Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and

B.K. Vaught recently walked into my shop with a vintage Strat that had been modified and refinished. While its changes represented a bit of American history, the guitar deserved to be restored. B.K. got it in the spring of 2022, while helping sort the estate of an uncle who had passed away. Among his belongings…

Although popular music of the 1920s featured the tenor banjo as the preferred rhythm instrument, the guitar’s popularity rose steadily through the decade, and by the ’30s, it had overtaken the banjo. As had been the case with tenor banjos, mandolins, and classical/minstrel banjos in earlier eras, the best-selling fretted instrument attracted the most attention…

Cooperative Cognition
When it comes to identifying guitars, basses, amps, and effects, nobody knows it all. Anyone save for the true specialist,…

Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May…

Cool or Gaudy?
By the early 1960s, Europe’s industrial bases had mostly recovered from World War II. Many musical-instrument manufacturers stuck to products…
Top of the Line from a Master Builder
Having earned its place in the VG Hall of Fame as one of the finest guitars in the history of…

1958 Magnatone Custom 280
When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation. The watery, warbling “true vibrato” that the larger Magnatones are…

Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole.…

Ray Cummins Plays the 1956 Gretsch Chet Atkins 6120 prototype “Dark Eyes” VG ace online tutor Ray Cummins uses the famed ’56 Gretsch Chet Atkins 6120 prototype to play “I’ll…

An Ever-Changing Landscape
Fretted instruments can be examined in much the same way as zoological taxonomist or forensic pathologist would approach them. They fit well into a Linnaean taxonomic order, and in fact…

The Righteous Flame-throwin’ Tube
“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there is a simple solution…” Those who plug into Fender amplifiers…

They might not seem to have a ton in common aside from first names. J Mascis, Dinosaur Jr.’s co-founder and guitarist developed a style equal parts guitar heroics and left-side-of-the-dial insouciance. In Uncle Tupelo, Jay Farrar helped popularize the alt-country movement by merging influences from Doug Sahm to The Stooges. But that might be where…

When is a Marshall not a Marshall? When it’s a Narb, of course. Long a fascinating footnote to the company’s history, this alternative brand arose as something of a bet between colleagues. For all the undeniable classics produced by Jim Marshall and his right-hand men Ken Bran and Dudley Craven, it seems the company’s marketing…

The Goya Rangemaster 116 SB
American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their…
When Jimi Hendrix released his first album, 1967’s Are You Experienced, he launched a new level of guitar heroics as…

So what is it? Its original black-finished spruce top is simply ladder-braced from within, but its back and sides feature…

Special Addition
It’s routine for Vince Gill, as one of Nashville’s true connoisseurs of electric and acoustic gear, to receive tips about…

’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the Memphis Slim House in the Soulsville neighborhood of Memphis (Stax…

Billed as “the latest orchestral sensation… unparalleled for versatility,” Vega’s electric banjos – developed to compete with one being made by Gibson – were of little consequence in the market.…

Blooms in the Desert
When traveling the American desert southwest, one should expect the unexpected. Visit in the springtime and you might witness the elusive flowering of the torch cactus, which happens on just…
Rock-And-Roll High School(er)
Students at Federal Hocking High School here in Athens County, Ohio, are given the opportunity to propose internships in work that interests them. Ceil Thompson, a 17-year-old junior who has been…
In each issue of “Signal Chain,” we’ll take a guided tour of pro players’ pedalboards. We’re calling the feature “Star Board,” and we kick it off in this issue with…

The Gibson Granada five-string banjo is primarily known for being played by Earl Scruggs, who had an enormous impact on the sound and style of bluegrass music after joining Bill…
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been

“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That Guitar” podcast, host Ram Tuli is joined by Howie Statland of Rivington Guitars, New York City. They discuss famous players and the effect they have on the value of collectible instruments. Guitarists are often influenced…

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with Rick Estrin & the Nightcats. One of the best blues guitarists around, here, he’s joined by his wife, Lisa, and bandmate Endre Tarczy to play “Nobody’s Fault But Mine,” from his latest album, “Spirits.” Kid…

Danny Gatton’s ES-295
Glenn Holley was just five years old when he became infatuated with the sound of rockabilly music thanks to Elvis…

The Tube Abides
Since the mid ’60s, electrical engineers have been trying to drive a stake into the heart of the vacuum tube,…

Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and…

Italian Connection
An internet search for “Rex guitars” will turn up a fair – if confusing – amount of information about the…