Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

On November 5th, Phoenix, Arizona’s Musical Instrument Museum (MIM) celebrated the opening of their newest exhibition, “Dragons and Vines: Inlaid Guitar Masterpieces.” Curators teamed up with Maryland-based Pearl Works to…

The Amazing Story of One Unique Fender
One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…
Joining playful mid-’60s cultural icons such as the Ford Mustang, NBC’s “The Monkees,” the Beatles’ “Nowhere Man” and Cassius Clay, the Teisco Del Rey Spectrum 5 was the high-water mark of original…
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…

Decades of Dirt
One’s taste in music usually starts in the home, where immersion can fuel the subconscious. Jeff Hanna’s parents loved Ella Fitzgerald and Louis Armstrong, which helped embed great music deep…
1923 Gibson F-5. Gibson F-5 mandolins signed by Lloyd Loar from mid 1922 to 1924 are considered the Holy Grail by most American mandolin players. Within that group of grails,…
Photo: Robert Parks, courtesy George Gruhn. Its official name – Les Paul model – doesn’t do it justice. After all, Gibson has made over a hundred different Les Paul models…

Crew Strives to Keep it Real on “Nashville”
It’s not often that prime-time network television captures an audience of working class, professional musicians. In 1968, players watched Elvis Presley and Scotty Moore swap their Gibson SJ-200 and a…

The Art of Home Recording
Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.
Every once in awhile, a guitar comes out of left field. In the case of this solidbody electric labeled “Lee Stiles,” the throw came from West Virginia by way of…
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…

Archtop Elite
The image of Elvis Presley on his 1968 NBC “comeback special” was, in a word, badass. Dressed in black leather and striking rock-and-roll poses, the King epitomized attitude while brandishing…

Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s also one of the more unusual in that it may…
The Gibson J-185 Revisited
One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Scotty Moore’s Gibson ES-295
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it was different. And it changed the way people looked at,…

“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…

Mavericks frontman with a vintage Jazzmaster Though he is renowned and beloved for his vocals in the Mavericks, Raul Malo’s new album, “Say Less,” is a showcase for his…

Like so many Vintage Guitar readers, Steve Evans was propped in front of a TV that February night in 1964 when the Beatles first performed on “The Ed Sullivan Show.”…
The eleventh instrument made by Paul Reed Smith, from 1977. Photo by Whitney Lane. Rick Kennell, bassist for ’70s prog-rockers Happy the Man, was one of the very first players…

Dream Makers
In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

Startup in Music City
In Nashville today, there are enough professional luthiers to meet the need for guitar repairs, modifications, and custom builds. In the 1950s, though, musicians typically returned broken instruments to the…

Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May of 2011. Since that time, however, Dumbles have become the…

Building a From-Scratch Class Project, the Conclusion
In my November ’22 column, Ceil Thompson’s class-project guitar was nearing completion – the lacquer coats were applied and, after it cured for two weeks, she was ready for final…

A Look at Everyone's First Electric Guitar
In his book, Neptune Bound: The Ultimate Danelectro Guide, author Doug Tulloch charts the adventures of Nat Daniel as he rode the electric guitar boom of the 1950s and ’60s…

And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is Jimmy Page playing his Gibson EDS-1275 with Led Zeppelin, or…
1967 Hallmark Swept Wing semi-hollow bass, serial #003127. Photo: Michael G. Stewart. Instrument and image courtesy of Bob Shade. The murky history of guitar brands and builders from the Bakersfield…

Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from…

Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…
Fresher Guitars
Epic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate…

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…
Frying Pan
The Rickenbacker model A22 lap steel was the first commercially available electric guitar. Although it bears the brand name “Rickenbacker,” it was actually the brainchild of George Beauchamp. In the…