•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

Beat Portraits: Burns Volume 7

1965: Summer Of The Hollowbodies

February 14, 2018 · Peter Stuart Kohman

The Way Back Beat survey of instruments designed by James Ormston Burns continues with the final products developed by his…

1978 Gibson RD Artist

May 5, 2016 · Michael Wright

Throughout most of the 1970s, Les Pauls ruled the guitar roost. But toward the end of the decade, some players became…

The Pedulla Buzz Bass

Fast and Fretless

September 23, 2019 · Willie G. Moseley

Introduced in 1980, the M.V. Pedulla Buzz Bass is one of the most-enduring examples of an upscale model offered fretless.…

Gibson Super 400 PN

January 27, 2014 · George Gruhn

The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing…


Tyler Morris and a 1953 Gibson Les Paul model

Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.

The Koch Studiotone

No-Sweat Double-Duty

Koch Amplifier’s 20-watt Studiotone uses an all-tube circuit powered by a matched pair of Ruby EL84 tubes producing 20 watts and three 12AX7A preamp tubes. The Studiotone’s lightweight, compact (19…

Fender Custom Shop Marks 30 Years

Dream Makers

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the day CBS announced the sale of Fender Musical Instruments to…

1963 Fender 6G7-A Bandmaster

Last of the Oxbloods

Those who love vintage amplifiers are often fascinated by little anomalies that present themselves in an otherwise period-correct specimen, and when that amp is a mint-condition sweetheart from the golden…

Tonk Brothers/Washburn 5241

From the late 1920s through the early ’40s, Gibson produced instruments under a variety of brand names for retailers like Montgomery Ward and mail-order houses like Tonk Brothers. While the…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

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Buddy Holly’s ’58 Magnatone 280

1958 Magnatone Custom 280

May 13, 2016 · Dave Hunter

When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation.…

Yamaha Image

December 26, 2013 · Michael Wright

Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it,…

Wes Beech

Life in The Plasmatics

October 29, 2025 · Ward Meeker

From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking…

VG Q&A: Fret Differential

And Examining Two Budget Archtops

August 29, 2025 · Ward Meeker

Can someone please explain the differences between playing an instrument with jumbo frets versus one with smaller/shorter frets? – John Mackey…


Keith Richards’ 1977 Mesa/Boogie Mark I

Still Rollin’

As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…

Gibson EH-150

An Odd Gibson EH-150

10 Strings, Lap-Style

Lap-steel guitars were the first commercially available electrics – ancestors of the guitars we plug in today, regardless of their shape. The popularity of Hawaiian music in the 1930s had…

Classics: January 2023

Jay Mitzner’s ’53 Gibson Les Paul.

Overhearing his 13-year-old son noodling on a beginner guitar in his bedroom one day in 1958, it occurred to Murray Mitzner that the boy was not only passionate about the…

The Gretsch 6120 Tenor

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other tenors, including the Duo Jet, archtop acoustic, and archtop electric…

Tele of Two Legends

The Amazing Story of One Unique Fender

One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker was playing host to his friend, bandleader Hank Penny, who had come calling with a special gift in a…

Freddie King’s Gibson ES-345 Keeps on Playin’

Family Ties

Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a notion… So, as soon as his tiny hands could fret…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

Jeff “Skunk” Baxter

License To Thrill

April 11, 2023 · Oscar Jordan

To a generation of music fans, Jeff “Skunk” Baxter was one of the most recognizable guitarists of the early ’70s.…

Gibson ES-300 Prototype

Les Paul and the First Gibson ES-300

April 20, 2010 · Lynn Wheelwright

When a guitar junkie hears the words “soapbar” and “P-90,” the mental image is usually that of a cream-colored rectangle…

Nick Moss – clean and tasty on “Scratch N Sniff”

October 27, 2023 · Vintage Guitar

Instro-rock, fully greased Get ready to have your funtime socks knocked off, ‘cuz this exclusive Nick Moss run through “Scratch…

The Clark Gainster

Trick Your Tweed

June 10, 2020 · Art Department

Before he got into the effects pedal biz, Michael Clark had a reputation for building killer tweed-inspired amps. In 2001…