• The Electra Endorser

    Classic Instruments

    The Electra Endorser

    Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…

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Zemaitis Acoustic Bass

1972 Zemaitis fretless acoustic. To say Tony Zemaitis made eye-catching instruments would mean uttering one of the great understatements in modern luthiery. A cabinetmaker of Lithuanian heritage, Antonio “Tony” Zemaitis…

Gibson’s “SG” Les Paul

Classic Shape That Filled Big Shoes

In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new…

The Valley Arts Custom Pro Bass

Keeping the Arts Alive

In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

The (Way) Back Beat: Top O’ The Line, For Only $150!

The Immortal Danelectro Guitarlin

Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that…

Mossman Guitars

Triumph over Tragedy

The story of Mossman guitars is one of both tragedy and triumph. Often forgotten in the rejuvenated interest with acoustic guitars of the 1990s, Mossmans are best known for their…

Ibanez MC500 Musician

Ibanez MC500 Musician. Ahhh, the late 1970s… While many vintage guitar enthusiasts disdain the guitars from the “Me Decade” in favor of undeniably cool classics from the 1950s and ’60s,…

Popa Chubby’s Dangerous Attitude

NYC blues beast rips on “I Don’t Want Nobody A fixture in New York City blues joints and familiar face in others worldwide, Popa Chubby melds blues-rock with punk-rock immediacy.…

Standel 400S

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…

Selmer Truvoice

Selectortone Automatic

Selmer Truvoice Selectortone Automatic, ca. 1961 Preamp tubes: one ECC83, two EF86 Output tubes: two EL34, cathode-bias Rectifier: GZ34 Controls: Channel I: Volume, Tone. Channel 2: Volume, Tone, six pushbutton…

Gibson Les Paul Spotlight Special

Unlocking the Mystery

It was 1983, and Gibson was in the throes of its darkest days. Norlin Industries, Gibson’s parent company at the time, had incurred excessive debt, sales had fallen 30 percent…

The Airline GIM 9151A

After The Fall

1970 Montgomery Ward Airline GIM 9151A Preamp tubes: three 12AX7 Output tubes: four 6L6GC Rectifier: solid-state Controls: Volume, Treble, Bass     on each of two channels Output: approximately 40…

National Westwood and Glenwood

'60s Alt-Materials Make Short Run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…

The Fender “Korinacaster”

Double-Cut Kuriosity

There’s irony in the fact that Leo Fender, creator of the first solidbody electric guitar to be mass-produced, wasn’t the adventurous sort. Rather, history tells us he was a pragmatic,…

Mick Taylor’s ’58 Les Paul Standard

The Ya Ya’s Out!

Hard-edged face of the British Invasion, the Rolling Stones introduced the world to the implements, trappings, and accessories of rock-and-roll superstardom. With help from radio, television, and teen ’zines, the…

Star Board: Carl Verheyen

In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…

Martin D-1

Not Your Typical Martin

Over the years, I’ve tried to include instruments in this column that were functional and affordable. Occasionally, we’ve lucked out and found spectacular instruments that offer more than your money’s…

Freddie Green

Artistry in Rhythm

Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

The Gibson Les Paul Model

Its official name – Les Paul model – doesn’t do it justice. After all, Gibson has made over a hundred different Les Paul models through the years. But call it…

“Buy That Guitar” podcast with special guest Alan Greenwood

Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the…

Forty Quid of Klunk

Tales of the Harmony Bass

Duh-Duh-Duh-Duh-Duh, Klunk! It’s not the most artful musical introduction, but it was effective. And by the time a screaming Hammond organ slides in over the pounding bass-and-drums, most listeners are…

Beat Portraits: Burns Volume 2

The Black Bison Leads the Herd

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Martin F-9

1939 Martin F-9. Photo: Kelsey Vaughn, courtesy Gruhn Guitars. One of Martin’s most successful innovations of the 1970s arose, ironically, from one of the company’s least successful ventures of the…

’72 Marshall “NARB” Tremolo 100

Mirror Image

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet…

Hornby Skewes Zonk Machines

Hornby Skewes Zonk Machines

Fuzz Bonk

In 1965, fuzz was the “it” sound. Guitarists had recorded with fuzz before, of course, but after Keith Richards plugged into a Maestro Fuzz-Tone on “(I Can’t Get No) Satisfaction,”…

NGM Visits Texas

Nearing Permanent Home, Museum Honors Raitt

“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The Honky Tonk Gods.” And though he was referring to the…

Quest for Volume

Django Reinhardt's Selmer #503

Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de France was starting to make waves, Django first began using…

Manuel Ram

Classic Fakery: Manuel Ram

Gibson Top Tension Banjos

  Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Kendrick 2210

Big things come in small packages

The shipping box reads “Delicate Instrument,” but don’t let that fool you. The Kendrick 2210 is delicate in same way that a surgical scalpel or nitro glycerine are. With explosive…

1938 Supertone Gene Autry Roundup

In the depths of the Great Depression, people turned to entertainment for distraction. Not that there was much to be had when cash was in short supply, but two inexpensive…