•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Ibanez Tube Screamer

March 8, 2014 · Michael Dregni

From the first notes of Stevie Ray Vaughan’s “Texas Flood,” you can hear it loud and clear; that snarly tone…

Teisco Del Rey Basses

’60s Egalitarianism from Japan

July 13, 2015 · Willie G. Moseley

Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like…

Domino Californian Rebel

Instrument Profile

February 18, 2010 · Michael Wright

California. The Left Coast. It was probably home to North America’s earliest inhabitants, as emigrants from Asia crossed the Bering…

The Koch Studiotone

No-Sweat Double-Duty

June 10, 2020 · Phil Feser

Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts…


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Buddy Holly’s ’58 Magnatone 280

1958 Magnatone Custom 280

When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation. The watery, warbling “true vibrato” that the larger Magnatones are…

Vintage Instruments and the Ban on Ivory Trade

Vintage Instruments and the Ban on Ivory Trade

A presidential executive order issued February 11 proposes a wide ban on trade in ivory has widespread implications for trade in vintage musical instruments as well as antique art, furniture,…

 Joey Molland

The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records,…

Classics: October 2022

Eddie Quinn’s Gibson L-5

Had you been a music-loving resident of Bogalusa, Louisiana, at the height of the jazz age, you would’ve caught wind of a young virtuoso who made the violin sound like…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his company before it was bought out by U.S. keyboard manufacturer…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Roy Orbison’s Marshall Model 1961

Dream Baby

June 10, 2024 · Dave Hunter

One of the most-desirable vintage amplifiers ever made goes by a name it never officially had. Possibly the first Marshall…

George Ducas: Modern Honky-Tonkin’

September 3, 2024 · Vintage Guitar

Taste of “Long Way From Home” Singer/songwriter George Ducas is a Nashville traditionalist influenced by Buck Owens, Merle Haggard, and…

Peavey RJ-IV

October 23, 2014 · Willie G. Moseley

Peavey RJ-IV bass, serial number 04938996. Photo: Bill Ingalls Jr. Instrument courtesy of Naffaz Skota. Americans by the millions “know”…

The Coulter Company

The Coulter Company

More Rarities from the Pacific Northwest

July 5, 2016 · Peter Blecha

The eye-catching and technologically innovative stringed instruments created by Frank Evans Coulter in the early 20th century are so exceedingly…


David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

The Komet Constellation

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…

Thomas Custom Guitars

Rarities from the Pacific Northwest

Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich…

Tom Petersson’s Gretsch 12-string Basses

Tricked-Out Trio

Cheap Trick fans are aware of his contribution to the band’s songs, but few know he actually invented the 12-string electric bass and has been using one since 1977 to…

Ray Cummins – I’ll See You In My Dreams

Ray Cummins Plays the 1956 Gretsch Chet Atkins 6120 prototype “Dark Eyes” VG ace online tutor Ray Cummins uses the famed ’56 Gretsch Chet Atkins 6120 prototype to play “I’ll…

Dean DeLeo and Tom Bukovac unite on the trip the witch

Cosmic Convergence

At a glance, there’s little reason to connect a guitarist like Dean DeLeo to one like Tom Bukovac. One is ’90s-rock royalty, the other a modern-day Nashville studio legend. Strange…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

The Gibson Les Paul Special

February 25, 2010 · George Gruhn and Walter Carter

Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the…

Classics: January 2024

Bill Woodward's 1953 Gibson Les Paul

October 4, 2024 · Ward Meeker

Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and…

Popa Chubby’s Dangerous Attitude

November 23, 2023 · Vintage Guitar

NYC blues beast rips on “I Don’t Want Nobody A fixture in New York City blues joints and familiar face…

Prodigal Sunburst

Joe Walsh Reunites with a ’59 Les Paul Standard

March 9, 2023 · Ward Meeker

A master of delivering crystal-clear musical messages with an off-kilter wit, whether talking, singing, picking, or sliding on guitar, everything…