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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
The Fender Blender
Extreme Fuzz
When Robin Trower segued from his wah-driven blues-rock riffing into the slowed, deep-blues groove of the second half of his…
Classics: November 2021
Gibson Les Paul Personal
Billy Soutar loves the vibe of his 1969 Les Paul Personal and matching LP-12 amp. While the guitar’s mahogany body,…
The Leo Krebs Tape Echo Amplifier
Twenty-Three and Thee
If you have no recollection of the revolutionary amplifier with 19 knobs, 23 tubes, and built-in tape echo created by…
The ’66 Vox UL 730
Beatle Juice
Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the…
Wild Rabbit Salad’s “Postcard From Houston”
Eclectic sounds from Marietta and Bucky Roebuck Wild Rabbit Salad’s “Postcard From Houston” Bucky and Marietta Roebuck of Wild Rabbit Salad indulge us with an intimate run through the title…
’39 Gibson EH-185
Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…
Prototypes and Pathfinders
Five Amps That Set the Tone – Or Hoped To
Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination…
Doublenecks, Triplenecks…
And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is Jimmy Page playing his Gibson EDS-1275 with Led Zeppelin, or…
Dan’s Guitar RX: Building a From-Scratch Class Project
Rock-And-Roll High School(er)
Students at Federal Hocking High School here in Athens County, Ohio, are given the opportunity to propose internships in work that interests them. Ceil Thompson, a 17-year-old junior who has been…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
MIM Hosts Stephen Stills and Ushers in Dragons and Vines Exhibition
On November 5th, Phoenix, Arizona’s Musical Instrument Museum (MIM) celebrated the opening of their newest exhibition, “Dragons and Vines: Inlaid…
Ray Cummins – I’ll See You In My Dreams
Ray Cummins Plays the 1956 Gretsch Chet Atkins 6120 prototype “Dark Eyes” VG ace online tutor Ray Cummins uses the…
George Benson
Breezin’ With The Boss of Jazz Guitar
Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped…
Epiphone Excellente
Sonny James' Epiphone Excellente
The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best.…
Hangin’ with Kid and Lisa “Little Baby” Andersen
Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues…
Stromberg Master 400
Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and possess a sound epitomized by a power and projection unsurpassed…
Microphones and Their Uses
The Art of Home Recording
The means to make high-quality home recordings are well within the grasp of every guitarists. But, they can only as good as what you put in. We dig into the…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through a Marshall, or jazz through a Roland – every player…
Rickenbacker 325
A Pop Icon and His Beloved Axe
Details In 1962, the Ac’cent Vibrato replaced the original Rick’s standard Kauffman unit, which was derived from a nearly 30-year-old design – and notorious for taking the guitar out of…
Kramer Aluminum-Neck Basses
When it entered the music-instrument market in 1976, Kramer Guitars made a big splash with an aggressive marketing campaign, big-name endorsers, and – most importantly – an improved approach to…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Beyond the Parlor
Part Three: Women
Ed. Note: In the final installment in his series on the guitar in 19-century America, Tim Brookes offers a study of several…
Classics: October 2022
Eddie Quinn’s Gibson L-5
Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind…
Magnatone X-5 Zephyr
Last Gasp
Ever since Lonnie Mack unleashed The Wham of That Memphis Man and Buddy Holly sang “Peggy Sue,” Magnatone amplifiers have…
Fender‘s 50th Anniversary Strat
Height of the Reissue
In celebration of the 50th “birthday” of its famous Stratocaster model, Fender has taken the reissue concept to new heights.…
