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Classic Instruments
Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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Samantha Fish: Slide-Blues Fury!
“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!
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Carvin DN440T
One of the few family-owned guitar/amplifier manufacturing enterprises remaining in the industry, Carvin was founded by Lowell Kiesel in 1946 and started by making pickups, then transitioned to building lap steels and other stringed instruments. Some of the company’s early guitars and basses used parts from other guitar makers, but as its direct-to-consumer concept caught…
Coppock Guitars
Vintage Rarities from the Pacific Northwest
The obscure Coppock brand of electric guitars first surfaced in 1994, with the publication of Electric Guitars & Basses: A…
Fender Palomino
Whether all collectors are as attached to nicknames as guitar enthusiasts is unclear. Do salt-and-pepper shaker collectors have fond shortcuts…
Jake Andrews – “ Apricot Brandy”
Austin Stalwart Goes Full Steam for “Apricot Brandy” Jake Andrews was just eight years old when he sat in at…
Matchless JJ-30
Stage Staunch
Rare and sought-after, in part because only about 40 were built, the Matchless JJ-30 John Jorgenson is the only Signature…
Gibson’s Crest Models
Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to…
Bex Marshall and her ’63 Hummingbird
Family History Straight from the “Classics” feature in the August issue, here’s Bex Marshall playing the ’63 Gibson Hummingbird bought new by her uncle, David, in his days with the…
Classics: October 2021
Ibanez IC200 Iceman
Pete Prown’s obsession with the Ibanez Iceman began when the company’s 1978 guitar catalog landed atop dealer display cases; the teen rocker dreamily eyed what would be the first step…
Prototypes and Pathfinders
Five Amps That Set the Tone – Or Hoped To
Groundbreaking and undeniably collectible guitar amplifiers have made frequent appearances in this space over the years, but so have prototypes, limited runs, rare, or unusual examples that hold a fascination…
The Supro “Model 24”
Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the lid on the Jimmy Page amp. Well, maybe not the…
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Tyler Morris – 1963 Fender Stratocaster
Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!
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Freddie Green
Artistry in Rhythm
Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable motivating and metronomic force. Others emulated his style and function, but Freddie Green was the archetype – the most famous rhythm guitarist in jazz. In…
Dan’s Guitar RX: Finding An Old Friend, Part 2
What Goes Around…
In the September, issue I told the story of the ’58 ES-335 I sold to my friend, Al, for $225…
Keith Richards’ 1963 Gibson SG Custom
Ready to Ramble
In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les…
Höfner’s Fledermaus Gitarre
A Bat By Any Other Name
Much like the scant records of almost every large-scale American guitar manufacturer, production logs at Höfner’s headquarters in Hagenau, Germany,…
Philip Sayce – Strat monster!
Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running…
Gretsch Country Gent #1
The Gretsch Country Gentleman 6122 was the third of four Chet Atkins signature guitar models created for the legendary guitarist in the ’50s. The little-known truth is it was also…
Dobro Model 27
Brother Oswald's Dobro – Country Music History Maker
The melodic, evocative warbling of a resonator guitar has for decades been a fixture in country music, and knowledgeable fans will tell you there’s one primary individual to thank for…
Guild’s S-100/S-200 “Kickstand” Models
Much like several other well-known manufacturers, Guild has, through the years, changed ownership, locations, and identities. Guild was founded in 1952 by Alfred Dronge, a teacher and music-store owner in…
“Buy That Guitar” podcast with special guest Neal Shelton
“Buy That Guitar” podcast with special guest Neal Shelton Season 01 Episode 06 In Episode 6 of “Buy That Guitar” presented by Vintage Guitar mag, host Ram Tuli is joined…
Dan’s Guitar RX: Restoring a Vintage Jazz Bass
Mashed Fender
The owner of a ’62 Jazz Bass recently sent it to my shop for repair and renovation. He’d bought it new when he was 14 and, when customized guitars became…
History of the Fender Bassman
High Times for Low-End
If they could have just one amplifier, many guitarists – from bar-room grinders to arena megastars – would choose a Fender Bassman. One of the most lauded and influential amps…
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VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number
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Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his home in Tijuana, Baja California. He was 80. Known as the “Godfather of Mexican Rock,” “La Layenda” (The Legend) and other sobriquets, Batiz came to appreciate American blues guitarists such as B.B. King and John
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Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
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Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
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“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
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Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
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Ca. 1960 Custom Mosrite/Gretsch
A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new level. This custom Mosrite hollowbody has the chassis of an early Gretsch Country Gentleman and was likely built between 1959 and ’62 for a hotshot…
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Hilary Gardner’s jazz/country connection
Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here, they offer a take on the 1936 Leo Robin/Ralph Rainger track ,“Silver on the Sage,” just one of the fine tunes on her latest album,…
Gibson’s Experimental Archtop
Orville Gibson invented the carved-top guitar in the 1890s, and his company refined the design with f-shaped sound holes in…
The Watkins Clubman
The hokey, amphetamine-tempo’d folk music known as “skiffle” was all the rage with Britain’s youth in 1955, and rock and…
Dobro Model 27
Brother Oswald's Dobro – Country Music History Maker
The melodic, evocative warbling of a resonator guitar has for decades been a fixture in country music, and knowledgeable fans…
First to Sunburst
The Origin of a Famous Finish
Faced with anemic sales of its Les Paul Model in 1958, Gibson spiffed-up its goldtop with a sunburst finish in…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
