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Shawn Purcell’s Jazz from the East (Coast)
Influences Aplenty! A child of the ’80s, Shawn Purcell grew up listening to Stern, Scofield, and Metheny alongside Zeppelin, Van Halen, Yngwie, and Vai. Here, he shares a take on “Gentle…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal,…
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Oz Noy & Andrew Synowiec
Recreational Substance
Fusion guitar experts Oz Noy and Andrew Synowiec join forces for an album of shameless note density and post-bebop shred. Eight compositions run the gamut between energetic shuffles, wide interval…
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Marcin
Dragon In Harmony
Acoustic/electric sensation Marcin effortlessly traverses the fretboard with a guitar style that embraces the companionable influences of classical, flamenco, and pop music. Lightning-fast intervallic runs dovetail into high-level rhythmic slapping,…
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Check This Action: Folk Festival of Blues
I heard blues records earlier than I can remember. My dad had Sonny Terry & Brownie McGhee albums, and a family friend had records by Lead Belly and Jesse Fuller.…
NEWSWIRE
ARTISTS
CLASSIC INSTRUMENTS
APPROVED GEAR
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Tribute To The King
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Big Generator
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First-Class Blast
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’65 Vibe
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Wes Beech
Life in The Plasmatics
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
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Classics: Mike Semrad’s ’57 Gibson Les Paul Custom
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
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Heathkit TA-16 Starmaker
Basement Jams & Blown Speakers
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
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Fretprints: Led Zeppelin
One of the truly classic rock albums, Led Zeppelin’s IV brought together the band’s towering advances achieved with its first three releases. An extraordinary amalgam of blues-rock, progressive aspirations, heavy-metal antecedents, lingering psychedelic overtones, uncommon acoustic colorations, and imaginative orchestration, it remains iconic. Taking cues from – but surpassing – the second wave of the…
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Pop ’N Hiss: Albert King’s Born Under a Bad Sign and Live Wire/Blues Power
Power, Indeed
In February of 1968, Albert King stepped onto the stage of San Francisco’s Fillmore Auditorium for the first time. With the Jimi Hendrix Experience headlining, John Mayall’s Bluesbreakers featuring 19-year-old Mick Taylor, and King as opener, the evening was an embarrassment of guitar riches. “I’d never heard of him,” says Robben Ford, who was 16…


























