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Classic Instruments
Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Dave Murphy: Acoustic Country!
Classic Ballad Style Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album.…
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Round-Up Range
Rolling on a Post-Pandemic Project
Five years ago, I started making a Tele-style guitar inspired by the Gretsch Roundup. When Covid hit, I was up to my ears in repair work and lost my shop help, so I was forced to put the project aside. But the time is now right to complete the build. 1) My creation has a…
History of the Fender Bassman
High Times for Low-End
If they could have just one amplifier, many guitarists – from bar-room grinders to arena megastars – would choose a…
Holy Cripes!
The Story of Jerry Garcia’s Last Guitars
Steve Cripe left a unique legacy in the annals of music history. He was not a guitar player, not a…
George Gruhn
How a Zoologist Became a Guitar animal
If you bumped into a bearded, corduroy-jacketed George Gruhn in a Nashville coffee shop, you might think you’d stumbled upon…
Building a Studio
The Art of Home Recording
VG will equip readers with the knowledge and skill to achieve professional-sounding home recordings. We guide you through the setup…
Classics – March 2021
Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…
Benson Model 300H
Wrecking Ball
Even with all the excellent guitar amps available by the late ’60s, nothing was quite good enough for jazz and studio great Howard Roberts – so he co-designed his own.…
Rickenbacker 325
A Pop Icon and His Beloved Axe
Details In 1962, the Ac’cent Vibrato replaced the original Rick’s standard Kauffman unit, which was derived from a nearly 30-year-old design – and notorious for taking the guitar out of…
The Schaffer-Vega Diversity System
Making Rock Roll
“ The best thing I ever did in the beginning was not use effects,” AC/DC’s Angus Young told VG in his feature interview for the December ’20 issue. And in…
EKO 995
The Beatles’ appearance on “The Ed Sullivan Show” in February of 1964 is often referred to as the most important event in the history of rock music, having inspired thousands…
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Walter Becker’s Bogner Ecstasy 100B
In 1993, when Bogner was fast becoming the hippest name on the high-gain-amp scene, star guitarists were clamoring for that hot new tone. One who missed out recently brought “his” amplifier home. Whether it was Fender’s tweed creations, early Marshalls, or the first generation of Mesa/Boogies, most revolutionary new amp designs have found stars lining…
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Yamaha Weddington Custom
A Better “Classic”
In 1987, classic American guitars like the Les Paul and Stratocaster were still going strong, with few changes since their first appearance in the early ’50s. Thus it was a little cheeky when Yamaha tried to improve on these “dinosaurs” (as their ads put it), but the result was one of the company’s most-successful guitars,…
Furry Lewis’ 1968 Gibson B-25N
Heart In Hand
Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was…
Hot Wires
A Brief History of the Modern Guitar String
If you’ve ever bent a guitar string and given it a shake, send a silent thank you to guitarist James…
Gibson Super 400 PN
The Gibson Super 400 Premiere cutaway acoustic first appeared in Gibson literature in the 1940 catalog, on a page showing…
A 5E3 Mystery
Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share…
The Les Paul Becomes The SG
Double Time
It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952, the Gibson Les Paul Model (a.k.a. goldtop) reached peak production…
Jim Kelley FACS Reverb
Truly a deserving name in the early era of the “boutique” amp scene, Jim Kelley is also an extremely under-recognized one. After working at Music Man amplifiers and other jobs…
Hallmark Swept-Wing
Brief Flight from South of Bakersfield
Bob Shade exemplifies the adage “Imitation is the sincerest form of flattery.” The guitar builder has an enviable assortment of ’60s Hallmark guitars and basses, and they’ve inspired his own…
1942 Martin D-45
The Martin D-45, offered from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and collectors debate whether it’s the “best guitar ever made,” in…
Dan’s Guitar RX: Creating the Iris DE-11
Something New From Something Old
In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab the issue and check it out. This month, I’ll take…
Ken Fischer
1945-2006
Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will be remembered as one of the most authoritative and intuitive…
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number
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Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his home in Tijuana, Baja California. He was 80. Known as the “Godfather of Mexican Rock,” “La Layenda” (The Legend) and other sobriquets, Batiz came to appreciate American blues guitarists such as B.B. King and John
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Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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Classics: January 2024
Bill Woodward's 1953 Gibson Les Paul
Gravitational heavyweights in our culture, beyond baseball, hot dogs, and apple pie, few things say “American” more than music and road trips. This guitar is symbolic of both. One of the earliest Les Pauls, this ’53 was purchased new (along with a matching Les Paul amp, at Charles E. Wells Music Company) by Bill Woodard,…
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Prototypes and Pathfinders
Five Amps That Set the Tone – Or Hoped To
Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination above the “standard.” Often, these rarities shined a light on the evolution of a deserving as a window into the thinking of their designers while…
D’Aquisto New Yorker Classic
During his 30-plus years as an independent guitarmaker, James L. D’Aquisto was acclaimed as the premier maker of archtop guitars.…
“Buy That Guitar” podcast with special guest Neal Shelton
“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar”…
Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’…
Jake Andrews’ video encore: “Eyes On The Prize”
Austin Great Goes Full Steam for “Eyes On The Prize” Jake Andrews’ video encore: “Eyes On The Prize” Jake Andrews…
