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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Gibson GA-CB Custom Built
Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument…
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was…
Dan’s Guitar RX: Adding Master Volume to a Les Paul
Plus One
My friend Alex Aguilar recently asked me to do something most guitarists would consider sacrilegious – add a Master Volume…
Maestro Rover R0-1
The UFO of Rotating Speakers
To record “Little Wing,” Jimi Hendrix plugged his Stratocaster into his usual amplifier, then did the unthinkable; he ran guitar…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all too easily mistaken for copies or wannabes chasing a market…
Gibson GA-CB Custom Built
Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument Gain, tremolo Intensity and Frequency, Treble, Bass; four-position Jensen High…
Fender Custom Shop Marks 30 Years
Dream Makers
In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…
The Guild Starfire Bass
In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the brand think the sterotype is unfair, of course, and certainly,…
Gibson Custom Colors in the 1960s
Burning Embers, Chilled Whites
Unlike its rival from the West Coast, Gibson did not readily embrace the concept of offering custom-color finishes. It wasn’t averse to custom work or colorful finishes, but saw them…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Dave Amato
Collect 'Em and Smile
This year marks Boston-born Dave Amato’s 19th annum with REO Speedwagon. The guitarist moved to California in 1980 and became…
Music Man HD-130 Reverb
Intended to be the masterpiece of a titan in guitar-amp design, Music Man amps of the mid/late ’70s are all…
Gibson’s Depression-Era Exports
Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names,…
The D’Angelico Excel Mandolin
The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder…
Revisiting The Jazzmaster
While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster – Fender’s top-of-the-line guitar when it was introduced in 1958. Then,…
Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…
Classics: July 2021
Warren Garstecki’s 1932 Gibson HG-22
Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…
“Buy That Guitar” podcast with special guest Tommie James
“Buy That Guitar” podcast with special guest Tommie James Season 01 Episode 05 In Episode 5 of “Buy That Guitar,” presented by Vintage Guitar mag, host Ram Tuli speaks with…
Dallas Shaftesbury 30
We mine the rich seam of obscure vintage American tube amps on a regular basis here in the pages of VG, but less often do we delve into the equally…
Tyler Morris Features a Martin Style 2 1/2-17
Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
National Style O
Industrial Art
National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer…
Fender Custom Shop Marks 30 Years
Dream Makers
In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the…
Rickenbacker 481
It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we…
A Guitar for Mr. Richards
The Saga of Ted Newman Jones
For anyone who visited the tiny workshop inhabited by guitar builder Ted Newman Jones in the 1970s and ’80s, two…
