• Webb Wilder’s take on “Beautiful Delilah”

    Classic Instruments

    Webb Wilder’s take on “Beautiful Delilah”

    “Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…

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“Buy That Guitar” podcast with special guest Alan Greenwood

Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the…

Classics: October 2023

Michael Bloomfield 1963 Fender Stratocaster

Antonio Mazzara’s passion for music started at age 10, when he started playing a nylon-string classical guitar before moving up to a sunburst ’72 Strat and a ’68 Princeton Reverb…

Martin EB-18

Circa 1980 Martin EB-18, serial #3443. Photo: VG Archives. Instrument courtesy of The Music Shoppe. The musical instrument business is replete with examples of companies venturing into alternate and extraneous…

SCOTTY MOORE's GIBSON ES-295 Vinatge guitar Magazine

Scotty Moore’s Gibson ES-295

First Guitar of Rock and Roll

Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…

Hilary Gardner returns with a fresh take on a holiday classic!

Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy…

Tyler Morris – 1963 Fender Stratocaster

Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!

Joe Long’s “stack-knob” Fender Jazz Bass

If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s Fender Jazz Bass catches your eye. And “lefty” versions are especially intriguing, given their rarity. The…

Epiphone Crestwood

’60s Un-Gibson Solidbody

Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge was to design a new solidbody instrument that could be…

Fender Palomino

Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts for, say, a Popeye and Olive Oyl set? “Spinach Special?”…

Univox Uni–Fuzz & Super–Fuzz

Univox Uni–Fuzz & Super–Fuzz

Full, Fat Fuzzzy

Pete Townshend sent many a guitar and amp to an early grave. But there’s no known evidence of him doing the same with effects pedals. Never mind that spearing a…

Yamaha SA-15

Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should…

Gibson R&D Electric Guitar

Crude Beginnings

Alvino Rey and the prototype lapsteel he has kept for more than 61 years. Photos: Lynn Wheelwright Talk about skeletons in your closet!! Believe it or not, this is the…

Paul Reed Smith Guitars

The World of Paul Reed Smith

Just after we entered the small, crowded office, the door burst open and an intruder blurted out, “Excuse me. Check this out. Is it right?” The company’s R&D chief handed…

Tom Petersson’s Gretsch 12-string Basses

Tricked-Out Trio

Cheap Trick fans are aware of his contribution to the band’s songs, but few know he actually invented the 12-string electric bass and has been using one since 1977 to…

Fender’s 1957 Precision Bass

Fender’s 1957 Precision Bass

When an instrument maintains the same basic design and profile for more than a half-century, it’s safe to say that in terms of design and execution, it was “done right.”…

Gibson Post-WWII

Amps

Introduction In its first 40 years of corporate rule, Orville Gibson’s lutherie developed into a manufacturing giant, expanding to meet the needs of mandolin orchestras popular before World War I,…

The RFT 12AX7

The Righteous Flame-throwin’ Tube

“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there is a simple solution…” Those who plug into Fender amplifiers…

Revisiting The Jazzmaster

While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster – Fender’s top-of-the-line guitar when it was introduced in 1958. Then,…

Vox Guitars Invade America

From Dartford to Sepulveda

The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the 1964 British invasion, Vox even displaced Fender for a time…

Jeff Plankenhorn’s “Alone At Sea”

Tasty slide on a square-neck Oahu Singer/songwriter Jeff Plankenhorn’s music is a rootsy mix that embraces blues and pop while dodging categorization. Here, he and his vintage square-neck Oahu offer…

Standel Amplifiers

Recapturing the Classic Sound

Contrary to what some fledgling vintage guitar and amplifier enthusiasts may think, amplifier brands other than Fender were made in California during the ’50s, the decade some consider the golden…

Yamaha Weddington Custom

A Better “Classic”

In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a…

'39 Gibson EH-185

’39 Gibson EH-185

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble Speakers: one 12″ field-coil speaker Output: approximately 20 watts RMS…

Fender Aluminum

Aluminums Unwrapped

Part of the guitar collector’s creed (an unwritten, unofficial entity, to be sure) includes axioms such as “Beauty is in the eye of the beholder,” or “The right to pursue…

A.J.’s 1950 Fender Broadcaster

$10 at a time

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we…

Q&A With George Gruhn: Formica Pickguard on an Early Les Paul?

And Not-So-Strange Variations on an ’87 LP Standard

I’ve just completed restoring a very early Les Paul that was horribly damaged and poorly repaired, then painted black! I’m about to put it together, and am wondering if what…

Gibson Grenada Five-string

Gibson Grenada Five-string

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on the sound and style of bluegrass music after joining Bill…

National Westwood and Glennwood

'60s Alt-materials Make Short run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…

Doc Buffington’s ’48 Fender Pro Amp

Gold Bond

Ever plugged into a well-played vintage combo, run your hands over its road-worn tweed covering – scuffed to a cashmere-like texture – and thought, “If only this amp could talk”?…