• The Electra Endorser

    Classic Instruments

    The Electra Endorser

    Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…

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Chris Butler’s Vox Mark VI: Waitress Server

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to London, Dallas to Detroit, youthful contempt spurred the creation of…

“Unicorn”: Ca. 1910 Rafael Casana

This extremely rare guitar has been dubbed the “Unicorn” by virtue of the fact that for all his fame, it may be the only surviving example of an instrument made…

The Travis Bean TB1000S Standard

A Better Idea

Guitar history is littered with “better ideas,” some of which stayed around, went nowhere, or went somewhere before landing in the boneyard to be occasionally reincarnated. A great example is…

Fender Mustang

Truly Transitional

Despite its short scale, the Mustang has a potent sound, and as a result it was used by many notable players. Fender’s short-scale Mustang Bass, introduced in 1966, was a…

KayKraft Style A

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history to the history of guitar evolution to the kind of…

Tinsley Ellis’ new dimension

Unplugged, and Worth the Wait! A prominent blues artist since the late ’80s, Tinsley Ellis grabbed the ’37 National Style O heard on several tracks from his new album, “Naked…

Paul Reed Smith #11

The eleventh instrument made by Paul Reed Smith, from 1977. Photo by Whitney Lane. Rick Kennell, bassist for ’70s prog-rockers Happy the Man, was one of the very first players…

Gibson J-200 Rosewood

The Gibson company was founded on the belief that carved-top guitars were superior to flat-top designs, and consequently, Gibson was a reluctant entrant in the rising flat-top market of the…

Gibson’s GA-8 Discoverer

Sonic Satellite

By the end of the 1950s, “space” was the name of the game, and any forward-thrusting gear that hoped to grab a share of the rock-and-roll market was named accordingly.…

Guild’s S-100/S-200 “Kickstand” Models

Much like several other well-known manufacturers, Guild has, through the years, changed ownership, locations, and identities. Guild was founded in 1952 by Alfred Dronge, a teacher and music-store owner in…

Epiphone Crestwood

’60s Un-Gibson Solidbody

Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge was to design a new solidbody instrument that could be…

Warwick Thumb Bass

Generational Innovation

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a time when that nation was divided following World War II.…

Zemaitis Acoustic Bass

1972 Zemaitis fretless acoustic. To say Tony Zemaitis made eye-catching instruments would mean uttering one of the great understatements in modern luthiery. A cabinetmaker of Lithuanian heritage, Antonio “Tony” Zemaitis…

Ibanez Destroyer

Odd Retro Nod

The early/mid 1970s were the “glory days” for imported copies of classic American-made guitars and basses. Back then, the “vintage” vibe as it related to American-made electric guitars was in…

Stratospheric Variations

A History of offset double-cut guitars

When you think about it, it’s quite remarkable how few guitar archetypes there really are. By “archetypes” we’re referring to aesthetic design, or shapes. If you pull back and squint,…

Gibson Trini Lopez

In the early 1960s, as Les Paul was leaving Gibson’s artist roster, the company recruited three of the most respected jazz guitarists to put their signatures on new “artist” model…

The Roots of Echo

Pre-Echoplex Devices, Part I

Post-WWII advances in recording techniques, including the use of artificial reverberation and delay enhanced music as opposed to merely capturing it. The sound became almost as important as the material…

Epiphone’s Professional Guitar and Amp

Epiphone’s Professional Guitar and Amp

Since the instrument was introduced, those who play the electric guitar have modified it to create new sounds and interesting effects. In the late 1940s and 1950s, amplifiers followed suit…

Classics: October 2022

Eddie Quinn’s Gibson L-5

Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind of a young virtuoso who made the violin sound like…

Gibson Marauder M-1

Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck guitar!” So they do. And the result is almost always…

Perfect Curves Fender’s Stratocaster Turns 60

Perfect Curves

Fender’s Stratocaster Turns 60

Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for nearly all the human race. From early adopters like Buddy…

Guild S-200 Thunderbird

Back in 1958, when Gibson introduced its revolutionary Explorer, Flying V, and mysterious Moderne, the public – rather like Queen Victoria – was not amused. Although a few bold players…

Rickenbacker’s Bakelite Spanish Vs. Fender’s Esquire

Fender Myth Debunked! (Part II)

Even if Rickenbacher’s 1935 Bakelite Spanish model wasn’t the first solidbody electric, it would still be important in the evolution of modern guitars as the inspiration for Fender’s 1949 entry…

Hot Wires - A Brief History of the Modern Guitar String

Hot Wires

A Brief History of the Modern Guitar String

If you’ve ever bent a guitar string and given it a shake, send a silent thank you to guitarist James Burton. His solos on “Suzy Q” and “Hello, Mary Lou”…

1939 Gibson Super 400 Premier

The Gibson Super 400 debuted in 1935 as the first production-model 18″ archtop guitar with f-shaped sound holes; 30 years prior, the company’s Style O was the same size and…

Family Feud

The Les Paul Junior Tone Showdown

What’s All This Excitement About Les Paul Juniors? First it was PAF-equipped Les Pauls, then dot-neck 335s. You know, all the really expensive, elitist “vehicles of tone.” I couldn’t be…

Hank’s Protos

How Hank Garland Helped Gibson Develop Two Models Not Called Byrdland

There are guitars, there are great guitars, there are great historic guitars and there are great historic guitars bearing deep provenance. And then there are guitars of such immense mystique,…

Jussi Jaakonaho’s beguiling “Beauty Box”

Masterful Tapestry Soak it in as Jussi Jaakonaho and his 1970 Gibson SG Standard jam on ”Beauty Box” through a late-’60s Gibson Falcon amp with tremolo and spring reverb. He…

The Bass That Waited

Rickenbacker’s Early 4000 and 4001

In the January and February installments, we looked at Gibson’s Thunderbird, an instrument condemned by its maker to a quick demise only to be reborn due to late-blooming popularity. Another…

Daion Headhunter HH-555

The trajectory of the Japanese guitar industry in many ways has mirrored that of the United States, though in a slightly compressed timeframe on the front-end because America had a…