• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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Gibson Marauder M-1

Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck guitar!” So they do. And the result is almost always…

Raul Malo’s Instrumental Side

 Mavericks frontman with a vintage Jazzmaster Though he is renowned and beloved for his vocals in the Mavericks, Raul Malo’s new album, “Say Less,” is a showcase for his…

Gretsch Jet Firebird

One of the flashiest Jets in the Gretsch Company’s Air Force

Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company built airplanes. There were the flashy “fighters” like the Duo-Jet, Silver…

Alamo Guitars and Amps: Remember the Alamo

Part II

This month we wrap up our saga of the Alamo by picking up with the new guitar line offered in 1965. Alamo, as you recall, was originally set up by…

Dickerson Melody King

Few who love vintage amps can resist its art-deco appeal, let alone its luscious hand-wiring and edgy, touch-sensitive 6V6 tone. A tweed Champ doesn’t stand a chance in a cage…

Fender Harvard

Given the current craze for semi-small “home” and “recording” amps, Fender’s 5F10 Harvard of 1955-’60 could be the ideal tweed amp, yet, in its day, it fell between two stools…

Kawai MS-700 MoonSault

1982 Kawai MS-700 MoonSault. Photo: Michael Wright/The Different Strummer. Most of us tend to think of guitars made in Japan as dating to the 1960s, when Japanese manufacturers began supplying…

KayKraft Style A

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history to the history of guitar evolution to the kind of…

A.J.’s 1950 Fender Broadcaster

$10 at a time

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we…

Fender Mustang Bass

Truly Transitional

Ca. 1967 Fender Mustang Bass, serial number 219057. VG archive. Instrument courtesy of Rockahaulix. Fender’s short-scale Mustang Bass, introduced in 1966, was a transitional instrument in many ways. The company…

Epiphone Empero1965 Main

1965 Epiphone Emperor

The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934.…

Classics: July 2021

Warren Garstecki’s 1932 Gibson HG-22

Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…

Tyler Morris Features a Martin Style 2 1/2-17

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…

Custom Kraft Red Fury

Most guitar aficionados are comfortable with the notion of guitar brands being made by the company of the same name. But when it comes to guitars made by one company…

Beyond the Parlor

Beyond the Parlor

Part One: The Guitar in Non-Anglo America

Ed. Note: In this series, Tim Brookes attacks the common argument that the guitar in 19th-century America was small, quiet, and suitable only for young middle-class ladies playing in parlors. Part…

Gibson J-185

The Gibson J-185 Revisited

One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Hofner 185

Have you heard the line, “If Hendrix had a Magnatone, Strats would be worth $200 now?” A highly debatable proposition, for sure! But if Paul McCartney had not used a…

Rickenbacker Transonic Home Feature Image

Rickenbacker Transonic

Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and…

The Fender AA165 Pro Reverb

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for their rich vintage tones and renowned as everyday workhorses that…

Danelectro Guitars

The Return of Danelectro

0ne of the more recent buzzes in the guitar community has centered around the phenomenal success of products bearing the Danelectro brand name. The introduction of effects pedals at the…

Travis Bean Interview

Metal Machine Music – The Next Phase

“Bean is Back!” proclaimed the signs at a recent California guitar show. Indeed, Travis Bean, builder of the short-lived-but-legendary ’70s instruments that bear his name, has reentered the guitar-manufacturing arena…

L-5 to Super 400

L-5 to Super 400

The Story of Gibson’s Big Archtops

The archtop guitar is a uniquely American instrument which can be traced directly to the creative genius of one person – Orville Gibson. In the mid 1890s, the man who…

Guild Basses in the Early 1980s

Traditional, Temporary

Guild Basses in the Early 1980s

The early ’80s were a unique time in the history of American electric guitars. Fender and Gibson were both owned by corporate interests – the former CBS, the latter the…

The Fender Master Series

Dan Smith had an idea – a solidbody guitar with routed chambers that would provide unique resonant tonal characteristics. And he knew the shape he wanted. In the early ’80s,…

The Charvel Model 4

Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…

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Gretsch Rancher

“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how Gretsch first introduced the Rancher Jumbo – offspring of the 1940s…

Christopher Thorn

Alt-Rocker/Studio Guru

Best known as half of the guitar tandem in the ’90s alternative-rock band Blind Melon (that’s his rhythm on “No Rain,” using his Gibson J-30), Christopher Thorn has since recorded…

The Charvel Model 4

Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…

Robert Perine

How I helped Leo Fender

In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…

Martin F-9

1939 Martin F-9. Photo: Kelsey Vaughn, courtesy Gruhn Guitars. One of Martin’s most successful innovations of the 1970s arose, ironically, from one of the company’s least successful ventures of the…