy winner’s trademark rockabilly fire, it’s…
Rosalie Allen’s SJ-200
Trophy Flat-Top
On the pages featuring the Super Jumbo 200, Gibson’s 1940 catalog trumpeted, “This king of the flat-top guitars was especially created for professional entertainers who want an instrument adaptable to…
The Marshall Major
Force Commander
Any player who shows up these days with a 200-watt guitar amp will elicit a hearty, “Are you out of your mind?” But when the Marshall Major came along 50…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Larry Campbell and Teresa Williams: Funky Syncopation
Fine pickin’ on “The Way You Make Me Feel” Husband-and-wife team Martin D-18, while Teresa comps on an Emmylou Harris…
Gibson EB-4L
Right Ideas, Wrong Era
The antennae of many guitar collectors/enthusiasts pop up when they encounter a Gibson-made instrument bearing a six-digit serial number with…
Heil Talk Box
When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an…
Watkins Rapier 33
If you were an American teenager in the late 1950s or early ’60s, and you wanted to play the new…
