• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Dallas Rangemaster

The Dallas Rangemaster

January 26, 2015 · Michael Dregni

Eric Clapton christened it “woman tone.” On the famed 1966 “Beano” album, John Mayall’s Blues Breakers With Eric Clapton, the…

National Model N-720

Star of an Era's End

November 3, 2005 · Michael Wright

Most acoustic guitar players will likely show disdain for any instrument with a bolt-on neck. Even though there have been…

Teisco Checkmate 30

Café Culture

December 16, 2023 · Dave Hunter

In a world where the best riffs often come when one is lounging in the family room, sipping espresso and…

Saga of Ted Newman Jones

A Guitar for Mr. Richards

The Saga of Ted Newman Jones

July 7, 2016 · Ward Meeker

For anyone who visited the tiny workshop inhabited by guitar builder Ted Newman Jones in the 1970s and ’80s, two…


Beat Portraits: Burns Volume 2

The Black Bison Leads the Herd

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…

Guild Aristocrat M-75

Guild didn’t intro-duce a true solidbody electric guitar until 1963, but the Aristocrat of 1954 gave the appearance that Guild was competing head-to-head with Gibson’s new Les Paul Model. However,…

Dan’s Guitar RX: Finding An Old Friend, Part 2

What Goes Around…

In the September, issue I told the story of the ’58 ES-335 I sold to my friend, Al, for $225 in 1966. Al passed away earlier this year and left…

Double Neck Triple Neck Vintage guitar magazine Home main

Doublenecks, Triplenecks…

And the California Weird Factor

If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is Jimmy Page playing his Gibson EDS-1275 with Led Zeppelin, or…

1938 Supertone Gene Autry Roundup

In the depths of the Great Depression, people turned to entertainment for distraction. Not that there was much to be had when cash was in short supply, but two inexpensive…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Yamaha Weddington Custom

A Better “Classic”

December 9, 2024 · Michael Wright

In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their…

GIBSONTALFARLOW-HOME-MAIN-BIG

Gibson Tal Farlow

April 18, 2016 · Kevin Vey

The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

February 14, 2018 · Peter Stuart Kohman

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his…

Sovtek MIG-50

Curtain Call

February 4, 2022 · Dave Hunter

Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…


 Joey Molland

The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records,…

The Sammick Viper

Some guitars hit the market at the perfect time to becom e classics – think Les Paul and Stratocaster. Some experience brief popularity, then slip into obscurity – think Bond…

Greg Martin’s ’53 Fender Telecaster!

Greg Martin’s ’53 Fender Telecaster

Vintage Guitar magazine Presents Greg Martin's Head Shop

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. Greetings from Kentucky, hope…

Fender’s 6G9 Tremolux

Fender’s 6G9 Tremolux

Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; tremolo Speed and Intensity for both channels…

The Fender Showman

The Showman

In addition to several significant shifts in style and presentation, for Fender, the transition of the late 1950s into the early ’60s represented a more concerted push into big-amp territory.…

VG Q&A: Jimi Flip

Plus, Precision Bass rests and an odd Galliano

I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found a lefty model. Does anybody know? – Garry Curry The…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Burke Guitar

Axe That Time Forgot

June 15, 2023 · Ward Meeker

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has…

Eastwood EEB-1 and EUB-1 Basses

Horizontal Vibe

July 1, 2020 · Phil Feser

Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis…

Chris Butler’s Vox Mark VI: Waitress Server

December 10, 2024 · Ward Meeker

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to…

The Fender AA165 Pro Reverb

March 11, 2019 · Dave Hunter

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for…