• Shawn Purcell’s Jazz from the East (Coast)

    Shawn Purcell’s Jazz from the East (Coast)

    Influences Aplenty! A child of the ’80s, Shawn Purcell grew up listening to Stern, Scofield, and Metheny alongside Zeppelin, Van Halen, Yngwie, and Vai. Here, he shares a take on “Gentle…

    Read more >>

  • Jorge Garcia’s FM Anthems, in Jazz

    Jorge Garcia’s FM Anthems, in Jazz

    Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…

    Read more >>

  • D.K. Harrell and His ’76 ES-335

    D.K. Harrell and His ’76 ES-335

    B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…

    Read more >>

  • Oz Noy & Andrew Synowiec

    Oz Noy & Andrew Synowiec

    Recreational Substance

    Fusion guitar experts Oz Noy and Andrew Synowiec join forces for an album of shameless note density and post-bebop shred. Eight compositions run the gamut between energetic shuffles, wide interval…

    Read more >>

  • Marcin

    Marcin

    Dragon In Harmony

    Acoustic/electric sensation Marcin effortlessly traverses the fretboard with a guitar style that embraces the companionable influences of classical, flamenco, and pop music. Lightning-fast intervallic runs dovetail into high-level rhythmic slapping,…

    Read more >>

  • Check This Action: Folk Festival of Blues

    Check This Action: Folk Festival of Blues

    I heard blues records earlier than I can remember. My dad had Sonny Terry & Brownie McGhee albums, and a family friend had records by Lead Belly and Jesse Fuller.…

    Read more >>

NOW AVAILABLE!

CURRENT ISSUE

Join 25,700+ subscribers & be notified when new articles & more becomes available!

NEWSWIRE

ARTISTS


CLASSIC INSTRUMENTS


APPROVED GEAR

  • Wes Beech

    Wes Beech

    Life in The Plasmatics

    From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…

    Read more >>

  • Classics: Mike Semrad’s ’57 Gibson Les Paul Custom

    Classics: Mike Semrad’s ’57 Gibson Les Paul Custom

    Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…

    Read more >>

  • Heathkit TA-16 Starmaker

    Heathkit TA-16 Starmaker

    Basement Jams & Blown Speakers

    1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…

    Read more >>

  • Fretprints: Led Zeppelin

    Fretprints: Led Zeppelin

    One of the truly classic rock albums, Led Zeppelin’s IV brought together the band’s towering advances achieved with its first three releases. An extraordinary amalgam of blues-rock, progressive aspirations, heavy-metal antecedents, lingering psychedelic overtones, uncommon acoustic colorations, and imaginative orchestration, it remains iconic. Taking cues from – but surpassing – the second wave of the…

    Read more >>

  • Pop ’N Hiss: Albert King’s Born Under a Bad Sign and Live Wire/Blues Power

    Pop ’N Hiss: Albert King’s Born Under a Bad Sign and Live Wire/Blues Power

    Power, Indeed

    In February of 1968, Albert King stepped onto the stage of San Francisco’s Fillmore Auditorium for the first time. With the Jimi Hendrix Experience headlining, John Mayall’s Bluesbreakers featuring 19-year-old Mick Taylor, and King as opener, the evening was an embarrassment of guitar riches. “I’d never heard of him,” says Robben Ford, who was 16…

    Read more >>