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Dave Murphy: Acoustic Country!

Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album. Read Now!


Samantha Fish: Slide-Blues Fury!

VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!


Dave Murphy: Acoustic Country!

Country/folk/rock singer/guitarist Dave Murphy wrangled guitarist Chris Tarrow for this take on “Josephine,’ from Dave’s new album, “A Heart So Rare.” Dave is using a U.K.-made Atkin Guitars ’43 model, while Chris picks his 1935 Cromwell, which was made in Gibson’s factory during the Depression. Catch our review of the album. Read Now!


Samantha Fish: Slide-Blues Fury!

VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!


This month, we feature The Dobbie Brothers, Popa Chubby, Joey Molland, Carlos Alomar, Cream, David Bowie, Rush, Norman Harris, Greg Koch, Rik Emmett, Chris Walz, Elmore James, and more! Spotify is free or available without ads via a paid subscription. Go to www.spotify.com and search “Vintage Guitar magazine,” or if you already have an account […]

Gregg Wright

King of the Rockin’ Blues

Gregg Wright is a force to be reckoned with. He took the top spot in the Southern California Blues Society’s annual Battle of the Blues Bands, and will move on to represent Southern California at the International Blues Challenge, in Memphis. He has opened for Albert and Freddy King, but is probably best remembered as […]

Zeppelin Design Labs Cortado MkIII

Zeppelin Design Labs Cortado MkIII contact microphone can record everything from acoustic guitars to a train bridge with a frequency range of 23 hertz to 40 kilohertz. It combines a piezo transducer with phantom-powered preamp and attaches to nearly anything with available clips and adhesives. DIP switches control a 10db pad and bass boost circuit. […]

Effectrode Tube-Vibe and Goran Fat Boy

Premium Pedalin’

Effectrode Tube-Vibe Price: $429 (Tube-Vibe) Contact: www.effectrode.com Goran Fat Boy Price: $429 Contact: www.goranguitars.com In the annals of guitar stompboxes, there are no tones more elusive than the mystical swirls of a modulation pedal and the warm roar of an overdrive box. Builders big and small put their stamp on these two classic designs, tweaking […]

Universal Audio Ruby, Woodrow & Dream

Model Of Perfection

With digital recording more popular than ever, audio designers are working to capture guitar tone directly, without miking an amp. Universal Audio – renowned maker of studio gear – has introduced three pedals to get the job done, each modeled on a specific vintage amp. The Ruby ’63 Top Boost Amplifier is UA’s tribute to […]

Vola ZVA 4P MF

Precise Pedigree

Crafted in Japan, Vola’s ZVA 4P MF bass combines ideas from famed forefathers the Jazz and Precision, including a slinky maple neck and slim nut. Add a 9.5″ radius and Modern C profile, and you have what could be called a “highly grab-able” neck. So, did Vola pull it off? A double-cut with alder body, […]

Have Guitar Will Travel – 030 Featuring Lzzy Hale

Episode 30 of James Patrick Regan’s “Have Guitar Will Travel” podcast features Halestorm co-founder Lzzy Hale. They delve into the band’s origins and the vital early support of her parents, her passion for music, interacting with fans, gear she has used throughout her career, and her collection of guitars and amps. Please like, comment and […]

Andrew Hendryx on a ’64 Fender Mandocaster

 Andrew Hendryx Demoing ’64 Fender Mandocaster On a recent mandolin safari, Andrew Hendryx visited a shop in Asheville, North Carolina, and had a go on a ’64 Fender Mandocaster. In true safari fashion, he explored some interesting tones! Keep up with Andrew at www.andrewhendryx.com

Burke Guitar

Axe That Time Forgot

For more than 70 years, aluminum has been a component in guitar construction. Exactly whose idea it was originally has never been a cut-and-dried matter of fact, but it has amply provided cud for the world’s guitar animals to chew upon. In his November ’04 column “The Different Strummer: Al-u-minium!,” VG contributor Michael Wright offered […]

Ibanez Artcore Expressionist AM93QM

Semi-Hollow Magic

There comes a time in a guitarist’s life when one becomes hollowbody curious, and semi-hollow guitars are often the gateway – and they ain’t cheap. Ibanez offers a solution with its Artcore Expressionist series of semi- and full-hollowbody guitars with excellent construction. The Expressionist AM93QM Semi-Hollow allows the curious to experience the iconic overtones of […]

Rosewood Dobro

Rosewood Dobro

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not regularly publish catalogs, and its model numbers were typically also the price of a model, which may have varied from one distributor to the next. Specifications were not strictly followed. Consequently, it’s not surprising to […]

Gibson Barney Kessel Custom Prototype Vintage guitar magazine

Gibson’s Experimental Kessel Prototype

Gibson Barney Kessel Custom model

This is a guitar which for all practical purposes appears to be a Gibson Barney Kessel Custom model, but the label clearly indicates it was made as an experimental prototype. The date of this instrument precedes the introduction of the Barney Kessel. Our shop obtained it from the original owner, Jon Hines, who purchased it […]

The Fender Tremolux

Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the most interesting, and the amp models that represent these provide curious little gems of discovery. The final version of the tweed Tremolux, fascinating in and […]

Michael Johnny Walker

Michael Johnny Walker

Vintage Attitude Required

The term “vintage” isn’t always literal when it comes to gear, but it certainly can be used to describe attitude. Michael Johnny Walker has spent his career chasing tone and delivering vintage attitude in spades. The riff-laden, self-titled debut of his newest endeavor, Motobunny, as well as the latest Love Me Nots release, Sucker, both […]

Vinnie Moore

Heavy Melodic Shred

Vinnie Moore emerged in the mid ’80s, garnering praise for his work as a solo instrumentalist and for his contributions to Alice Cooper’s Hey Stoopid album and tours. In 2003, Moore landed a gig with the British rock group UFO, joining vocalist Phil Mogg, drummer Andy Parker, keyboardist/rhythm guitarist Paul Raymond, and bassist Pete Way. […]

The Fender AA165 Pro Reverb

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for their rich vintage tones and renowned as everyday workhorses that cover several sonic bases better than many bells-and-whistles amps manufactured today. We tend also to ascribe pre-CBS goodness to blackface amps en masse, even in […]

Anthony Phillips

Anthony Phillips

Progressive 12-String Master

Ant Phillips was a founding member of Genesis and, along with guitarist/bassist Mike Rutherford, created the signature 12-string acoustic sound that marked the band’s classic albums. Phillips left the group after 1970’s Trespass album to study music, but his ’77 solo debut, The Geese and the Ghost, is regarded as a prog classic. It also […]

Producer Dave Cobb Draws Artists of All Ilks

Music-City tune Charmer

Grandson of a Pentecostal minister, as a kid, Dave Cobb attended church every day, weaving old-time hymnal music into his DNA. Rather than constraining his musical inclinations, church music – and watching relatives play it – helped open his mind. From the moment he heard rock and roll on the radio, he connected the sound […]

Mick Mars

Different Flavors, Different Way

Guitarist Mick Mars’ long-discussed solo album is finally done. The Other Side of Mars is crushing modern metal with gothic touches, violins and violas, prog-like soundscapes, and more. If you’re expecting a carbon copy of Mötley Crüe, you’re in for a shock. The album features the core of keyboardist Paul Taylor (Winger, Alice Cooper), drummer […]

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