•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Elliot Easton

Star Board: Elliot Easton

November 25, 2015 · Ward Meeker

Elliot Easton’s “Pedalboard” Though Elliot Easton enjoys his loaded full-size Pedaltrain board, his new band, The Empty Hearts (with Clem…

Maestro Fuzz-Tone

December 8, 2015 · Michael Dregni

Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

February 7, 2018 · Peter Stuart Kohman

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…

Rick Vito’s Tale Of Two Grails

Find of a Lifetime

December 6, 2022 · Ward Meeker

Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures,…


Gibson Style J Mando-bass

Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann,…

Orange OR80 Combo

Sunshine State

Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…

Bell 30 RV Stereo-Reverb Combo

Accordion to Plan

1961 Bell 30 RV Stereo-Reverb • Preamp tubes: three 6EU7, one 7199, one 12AU7, one 12AX7 • Output tubes: four 6BQ5 (a.k.a. EL84) • Rectifier: solidstate • Controls: Ch1: Volume,…

Fender Custom Shop Marks 30 Years

Dream Makers

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

A Guide to Vintage Dobros

John Dopyera left National in 1929 to begin work on a secret project – a single-cone resonator guitar he believed superior to the Triolian. His instrument became synonymous with resonator…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Alvino Rey’s 1936 Gibson mini guitar Vintage Guitar magazine Home Main Big

Alvino Rey’s “Mini” Gibsons

April 20, 2016 · Lynn Wheelwright

Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists,…

The Sammick Viper

April 29, 2021 · Michael Wright

Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some…

A Hero’s Gretsch 6117

March 16, 2022 · Willie G. Moseley

In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band…

Gibson’s Experimental Archtop

April 6, 2023 · George Gruhn and Walter Carter

Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes…


Gretsch 7680 Super Axe

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the Country Gentleman, to American popular music, from his complex fingerpicking…

Gibson’s Earliest Dreadnought

Gibson’s Earliest Dreadnought?

Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

Guyatone Micro Effects

Little Boxes, Big Effects

Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was on to a good thing, the company recently added five…

Universal Audio’s OX Amp Top Box

The Tube Abides

Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube, first with transistors, then with zeros and ones. Yet the…

GIBSON FIREBIRDS

Gibson Firebirds

Say the words “custom color” to a collector or enthusiast and most will think of “Fender.” But Gibson had its own multicolored baby – the Firebird. Born in 1963 and…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Electrifying Sounds of Post-War Guitar

Road to Rock

The Electrifying Sounds of Post-War Guitar

March 10, 2016 · Pete Prown

Fans often mark the beginning of rock and roll as either Elvis Presley’s Sun Sessions or Bill Haley & the…

Alive! Guitar Revived

The Tale of Frampton’s ’54 Les Paul Custom

February 1, 2021 · Ward Meeker

Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54…

Arbiter Fuzz Face

January 14, 2016 · Michael Dregni

When Jimi Hendrix released his first album, 1967’s Are You Experienced, he launched a new level of guitar heroics as…

Ghalia Volt’s Stompin’ slide!

December 27, 2023 · Vintage Guitar

Belgium Born, Delta Fostered Brussels native Ghalia Volt moved to the U.S. in 2013 to busk in music-rich cities like…