•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

The Burke Guitar

The Axe that Time Forgot

April 13, 2021 · Ward Meeker

For more than 60 years, aluminum has been used as a component in guitar construction. Exactly whose idea it was…

Martin Style 000-28K

February 13, 2023 · George Gruhn

During the 1920s and ’30s, Martin made a considerable number of guitars with bodies constructed of Hawaiian Koa wood. The…

Stromberg G-5

May 7, 2023 · George Gruhn and Walter Carter

In the world of archtop guitars, the Stromberg name represents the ultimate instrument – in size, at least – in…

Gretsch 7680 Super Axe

December 6, 2021 · Michael Wright

Most of us are – or should be – aware of the enormous contributions of the late Chet Atkins, the…


Vox Guitars Invade America

From Dartford to Sepulveda

The Vox brand may be quintessentially English, but it made a huge impact in the U.S. Riding in with the 1964 British invasion, Vox even displaced Fender for a time…

Sue Foley

Femme Flamenco

In a time when pop-music performers rely heavily on post-recording fix-ups and pre-recorded tracks onstage, it’s refreshing – even admirable – when someone takes the “honest road.” Singer/guitarist Sue Foley…

Martin’s “12-Fret” 000-42

Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the 12-frets-to-the-body 000-42? It has long been held that Martin has…

Weymann Model 890 Jimmie Rodgers Special

Hey Hey, Tell ’Em About US

Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…

Freddie Green

Artistry in Rhythm

Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Marshall Super Tremolo Model 1961

November 30, 2016 · Dave Hunter

The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition…

Fender’s 6G9 Tremolux

Fender’s 6G9 Tremolux

March 23, 2016 · Dave Hunter

Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel:…

Roy Orbison’s Marshall Model 1961

Dream Baby

June 10, 2024 · Dave Hunter

One of the most-desirable vintage amplifiers ever made goes by a name it never officially had. Possibly the first Marshall…

Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

May 30, 2017 · George Gruhn

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan…


Gibson’s Crest Models

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to…

Gibson EDS-1275 and EMS-1235

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by…

Fall Philly 2014

[caption id="attachment_19277" align="alignleft" width="300"] We are here at the Philly show checking out all the killer guitars! Here's a '54 Goldtop Les Paul, 59 TV Junior, '55 Junior, '59 Epiphone…

Charlie Starr: Open-Tuning Magic on “Azalea”

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45.  It’s just one of the great…

Gretsch 6119 Tennessean

Gretsch 6119 Tennessean

Chet Atkins was the most important endorser ever employed by the Gretsch company. When introduced in the 1950s, models bearing his name were admired and played by many artists including…

The Original ES-150

How Gisbson Won The ES War

The story of the ES-150, Gibson’s first commercially successful electric guitar, has been told many times, and its association with legendary jazz pioneer Charlie Christian is a staple of the…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Eric Clapton’s “Blackie”

Eric Clapton’s “Blackie”

March 13, 2015 · Willie G. Moseley

This may well be the most desirable Fender Stratocaster on the face of the planet. And it happens to be…

Gretsch Country Gentleman

August 28, 2014 · Jim Hilmar

Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced.…

Fender Custom Color Strat main

Custom-Color Stratocasters

July 1, 2014 · R.K. Watkins

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it…

Peter Green

Peter Green

A Guitar For Greeny

April 22, 2016 · Werner Althaus

Establishing the provenance of a vintage guitar can be a daunting task, even for a seasoned pro. In the case…