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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Beat Portraits: Burns Volume 9
Late ’60s: Baldwin And Decline
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…
Teisco Del Rey Basses
’60s Egalitarianism from Japan
Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…
Gospel Guitars
Semie Moseley’s Venerated Brand
When he wasn’t crafting Mosrites, Semie Moseley could often be found on the road, providing music for evangelists. It makes…
Rickenbacher Model 200A
Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of…
Gibson Johnny Smith
In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound…
Gibson Marauder M-1
Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck guitar!” So they do. And the result is almost always…
Epiphone Excellente
Sonny James' Epiphone Excellente
The Epiphone Excellente was the fanciest flat-top Gibson made in the 1960s, and to some ears it was Gibson’s best. But in its seven-year production run, from late ’63 until…
Buddy Holly’s ’58 Magnatone 280
1958 Magnatone Custom 280
When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation. The watery, warbling “true vibrato” that the larger Magnatones are…
United They Stood, Part 2
Ghosts of Jersey City
In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
Orville Gibson A model
All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model…
Fender’s 5E7 Bandmaster
There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in…
Jeff Plankenhorn’s “Alone At Sea”
Tasty slide on a square-neck Oahu Singer/songwriter Jeff Plankenhorn’s music is a rootsy mix that embraces blues and pop while…
1962 Premier E-727
One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing…
Ampeg VT-22
Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared:…
Etched in Time
“Signature” Gibsons from the Early Days of Cable
In 1984, Christian Roebling went from being just another guy watching TV to creating what was likely the first television program to focus on and feature guitar players and builders.…
Maestro Fuzz-Tone
Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all time, Maestro’s Fuzz-Tone – dissatisfaction. It’s also fitting as some…
Guild F-512
Iconic ’70s 12-String
Today, players typically equate the 12-string acoustic with Taylor and Martin. For its part, though, Guild’s F-512 remains one of the most revered, and this particular one veers off-spec with…
1843 Martin & Coupa
Retail Rarity
In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under Johann Stauffer in Vienna and for more than five years…
The Rickenbacker B14A
Silver Service
For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember, the brand evolved out of the first company founded entirely…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Dano Redux
A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he…
Gibson Johnny Smith
In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the…
Fender Super Reverbs from 1963 and ’68
First and Last
Among the many distinct eras of vintage-amp production, Fender’s so-called “blackface” models are legendary. Made from late 1963 until ’67,…
Vega Director Model A-60
Enticing Extras
A worthy vintage combo in all regards, there’s sad irony in the fact the Director Model A-60 is representative of…
