• Veillette-Citron Shark

    Classic Instruments

    Veillette-Citron Shark

    It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of…

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Gibson Custom Colors in the 1960s

Burning Embers, Chilled Whites

Unlike its rival from the West Coast, Gibson did not readily embrace the concept of offering custom-color finishes. It wasn’t averse to custom work or colorful finishes, but saw them…

Beat Portraits: Burns Volume 5

1964: Solid Heyday

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

Gibson Kalamazoo Award

Designer's Dream Come True

In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era,…

Classics: September 2023

Bill Fudge’s Micro-Frets Huntington

Several years before he became a luthier who deserves much greater recognition, Ralph Jones sold new Fender guitars and amps out of his home studio in Rockville, Maryland. One early…

Tech 21 Trademark 60

Incredible sound at a nice price

In the past six years we’ve focused mostly on used gear, but occasionally included new stuff that works so well it’s impossible to ignore. This month’s entree, the Trademark 60,…

Saga of Ted Newman Jones

A Guitar for Mr. Richards

The Saga of Ted Newman Jones

For anyone who visited the tiny workshop inhabited by guitar builder Ted Newman Jones in the 1970s and ’80s, two things were obvious – his appreciation for the fine tonewoods…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was born, Walter “Furry” Lewis was seven years old when his…

National Style O

Industrial Art

National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer lies in the state of the guitar as a musical…

Dean DeLeo and Tom Bukovac unite on the trip the witch

Cosmic Convergence

At a glance, there’s little reason to connect a guitarist like Dean DeLeo to one like Tom Bukovac. One is ’90s-rock royalty, the other a modern-day Nashville studio legend. Strange…

The Valley Arts Custom Pro Bass

Keeping the Arts Alive

In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

Jim Marshall

Father of the Mighty Marshall Stack

When it comes to guitar amplifiers, two names stand tall beyond the others: Leo Fender and Jim Marshall. Even

Lakland Jerry Scheff Signature Model

Before and Beyond Elvis

Veteran bassist Jerry Scheff is best known for holding down the bottom-end in Elvis Presley’s fabled TCB Band. But he has also been a fixture in the national recording scene…

1968 Teisco May Queen

Perennial Classic, Made in Japan

While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…

Guild Basses in the Early 1980s

Traditional, Temporary

Guild Basses in the Early 1980s

The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…

The Birth of the Gretsch Duo Jet

Gretsch Gets With It!

In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin profile, light weight, and utilitarian dual-pickup configuration combined to make…

Vahdah Olcott-Bickford and the Martin Style 00-44G

Special Signature

Of the nearly 200 artists who have been granted a “signature” Martin guitar, only one was given their own style number. It wasn’t Clapton. It wasn’t Cash. Rather, it’s Vahdah…

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

Vintage Gibson Amplifiers

EH-100 and 125

“No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip cover,…

Philip Kubicki

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

Selmer Modele Jazz and Stimer M.10 Amp

Electricfying Early Jazz

In the 1930s, the quest for volume was the Holy Grail of guitar construction, as guitarists sought instruments to slice through the sound and fury of a jazz band. And…

EPIPHONEZEPHYR-HOME-MAIN-BIG

Epiphone Zephyr De Luxe Regent and Zephyr Amplifier

The Zephyr De Luxe Regent was Epiphone’s second-from-the-top electric guitar produced from the late 1940s through the mid ’50s. The instrument went through several name changes, from Zephyr De Luxe…

B.C. Rich Guitars

From Flamenco to Heavy Metal

From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

The Valley Arts Custom Pro Bass

Keeping the Arts Alive

In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

Guyatone LG-160T

The Secret's Out!

Like plants, Japanese guitars have an almost secret life of which few people outside are aware. While many Americans in the ’60s were seeing fairly low-end commodity guitars at the…

1973 Hayman 3030H

If England has a Leo Fender, his name is James Ormston Burns. Like Fender, Burns was a seminal influence on electric guitar design in the U.K., creating the guitars played…

Rosewood Dobro

Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also…

Classics: Tommy Castro’s ’66 Fender Stratocaster

Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966…

Gibson J-185

Flat-top worthy of comparison

One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Greg Martin’s ’53 Fender Telecaster!

Greg Martin’s ’53 Fender Telecaster

Vintage Guitar magazine Presents Greg Martin's Head Shop

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. Greetings from Kentucky, hope…

Paul Reed Smith Guitars

The World of Paul Reed Smith

Just after we entered the small, crowded office, the door burst open and an intruder blurted out, “Excuse me. Check this out. Is it right?” The company’s R&D chief handed…