•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Nick Moss – clean and tasty on “Scratch N Sniff”

October 27, 2023 · Vintage Guitar

Instro-rock, fully greased Get ready to have your funtime socks knocked off, ‘cuz this exclusive Nick Moss run through “Scratch…

2021 Readers’ Choice Awards

May 24, 2022 · Vintage Guitar

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along…

Jabo, Vince, and Broadcaster 0048

Special Addition

September 9, 2022 · Rich Kienzle

It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about…

The Strat in Transition

Leap Forward, Step Back

April 22, 2019 · George Gruhn

Believing the long-term survival of his company hinged on creating the world’s best electric guitar, in 1953, Leo Fender set…


Paul Benjaman: Tulsa twanger

Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves up funky stew with bayou bite. Here, he plays the…

Epiphone Riviera

The Epiphone Riviera helped reinvent Epiphone in the 1960s as a modern guitar company whose instruments sported such contemporary features as thinline, semi-hollow, double-cutaway bodies and humbucking pickups. In the…

Vahdah Olcott-Bickford and the Martin Style 00-44G

Special Signature

Of the nearly 200 artists who have been granted a “signature” Martin guitar, only one was given their own style number. It wasn’t Clapton. It wasn’t Cash. Rather, it’s Vahdah…

1963 Fender Twin Reverb Prototype

1963 Fender Twin Reverb Prototype

The Twin has long been the flagship of Fender’s high-wattage amp lineup, and it achieved/retained that status through several iterations in the company’s formative years. In the October issue, we…

The Rickenbacker B14A

Silver Service

  For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember, the brand evolved out of the first company founded entirely…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Classics: March 2022

Chris Leuzinger’s 1952 Gibson Les Paul

November 17, 2022 · Vintage Guitar

If your radio was tuned to a country station even for a few minutes anytime in the last 30 years,…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

February 3, 2016 · George Gruhn

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

January 19, 2015 · Ward Meeker

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was…

Gretsch 6134 White Penguin

March 12, 2014 · George Gruhn

There’s no doubt the White Penguin is one of the rarest Gretsch instruments. It is estimated that no more than…


First to Sunburst

The Origin of a Famous Finish

Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in an attempt to outdo Fender’s two-toned Strat, rechristened it the…

The Leilani Lap Steel and Amplifier

You can receive more great articles like this in our twice-monthly e-mail newsletter, Vintage Guitar Overdrive, FREE from your friends at Vintage Guitar magazine. VG Overdrive also keeps you up-to-date…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…

1982 Gibson Victory Custom

When you consider their status as a last-gasp instrument made by Gibson in its waning days as a property of Norlin Industries, the ironically dubbed “Victory” series of guitars and…

Classics: September 2022

Danny Gatton’s ES-295

Glenn Holley was just five years old when he became infatuated with the sound of rockabilly music thanks to Elvis Presley. “By 10, I had more than 30 of his…

1944 Martin 00-28

This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007,…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Beat Portraits: Burns Volume 6

1964: Nu-Sonics and Transistor Trials

February 7, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

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Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

January 2, 2017 · Andre R. Duchossoir

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s…

Jay Geils

Blues and Archtops

July 6, 2023 · Tom Guerra

If you grew up listening to music in the ’70s, you probably associate the name J. Geils with a five-piece…

Classics: January 2023

Jay Mitzner’s ’53 Gibson Les Paul.

September 20, 2023 · Ward Meeker

Overhearing his 13-year-old son noodling on a beginner guitar in his bedroom one day in 1958, it occurred to Murray…