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    So-Cal Rocket Dynamics

    Matt Britton and Robert Coddington from So-Cal Rocket Dynamics walk us through their instruments and gear. Read our review of their new album, “Antisocialite,” in the December issue of Vintage Guitar. Click the “Hit List” link at the Bottom of the cover and READ NOW!!

    Redd Volkaert Pays Homage to Charlie Prichard

    Watch Redd Volkaert and his Fender Tele pay homage to the late Charlie Prichard, who helped Redd get rolling professionally when he moved to Austin nearly 20 years ago. Be sure to read Dan Forte’s remembrance of Prichard in the December issue of Vintage Guitar! READ NOW!!

    Eddie Roberts

    Making It Up As You Go

    The New Mastersounds’ latest album, Made For Pleasure, has the usual mix of soul, jazz, funk, and even a bit of reggae, and of course the band is tight and focused. It may, however, surprise listeners that it was written and performed in the span of one week. “That’s pretty much how we work,” said

    Steve Khan


    Steve Khan has spent the last few albums mixing Latin music and jazz. The project has worked beautifully, culminating in this effort that takes tunes from Thelonious Monk, Bobby Hutcherson, Ornette Coleman, Steve’s dad Sammy Cahn, and others and mixing the styles in a way that lets Khan and band shine. Let’s talk about Khan’s

    Vintage Guitar magazine Namm 2017

    Winter NAMM 2017

    Experience Winter NAMM 2017 with James Patrick Regan (1 of 42). Experience Winter NAMM 2017 with James Patrick Regan Experience Winter NAMM 2017 with James Patrick Regan Experience Winter NAMM 2017 with James Patrick Regan Tom Feldmann live demo of a new Waterloo by Collings Guitars and Mandolins. #NAMM2017 Cool happenings at the John Page

    The Coulter Company

    The Coulter Company

    More Rarities from the Pacific Northwest

    The eye-catching and technologically innovative stringed instruments created by Frank Evans Coulter in the early 20th century are so exceedingly scarce that few guitar enthusiasts have laid eyes on one. Indeed, their rarity is conveyed by one simple fact – only a couple dozen Coulter instruments – including an Hawaiian-style guitar, a tenor guitar, a

    Gibson L-5S Ron Wood Signature

    Serious Lumber

    In 1972, Gibson introduced the L-5S as a smaller, thinner solidbody version of its L-5 hollowbody. Most mistook it for a Les Paul with a wider body. Though not Gibson’s most popular model, it did catch the attention of a number of high-profile guitarists, including Rolling Stone Ron Wood. Like the L-5, the L-5S was

    Tremcaster Single Ninety Home Feature Image

    Tremcaster Single Ninety

    Best of Both Worlds

    Today’s guitar market is one of extreme preferences. For some, the idea of countless options and exotic woods and craftsmanship is the name of the game. For others, the tendency is more toward “aged” instruments that recall days gone by. What often seem to be missing on this spectrum are instruments that fall somewhere in

    Custom-Order Gibson B-45-12

    The term “rare” is applied to guitars in far too many instances. Usually an appealing term, its overuse can be attributed in part to the fact it’s particularly catchy to the eye of anyone fond of a collectible vintage instrument. The subject here this month, however, is truly deserving of the label. A custom-order Gibson

    EHX Tortion JFET Overdrive

    EHX Tortion JFET Overdrive

    EHX Tortion JFET Overdrive Price: $198.67 (list)/$179 (street) Contact: www.ehx.com Having teenage metal-shredders at home makes one appreciate that a little overdrive can go a long, long way. Note to sons – not all songs benefit from being played “at 11.” In the real world, bandmates expect you to sit back in the mix from

    Zakk Wylde

    Stripped Down BLS for Unblackened

    When Zakk Wylde was asked to record a new DVD/CD package, he decided to give his Black Label Society fans something different – Unblackened, a live acoustic/electric performance featuring Wylde on guitar and piano, with BLS bandmates bassist John Deservio, guitarist Nick Catanese, drummer Chad Szeliga, keyboardist Derek Sherinian, and vocalist Greg Locascio. The package

    Gibson Style J Mando-bass

    Decades before Audiovox or Leo Fender dreamed of making a fretted electric bass, Gibson started manufacturing fretted acoustic mando-basses that were tuned the same as an upright bass. Joe Spann, author of Spann’s Guide to Gibson 1902-1941 has assembled serial and work-order number information documenting Gibson’s production prior to World War II, which indicates mando-bass

    Frenzel FM-DP1 Tube Preamp

    Old-School Bang Without Breaking the Bank

    For five decades after he built his first guitar amp in 1952, Jim Frenzel designed tube and solidstate equipment for the military, FAA, and Texas Instruments. But it wasn’t until 2001, after his retirement, that he returned to tube guitar amps. Frenzel’s philosophy is pretty straightforward; he designs and builds amps that easily dial up

    Ibanez Tube Screamer

    From the first notes of Stevie Ray Vaughan’s “Texas Flood,” you can hear it loud and clear; that snarly tone is not just pure Stratocaster and amplifier! To get that bluesy edge, Vaughan plugged into a small green box – an Ibanez TS-808 Tube Screamer Overdrive Pro. SRV used the Tube Screamer to drive his

    Oz Noy

    Who Gives A Funk

    Fusion maestro Oz Noy expands his palette of influences by enlisting the help of a horn section and special guests. Noy basks in the funkalicious glory of instrumental ’60s soul. Jazz-rock Strat lines and slide comingle within blues and gospel changes, as lush horn arrangements and solos adorn vibrant production. His band includes drummers Chris

    Mary Kaye

    Beyond the Stratocaster Connection

    Most informed guitar enthusiasts associate veteran “lounge” guitarist Mary Kaye with the unique ’50s Fender Stratocaster model (blond finish, gold hardware) that has assumed her proper name as its designation. However, it’s ironic that she never owned a “Mary Kaye” Strat in the time that she brandished one in publicity photos of the Mary Kaye

    22 Classic Modulation Effects

    Mod Squad

    We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence of our favorite heroes and songs.

    Melissa Carper and Sad Daddy

    Arkansas Bound and Fresh Catch

    With her bass making a dependable, rhythmic anchor, Melissa Carper sings like a bird soaring “where the wind blows high above the trees,” as Bob Dylan said. It’s tricky to wear both hats, but in her hands even a ballad like her own “Bedtime In Texas” has a heartbeat of a rhythm running underneath. Supported

    Electro-Harmonix Epitome, Tone Tattoo

    Tone to the Third Squared

    The Electro-Harmonix Epitome, Tone Tattoo Price: $491.84 list (Epitome) and $292.35 list (Tone Tattoo) Info: www.ehx.com The concept is smart yet so obvious it’s a wonder no one came up with it sooner. With both the Epitome and the Tone Tattoo, Electro-Harmonix manages to cram three effects into a single housing. Did life just get

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    Siegmund Missing Link

    Rounding Out the Board

    Looking like a Sputnik-era satellite, the Missing Link from Siegmund Guitars and Amplifiers may be the perfect way to – pardon the pun – round out a pedalboard. Encased in a very attractive polished stainless-steel half dome, the micro-tube clean-powered Missing Link is a unique effect: a transparent signal boost that does not alter the