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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
A Hero’s Gretsch 6117
In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band…
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band…
Classics: Steve Kimock 1968 Goldstop
It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful…
Peavey Forum Basses
Durable, Dependable
In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s,…
George Ducas: Modern Honky-Tonkin’
Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and Wynn Stewart. His new album, “Long Way From Home,” was…
The West Avalon R
Too Funky
1971 West Avalon R • Preamp tubes: two 12AX7, two 12AT7 • Output tubes: two EL34 • Rectifier: solid-state • Controls: Volume, Treble, Middle, Bass, Reverb, Bright switch • Output:…
The Pedulla Buzz Bass
Fast and Fretless
Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless. Designed by luthier Michael Pedulla in Brockton, Massachusetts, it was…
MIM Hosts Stephen Stills and Ushers in Dragons and Vines Exhibition
On November 5th, Phoenix, Arizona’s Musical Instrument Museum (MIM) celebrated the opening of their newest exhibition, “Dragons and Vines: Inlaid Guitar Masterpieces.” Curators teamed up with Maryland-based Pearl Works to…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Guyatone Micro Effects
Little Boxes, Big Effects
Musical-instrument accessories importer Guyatone introduced its first series of Micro Effects three years ago to widespread praise. Knowing it was…
Classics: November 2023
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by…
Gibson Style R Harp Guitar
Harp guitars with a standard six-string guitar neck and varying numbers of sub-bass harp-style strings have been made by a…
Classics: Harold “Sonny” Wright’s 1965 Gibson J-45
Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who…
John Pizzarelli Swings On A Vintage D’angelico
Jazz Ace on an Heirloom Guitar For this exclusive rendition of “Just In Time,” swing ace John Pizzarelli grabbed the D’Angelico Model B that was played by his late (and…
Epiphone “Bikini Logo” Amplifiers
Beach Party
Collectors know well the desirability of Epiphone guitars from the years after Gibson acquired the brand. Further off the radar, however, are the amplifiers that accompanied them – especially the…
Fender Telecaster Thinline
Weight-Loss Trial
Born in turbulent times on the downslope of the “guitar boom,” Fender’s Telecaster Thinline has always existed in the shadow of its classic older sibling. But it does not lack…
Horray For Hollywood
The Guitars and Amps of Jersey Boys
Movies made in the 1950s and ’60s that included rock-and-roll music acts typically showed them performing in segments using their own equipment (Little Richard and others in 1956’s The Girl…
Renaissance T-200G
What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think it would be the perfect medium for a mean rock…
Recording Acoustic Guitars
The Art of Home Recording
Recording an acoustic guitar is very different from recording an electric, employing different microphones, placement, and technique. Here are a few essential steps.
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Marshall Amplifiers
From Birth to the 21st Century
From the first JTM to models for Clapton and Townshend, Jim Marshall has been building amps since the early 1960s.…
George Fullerton’s Fender Jazzmaster
A Master's Pallet
This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research…
Beat Portraits: Burns Volume 9
Late ’60s: Baldwin And Decline
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…
Duane Eddy
Of DeArmonds and Details
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang…
