• Veillette-Citron Shark

    Classic Instruments

    Veillette-Citron Shark

    It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…

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Yamaha Image

Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it, in many ways that description fits Yamaha guitars. Whether you…

Gibson Style J Mando-bass

Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann,…

A 5E3 Mystery

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

Gibson Nick Lucas

It’s a rare occasion when a star performer hooks up with a guitar company to create a classic signature instrument. Gibson’s Les Paul model comes to mind, as does Gretsch’s…

Travis Bean Interview

Metal Machine Music – The Next Phase

“Bean is Back!” proclaimed the signs at a recent California guitar show. Indeed, Travis Bean, builder of the short-lived-but-legendary ’70s instruments that bear his name, has reentered the guitar-manufacturing arena…

Classics: September 2023

Bill Fudge’s Micro-Frets Huntington

Several years before he became a luthier who deserves much greater recognition, Ralph Jones sold new Fender guitars and amps out of his home studio in Rockville, Maryland. One early…

Beyond the Parlor Part Three: Women

Beyond the Parlor

Part Three: Women

Ed. Note: In the final installment in his series on the guitar in 19-century America, Tim Brookes offers a study of several women who played the guitar, and what the instrument meant…

Gibson Guitars

The Experimental '70s

That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a…

Ibanez MC500 Musician

Ibanez MC500 Musician. Ahhh, the late 1970s… While many vintage guitar enthusiasts disdain the guitars from the “Me Decade” in favor of undeniably cool classics from the 1950s and ’60s,…

The Watkins Clubman

The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and roll barely yet a glimmer in the collective eye, when…

Gibson GA-20

The Gibson GA-20

Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a watertight provenance and emerges from a heart-warming backstory. If we…

Heil Talk Box

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an “alien effect.” Similar contraptions had been around since 1939, but…

The ViVi-Tone Aggrandizer

The ViVi-Tone Aggrandizer

• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker: 10″ field coil • Output: barely scraping double digits… if…

Sovtek MIG-50

Curtain Call

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it was a gutsy move to name an amp after a…

Last ’Burst?

Single-Cut Saga From the End of an Era

Certain instruments are nearly as famous as the heroes who play them – we know them as Blackie, Lucille, Greeny, Number One. And don’t forget E.C.’s colorful Crash Strats. But…

The Acoustic

Black Widow

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

Gibson Style J Mando-bass

Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann,…

1968 Fender Vibrolux Reverb

Silver Serenade

Amplifier collectors swarm to models with descriptors like “first year” and “golden age,” but other types can be far more interesting; a transitional model or amp from a short-lived evolutionary…

Weissenborn Style #4

Weissenborn Style#4

The acoustic Hawaiian guitar of Hermann Weissenborn is one of the most specialized instrument designs of the 20th century. Weissenborns were made for guitarists who played the newest craze of…

Eric Schulte Custom Guitars

1960 Schulte Custom Doubleneck, courtesy of Eric Schulte. You know the experience. You stop at your favorite music store, scan the axes hanging on the rack, and get a little…

Stratospheric Variations

A History of offset double-cut guitars

When you think about it, it’s quite remarkable how few guitar archetypes there really are. By “archetypes” we’re referring to aesthetic design, or shapes. If you pull back and squint,…

1968 Teisco May Queen

Perennial Classic, Made in Japan

While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…

Classics: December 2021

1967 Rickenbacker 360/12

Live-music fans who roamed South Florida from the early ’80s until the mid 2000s might recognize Craig Ball’s ’67 Rickenbacker 360/12. Ball was lead guitarist in the Rockerfellas, a band…

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

The Duane Allman “Layla” Guitar?

A ’57 Gibson Les Paul Emerges To Tell a Story

Taken in trade by a music store in Florida, it was sold to a local recording studio in 1977. Shortly afterward, its new owner started to wonder if maybe it…

1939-’42 Gibson SJ-100

$100 Cowboy Flat-Top

Through the 1910s and early ’20s, Gibson catalogs denigrated flat-top guitars as inferior, unworthy of the company name. But that tune changed in 1926, when it introduced the L-1 and…

G&L SC-2

When is a Tele not a Tele?

When is a Tele not a Tele? Well, when it’s a Leo Fender-made SC-2, among other things. This is a neat guitar my favorite repairman, Doug Lawrance, found here in…

Mastertone Guitar-Banjo

While five-string banjos are far more popular today than any other style, during the height of the Dixieland Era of the 1920s, when Gibson introduced its famous Mastertone banjos, four-string…

Electro-Harmonix’s Mike Matthews

EH is Back!

EH is back!” So ran the ad copy for the Electro-Harmonix Corporation in the early 1980s. By that time, the company had been in business well over 10 years and…

B.C. Rich Acrylic Warlock

Most industries know a great idea when they see it and aren’t shy about jumping on a bandwagon. In 1969, an electric guitar made out of translucent acrylic proved it.…