• Jon Butcher’s psychedelia mastery

    Classic Instruments

    Jon Butcher’s psychedelia mastery

    Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…

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The Fender Master Series

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…

Ralph Novak

Philosophy of the Luthier

I first met Ralph Novak in 1980, when he was working at Subway Guitars in Berkeley, California. I’d assembled a kit Strat and it needed a refret. My monstrosity was…

Walter Becker’s Bogner Ecstasy 100B

In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his”…

Steve Wariner’s ’62 Fender Jazz Bass

An eye-popping collectible in its own right, this Olympic White ’62 Fender Jazz Bass scores a few points higher on the scale not only because it has been in the…

In Detail: Gibson’s 1954-’58 Les Paul Junior

In 1952, Gibson’s Les Paul model guitar was brand spanking new.  But it wasn’t cutting-edge. True, it was the company’s first solidbody electric guitar, and thus earned a bit of…

Star Board: Carl Verheyen

In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…

David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

J.D. Simo

Playing for Elvis

Psych-blues guitar maestro J.D. Simo was the wizard behind the guitar work heard on Elvis, the new Baz Luhrmann film starring Tom Hanks and Austin Butler. Unlike the actors who…

GIBSON F-7 1934

1934 Gibson F-7

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole.…

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Traynor YBA-2 Bass Mate

Canadian amp maker Traynor gets a lot of respect in some circles for turning out solid, good-sounding tube amps that are built with quality components and, in many cases, can…

VOXAC50-HOME-MAIN-BIG

Vox AC50

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS,…

Audiovox Electronic Bass

Discovered! The World's First Electric Bass Guitar

While there have been lively debates raging in the rare instrument community for many years about any number of puzzling early guitars – not to mention the perennial issue of…

The Gringo Pistoleros’ Larry Wilson

Classic P-90 tones! The Gringo Pistoleros’ Larry Wilson shows us a bit of “I Can Still Remember When,” from the group’s album, “Echoes and Other Songs: The Rise And… Subsequent…

Dan’s Guitar RX: A 1955 Gibson Touch-up

Team Effort.

 To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul…

Gibson’s Mastertone Banjos

Gibson’s Mastertone Banjos

This Gibson RB-3 five-string from 1925 is a rare piece, as is any five-string banjo from the era dominated by tenor banjos. But it’s more important as a representative of…

Tim Scheerhorn Dobro

"New School"

The list of folks who use Tim Scheerhorn’s guitars reads like a who’s who of resonator and slide guitarists. Jerry Douglas, Mike Auldridge, Sally VanMeter, Rob Ickes, Ben Harper, Phil…

Veleno Original

1974 Veleno Original, serial number 90. Photo: Michael Wright. Electric guitars have their roots in resonator guitars made with metal bodies and aluminum resonator plates – the first commercially successful…

Fender Coronado XII Wildwood

Instrument Profile

Sex, drugs, and rock and roll. Yea, baby! Okay, to be honest, there’s no real evidence that this 1967 Fender Coronado XII Wildwood was ever associated with sex or rock…

National Westwood and Glennwood

'60s Alt-materials Make Short run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…

Supro Resophonic FolkStar

Fiberglass. In 1961, it was a space-age material; lightweight, easy to mold, and super strong, it could be used for just about anything. Back then, neighborhood kids who liked guitars…

Echoplex, Part I: Pre-Echoplex Days

Don Dixon and Mike Battle

Don Dixon, Guitar Player Seeing the name Don Dixon, many think, “Producer for R.E.M., Smithereens, etc., recording artist, husband of songbird Marti Jones.” All correct. But when that Don Dixon…

Mosrite Basses

The Golden Decade: Ventures and Beyond

Mention the Ventures to a pop-music aficionado and the conversation will likely focus on the surf-music phenomenon of the early 1960s or – if that person also happens to be…

The G&L El Toro

At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point,…

Masco MAP-15

1946 Masco MAP-15 Before Leo Fender’s rise to prominence, which is to say, before anyone knew what the Platonic form of the electric guitar amplifier would ultimately be, a broad…

Fender’s Tweed-to Tolex Transition

Best Face Forward

Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…

Dan’s Guitar RX: Rock-And-Roll High School(er)

Building a From-Scratch Class Project, the Conclusion

In my November ’22 column, Ceil Thompson’s class-project guitar was nearing completion – the lacquer coats were applied and, after it cured for two weeks, she was ready for final…

Gibson L-10

Photo: Kelsey Vaughn. Instrument courtesy George Gruhn Gibson did not put the L-10 on a price list until 1931, but according to the serial number on this example, the company…

Audiovox and Serenader Amps

An Interview with Bud Tutmarc

We dedicate this month’s column to the “legendary” Seattle line. Having never had the opportunity to play through one or take one apart, we’ll have to let catalog descriptions suffice…

David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

Green Amps

Turning America Green

It hit Joel Wheeler in a flash of white light, a memory fried extra crispy into his brain. Just how you’d picture an epiphany to be, right? A random sentence…