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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Gibson EB-2
Kalamazoo’s Biggest Bass Innovation?
In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market…
Duane Eddy
Of DeArmonds and Details
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang…
Last ’Burst?
Single-Cut Saga From the End of an Era
Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny,…
Classics: January 2023
Jay Mitzner’s ’53 Gibson Les Paul.
Overhearing his 13-year-old son noodling on a beginner guitar in his bedroom one day in 1958, it occurred to Murray…
Pieces of a Prototype
Secrets of a Socal "Parts" Guitar
If you were a guitar – particularly one with a natural or translucent finish – your “fingerprint” would be the grain of the wood used to make your body. …
Fender’s “First-Gen” Strat
The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction in 1954, no other electric has outsold its archetypical design.…
George Fullerton’s Fender Jazzmaster
A Master's Pallet
This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research and development of body shapes and materials, and during the…
Dan’s Guitar RX: Rock-And-Roll High School(er)
Building a From-Scratch Class Project, the Conclusion
In my November ’22 column, Ceil Thompson’s class-project guitar was nearing completion – the lacquer coats were applied and, after it cured for two weeks, she was ready for final…
Beyond the Parlor
Part Three: Women
Ed. Note: In the final installment in his series on the guitar in 19-century America, Tim Brookes offers a study of several women who played the guitar, and what the instrument meant…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Tom Petersson’s Gretsch 12-string Basses
Tricked-Out Trio
Cheap Trick fans are aware of his contribution to the band’s songs, but few know he actually invented the 12-string…
Gibson’s First Reissue Les Pauls
On the Road to ’59
Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and…
Vox AC100
Scream Machine
The history of Vox amplifiers’ evolution through the early/mid-’60s directly tracks with The Beatles’ increasing needs to be heard over…
Wolf Strat
A Legend’s Guitar, Discovered
After possessing it for several years, curiosity finally got the best of the owner of this 1963 Stratocaster. He had…
Ampeg’s Jet Reverb Prototype
Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but also for producing what was one of the consistently best-sounding…
Burke Guitar
Axe That Time Forgot
For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has never been a cut-and-dried matter of fact, but it has…
The Mesa/Boogie Mark IIC+
Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the way to the massively featured Mark V, many fans of…
The Koch Studiotone
No-Sweat Double-Duty
Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…
The Story of Nudie’s Mosrite Mandolin
In the mid 1970s, Kosmo and Kathy Cominos collected knives, jukeboxes, wristwatches, etc… But their favorite finds were celebrity-associated musical instruments like this unique Mosrite mandolin, built for Nudie Cohn,…
VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through…
The Birth of Newman Guitars
Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design…
Epiphone by Gibson Firebird 500
Race on
Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of…
Gibson EB-2
Kalamazoo’s Biggest Bass Innovation?
In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market…
