• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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Adam Levy’s Wistful Elegance

Vintage ES-335 on “And They All Sang” Famous for supplying charismatic guitar parts while backing Nora Jones and Tracy Chapman, Adam Levy’s latest solo album, “Spry,” is music laden with…

Gretsch Jet Firebird

One of the flashiest Jets in the Gretsch Company’s Air Force

Given the number of jet-related model monikers in Gretsch’s 1950s and ’60s catalogs, one might get the impression the company built airplanes. There were the flashy “fighters” like the Duo-Jet, Silver…

Gibson EDS-1275 and EMS-1235

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by…

Recording Electric Guitars

The Art of Home Recording

The process might seem simple – stick mic in front of amp, press "Record." Truth is, though, that even just one guitar and amp can render results that vary greatly.…

Jim Campilongo & Steve Cardenas

Mutual Musical Idiosyncrasies

Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September…

Fender Palomino

Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts for, say, a Popeye and Olive Oyl set? “Spinach Special?”…

The Supro 1600R Supreme and 600 Reverb

Toneful Twosome

Supro amps from the late 1950s and early ’60s are some of the most stylish of the era, and boast circuits that generated classic tones at the hands of a…

Heil Talk Box

When Peter Frampton began using the Heil Talk Box in 1974, he remembers it being viewed with skepticism as an “alien effect.” Similar contraptions had been around since 1939, but…

Supro S6651

Supro S6651 Big Star

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…

Antique Guitar Amps 1928-1934

Which came first – electric guitar or amp?

The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…

Tony Nobles Resonator

Museum-Bound Resonator

This guitar is a special project built after I was approached by the new Braunfels (Texas) Museum of Art and Music to show a guitar in an exhibit of Texas…

Forty Quid of Klunk

Tales of the Harmony Bass

Duh-Duh-Duh-Duh-Duh, Klunk! It’s not the most artful musical introduction, but it was effective. And by the time a screaming Hammond organ slides in over the pounding bass-and-drums, most listeners are…

Classics: December 2021

1967 Rickenbacker 360/12

Live-music fans who roamed South Florida from the early ’80s until the mid 2000s might recognize Craig Ball’s ’67 Rickenbacker 360/12. Ball was lead guitarist in the Rockerfellas, a band…

Alamo Guitars and Amps: Remember the Alamo

Part II

This month we wrap up our saga of the Alamo by picking up with the new guitar line offered in 1965. Alamo, as you recall, was originally set up by…

Gretsch Chet Atkins Nashville 7660

1972 Gretsch Chet Atkins Nashville 7660. Photo: Michael Wright. In many ways, the storied past of Gretsch guitars is a microcosmic reflection of the many twists and turns of the…

Watkins Scout

Merit Badge

Watkins amps never landed big stars, or at least didn’t hold on to the endorsements of guitarists once they became big stars. Various Beatles shared a small late-’50s Westminster from…

Double Neck Triple Neck Vintage guitar magazine Home main

Doublenecks, Triplenecks…

And the California Weird Factor

If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is Jimmy Page playing his Gibson EDS-1275 with Led Zeppelin, or…

The Ray Butts EchoSonic

If you want to talk star-user ratio, the Ray Butts EchoSonic is near the top of the heap. Most accounts agree that fewer than 70 amps were ever made, yet…

Tony Nobles Resonator

Museum-Bound Resonator

This guitar is a special project built after I was approached by the new Braunfels (Texas) Museum of Art and Music to show a guitar in an exhibit of Texas…

Fender AA964 Princeton

What’s (Not) in a Name

Getting the job done – five simple knobs on the Princeton’s control panel. 1966 Fender Princeton • Preamp tubes: one 7025, one 12AX7 • Output tubes: two 6V6GT • Rectifier:…

Harp Legend Charlie Musselwhite

Stringin’ on “Blue Lounge” Harp legend Charlie Musselwhite has recorded and performed with a stunning array of guitarists in his band – Harvey Mandel, Luther Tucker, Robben Ford, Junior Watson,…

Star Board: Tom Guerra

Guitarist/singer/songwriter (and VG contributor) Tom Guerra recently released his first solo album, All of the Above, which reviewer Pete Prown says is “hook-laden rock and roll originals that pay homage…

The Murph 12-String

Tugging At Your Heartstrings

Here’s a story that has “Hollywood blockbuster” written all over it. It’s got so many cinematic staples, you can almost hear “Oscar” murmured in hushed tones. There’s the Holy Grail…

Tyler Morris and a 1953 Gibson Les Paul model

Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.

Guild Aristocrat M-75

Guild didn’t intro-duce a true solidbody electric guitar until 1963, but the Aristocrat of 1954 gave the appearance that Guild was competing head-to-head with Gibson’s new Les Paul Model. However,…

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Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…

National Westwood and Glenwood

'60s alt-materials make short run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…

The Fender Stratocaster

Aiming High

In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…

The Charvel Model 4

Certain guitar brands develop a mystique among aficionados – sometimes it’s even deserved! Somewhere on this continuum lie Charvel USA guitars made in the early ’80s in San Dimas, California.…

Maestro Fuzz-Tone

Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all time, Maestro’s Fuzz-Tone – dissatisfaction. It’s also fitting as some…