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    Vintage Guitar magazine presents Tom Feldmann

    Lightnin’ Hopkins trademark riff
    Tom demonstrates one of Lightnin’ Hopkins trademark riffs on his Collings 002H, in standard tuning. The lick and progression are heard on several Hopkins tunes – it’s truly the bread and butter of Hopkins’ style in E position. Submit riff lesson requests at www.tomfeldmann.com. CLICK HERE to see more lessons. We are adding new lessons monthly!

    “Autumn Leaves” to Congratulate VG!

    In honor of Vintage Guitar magazine’s 30th anniversary, Ed Schaefer used a 15″ archtop he built with Kent Armstrong pickups to play a bit of the jazz standard “Autumn Leaves,” by Joseph Kosma and Johnny Mercer. Enjoy! Keep up with Ed at www.schaeferguitars.com

    Marshall Handwired Series 2245THW Head and 1960AHW Cabinet 2245THW Prices: $4,800 (list); $3,299.99 (street); 1960AHW Prices: $2,180 (list); $1,399.99 (street) Contact: www.marshallamps.com Marshall Amplification needs no introduction. The company’s iconic heads and 4×12 cabs have been blowing out eardrums since the mid-1960s. At the turn of the century, Marshall began reviving the tagboard construction of


    Chris Poland

    Metal Fusion Equinox

    Chris Poland’s signature legato was born from tragedy. As a teen, his left hand accidentally punched through a plate-glass window and cut tendons in his fingers. He lost the ability to bend his index finger, and lost feeling in his pinkie. As a result, he learned unique fretting techniques that set the bar for inventive


    John Jorgenson

    John Jorgenson’s Gypsy Jazz Orchestra

    Call it a “Gypsy jazz wall of sound.” John Jorgenson’s new album, Istiqbal Gathering, features the master guitarist backed by the full Orchestra Nashville – strings, woodwinds, brass, even percussion. The result would make Django Reinhardt himself envious. For Jorgenson, it all came naturally. “Recording solo guitar with a full orchestra is very different than

    Martin 0-42

    The Martin 0-42

    Through the years, Martin’s dreadnought, OM, and 000 guitars may have gained the most notoriety. But for the sweetest and best-quality sound, Martin itself recommends the size 0, exemplified by this 0-42. There’s obviously a catch to that statement, since only two of Martin’s current offering of over 200 models are size-0 guitars. The recommendation


    Forty Quid of Klunk

    Tales of the Harmony Bass

    Duh-Duh-Duh-Duh-Duh, Klunk! It’s not the most artful musical introduction, but it was effective. And by the time a screaming Hammond organ slides in over the pounding bass-and-drums, most listeners are hooked. The song is “Gimme Some Lovin” by the Spencer Davis Group, and the 1966 record is a showcase not only for the vocals and



    Still Burning

    When a poll by BBC Radio tells you you’ve written the second greatest guitar riff of all time, (Jimmy Page’s “Whole Lotta Love” placed first) it’s got to feel good. “Sweet Child O’ Mine” has some tasty licks, but Slash is not one to bask in past glories. You can find him on the road

    Komet Constellation

    The Komet Constellation

    Komet Constellation Preamp tubes: one 6SN7, two 12AX7 Output tubes: four EL84 Rectifier: solidstate Controls: Volume I, Volume II, Hi-Cut, three-way Vol I Bright Switch Output: 30 watts RMS Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design,


    Gibson Johnny Smith

    In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound together for the first time. From Gibson’s first electric “Spanish” guitar, the ES-150 of 1936, Gibson had fashioned an electric guitar by cutting a hole


    Steve Howe

    Yes: In The Present

    Progressive-rock icons Yes are still going strong after more than 40 years of recording and performing. Throughout their reign as one of the most influential rock bands of all time, having sold more than 50 million albums worldwide, they’ve endured personnel changes as well as stylistic changes. The current incarnation includes Benoit David on vocals,

    Steve Cropper

    An MGs/Rascals Soul Summit

    Before they were called Booker T. & The MGs, the first song the house band for Memphis’ Stax label cut on their own was the instrumental “Green Onions” – which went to number one on the R&B chart and number three on Pop in 1963. Since then, Tele man Steve Cropper has become perhaps the

    Dave Davies

    Dave Davies

    Personal Songs and Power Chords

    For more than a half-century, the world has known of guitarist Dave Davies and his raucous electric sound, thanks to the earliest hits of the Kinks. The band’s third single, “You Really Got Me” (released in August, 1964) and “All Day and All of the Night” (debuting that October) were sonic primers for budding guitarists.

    Ansom Funderberg

    Golden State-Lone Star Blues Revue

    Golden State-Lone Star Blues Revue

    Welcome to a cross-country meeting of blues minds. The first release from this group of veteran California and Texas bluesmen features guitarists Little Charlie Baty, an Alabama-to-California transplant grounded originally in Chicago blues and erstwhile leader of Little Charlie and the Nightcats, and Anson Funderburgh, acolyte of fellow Texans like Lightnin’ Hopkins and Freddie King.


    1942 Martin D-45

    The Martin D-45, offered by the company from 1933 through 1942, is well-known as the Holy Grail of acoustic guitars. While players and collectors may argue whether it is the absolute best guitar ever made, in terms of value, it easily outdistances any other acoustic model in the vintage market. Ironically, the D-45 was not

    Fargen Pete Anderson Tumbleweed

    Fargen Pete Anderson Tumbleweed

    Box Full Of Country

    Fargen Pete Anderson Tumbleweed Price: $299 (list) Info: www.fargenamps.com. Pete Anderson is a touring roots and country guitarist probably best known for his work with Dwight Yoakam during the latter’s tenure atop the country charts in the ’80s and ’90s. His deft Telecaster playing and conservative production techniques turned Nashville on its ear and helped


    Tele of Two Legends

    The Amazing Story of One Unique Fender

    One day in the mid 1950s, up-and-coming thoroughbred jockey Bill Shoemaker – long before he gathered 8,833 career wins (including 11 in Triple Crown events) while running more than 40,000 races – was playing host to his friend, western swing bandleader Hank Penny, who had come calling with a special gift in a brown case.

    Kiko Loureiro

    Kiko Loureiro

    Metal-Fusion From Brazil

    “When I would play with musicians from the neighborhood, I noticed that my passion for Brazilian music was making me different from other guys,” explains guitarist Kiko Loureiro, a player who found his niche by combining his Brazilian heritage with his love of metal, shred, and fusion. His current album, Sounds Of Innocence, seamlessly blends


    John Hart

    Exit from Brooklyn

    “Unsung” is a good word to describe John Hart. He’s been part of the jazz-guitar scene for more than two decades, but rarely is he mentioned in conversations about the cream of the crop. That’s a shame, because, as his new trio record shows, he’s an amazingly inventive soloist and composer who is not afraid

    Fender’s 1957 Precision Bass

    Fender’s 1957 Precision Bass

    When an instrument maintains the same basic design and profile for more than a half-century, it’s safe to say that in terms of design and execution, it was “done right.” Introduced in late 1951, the Fender Precision Bass was a completely new instrument, with a 34″ scale and four strings tuned an octave below a