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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Kay Jazz Special and Value Leader
Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965…
Music Man’s Hybrid Boogie Amp: The RD-50
Say hey, fellow guitarists! If you live in the Northeast, it’s great to have a hobby that doesn’t require going…
First to Sunburst
The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in…
Six-String Basses from the 1950s and ’60s
The Big Twang!
Electric bass, bass guitar, baritone guitar; four, five, or six strings – many varieties of low-tuned instruments are available today.…
Sovtek MIG-50
Curtain Call
Given their development in the twilight years of the U.S.S.R. and arrival at the fall of the Iron Curtain, it was a gutsy move to name an amp after a…
The House of Stathopoulo Harp Guitar
Surreal Missing Link
One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…
Orange OR80 Combo
Sunshine State
Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…
Robin Basses
A Photo Retrospective
Alamo Music Products holds a unique place in the history of electric guitars and basses. The Houston-based company began its journey in the early ’80s as Robin Guitars, importing retro-influenced…
Supro Thunderbolt
Designed “…exclusively for the electric Bass guitar,” it was simplicity itself, with no “fancy extra circuits.” But much like with Fender’s Bassman, guitarists had other ideas!
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
1843 Martin & Coupa
Retail Rarity
In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under…
The Fender Blender
Extreme Fuzz
When Robin Trower segued from his wah-driven blues-rock riffing into the slowed, deep-blues groove of the second half of his…
Eastwood EEB-1 and EUB-1 Basses
Horizontal Vibe
Eastwood’s EEB-1 and the EUB-1 take their design inspiration from Ampeg’s quirky mid-’60s Horizontal Bass series, the brainchild of Dennis…
Memphissippi Sounds’ Yella P asks “Who’s Gonna Ride”
’59 Stratotone at the Memphis Slim House While Memphissippi Sounds’ Yella P and his ’59 Harmony Stratotone were visiting the…
Zakk Wylde
Doomsayer
Best-known as Ozzy Osbourne’s longest-tenured guitarist, Zakk Wylde has also been the leader of Black Label Society since the late ’90s. With Ozzy off the road in 2021, Wylde has…
Jake Andrews’ video encore: “Eyes On The Prize”
Austin Great Goes Full Steam for “Eyes On The Prize” Jake Andrews’ video encore: “Eyes On The Prize” Jake Andrews makes a VG-social-media curtain call by playing “Eyes On The…
Out-Stratting the Strat
The Story of the G&L S-500
It would be an understatement to say that Leo Fender, with the help of George Fullerton, was prolific in the years after he sold Fender Electric Instruments. The tag team…
Rickenbacker Transonic
Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and…
Martin D-28 and D-45
Definitive Flat-tops
Martin’s pre-WWII dreadnought guitars set the standard for the modern flat-top, and thus both have been inducted into the VG Hall of Fame.
Booker White’s 1933 National Duolian
Hard Traveled
“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard Rock was a hard-traveled guitar – much like White himself.…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Beat Portraits: Burns Volume 1
Beginnings – The Early 1960s
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled…
Tonk Brothers/Washburn 5241
From the late 1920s through the early ’40s, Gibson produced instruments under a variety of brand names for retailers like…
National Westwood
Whether Valco – the company that made National guitars in the 1950s and ’60s – was actually inspired by U.S.…
Revisiting The Jazzmaster
While volumes have been written about its more-famous sibling, the Stratocaster, surprisingly little attention is paid to the Jazzmaster –…
