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Classic Instruments
VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number
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Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…
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“Buy That Guitar” podcast with special guest Alan Greenwood
Season 02 Episode 1 VG’s “Buy That Guitar” podcast opens its second season with host Ram Tuli joined by Alan Greenwood, founder and publisher of Vintage Guitar. They discuss the magazine’s history, the Price Guide, and the current state of the vintage market. Links:Vintage Guitar magazine Subscribe to our “Overdrive” newsletter for the latest happenings…
Gretsch’s “Golden” Tenors
In the 1950s and early ’60s, the electric guitar was establishing itself as a key part of the new voice…
Dumble Overdrive Special OD150 WR
Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May…
Dan’s Guitar RX: Creating the Iris DE-11
Something New From Something Old
In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab…
VG Q&A: Fret Differential
And Examining Two Budget Archtops
Can someone please explain the differences between playing an instrument with jumbo frets versus one with smaller/shorter frets? – John Mackey…
Easy Pickins
The Fine Art of Pick Collecting
You collect guitar picks? Is this a joke? Umm, no…and in a world where books are dedicated to the collectibility of happy meal toys, why should an interest in guitar…
National Model N-720
Star of an Era's End
Most acoustic guitar players will likely show disdain for any instrument with a bolt-on neck. Even though there have been many great guitars – from Maccaferri (and before) to Seagull…
First-Rate Second Fiddles
Jimi’s Gibsons at the Hard Rock Cafe
No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…
Alive! Guitar Revived
The Tale of Frampton’s ’54 Les Paul Custom
Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…
Ghalia Volt’s Stompin’ slide!
Belgium Born, Delta Fostered Brussels native Ghalia Volt moved to the U.S. in 2013 to busk in music-rich cities like Chicago, St. Louis, Memphis, Nashville, and Clarksdale, Mississippi, where for…
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Big Beat Boys
Musings on Fab and Gear, 50 Years Ago
Americans tend to link the beginnings of the Beatles phenomenon to a specific date – February 9, 1964, when the…
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted cheesecake advertising through the years, Part One
There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim…
The Fender Princeton
1962 6G2 Fender Princeton Preamp tubes: One 7025, one 12AX7 Output tubes: two 6V6GT in fixed bias Rectifier: 5Y3 Controls:…
Name that Twang
The Guild-Duane Eddy Connection
The fledgling Guild company scored a coup when it signed Johnny Smith to an endorsement deal in 1956. Perched atop…
GA-20’s Matt Stubbs and Pat Faherty
FlashBack Sounds, Forward Steps
Musical gateways opened by Jimi Hendrix and the Doors led Matt Stubbs to become a disciple of Johnny “Guitar” Watson, Earl Hooker, and the guitar Kings – Albert, Freddie, and…
St. Moritz Stereo
The notion of a stereo guitar became almost implicit when guitars started having two pickups. But it didn’t become a reality on an actual production guitar until the great tapping…
Metropolitan Tanglewood
A Rare Modern Map
Many guitar aficionados are aware of the instruments proffered by Houston’s Alamo Music. The Texas manufacturer has created unique low-end (sonically, that is) items, some as regular production basses, others…
Gibson Tal Farlow
The Tal Farlow is one guitar in a quartet of full-depth Gibson Artists models first cataloged in the early 1960s. Introduced in ’62, it was based on the ES-350 – the…
The Oud
Ancient to Modern
If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…
Hilary Gardner’s jazz/country connection
Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here,…
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Veillette-Citron Shark
It’s not often a guitar can be said to have been inspired by a TV show, but that is the case with this 1982 Veillette-Citron Shark, which came about as a result of the success of the program “Welcome Back Kotter.” Well, in a pretty roundabout way, that is! Veillette-Citron guitars were the product of
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Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,
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Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…
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Gibson’s “SG” Les Paul
Classic Shape That Filled Big Shoes
In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” it exemplified a new marketing emphasis for Gibson. According to Les Paul himself, it was designed and introduced without his consultation or knowledge.…
The Fender Showman
The Showman
In addition to several significant shifts in style and presentation, for Fender, the transition of the late 1950s into the…
McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a…
Tyler Morris Features a Martin Style 2 1/2-17
Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a…
Coral Electric Sitar
For centuries, Indian musicians have utilized the resonant sympathetic strings of the sitar to create the unique sounds of classical Indian…
