The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

In the mid 1970s, Kosmo and Kathy Cominos collected knives, jukeboxes, wristwatches, etc… But their favorite finds were celebrity-associated musical…

The violin-style f-holes of Gibson’s F-5 mandolin, L-5 guitar, and other Style 5 instruments, are the most famous and most…

Billed as “the latest orchestral sensation… unparalleled for versatility,” Vega’s electric banjos – developed to compete with one being made…

Chris Leuzinger’s 1952 Gibson Les Paul
If your radio was tuned to a country station even for a few minutes anytime in the last 30 years,…

What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think it would be the perfect medium for a mean rock…

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952, the Gibson Les Paul Model (a.k.a. goldtop) reached peak production…

Prehistoric Beast
1971 Dumble Special 16 • Preamp tubes: three 12AX7 • Output tubes: eight 6L6GC (most likely) • Rectifier: solid-state • Controls: Volume 1, Volume 2, Treble, Middle, Bass, Accent; Bright…

Beach Party
Collectors know well the desirability of Epiphone guitars from the years after Gibson acquired the brand. Further off the radar, however, are the amplifiers that accompanied them – especially the…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…

Secrets of a Socal "Parts" Guitar
If you were a guitar – particularly one with a natural or translucent finish – your “fingerprint” would be…

The Guitar Market’s “Covid Surge”
In the September ’20 issue, VG surveyed guitar dealers to learn how they’d been impacted by the early weeks of…

Melodious Coterie
Boxcars Among the vast papers, drawings, photographs, and tapes at Texas Tech’s Crossroads of Music Archive is a guitar beloved…

Teacher’s Aid
Melbourne “Mel” Bay (1913-1997) began his musical career at the age of 13 in his hometown of Bunker, Missouri. Largely self-taught, as a teen he performed on guitar, tenor banjo,…

Gretsch Gets With It!
In 1950, Leo Fender introduced the Broadcaster. The first solidbody electric Spanish guitar to bear his soon-to-be-famous name, its thin profile, light weight, and utilitarian dual-pickup configuration combined to make…
Race on
Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of guitars. And for all the influence some of its unusual…

Femme Flamenco
In a time when pop-music performers rely heavily on post-recording fix-ups and pre-recorded tracks onstage, it’s refreshing – even admirable – when someone takes the “honest road.” Singer/guitarist Sue Foley…

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest Gibson solidbody to have a Tune-O-Matic bridge and stop tailpiece;…

This month, we take a guided tour of the pedalboard belonging to Craig Bartock, guitarist with Heart. Craig Bartock, a well-known (and busy) guitarist/composer, has been the touring lead guitarist…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Tenor Banjo
The banjo and American music cross paths in a remarkably entangled web of complexity. The banjo was brought to the…

Vern Juran’s Harmony stratotone
Like many baby-boomer kids, 11-year-old Vern Juran was into slot-car racing and bikes with ape-hanger handlebars, banana seats, and sissy…

The Electrifying Sounds of Post-War Guitar
Fans often mark the beginning of rock and roll as either Elvis Presley’s Sun Sessions or Bill Haley & the…

Curtain Call
Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it…