•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

    Read more >>

  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

National Style O

National Style O

February 11, 2010 · George Gruhn

Although it has never been the favorite guitar of Hawaiian players, National’s Style O, with its shining metal body and…

'62 Les Paul Rarity

’62 Les Paul Rarity

December 21, 2015 · George Gruhn

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

November 30, 2023 · Dave Hunter

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as…

United They Stood, Part 2

Ghosts of Jersey City

July 11, 2022 · Peter Stuart Kohman

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost…


Harmony H27

Fancier Than You May Think

“The H27 was fanciest semi-hollow bass ever offered by Harmony.” During the guitar boom of the 1960s, the Chicago-based Harmony company struggled to keep up with the demand for instruments…

Mick Taylor’s ’58 Les Paul Standard

The Ya Ya’s Out!

Hard-edged face of the British Invasion, the Rolling Stones introduced the world to the implements, trappings, and accessories of rock-and-roll superstardom. With help from radio, television, and teen ’zines, the…

Steve Wariner’s ’62 Fender Jazz Bass

An eye-popping collectible in its own right, this Olympic White ’62 Fender Jazz Bass scores a few points higher on the scale not only because it has been in the…

Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…

Jeff Plankenhorn’s “Alone At Sea”

Tasty slide on a square-neck Oahu Singer/songwriter Jeff Plankenhorn’s music is a rootsy mix that embraces blues and pop while dodging categorization. Here, he and his vintage square-neck Oahu offer…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Sun Rises Again

Sun Rises Again

February 10, 2016 · Michael Dregni

January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and…

Michael Bloomfield’s ’63 Telecaster

Michael Bloomfield’s ’63 Telecaster

This Guitar Killed Folk!

January 22, 2025 · Ward Meeker

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from…

Philip Sayce – Strat monster!

March 12, 2024 · Vintage Guitar

Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running…

Classics: November 2023

Al Caiola’s Gretsch Prototype

July 31, 2024 · Ward Meeker

Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by…


VOXAC50-HOME-MAIN-BIG

Vox AC50

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS,…

Gibson Blond j-35 Photo: Kelsey Vaughn, courtesy George Gruhn. Vintage Guitar magazine Home Feature

Gibson’s “blond” J-35

In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

The Norma EG 470-2 Deluxe

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young Benjamin Braddock in the classic film The Graduate: “Plastics.” In…

B.C. Rich Acrylic Warlock

Most industries know a great idea when they see it and aren’t shy about jumping on a bandwagon. In 1969, an electric guitar made out of translucent acrylic proved it.…

Ampeg VT-22

Ampeg VT-22

Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared:…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Quest for Volume

Django Reinhardt's Selmer #503

April 15, 2020 · Michael Dregni

Revolutionary jazz demanded a revolutionary jazz guitar. In the summer of 1935, just as his Quintette du Hot Club de…

Epiphone Rivoli

March 17, 2010 · Willie G. Moseley

Former Gibson president Ted McCarty (1909-2001) is credited for his leadership of the company when it peaked in terms of…

Andy Peake – Roots Without Boundaries

December 30, 2024 · Vintage Guitar

Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof,…