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    Billy Sheehan Talks Influences

    Billy Sheehan is one busy dude – Mr. Big released “Defyin Gravity” in July, The Winery Dogs just introduced a new DVD, and in October he’ll release his first solo album, “Sons of Apollo.” Here, he talks about one of his biggest influences and jamming some verrry cool licks on his Epiphone Rivoli! Read our exclusive interview with Billy in the October issue of Vintage Guitar mag! READ NOW!!

    Providence Anadime Chorus ADC-4 Price: $249 (list) Contact: www.providence-ltd.com The chorus pedal holds the distinction of once having been extremely popular, becoming dated and undesirable, then enjoying a resurgence of popularity. This classic stompbox chorus reached its peak in the mid ’80s, with bands like The Fixx and The Police before fizzling again by the

    Brian Setzer

    Brian Setzer

    Rocking Back to the Future

    Brian Setzer wears several hats – rockabilly, swing, even hard-rocking Christmas music. But through it all, by and large he plays only one guitar – a Gretsch. And ideally, just a Model 6120 at that. With his new album, Setzer gets back to his roots, both in playing scorching rockabilly, but also in using his

    The Routes

    In This Perfect Hell

    Think old-school Zombies crossed with new-thing Arctic Monkeys: the result may just be the Routes. The guitar-bass-drum trio is part classic Brit invasion rockers with period-perfect gear, part hypnotic proto psychedelia – yet with a harder-core modern edge to their sound. Guitarman Chris Jack fronts the band, armed with an arsenal of Selmer amps and

    The Soldano

    Super Lead Overdrive

    One of the leaders of what we might call the second wave of high-end high-gain tube amps, Soldano has been making a big noise since 1987 – the year Michael J. Soldano released his first production model, the Super Lead Overdrive (SLO-100). The SLO’s ability to churn out searing lead tones with a certain sonic

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    Top 50 Guitar Songs of the ’60s

    Data and info compiled by Alan Greenwood and Ward Meeker Vintage Guitar marked 25 years of publication with a year full of cool features that relied on feedback from readers who visit VintageGuitar.com. This month, we kick things off with the results of a poll to determine what readers believe to be the 50 coolest

    Fender Princeton feature

    The Fender Princeton

    1962 6G2 Fender Princeton Preamp tubes: One 7025, one 12AX7 Output tubes: two 6V6GT in fixed bias Rectifier: 5Y3 Controls: Volume, Tone, Speed, Intensity Speaker: one 10” Oxford 10J4 Output: approximately 12 watts RMS For the past couple decades the Fender Deluxe of the ’60s and early ’70s – in its several variants – held

    3rd Power Amplification’s Solo Dream 1, Solo Dream 4, and Switchback 112

    Dream Babies

    Recording/touring guitarist, studio engineer, and industry veteran Jamie Scott made the metamorphosis into amp designer by learning to repair and modify Marshall heads. He quickly realized that he wanted amps to sound full, responsive, and what he refers to as “fader up” – i.e., fully formed and ready to “fader up” on a recording console

    Luker Chameleon Combo

    The Luker Chameleon Combo

    True to Its Colors

    The Luker Chameleon Combo Price: $1,850 (list) Contact: www.lukeramps.com Considering the state of modern vacuum tubes, a surprising number of great tube amps are currently being built. And of those, every once in a while a truly exceptional amp that is also an astonishing value finds its way through the front door. The Luker Chameleon

    Elliot Easton

    Different Directions

    Lefty guitarist Elliot Easton has chosen a different route for his most recent musical venture, but its sonic direction should come as no surprise to any fan who has followed his long career. Easton Island is a collection of instrumentals that showcase the melodic sensibilities of the guitarist and his current musical associates in Elliot

    Neil Young

    A Letter Home

    In more ways than one, Journey Through The Past – the title of Neil Young’s 1972 directorial film debut – would have been a better title for A Letter Home, the latest from Winnipeg’s favorite son. Recorded in the 1947 Voice-o-Graph booth at Jack White’s Third Man Records in Nashville, this all-covers affair is, according

    Gibson’s Earliest Dreadnought

    Gibson’s Earliest Dreadnought?

    Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this unusual round-shouldered guitar with a 1929 serial number. It was made during a period when Gibson’s flat-tops were evolving at a frantic pace as Gibson

    Santana IV

    Live at the House of Blues, Las Vegas

    Describing Carlos Santana’s guitar playing, Greg Rolie, the Santana band’s original keyboardist, declares, “It’s real music; it’s not just a bunch of notes put together.” Truer words were never spoken. They’re just part of the bonus-feature band interviews in the DVD of the live follow-up to the studio reunion of the original Santana band, Santana

    Excelsior Americana

    If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than this? Okay, according to specs and tonal preferences, sure there could. But for sheer vintage-hip and all-out cool, you really can’t do better than dragging this 1966 Excelsior Americana to the next Gram Parsons tribute

    The 1912 Martin 000-28

    The 1912 Martin

          By 1912, players of fretted instruments were familiar with steel strings. Mandolins, which were enjoying their period of greatest popularity, were strung with steel. Guitars made by Gibson and by the Larson Brothers were strung with steel. The tenor banjo had recently arrived on the scene, having been introduced by J.B. Schall

    Don Rich

    Guitar Pickin’ Man

    Don Rich’s recording career lasted only 13 years, beginning as the fiddle player on Buck Owens’ 1961 debut. But Owens released as many as four albums a year, and like Merle Haggard’s Strangers and Ernest Tubb’s Texas Troubadours, Owens’ Buckaroos cut several albums without their leader. This 17-track compilation – with three cuts culled from

    Marshall Handwired Series 2245THW Head and 1960AHW Cabinet

    Marshall Handwired Series 2245THW Head and 1960AHW Cabinet

    Bluesbreaker Redux

    Marshall Handwired Series 2245THW Head and 1960AHW Cabinet 2245THW Prices: $4,800 (list); $3,299.99 (street); 1960AHW Prices: $2,180 (list); $1,399.99 (street) Contact: www.marshallamps.com Marshall Amplification needs no introduction. The company’s iconic heads and 4×12 cabs have been blowing out eardrums since the mid-1960s. At the turn of the century, Marshall began reviving the tagboard construction of

    Parsons/White StringBender

    From the origins of country-rock to Jimmy Page, Metallica, and a slew of modern country-pickin’ wizards, the string bender lends unique sounds to any form of music by giving players an “extra hand.”