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2025 December Issue on Spotify
This month, we feature Rick Derringer, Kid Ramos, Booker T and The M.G.’s, Steve Stevens, Phil Manzanera, Doug Aldrich, Kenny Burrell, Eric Johanson, Gary Moore, and more! Spotify is free…
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Super PickupGiveaway 2025
Win Big! 11 Sets! 11 Winners! Win a set of pickups from one of these sponsors: Deadline is March 15, 2026. Complete the survey below to enter giveaway. One entry…
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Paul Johnson
The Hepcats Live at the Ajax Novelty Company
This isn’t live, there may not be an Ajax Novelty Company, and the three felines known as the Hepcats are actually the brainchild of Paul Johnson, whose Belairs were early-’60s…
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NEWSWIRE
ARTISTS
In Memoriam: Tom Verlaine
Tom Verlaine, co-founder of the influential garage/new-wave band Television, died January 28. He was 73 and passed after a battle…
Chris Cain
Tales to Tell
Armed with a new deal with Alligator Records and producer Kid Andersen (of Rick Estrin & The Night Cats), Chris…
One Unforgettable ’60s-Oddity Magnatone
Monster Mash
Drew Moniot and his band, The Sequins, were on top of the world, playing Gibson SGs through endorsement-deal amp stacks…
Ruyter Suys
Loud and Proud
Nashville Pussy is fronted by the husband-and-wife team of Blaine Cartwright and Ruyter Suys. Its new album, Up The Dosage,…
CLASSIC INSTRUMENTS
Michael Bloomfield’s ’63 Telecaster
This Guitar Killed Folk!
A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from…
Jake Andrews – “ Apricot Brandy”
Austin Stalwart Goes Full Steam for “Apricot Brandy” Jake Andrews was just eight years old when he sat in at…
Sigma by Martin
Following the Line
Long overlooked and relegated to an obscure corner of the collectible market, Sigma by Martin guitars have recently gained popularity…
Realistic Entertainer-34
As prolific as the Radio Shack chain was in the ’60s, it’s surprising we don’t see more vintage Realistic guitar…
APPROVED GEAR
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Lively Drives
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Posh Squash
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Chet Powered!
GJM Guitars Tenoroc
Designed To Rock
Road-warrior guitarists with years of gigs under their belt who later design guitars have an advantage over builders without that…
Positive Grid Spark Go
Ready, Set…
Following the success of its highly portable Spark and Spark Mini practice amps, Positive Grid went really small with the…
Maestro Ranger Overdrive and Invader Distortion
Evil Twins
Maestro’s new all-analog overdrive and distortion pedals are like evil twins – two black-sheep siblings that differ in concept but…
Bad Cat Mini Cat
Little Kittie With Bite
The Bad Cat amplifier company’s Mini Cat is a small unit designed for many things, including practice, recording, or use…
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VG Q&A: Parlor Mystery
Plus, a Pro’s List of Repair Glues
My neighbor has an old parlor guitar that he asked me to clean up after years in storage. Inside the sound hole it reads “The American No. 5” and there is no other identifying script. The bridge is a pyramid-type. We’re curious about its age and manufacturer; I’m guessing Lyon and Healy from the 1920s.
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Outlaws
Rising Tides
By the mid ’70s, Southern rock emerged as one of the most-exciting and successful genres in pop music, thanks to the Allman Brothers Band and Lynyrd Skynyrd. Another important early Southern-rock band making its mark with country influences was Outlaws – the Tampa group nicknamed “Florida Guitar Army.” Rhythm guitarist Henry Paul, lead guitarists Hughie
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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“Buy That Guitar” podcast with special guest Timm Kummer
Season 03 Episode 09 In Episode 3.9 of “Buy That Guitar,” host Ram Tuli is joined by Timm Kummer, a legendary figure in the world of collectible guitars with a passion for unearthing, restoring, and dealing in rare instruments. Over his 45 years in the industry, Timm has built a reputation for specializing in “true
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Reeves Gabrels’ Newest Reverend Spacehawk
For his gig with The Cure, Reeves Gabrels needed a guitar that could cover a lot of sonic territory. The folks at Reverend helped him create the Spacehawk; the latest version is the Spacehawk Supreme he uses here to play an instrumental take on “Two Chords And A Lie” running through an MXR Super Compressor,
