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Classic Instruments
The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
Classics: May 2022
“Wild” Jimmy Spruill’s ’66 Fender Jaguar
Wilbert Harrison’s 1959 version of Leiber and Stoller’s “Kansas City” shares space at the summit of all-time blues/pop classics, its guitar part ably handled by New York City session ace…
Fender Super Reverbs from 1963 and ’68
First and Last
Among the many distinct eras of vintage-amp production, Fender’s so-called “blackface” models are legendary. Made from late 1963 until ’67, they’re loved for the elegant black control panel and their…
Carvin DN640K
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for…
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
1965 Gibson Thunderbird
Cardinal Red Rarity
Looking to finally make a real dent in Fender’s solidbody bass market, in the mid ’60s Gibson launched a line of electric guitars and basses that emulate Fender’s latest designs.
Gibson Roy Smeck Electric Tenor Banjo
Photo by Julie Woods. At the dawn of electrical amplification, no one knew where the new technology would take stringed instruments (or keyboard instruments, for that matter). As the electric…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part 3: The 1960s
Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still marketed to a primarily male audience, and with that testosterone…
Ampeg A-2
Compressor Pedal
When it comes to effects pedals, compressors and sustain ped-als usually fall into the “love it or hate it” category. Aside from a graphic equalizer, it is probably the least…
Travis Bean Interview
Metal Machine Music – The Next Phase
“Bean is Back!” proclaimed the signs at a recent California guitar show. Indeed, Travis Bean, builder of the short-lived-but-legendary ’70s instruments that bear his name, has reentered the guitar-manufacturing arena…
George Gruhn
How a Zoologist Became a Guitar animal
If you bumped into a bearded, corduroy-jacketed George Gruhn in a Nashville coffee shop, you might think you’d stumbled upon an avuncular college professor – which is fitting, considering that…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
Orville Gibson A model
All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model mandolin illustrates, Orville’s designs went through considerable refinement through the…
The Gretsch Round-Up
In 1954, what could possibly be more “contemporary Western” than a Gretsch Round-Up? Introduced in 1954, the Round-Up (listed in Gretsch literature as model PX6130) and the Rancher (PX6022) were…
Roy Smeck’s Gibson L-5
One For the “Wizard”
Player endorsements are part of the tradition of guitarmaking going back to its earliest use for public performance. LeRoy G.A. Schmeck, a.k.a. Roy Smeck, may be history’s most-prolific endorser of…
Weissenborn Style#4
The acoustic Hawaiian guitar of Hermann Weissenborn is one of the most specialized instrument designs of the 20th century. Weissenborns were made for guitarists who played the newest craze of…
Ibanez Model 2020
Like most things, the closer you look at certain phenomena, the more you find often subtle, unexpected surprises. A good example is this Ibanez Model 2020, which dates from around…
Peavey T-45
It’s been more than 25 years since the Peavey Electronics Company introduced its revolutionary T-60 guitar and T-40 bass to a market that was immediately impacted by their quality and…
G&L SC-2
A Tele That's Not…
When is a Tele not a Tele? Well, when it’s a Leo Fender-made SC-2, among other things. This is a neat guitar my favorite repairman, Doug Lawrance, found here in…
Retro Inspired Basses
Cool Looks, Classic Sounds
Danelectro Dano ’63 long-scale bass in Aqua. Photos courtesy of Evets. Danelectro Dano ’63 short-scale bass in Red Burst. Photos courtesy of Evets. Eastwood Club Bass in Sunburst. Photos courtesy…
Classics: December 2021
1967 Rickenbacker 360/12
Live-music fans who roamed South Florida from the early ’80s until the mid 2000s might recognize Craig Ball’s ’67 Rickenbacker 360/12. Ball was lead guitarist in the Rockerfellas, a band…
Antique Guitar Amps 1928-1934
Which came first – electric guitar or amp?
The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…
Italian Smorgasbord
The Goya Rangemaster 116 SB
American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their first steps on imported instruments – often good and interesting…
Dan’s Guitar RX: Installing an Acoustic Pickup System
Un-Unplugged
For years, one of the most common jobs I’ve been asked to do is put a pickup in an acoustic guitar. Compared to most of my work, it’s pretty basic,…
Eko’s “Celluloid” ’60s Basses
Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products popular in their respective countries, but some were innovating, especially…
Gibson’s 17″ Pre-War Electrics
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer numbers, it was Gibson’s most popular 17″ pre-war electric, despite…
The Birth of Newman Guitars
Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design and began working for Keith Richards exclusively in late 1971.…
G.L. Stiles Solidbody
Every once in awhile, a guitar comes out of left field. In the case of this solidbody electric labeled “Lee Stiles,” the throw came from West Virginia by way of…
Classics: November 2023
Al Caiola’s Gretsch Prototype
Robby Zolezzi has been a touring pro guitarist since he was 18 years old, having taken up the instrument at 11, spurred by TV and movie themes played by Al Caiola emanating from…
Fender Telecaster Custom
Classic tones for little coin
Many players search for that one guitar that can “do it all.” You know what I’m talking about – the axe that covers both single-coil and humbucking tones, and sounds…
First Guitar of Rock and Roll
Scotty Moore’s Gibson ES-295
Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…
Peavey’s Razer, Mystic, and Foundation
Contrasting Chronologies
Just a handful of years after Peavey turned the world of electric guitar upside-down with its T-60 guitar and T-40 bass, the company was feeling its oats. While the T…
1963 Fender Twin Reverb Prototype
The Twin has long been the flagship of Fender’s high-wattage amp lineup, and it achieved/retained that status through several iterations in the company’s formative years. In the October issue, we…
