• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Guild F-512

Iconic ’70s 12-String

December 28, 2017 · George Gruhn

Today, players typically equate the 12-string acoustic with Taylor and Martin. For its part, though, Guild’s F-512 remains one of…

Gibson EB-4L

Right Ideas, Wrong Era

April 15, 2010 · Willie G. Moseley

The antennae of many guitar collectors/enthusiasts pop up when they encounter a Gibson-made instrument bearing a six-digit serial number with…

Classics – June 2021

February 7, 2022 · Ward Meeker

Rob Harrelson’s first guitar – a Kay 1160 – entered his life as a 14th-birthday gift from his grandmother. At…

22 Classic Modulation Effects

Mod Squad

March 27, 2017 · Michael Dregni

We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence…


Watkins Joker

Beat-Gen Beaut

This could be just what every well-heeled young “Beat” guitarist and singer in Britain needed in the early 1960s – a guitar amp/PA with reverb, tremolo, mic stand, and tape…

Two Tickets to the Top

Keeley Electronics’ Katana and Flexi 4×2

Any gearhead who’s been paying attention the last seven years knows the name Robert Keeley. Since 2001, he and his staff at Keeley Electronics have produced a variety of boutique…

Arbiter Fuzz Face

When Jimi Hendrix released his first album, 1967’s Are You Experienced, he launched a new level of guitar heroics as well as a sartorial fad for ruffled shirts and band…

Freddie King’s Gibson ES-345 Keeps on Playin’

Family Ties

Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a notion… So, as soon as his tiny hands could fret…

Fender’s 1961 Showman

The Show Must Go On

When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s, one of the biggest leaps was in the “piggyback” head-and-cabinet…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Univox Uni–Fuzz & Super–Fuzz

Univox Uni–Fuzz & Super–Fuzz

Full, Fat Fuzzzy

March 15, 2016 · Michael Dregni

Pete Townshend sent many a guitar and amp to an early grave. But there’s no known evidence of him doing…

Warwick Thumb Bass

Generational Innovation

April 15, 2019 · Willie G. Moseley

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…

Epiphone 1968 Les Paul Prototype

Fraternal Twin

May 9, 2023 · Willie G. Moseley

Ted McCarty’s leadership at Gibson was highlighted by the introduction of top-shelf instruments created by knowledgable, intuitive designers and builders.…

KayKraft Style A

March 31, 2010 · Michael Wright

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history…


The Collins Kids

Mostly-Moseley Memories

Siblings Lorrie and Larry Collins sprang into the public eye in the mid 1950s – dawn of the television era – on a program called “Town Hall Party.” The big-sister/little-brother…

Fender’s Mid-’50s Precision Bass

The "In-Between" Version

In the world of electric basses, the 1952 Fender Precision is the one that started it all. While it’s true that Gibson, Rickenbacker, and Audiovox all built electric basses some…

Jerry Kennedy

A-Team Guitarist, A-List Producer

Jerry Glenn Kennedy, a 13-year-old who recorded for RCA Victor as “Jerry Glenn,” got the shock of his young life when he walked into a Nashville recording studio in September…

Virginia Museum of Fine Arts Hosts “Storied Strings” Exhibit

Guitars In Art

Dr. Leo Mazow’s vision for the new “Storied Strings: The Guitar in American Art” exhibition at the Virginia Museum of Fine Arts stemmed from the overwhelming popularity of (dare it…

1843 Martin & Coupa

Retail Rarity

In 1833, C.F. Martin, Sr. and his family arrived in New York City. A trained luthier, Martin had studied under Johann Stauffer in Vienna and for more than five years…

Blues guitarist Charlie Apicella’s “Booze and Blues” and “Just Like a Woman”

Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from the typical blues player. A devotee of B.B. King (and…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

The Doobie Brothers

Road Rules

January 30, 2026 · Bret Adams

If you’re making a list of beloved bands with a long string of hook-heavy hits, the Doobie Brothers will surely…

The Clark Gainster

Trick Your Tweed

June 10, 2020 · Art Department

Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001…

Martin OM-18 and 000-28

March 13, 2014 · Bill Bush

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions…

'62 Les Paul Rarity

’62 Les Paul Rarity

December 21, 2015 · George Gruhn

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest…