The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
ES-300 of 1940-’43
Among musicians and collectors, Gibson’s pre-World-War-II ES-300 may be less popular today than the ES-250, but in terms of sheer…

The Art of Home Recording
VG will equip readers with the knowledge and skill to achieve professional-sounding home recordings. We guide you through the setup…

Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce…

“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar”…

Musings on Fab and Gear, 50 Years Ago
Americans tend to link the beginnings of the Beatles phenomenon to a specific date – February 9, 1964, when the group first appeared on “The Ed Sullivan Show.” The truth,…

“Buy That Guitar” podcast with special guest Daniel Escauriza Season 01 Episode 06 In Episode 8 of “Buy That Guitar,” presented by Vintage Guitar, host Ram Tuli is joined by…

Keeping the Arts Alive
In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

Best Face Forward
Through its 75 years, Fender has been responsible for myriad leaps forward in the history of guitar-amplifier design and manufacture. Arguably the most dramatic was the transition in 1959-’60 from…

The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced in ’62, it was based on the ES-350 – the…

To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

Crying V
Is there any more stylish vintage amp than the V-front Watkins Dominator? This creation is delightfully twee yet utterly enticing…

Given the current craze for semi-small “home” and “recording” amps, Fender’s 5F10 Harvard of 1955-’60 could be the ideal tweed…
The guitars and basses made by Danelectro in the ’60s epitomized “no frills.” And though they were considered the nadir…

Jack Jones Doubleneck
In November of 1954, 16-year-old Jack Jones walked into a Seattle pawn shop and noticed a strange doubleneck guitar. “It…

Trans-Galactic Toneway
Relatively unsung among early entrants to the field of solid-state guitar amplifiers, Gibson was the first high-output, high-quality manufacturer to bring one to market. And while it quickly proved the…
Rarities from a West Coast Music School
NIOMA musical instruments from the 1930s and ’40s – with their vaguely Hawaiian-looking name – have mystified vintage-guitar enthusiasts over the decades when they’ve occasionally surfaced in retail shops and…

Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…

A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new…

Molten Mojo, Head-To-Head Vintage Versus Reissue
In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly whipped out his golden Gibson electric guitar. Simple-minded purists howled…

In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of

Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Fender 5E3 Deluxe Preamp tubes: one 12AY7, 12AX7 PI Output tubes: two 6V6GT, cathode-bias Rectifier: 5Y3 tube Controls: Independent Volumes…

The Fine Art of Pick Collecting
You collect guitar picks? Is this a joke? Umm, no…and in a world where books are dedicated to the collectibility…

Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name…

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on…