• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Freddie King’s Gibson ES-345 Keeps on Playin’

Family Ties

May 29, 2019 · Ward Meeker

Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a…

Peavey Forum

Peavey Forum Basses

Durable, Dependable

January 2, 2014 · Willie G. Moseley

In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s,…

1980 Renaissance T-200G Home thumb

Renaissance T-200G

January 8, 2014 · Michael Wright

What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think…

GRETSCHBURST-HOME-MAIN-BIG

Horses of Another Color

March 7, 2014 · Edward Ball

1) This ’57, from batch 253xx, has the added intrigue of a gold G-cutout tailpiece in place of the Bigsby…


Doc Buffington’s ’48 Fender Pro Amp

Gold Bond

Ever plugged into a well-played vintage combo, run your hands over its road-worn tweed covering – scuffed to a cashmere-like texture – and thought, “If only this amp could talk”?…

Nat Talks Strings!

The Strings of Power Hey there! Nate Westgor from Willie’s American Guitars dives into the world of guitar strings, discussing the differences between flat tops, half rounds, and flatwound strings.…

2021 Readers’ Choice Awards

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along with Album of the Year. Included are selections for the…

John Oates’ Prized Guild F-30

Roots Return

Most people know Hall & Oates as a pop-music hit machine that has sold millions of records. What you may not know is that John Oates is a lifetime student…

The Clark Gainster

Trick Your Tweed

Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001 he utilized his tonal superpowers to devise the first version…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

The Collings SoCo Deluxe

November 23, 2020 · Phil Feser

Whether you’re a fan of the flat-top or simply appreciate a good archtop, chances are you’re familiar with Collings Guitars.…

Vox/Thomas Organ V-14 Super Beatle

Solid Sound

September 20, 2023 · Dave Hunter

After producing some of the most-iconic guitar amplifiers of the early 1960s, Vox leaned unwittingly into a failing technology –…

Gretsch Country Gent #1

January 29, 2015 · Edward Ball

The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist…

Park 75

November 13, 2015 · Dave Hunter

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble,…


First Guitar of Rock and Roll

Scotty Moore’s Gibson ES-295

Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly…

JOHNNYSMITH-HOME-MAIN-BIG

The Guild and Gibson Johnny Smith Models

The name “Johnny Smith” is synonymous with class, elegance, and style. Most guitar players are familiar, if not with the man or his music, certainly with the guitars that bear…

Jabo, Vince, and Broadcaster 0048

Special Addition

It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about rare guitars for sale. In 2012, one such call shined…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

Teisco Del Rey Basses

’60s Egalitarianism from Japan

Teisco Del Rey basses from the 1960s are exemplary of the Japanese-made instruments that swept into the American market like a tsunami during the “guitar boom” – and were the…

The D’Angelico Excel Mandolin

The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder in the history of the instrument. His mandolins, however, are…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Jerry Kennedy

A-Team Guitarist, A-List Producer

August 17, 2024 · Rich Kienzle

Jerry Glenn Kennedy, a 13-year-old who recorded for RCA Victor as “Jerry Glenn,” got the shock of his young life…

1976 Hagstrom Jimmy

May 6, 2022 · Michael Wright

In the world of archtop guitarmaking, the legendary luthier James L. D’Aquisto (1935-’95) is considered one of the greats. A…

Hot Wires - A Brief History of the Modern Guitar String

Hot Wires

A Brief History of the Modern Guitar String

June 9, 2016 · Pete Prown

If you’ve ever bent a guitar string and given it a shake, send a silent thank you to guitarist James…

Beat Portraits: Burns Volume 4

Shadows and Light

February 7, 2018 · Peter Stuart Kohman

In Beat-era England, before The Beatles, one band reigned supreme – The Shadows. Starting as Cliff Richard’s backing group, this…