• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

'62 Les Paul Rarity

’62 Les Paul Rarity

December 21, 2015 · George Gruhn

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest…

Gibson’s 17″ Pre-War Electrics

ES-300 of 1940-’43

December 1, 2014 · Andre R. Duchossoir

Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer…

Hard Rock Cafe

Guardians of Grandeur

The Men Who Tend to the Guitars of the Hard Rock Cafe

February 11, 2016 · Ward Meeker

“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case;…

The Voxmobile

Too Fast to Live, Too Cool to Die

March 22, 2018 · Dave Hunter

Free love, slick guitars, hot cars! Few pieces of late-’60s pop culture were anywhere near as hip and groovy as…


The Yosco No. 2

Tenor Banjo

The banjo and American music cross paths in a remarkably entangled web of complexity. The banjo was brought to the New World – conceptually, at least – by African slaves…

Classics: Arena-Rock Alternative Amps

Mad Maxed

As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach…

Simon Adahl’s 1958 Höfner 162

Missing Link

He may not be part of anthropological history like Dutch paleontologist Eugene Dubois, but Simon Adahl did have to dig a bit to discover this “missing link” – a first-version…

David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

Alternative ’60s Club Classics

Amps Beyond the Everyday

The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are among the all-time classics. But what if you’re looking for…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Cry, Baby!

The Story of the Vox Wah

December 9, 2015 · Michael Dregni

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah…

The Rickenbacker 4000

March 21, 2016 · Willie G. Moseley

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision…

Elliot Easton

Star Board: Elliot Easton

November 25, 2015 · Ward Meeker

Elliot Easton’s “Pedalboard” Though Elliot Easton enjoys his loaded full-size Pedaltrain board, his new band, The Empty Hearts (with Clem…

1983 Peavey T-20 and T-20FL Vintage guitar magazine

Peavey T-20

The Next Step

March 30, 2016 · Willie G. Moseley

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup…


Sun Rises Again

Sun Rises Again

January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and roll with the 1951 Jackie Brenston-Ike Turner ode to an…

Nils Lofgren Shines Solo – Again

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils Lofgren has worked with Bruce Springsteen & the E Street…

Magnatone X-5 Zephyr

Last Gasp

Ever since Lonnie Mack unleashed The Wham of That Memphis Man and Buddy Holly sang “Peggy Sue,” Magnatone amplifiers have been the stuff of legend. Magnatone guitars, on the other…

Lloyd Loar

An Alternative View

The Master Model instruments created at Gibson in the early 1920s are famous for their sound and build. Credit for their design is often laid at the feet of “acoustic…

McKinley James’ Blues

 Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

The Norma EG 470-2 Deluxe

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young Benjamin Braddock in the classic film The Graduate: “Plastics.” In…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Ecco-Fonic

October 12, 2014 · Michael Dregni

John Adomono was an American guitar hero of the Cold War years. JFK named him his favorite guitarist, and Adomono…

Six-String Basses from the 1950s and ’60s

The Big Twang!

February 4, 2022 · Peter Stuart Kohman

Electric bass, bass guitar, baritone guitar; four, five, or six strings – many varieties of low-tuned instruments are available today.…

Nils Lofgren Shines Solo – Again

September 26, 2023 · Vintage Guitar

Star Grabs Vintage J-50 for “Ain’t the Truth Enough? An in-demand sideman for more than 50 years, guitar wizard Nils…

VG Q&A: Fret Differential

And Examining Two Budget Archtops

August 29, 2025 · Ward Meeker

Can someone please explain the differences between playing an instrument with jumbo frets versus one with smaller/shorter frets? – John Mackey…