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Classic Instruments
Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
Jimmy James’ Psychedelic R&B
“Parlor Strut” on a vintage Harmony! Proving that ’60s import guitars can make cool sounds, Parlor Greens guitarist Jimmy James plugged in to demonstrate. Yes, he modded his Harmony H54…
Andy Peake – Roots Without Boundaries
Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof, take a listen to his new album, “Pocket Change.” Here,…
Thomm Jutz plays “Come All You Fair And Tender Ladies”
Flatpicked English folk with an Appalachian touch Sparse and haunting, Thomm Jutz and his ’48 Martin D-18 share a solo take on “Come All You Fair And Tender Ladies,” from…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The Leilani Lap Steel and Amplifier
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Three Small Tweeds
Fender Princeton, Deluxe, and Tremolux
From 1954 through ’59, the Fender Electric Instrument Mfg. Co. built guitar amplifiers with controls mounted atop using “chickenhead” knobs that go to 12, and covered with “the finest airplane…
Gibson’s “blond” J-35
In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…
Echoplex EP-2
Sam Phillips didn’t invent tape echo with his mid-’50s recordings of Elvis, but he just as well may have. So influential, so inspirational were those songs – with their warm,…
An Odd Gibson EH-150
10 Strings, Lap-Style
Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…
Dano Redux
A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
An Odd Gibson EH-150
10 Strings, Lap-Style
Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…
B.C. Rich Stealth
1983 B.C. Stealth Bass prototype, serial number 001-87984. Photo courtesy Richie King. Electric guitar lore from the 1980s almost invariably includes (sometimes snide) references to hair bands, pointy headstocks, black…
Peavey T-20
The Next Step
Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…
Vega Model 120
Viewed from our contemporary perspective, it’s difficult to fully appreciate how different the music scene in general – and the guitar scene in particular – was back in the early…
Mosrite Joe Maphis
The 1960s were arguably the most memorable decade in the history of American guitar manufacturing. True, some legendary electric guitar models and enduring sonic innovations had been introduced in the…
Classics: January 2022
Sam Ash’s Early PRSs
Sammy Ash first laid eyes on a PRS guitar in the early ’80s, after catching a glimpse of one in Guitar Player magazine. “I stopped at the newsstand to look…
The Acoustic
Black Widow
In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…
The History of Hamer Guitars
High-End Boutique or Budget Vintage, Part II
Hamer was started when Jol Dantzig and Paul Hamer, partners in Northern Prairie Music in the early 1970s, moved from repairing old guitars to making new, improved versions of their…
The Clark Gainster
Trick Your Tweed
Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…
The ViVi-Tone Aggrandizer
• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker: 10″ field coil • Output: barely scraping double digits… if…
B.C. Rich Eagle
1981 B.C. Rich Eagle. Photo: Michael Wright. When my son was young I used to do “guitar shows” for his classes, showing off 10 or so electric guitars that started…
Jeff “Skunk” Baxter
License To Thrill
To a generation of music fans, Jeff “Skunk” Baxter was one of the most recognizable guitarists of the early ’70s. On TV shows like “Midnight Special” and “American Bandstand,” he…
The Burke Guitar
The Axe that Time Forgot
For more than 60 years, aluminum has been used as a component in guitar construction. Exactly whose idea it was originally has never been a cut-and-dried matter of fact, but…
Veleno Guitars
Shiny Metal (Rare) Birds
Throughout the years luthiers have built guitars out of a lot of exotic materials, from Torres’ paper mache acoustics to Danelectro’s masonite to Dan Armstrong’s lucite guitars to Steinberger’s all-graphite…
G&L SC-2
When is a Tele not a Tele?
When is a Tele not a Tele? Well, when it’s a Leo Fender-made SC-2, among other things. This is a neat guitar my favorite repairman, Doug Lawrance, found here in…
Freddie King’s ’73 ES-355
Thinline Crown
Influenced by Robert Johnson, T-Bone Walker, Lightnin’ Hopkins, John Lee Hooker, Muddy Waters, Sonny Boy Williamson, and others including jump-blues saxophonist Louis Jordan, Freddie King was an integral piece of…
The Rickenbacker B14A
Silver Service
For most guitarists today, glimpsing a vintage Rickenbacker combo elicits a response like, “Wait… Rickenbacker made amps?” But remember, the brand evolved out of the first company founded entirely…
B.C. Rich Guitars
From Flamenco to Heavy Metal
From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…
Mark Erlewine’s 40 Years with Willie Nelson’s Trigger
Wooden Wonder
For a decade, Willie Nelson chased fame as a performer in the Nashville mold of the ’60s – hair coifed, striding to center stage at the Grand Ole Opry in…
The Oud
Ancient to Modern
If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…
Fender Precision Elite II
Sleeper Axe, Gorgeous Finish
If you could only see the beautiful hue of this Precision Elite II finished in Sienna Burst, you’d melt. Arguably the most devastating of Fender’s bursts, this finish was made…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
