• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Two Tickets to the Top

Keeley Electronics’ Katana and Flexi 4×2

March 1, 2021 · Art Department

Any gearhead who’s been paying attention the last seven years knows the name Robert Keeley. Since 2001, he and his…

Martin 0-28K

Martin 0-28K

June 8, 2015 · George Gruhn

The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the…

Whooooo Wal You?

John Entwistle’s fretless ’78 Wal

January 10, 2020 · Willie G. Moseley

Wal began building electric basses in the early 1970s as a collaboration between Englishmen Pete Stevens and Ian Waller. Their…

One of Two of a Kind

Gibson’s L-3 Ganus Brothers Special

July 9, 2018 · George Gruhn

Making custom instruments has always been problematic for companies designed to manufacture in quantity. Though it had an unenforced policy…


Rickenbacker 345

Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In fact, artists often find that nothing else works as well…

 The Guitars of Gary Rossington 

A Legend’s Legacy

When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along…

The City of Guitars

Git-Shopping in Paris

On your way to Paris for a romantic getaway? Wanting to see the sights in the City of Light? Then take this advice; forget Rick Steves, think Stevie Ray. Skip…

2021 Readers’ Choice Awards

Each year, Vintage Guitar asks fans to select Readers’ Choice winners for Player of the Year in four categories, along with Album of the Year. Included are selections for the…

MXR Custom Shop GT-OD Overdrive

Snappy and Smooth

From its early days with the script-logo Distortion + to the modern Zack Wlyde overdrive, MXR has been a mainstay in the overdrive/distortion pedal market for the past 30-plus years.…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Burke Guitar

Axe That Time Forgot

June 15, 2023 · Ward Meeker

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has…

Excelsior Americana

March 7, 2014 · Dave Hunter

If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than…

Fender’s “First-Gen” Strat

August 9, 2016 · George Gruhn

The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction…

Gibson’s “SG” Les Paul

Classic Shape That Filled Big Shoes

September 15, 2024 · Baker Rorick

In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under…


The Norma EG 470-2 Deluxe

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young Benjamin Braddock in the classic film The Graduate: “Plastics.” In…

United Guitar Corporation

United They Stood…. A Jersey City Tale

The history of the United Guitar Corporation, which unfolded in Jersey City, just over the river from the glitter of New York, is one of the great obscure stories in…

Tonk Brothers/Washburn 5241

From the late 1920s through the early ’40s, Gibson produced instruments under a variety of brand names for retailers like Montgomery Ward and mail-order houses like Tonk Brothers. While the…

The Komet Constellation

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…

Fender AA964 Princeton

What’s (Not) in a Name

Getting the job done – five simple knobs on the Princeton’s control panel. 1966 Fender Princeton • Preamp tubes: one 7025, one 12AX7 • Output tubes: two 6V6GT • Rectifier:…

1939 Gibson Super 400 Premier

The Gibson Super 400 debuted in 1935 as the first production-model 18″ archtop guitar with f-shaped sound holes; 30 years prior, the company’s Style O was the same size and…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Fender Mustang

Truly Transitional

April 28, 2020 · Willie G. Moseley

Despite its short scale, the Mustang has a potent sound, and as a result it was used by many notable…

Penco A-15-JD

July 29, 2023 · Michael Wright

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…

The Watkins Clubman

July 6, 2018 · Dave Hunter

The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and…

Selmer Truvoice

Selectortone Automatic

May 24, 2021 · Dave Hunter

Selmer Truvoice Selectortone Automatic, ca. 1961 Preamp tubes: one ECC83, two EF86 Output tubes: two EL34, cathode-bias Rectifier: GZ34 Controls:…