•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Fender’s Musicmaster and Duo‑Sonic

Little Brothers

August 28, 2018 · Terry Foster

Often forgotten, the diminutive student-grade duo went from concept to reality in short order to capitalize on teenagers taking up…

A Master’s Pallet

George Fullerton’s Fender Jazzmaster

A Master's Pallet

March 20, 2015 · George Gruhn

This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research…

'39 Gibson EH-185

’39 Gibson EH-185

March 18, 2016 · Dave Hunter

Preamp tubes: three 6J7, one 6N7 Output tubes: two 6L6 Rectifier: 5U4 Controls: Instrument Volume, Microphone Volume, Bass and Treble…

Greg Lake’s 
Zemaitis Doubleneck

Twice as Heavy

March 20, 2019 · Willie G. Moseley

With progressive-rock juggernaut Emerson, Lake & Palmer, bassist/vocalist Greg Lake (1947-2016) played more than one instrument made by the renowned…


A Hero’s Gretsch 6117

In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band that hit with songs like “Baja.” We’re talking real astronauts,…

GRETSCHRANCHER-HOME-MAIN-BIG

Gretsch Rancher

“A spectacular model in real he-man outdoor Western finish with powerful appeal for Hill-billy and Cowboy bands.” This is how Gretsch first introduced the Rancher Jumbo – offspring of the 1940s…

Marcus King

Swamp Guide

Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…

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Beyond the Parlor

Part Two: Man and Machine

Ed. Note: In part two of his series on the guitar in 19-century America, Tim Brookes addresses the common belief that the guitar was strictly a ladies’ parlor instrument by finding guitars being…

Martin 0-28K

Martin 0-28K

The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the exotic sound of Hawaiian music in the 1920s, and koa…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Electra MPC

Standard X340

November 1, 2013 · Michael Wright

One of the more successful Japanese-made guitar brands of the 1970s was Electra, the brand name used for electric guitars…

Soldier’s Story

Six Strings Document Tale of the “Blue and Gray” in World War I

November 3, 2016 · Ward Meeker

Through blood, dirt, rain, and all other forms of hell in the trenches of World War I, U.S. Army Private…

1962 Premier E-727

April 24, 2024 · Michael Wright

One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing…

Gibson GA-20

The Gibson GA-20

November 16, 2015 · Dave Hunter

Behold, this specimen that checks off all the right boxes for fans of vintage amps; beautifully clean, it has a…


Cry, Baby!

The Story of the Vox Wah

Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah masterpiece thanks to Junior Marvin and his Thomas Organ Cry…

Classics: October 2023

Michael Bloomfield 1963 Fender Stratocaster

Antonio Mazzara’s passion for music started at age 10, when he started playing a nylon-string classical guitar before moving up to a sunburst ’72 Strat and a ’68 Princeton Reverb…

Jim Kelley FACS Reverb

Truly a deserving name in the early era of the “boutique” amp scene, Jim Kelley is also an extremely under-recognized one. After working at Music Man amplifiers and other jobs…

Pandemic Peak?

The Guitar Market’s “Covid Surge”

In the September ’20 issue, VG surveyed guitar dealers to learn how they’d been impacted by the early weeks of the Covid 19 pandemic. Times were uncertain, and by March…

Dan’s Guitar RX: Adding Master Volume to a Les Paul

Plus One

My friend Alex Aguilar recently asked me to do something most guitarists would consider sacrilegious – add a Master Volume pot to a Les Paul, and put it in easy…

Magnatone X-5 Zephyr

Last Gasp

Ever since Lonnie Mack unleashed The Wham of That Memphis Man and Buddy Holly sang “Peggy Sue,” Magnatone amplifiers have been the stuff of legend. Magnatone guitars, on the other…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

VG Q&A: Fret Differential

And Examining Two Budget Archtops

August 29, 2025 · Ward Meeker

Can someone please explain the differences between playing an instrument with jumbo frets versus one with smaller/shorter frets? – John Mackey…

Ken Fischer

1945-2006

June 10, 2020 · Dave Hunter

Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will…

The Slingerland May Bell

February 1, 2022 · Michael Wright

It’s hard to imagine a more poorly “documented” guitar brand than Slinglerland. The company has been around since before World…

Gibson GA-CB Custom Built

February 10, 2014 · Dave Hunter

Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument…