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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Gibson M-III Standard
Missing the Mark(et)
Gibson’s bread and butter has long been tried-and-true designs that represent remarkable innovations – even if they date back to…
Beat Portraits: Burns Volume 8
Late ’65: Transistors, Troubles, and Takeover!
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…
Lloyd Loar
An Alternative View
The Master Model instruments created at Gibson in the early 1920s are famous for their sound and build. Credit for…
Gibson’s Fabulous Florentines
Archtop Elite
The image of Elvis Presley on his 1968 NBC “comeback special” was, in a word, badass. Dressed in black leather…
Five Classic Amps
A Tone-Spotter’s Arsenal To Cover It All
When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through a Marshall, or jazz through a Roland – every player…
Park 75
Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble, Middle, Bass, Brightness Output: approximately 75 watts RMS We might…
NGM Visits Texas
Nearing Permanent Home, Museum Honors Raitt
“It was born at the junction of form and function,” country guitar ace Bill Kirchen sings in “Hammer Of The Honky Tonk Gods.” And though he was referring to the…
1965 Gibson Thunderbird
Cardinal Red Rarity
Looking to finally make a real dent in Fender’s solidbody bass market, in the mid ’60s Gibson launched a line of electric guitars and basses that emulate Fender’s latest designs.
The Clark Gainster
Trick Your Tweed
Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
David Hamburger: masterful playing, 00-18 deep dive
David Hamburger and his ’56 00-18 Singer/songwriter David Hamburger is also an impressive fingerstyle player who knows a great guitar…
Martin OM-18P Plectrum Guitar
While the most commonly played and collected Martin guitars have a six-string neck, the company has also made a number…
Andy Peake – Roots Without Boundaries
Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof,…
Jake Andrews – “ Apricot Brandy”
Austin Stalwart Goes Full Steam for “Apricot Brandy” Jake Andrews was just eight years old when he sat in at…
The Voxmobile
Too Fast to Live, Too Cool to Die
Free love, slick guitars, hot cars! Few pieces of late-’60s pop culture were anywhere near as hip and groovy as this marketing stroke of genius.
Martin 0-28K
The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the exotic sound of Hawaiian music in the 1920s, and koa…
“Buy That Guitar” podcast with special guest Howie Statland
“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland…
Booker White’s 1933 National Duolian
Hard Traveled
“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard Rock was a hard-traveled guitar – much like White himself.…
Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach…
Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Scott Sharrard’s fiery slide!
Little Feat ace plays outro from “You’ll Be Mine” In case you’re wondering how Scott Sharrard got the gig wearing…
Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like…
Yamaha Image
Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it,…
Kramer Pacer Deluxe
Superstrat or Bust
On rare occasions, the zeitgeist – not some lucky designer – creates a guitar that captures hearts and minds. Such…
