• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Classics: August 2021

Guild F-20 Troubadour and Dan Armstong Lucite

April 4, 2022 · Ward Meeker

John Wiley couldn’t have known it then, but when his parents rewarded two years of applying himself to guitar lessons…

How Ron Wood’s New Barbarians Saved the Stones

Ear-to-Ear Violence

January 5, 2018 · Michael Dregni

Today, the Rolling Stones continue to perform live, more than 50 years since their first gig. But few realize how…

 The Guitars of Gary Rossington 

A Legend’s Legacy

October 30, 2025 · Ward Meeker

When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his…

Penco A-15-JD

July 29, 2023 · Michael Wright

The 1970s is often called “the Copy Era” for the dominating presence and spectacular success of Japanese “copies” of popular…


Steve Vai

Relentless Explorer

More than 40 years into his career, Steve Vai is still pushing himself as a musician and exploring the boundaries of the guitar. A new custom, multi-neck Ibanez called The…

Music Man’s Hybrid Boogie Amp: The RD-50

Say hey, fellow guitarists! If you live in the Northeast, it’s great to have a hobby that doesn’t require going outside. Two storms in five days of each other dumped…

Weymann Model 890 Jimmie Rodgers Special

Hey Hey, Tell ’Em About US

Jimmie Rodgers has been called many things; while active from 1927-’33 he was billed as “the Singing Brakeman” and ”America’s Blue Yodeler” but, in the decades since, the “Father of…

Sound City L/B 120 Mark IV

Sound City L/B 120 Mark IV

Preamp tubes: three ECC83 (12AX7), one ECC81 (12AT7, in the phase inverter) Output tubes: six EL34 Rectifier: solidstate Controls: Normal Volume, Brilliant Volume, Bass, Middle, Treble, Presence Output: approximately 120…

Gibson’s Depression-Era Exports

Many aren’t aware that some of the archtop guitars Gibson produced during the Depression were marketed under different brand names, including Kalamazoo, Recording King, Cromwell, Fascinator, and Kel Kroyden, among…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Gibson Kalamazoo Award

Designer's Dream Come True

February 1, 2016 · Gil Hembree

In 1978, Gibson craftsman Wilbur Fuller produced the company’s first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind…

Hangin’ with Kid and Lisa “Little Baby” Andersen

September 5, 2024 · Vintage Guitar

Smooth, Funky Blues With Soul Kid Andersen worked with Charlie Musselwhite and Elvin Bishop before scoring his current gig with…

The Micro-Frets Saga

Genius in MD

March 18, 2019 · Ward Meeker

Had fate been just a notch kinder, Ralph Jones might today be a ’60s counterculture icon alongside Bob Dylan, Muhammad…

Classics: Arena-Rock Alternative Amps

Mad Maxed

December 12, 2025 · Dave Hunter

As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts…


Classics – March 2021

Scarce and beautiful, Gibson’s Flying V was an ahead-of-its-time marketing failure when introduced in 1958. Made of exotic limba (a mahogany cousin from Africa trademarked in the U.S. as “Korina”)…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

National Westwood Home Feature Image

National Westwood

Whether Valco – the company that made National guitars in the 1950s and ’60s – was actually inspired by U.S. geography when it created its legendary “map” guitars is unknown,…

Jimmy Day’s 1950 Fender Super-Amp

Just Like Hank

As fascinating as we might find any vintage amplifier, at its heart, it’s often just a dusty box of archaic technology. Occasionally, though, one is a nexus to a point…

Guyatone LG-160T

The Secret's Out!

Like plants, Japanese guitars have an almost secret life of which few people outside are aware. While many Americans in the ’60s were seeing fairly low-end commodity guitars at the…

Orange OR80 Combo

Sunshine State

Created when amps were huge and men were men – or at least had roadies to carry the gear – this 1972 Orange OR80 2×12″ combo veritably screams bell-bottomed rock…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Joe Long’s “stack-knob” Fender Jazz Bass

June 22, 2025 · Willie G. Moseley

If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s Fender Jazz Bass catches your eye.…

Vintage Instrument Research

An Ever-Changing Landscape

May 9, 2019 · George Gruhn

Fretted instruments can be examined in much the same way as zoological taxonomist or forensic pathologist would approach them. They…

The Murph 12-String

Tugging At Your Heartstrings

March 1, 2021 · Teisco Del Rey

Here’s a story that has “Hollywood blockbuster” written all over it. It’s got so many cinematic staples, you can almost…

Martin Elegant, a.k.a. “Lula”

December 29, 2014 · George Gruhn

It’s an extraordinarily rare event to find a high-grade, historically significant mid-1800s guitar in a pawn shop, but that is…