• The story of the Martin F-50

    Classic Instruments

    The story of the Martin F-50

    Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

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Charlie Starr: Open-Tuning Magic on “Azalea”

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45.  It’s just one of the great…

The Marshall Major

Force Commander

Any player who shows up these days with a 200-watt guitar amp will elicit a hearty, “Are you out of your mind?” But when the Marshall Major came along 50…

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

Epiphone Crestwood

’60s Un-Gibson Solidbody

Gibson’s acquisition of Epiphone in 1957 presented a tremendous challenge to guitar designers and marketers at the company. One challenge was to design a new solidbody instrument that could be…

Gretsch 6130 Round-up

Head ‘em out!

The romantic concept of the “Old West” – an enduring element of American pop culture – was spurred by pulp novels before John Ford introduced the world to My Darling…

The ’66 Vox UL 730

Beatle Juice

Despite the massive lust for early “copper-panel” Vox AC30 and AC15 amplifiers, one JMI-made line is far rarer – the 1966 “UL” series. More importantly, it represents a bridge between…

Tyler Morris – 1963 Fender Stratocaster

Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!

“Buy That Guitar” podcast with special guest Neal Shelton

“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar” presented by Vintage Guitar mag, host Ram Tuli is joined…

Martin D-1

Not Your Typical Martin

Over the years, I’ve tried to include instruments in this column that were functional and affordable. Occasionally, we’ve lucked out and found spectacular instruments that offer more than your money’s…

Fender Custom Shop Marks 30 Years

Dream Makers

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

Gibson J-185

Flat-top worthy of comparison

One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Danelectro’s Four-String Basses

The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir of American-made electric instruments of their time, many a babyboomer…

Standard in Custom

Schecter’s Custom Shop Marks 35 Years

Riding high after 35 years with an array of original instruments, an impressive artist roster that started early with Pete Townshend and Mark Knopfler, and a line of high-gain amplifiers,…

Last ’Burst?

Single-Cut Saga From the End of an Era

Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny, Number One. And don’t forget E.C.’s colorful Crash Strats. But…

Gretsch Country Gent #1

The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist in the ’50s. The little-known truth is it was also…

Gibson’s GA-8 Discoverer

Sonic Satellite

By the end of the 1950s, “space” was the name of the game, and any forward-thrusting gear that hoped to grab a share of the rock-and-roll market was named accordingly.…

Gittler Guitar

Avraham Bar Rashi

One of the most intriguing electric stringed instruments to ever appear on the American amplified music landscape was the rare and starkly-minimalist Gittler. Simply an electric guitar constructed with as…

The Epiphone Devon Tremolo EA-35T Combo

Tonally TransAtlantic

After giving the upstart Fender a run for its money in the amplifier department throughout the 1950s, Gibson segued into something that looked like surrender; by the early ’60s, its…

Ibanez Overdrives

Versatile tones from the TS line's progenitors

Before Ibanez made the fabled Tubescreamer, the company released two overdrive pedals designed to enhance sustain and distortion at lower volume. The first was simply called Overdrive, the second was…

KayKraft Style A

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history to the history of guitar evolution to the kind of…

Alamo Guitars

Remember the Alamo, Part 1

Mention the Alamo and most of us conjure up a rich variety of images. Whether it’s Davy Crockett (Fess Parker, maybe John Wayne) swinging his flintlock rifle as General Santa…

The “Okie Dokie Stomp” Esquire

Gate’s Swing

As a high-school student and emerging guitarist in Houston in the early ’60s, John Andrews couldn’t get a club gig without knowing “Okie Dokie Stomp.” The famed track by Clarence…

United They Stood, Part 2

Ghosts of Jersey City

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…

The Koch Studiotone

No-Sweat Double-Duty

Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…

The Clark Gainster

Trick Your Tweed

Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…

The Acoustic

Black Widow

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

PRS Basses

Subjective Funk & Cool

The Paul Reed Smith bass was introduced at the January ’96 NAMM show. Set-neck and bolt-on (CE model) models were offered, with mahogany bodies and one-piece mahogany necks. On Bass…

Holman Guitars

From Kansas… to Oz?

1966-67 Holman Classic, same body as the Wurlitzer Cougar. Whether or not you think they’re from Oz probably depends on your tastes, but one thing’s for certain – they’re not…

Scott Sharrard’s fiery slide!

Little Feat ace plays outro from “You’ll Be Mine” In case you’re wondering how Scott Sharrard got the gig wearing the Little Feat slide shoes once filled by Lowell George…

Bruce Kulick

Star Board: Bruce Kulick

Bruce Kulick played lead guitar in Kiss for more than a decade, and today stays busy as a solo performer and tours as a member of Grand Funk Railroad. Speaking…