• Classic Instruments

     Jason Isbell

    New Vistas, Old Gear

    Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.

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Nils Lofgren Shines Solo – Again

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils Lofgren has worked with Bruce Springsteen & the E Street…

1963 Fender Twin Reverb Prototype

1963 Fender Twin Reverb Prototype

The Twin has long been the flagship of Fender’s high-wattage amp lineup, and it achieved/retained that status through several iterations in the company’s formative years. In the October issue, we…

Park 75

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble, Middle, Bass, Brightness Output: approximately 75 watts RMS We might…

The Watkins Clubman

The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and roll barely yet a glimmer in the collective eye, when…

1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string…

Geddy Lee

Bass Conservator

In its 40-plus years, Rush evolved on its own terms. Mixing rock and jazz influences, the band’s 19 studio albums fostered a cultish fan base of prog-rockers, headbangers, and others…

Fender Coronado XII Wildwood

Instrument Profile

Sex, drugs, and rock and roll. Yea, baby! Okay, to be honest, there’s no real evidence that this 1967 Fender Coronado XII Wildwood was ever associated with sex or rock…

Heathkit TA-16 Starmaker

Basement Jams & Blown Speakers

1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us.…

Gibson Style J Mando-bass

Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann,…

Gibson Grenada Five-string

Gibson Grenada Five-string

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on the sound and style of bluegrass music after joining Bill…

Paul Benjaman: Tulsa twanger

Funky solo from “Undercover of Night” On his new album, “My Bad Side Wants a Good Time,” Paul Benjaman serves up funky stew with bayou bite. Here, he plays the…

Tony Mottola

Mr. Big, Guitar Pioneer

Some argue that Tony Mottola was more legendary than famous. In a career spanning 50 years, the guitarist logged thousands of studio dates and made hundreds of concert and television…

Antique Guitar Amps 1928-1934

Which came first – electric guitar or amp?

The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…

VOXAC50-HOME-MAIN-BIG

Vox AC50

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS,…

Alamo Guitars

Remember the Alamo, Part 1

Mention the Alamo and most of us conjure up a rich variety of images. Whether it’s Davy Crockett (Fess Parker, maybe John Wayne) swinging his flintlock rifle as General Santa…

Wandré Modele Karak

We all recognize that guitars are art, but rarely has the instrument been as consciously approached from this perspective by the maker as with the ’60s creations of Wandré Pioli.

A 5E3 Mystery

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

Dad’s Day 2021

VG’s Annual Salute to Fathers Who Inspire

Marty Ashby’s very musical family has been playing together since he was a little kid. Here’s a shot of them in 1969; dad Jim (who operated Ashby Music in Baldwinsville,…

1982 Epiphone U.S. Map

The idea of making “presentation- grade” guitars – special instruments meant as much for marketing as for rich customers – probably goes back to the beginnings of guitarmaking. Certainly by…

Audiovox and Serenader Amps

An Interview with Bud Tutmarc

We dedicate this month’s column to the “legendary” Seattle line. Having never had the opportunity to play through one or take one apart, we’ll have to let catalog descriptions suffice…

Fender Bass VI

Rare Miss Proves Leo Was Ahead of His Time

Fender broke new musical ground in late 1951 with the introduction of the Precision Bass. This archetype of amplified music’s bottom-end set the stage for rock and roll, and transformed…

1968 Teisco May Queen

Perennial Classic, Made in Japan

While many Japanese guitars from the 1960s took their inspiration from American and European models, to the observant eye, there’s a strong undercurrent of Japanese design evident in many of…

Tele-Star 5004

Superior Communications Device

In the late 1950s, the launch of the satellite Sputnik scared the pants off America and inspired a race to catch up. We pulled ahead with the TeleStar I satellite,…

Retro Inspired Basses

Cool Looks, Classic Sounds

Danelectro Dano ’63 long-scale bass in Aqua. Photos courtesy of Evets. Danelectro Dano ’63 short-scale bass in Red Burst. Photos courtesy of Evets. Eastwood Club Bass in Sunburst. Photos courtesy…

Barney Kessel’s ES-350 Rides Again

Return Of An Icon

Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…

Supro S6651

Supro S6651 Big Star

Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty…

The First “Mary Kaye” Stratocaster

The Fender “Mary Kaye” Stratocaster. A term guitar aficionados have come to associate with a ’50s Strat with blond finish with gold-plated hardware… Although Mary Kaye never owned one and…

Forty Quid of Klunk

Tales of the Harmony Bass

Duh-Duh-Duh-Duh-Duh, Klunk! It’s not the most artful musical introduction, but it was effective. And by the time a screaming Hammond organ slides in over the pounding bass-and-drums, most listeners are…

Fender 6G13-A Vibrasonic

Amid the classics in Fender’s “golden-era” amp line, some remained in production only a short time because of timing, misjudgment of the market, or both. Such is the case with…

Elliot Easton

Star Board: Elliot Easton

Elliot Easton’s “Pedalboard” Though Elliot Easton enjoys his loaded full-size Pedaltrain board, his new band, The Empty Hearts (with Clem Burke, Wally Palmar, and Andy Babiuk), does a lot of…