• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Paul Benjaman: Tulsa twanger

August 27, 2024 · Vintage Guitar

Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves…

Fender’s 5E7 Bandmaster

December 26, 2017 · Dave Hunter

There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in…

How Ron Wood’s New Barbarians Saved the Stones

Ear-to-Ear Violence

January 5, 2018 · Michael Dregni

Today, the Rolling Stones continue to perform live, more than 50 years since their first gig. But few realize how…

Veillette-Citron Shark

December 19, 2025 · Michael Wright

It’s not often a guitar can be said to have been inspired by a TV show, but that is the…


Ken Fischer

1945-2006

Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will be remembered as one of the most authoritative and intuitive…

The Vox/Thomas Organ V-8 Berkeley Super Reverb

Organ Transplant

Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the early 1960s transmogrified into disappointing solid-state Vox-in-name-only creations from the…

The Story of Nudie’s Mosrite Mandolin

In the mid 1970s, Kosmo and Kathy Cominos collected knives, jukeboxes, wristwatches, etc… But their favorite finds were celebrity-associated musical instruments like this unique Mosrite mandolin, built for Nudie Cohn,…

100 Years of Boston’s MFA

Playable Exhibits

Musical instruments – guitars – present an interesting philosophical dichotomy. On one hand, they’re utilitarian objects whose very purpose – arguably their only purpose – is to create art, to…

1961 Fender Bassman

Blond Ambition

1961 Fender 6G6(A) Bassman • Preamp tubes: four 7025 (12AX7) • Output tubes: two 5881 (6L6GC) • Rectifier: GZ34 tube • Controls: Bass channel: Volume, Treble, Bass; Normal channel: Volume,…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

February 3, 2016 · George Gruhn

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade…

GRETSCHBURST-HOME-MAIN-BIG

Horses of Another Color

March 7, 2014 · Edward Ball

1) This ’57, from batch 253xx, has the added intrigue of a gold G-cutout tailpiece in place of the Bigsby…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

January 10, 2023 · Lynn Wheelwright

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the…

Beat Portraits: Burns Volume 6

1964: Nu-Sonics and Transistor Trials

February 7, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…


National Style O

Industrial Art

National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer lies in the state of the guitar as a musical…

Martin 00-42 Special

It has all the appoint-ments of a Martin 00-45, particularly the abalone pearl trim around all the borders of the body, but this guitar is entered into Martin’s books as…

BAKERSFIELD-HOME-MAIN-BIG

Basses from Bakersfield

The history of guitar manufacturing in the Bakersfield area of California includes names like Mosrite, Hallmark, and Standel. One of the most unusual (and rare) was the Gruggett Stradette. Guitar…

Steve Dawson and his Tricone, “Singin’ the Blues”

Roots Artists Expands the Genren The wildly talented Steve Dawson uses a modern National Tricone for this take on “Singin’ the Blues,” then offers a look at his Celtic Cross…

Classics: Mike Semrad’s ’57 Gibson Les Paul Custom

Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his…

The Fender Tremolux

Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

The Fender Stratocaster

Aiming High

July 5, 2017 · Richard R. Smith

In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender…

1962 Gretsch Country Gentleman Custom

Atkins Oddity

April 6, 2023 · Peter Stuart Kohman

By the early 1960s, the Fred Gretsch Company was riding high with an array of eye-catching electric guitars highlighted with…

Recording King Ray Whitley

April 16, 2015 · George Gruhn

As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company…

“Buy That Guitar” podcast with special guest Larry Wexer

August 20, 2024 · Vintage Guitar

“Buy That Guitar” podcast with special guest Larry Wexer Season 01 Episode 07 In Episode 7 of “Buy That Guitar,”…