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Classic Instruments
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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Gibson EDS-1275 and EMS-1235
It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
Epiphone “Bikini Logo” Amplifiers
Beach Party
Collectors know well the desirability of Epiphone guitars from the years after Gibson acquired the brand. Further off the radar,…
Alternative ’60s Club Classics
Amps Beyond the Everyday
The “club amp” has been a perpetual best-seller since the dawn of guitar amplification, and several big-name ’60s models are…
Danelectro Viscount
1961 Danelectro Viscount Preamp tubes: two 12AX7, one 6AU6 Output tubes: two 6V6GT Rectifier: 6X5 Controls: Volume, Tone, Vibrato Strength,…
“Buy That Guitar” podcast with special guest Howie Statland
“Buy That Guitar” podcast with special guest Howie Statland Season 01 Episode 10 In Episode 10 of VG’s “Buy That…
Kid Ramos’ Revelation!
West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an…
Fender’s First Reissues
The CBS Era Concludes in Style
By the late 1970s, cumulative changes in the details of the various classic guitar models on the market – Fender’s Stratocaster and Telecaster, and Gibson’s Les Paul – were so…
Watkins Rapier 33
If you were an American teenager in the late 1950s or early ’60s, and you wanted to play the new rock music, you likely did not have a solidbody electric…
Valco ‘Thunder stick’
Put your gut money on a dark horse every so often, and you might find the rest of the regurgitating bandwagon world awash in your taillights. Every sublime guitar collection…
Jim Lauderdale’s honkey-tonk toe-dip
Singer/Songwriter’s Stylistic Twist Jim Lauderdale paid a visit to one of his favorite Nashville hangs and grabbed a gorgeous 1940 Martin D-28 to play “Wishbone,” a standout track from his…
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Dan’s Guitar RX: A 1955 Gibson Touch-up
Team Effort.
To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
Scott Sharrard’s fiery slide!
Little Feat ace plays outro from “You’ll Be Mine” In case you’re wondering how Scott Sharrard got the gig wearing…
Jim Lauderdale’s honkey-tonk toe-dip
Singer/Songwriter’s Stylistic Twist Jim Lauderdale paid a visit to one of his favorite Nashville hangs and grabbed a gorgeous 1940…
Three Larsons
At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A…
Doublenecks, Triplenecks…
And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is…
Weymann Model 890 Jimmie Rodgers Special
Hey Hey, Tell ’Em About US
Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…
Gibson GA-83S Stereo-Vib
If you hung around the audio world’s collective R&D room long enough in the late 1950s and early ’60s, you’d have thought that, very soon, everything would be happening in…
Jay Geils
Blues and Archtops
If you grew up listening to music in the ’70s, you probably associate the name J. Geils with a five-piece band that played raucous rock and roll to hip-shaking partiers.…
The ‘‘Blackburst’’
Les Paul Standard of a Different Shade
Among experienced (and often jaded) veteran guitar collectors, precious few things create an adrenaline rush – strange one-offs, oddball brands that never quite blossomed, guitars with non-standard parts/materials from the factory, or those once owned…
Star Board: Jared Scharff
“Saturday Night Live” staff guitarist Jared Scharff uses this custom pedalboard, built by Matt Brewster, 30th Street Guitars, New York City. “I’ve been using it for two or three years,”…
Gibson Goldtops
Molten Mojo, Head-To-Head Vintage Versus Reissue
In the good ol’ days of 1952, jazzmeister Les Paul strutted to the center of the world’s stage and proudly whipped out his golden Gibson electric guitar. Simple-minded purists howled…
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Rocky Athas’ Texas ’Tude!
Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
Fender Mustang
Truly Transitional
Despite its short scale, the Mustang has a potent sound, and as a result it was used by many notable…
The Ray Butts EchoSonic
If you want to talk star-user ratio, the Ray Butts EchoSonic is near the top of the heap. Most accounts…
Doublenecks, Triplenecks…
And the California Weird Factor
If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is…
1944 Martin 00-28
This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number…
