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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Perfect Curves
Fender’s Stratocaster Turns 60
Sixty years down the road since its creation, the Fender Stratocaster is the default image of the electric guitar for…
Martin’s “12-Fret” 000-42
Martin has never been a stranger to producing certain guitars in very limited quantities. But just how rare is the…
Gibson’s Fabulous Florentines
Archtop Elite
The image of Elvis Presley on his 1968 NBC “comeback special” was, in a word, badass. Dressed in black leather…
Maestro Fuzz-Tone
Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all…
Gibson Les Paul Special 3/4
Gibson’s double-cutaway Les Paul Special 3/4 from 1959 is one of the rarest Les Pauls from the “golden era.” It’s also one of the more unusual in that it may…
Vega De Luxe Electric Plectrum Banjo
Billed as “the latest orchestral sensation… unparalleled for versatility,” Vega’s electric banjos – developed to compete with one being made by Gibson – were of little consequence in the market.…
“Buy That Guitar” podcast with special guest Tony Nagy
Season 03 Episode 05 In Episode 3.5 of “Buy That Guitar,” host Ram Tuli is joined by Tony Nagy, manager of the repair shop at Gruhn Guitars. Vintage instruments, prized…
The Marshall Major
Force Commander
Any player who shows up these days with a 200-watt guitar amp will elicit a hearty, “Are you out of your mind?” But when the Marshall Major came along 50…
Univox Uni–Fuzz & Super–Fuzz
Full, Fat Fuzzzy
Pete Townshend sent many a guitar and amp to an early grave. But there’s no known evidence of him doing the same with effects pedals. Never mind that spearing a…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
Vox AC100
Scream Machine
The history of Vox amplifiers’ evolution through the early/mid-’60s directly tracks with The Beatles’ increasing needs to be heard over…
The Morley Rotating Wah
Chromed Tone
There was a time in the mythic ’70s when guitarists were real men and lugged around 15-pound Morley Rotating Wah…
1976 Hagstrom Jimmy
In the world of archtop guitarmaking, the legendary luthier James L. D’Aquisto (1935-’95) is considered one of the greats. A…
The Les Paul Becomes The SG
Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952,…
Gibson Wall-Board Guitar
Out of the Woods, Off the Wall
In the world of “guitarcheology,” it’s well-documented that the truly interesting stuff – prototypes, one-offs, custom instruments – usually surface close to the source. For instance, in the 1970s, Fender…
Gibson’s First Reissue Les Pauls
On the Road to ’59
Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and early ’80s were asking Gibson to build a Les Paul…
Beyond the Parlor
Part Two: Man and Machine
Ed. Note: In part two of his series on the guitar in 19-century America, Tim Brookes addresses the common belief that the guitar was strictly a ladies’ parlor instrument by finding guitars being…
The Birth of Newman Guitars
Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design and began working for Keith Richards exclusively in late 1971.…
Wolf Marshall
Jazz-Lore Generator
Wolf Marshall was absorbing music before he could walk or talk. Born to a mother who was a concert pianist, he napped beneath the instrument as she practiced pieces by…
Beat Portraits: Burns Volume 3
Backbone Instruments 1962-’64
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled the first three installments for a special edition of VG…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Microphones and Their Uses
The Art of Home Recording
The means to make high-quality home recordings are well within the grasp of every guitarists. But, they can only as…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim…
Hangin’ with Kid and Lisa “Little Baby” Andersen
Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with…
One of Two of a Kind
Gibson’s L-3 Ganus Brothers Special
Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy…
