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Greg Koch: Gristly “Blues”

Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled from his catalog that are mixed with two previously unreleased tunes on his new album, “Blues.” Catch our review and an interview with Greg in the May issue. Read Now!


Samantha Fish: Slide-Blues Fury!

VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!


Greg Koch: Gristly “Blues”

Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled from his catalog that are mixed with two previously unreleased tunes on his new album, “Blues.” Catch our review and an interview with Greg in the May issue. Read Now!


Samantha Fish: Slide-Blues Fury!

VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!


HomeWrecker Pickups

Slumbering Strats, Awake!

In 2011, session guitarist Joshua Hernandez began winding pickups in his living room. From these modest beginnings, and with no desire simply to replicate the sounds of vintage pickups, Hernandez went a step further and set out specifically to build modern pickups suited to the sonic idiosyncrasies of Stratocaster-style guitars – or, as Hernandez puts […]

Tom Feldmann’s Beginner Fingerpicking – Lesson 4

Tom Feldmann’s Beginner Fingerpicking – Lesson 4

Vintage Guitar is teaming with Collings Guitars and Stefan Grossman’s Guitar Workshop to present an exclusive eight-part series on beginner fingerpicking. Hosted by VG Online contributor Tom Feldmann, it will teach the Mississippi John Hurt classic “C.C. Rider” at a pace easily followed by anyone! › › In Lesson 4, Tom discusses picking patterns and chords. […]

Majik Box Paul Gilbert Fuzz Universe Custom

“Scarifying” OD

Majik Box Paul Gilbert Fuzz Universe Custom Price: $329.99 retail Contact: www.majikboxusa.com Since Dave Simpson and Rob Nishida joined forces to form Majik Box, they’ve been the go-to stompbox company for guitarists like Doug Aldrich, Dave Navarro, James “Munky” Shaffer, and Victor Johnson. Their most popular offering is the Paul Gilbert Fuzz Universe. At Gilbert’s […]

The Gibson ES-5

Instrument Profile

Gibson, like all American guitarmakers, had to shut down electric guitar production for three years during World War II. But when production resumed in 1946, Gibson made up for the lost time with a flurry of innovations. The culmination of this effort was the be-all, end-all of electric guitar design in 1949 – the ES-5. […]

Big Bill Broonzy

Live In Amsterdam, 1953

Perhaps because he died just prior to the Folk Boom and a few years before the Blues Revival, Bill Broonzy doesn’t get proper credit. Besides being the first American bluesman to tour England, where future stars of British rock and folk saw him perform, he was a major influence on Muddy Waters, who dedicated his […]

Joe Louis Walker

Indisputable Cred

Joe Louis Walker has enjoyed a long and enviable career making artistically satisfying music while entertaining audiences all over the world. He’s a genre-busting artist who knows how to please an audience while keeping his eye on the prize. His latest album, Everybody Wants A Piece, continues the saga of the forward-thinking bluesman. Walker once […]

Band of Heathens’ Gordy and Ed: Low-Key and Tasty!

 Austin heroes play vintage-laden twofer Gordy Quist and Ed Jurdi use a few of their favorite things to play “Heartless Year” and “Don’t Let the Darkness,” from the new Band of Heathens album, “Simple Things.” As they prove, with great instruments, come great stories – and great music. Gordy is running his real-deal ’52 […]

Graham Parker plays “We Did Nothing”

Reflective take on the world In his review of Graham Parker’s “Last Chance To Learn The Twist,” Dan Forte recalls that the singer/songwriter emerged as part of the ’70s new-wave scene, “but… grew into a mature, eclectic talent.” Here, he and his early-’90s Gibson J-200 reflect on the world today in “We Did Nothing.” Catch […]

Gregg Wright

The Shackles Are Off

Gregg Wright’s latest album was forged with fire, intensity, and the music that molded him, from guitar-centric country ballads, boogie, and blues-rock to gospel and fire-breathing rock and roll. A road warrior since the ’70s, Wright is nowhere near slowing down. Armed with new songs and loud guitars, not even a pandemic can stop him. […]

Star Board: Rudy Jaramillo

Star Board: Rudy Jaramillo

Rudy Jaramillo is quick to mention that his effects setup is very simple. “I go into my 1) Boss tuner, then to a 2) Boss Blues Driver that has been modded. I don”t know what was done, but it makes an amp sound more like itself, if you know what I mean. From there, the […]

Have Guitar Will Travel – Featuring 001 Billy Rowe

Billy Rowe is the guitarist/co-founder of Jetboy, which rose to prominence in the mid ’80s while touring with some of the biggest bands of the era. Tinkering with guitars led to starting his company, Rock N’ Roll Relics. James and Billy talk music, guitars, the ’80s crash, and the state of music. Each episode is […]

Tommy Shaw and James Young

Styx’s Crowning Achievement

“One thing I like about how Styx does progressive stuff is we try and make it friendly progressive, not math,” said Styx vocalist/guitarist Tommy Shaw, referring to the band’s 17th studio album, Crash of the Crown. Fans of Styx’s mid-’70s work will love the adventurousness of the new album, but those who adore the band’s […]

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first Martin dreadnoughts were 12-fret slot-heads with an extended slope-shouldered body; in early ’34, the company introduced a square-shouldered dread with a 14-fret neck. Gibson entered […]

John Entwistle

John Entwistle 1944-2002

John Entwistle Ode to the Ox 1944-2002 By Ward Meeker Pop music lovers – especially those with an ear tuned to gear and how it’s used – know that John Entwistle ranks as one of the most influential bassists in the history of rock and roll. Some would argue there is none higher. Before Entwistle, […]

Rosalie Allen’s SJ-200

Trophy Flat-Top

On the pages featuring the Super Jumbo 200, Gibson’s 1940 catalog trumpeted, “This king of the flat-top guitars was especially created for professional entertainers who want an instrument adaptable to any harmony requirement with a beauty and distinction that projects itself to an audience.” Beauty and distinction indeed! It really was an impressive instrument – […]

Jim McCarty

Detroit Rock Royalty

Playing Detroit in 2013, Joe Bonamassa had a special treat in store for the crowd. “The best, most badass guitar legend that ever came out of this town,” he declared. “He’s the pride of Detroit. I give you the legend that is Jim McCarty.” Although he has largely flown under the guitar-hero radar, the lanky […]

Joe Strummer

Joe Strummer 002: The Mescaleros Year

After the Clash, Saint Joe Strummer (to borrow the beatification endowed by The Hold Steady) spent some years in the wilderness. His first full solo album, 1989’s Earthquake Weather, didn’t sell well despite being a fine (if undersung) work. It was 10 more years of searching before he struck it right with the Mescaleros. The […]

D’Aquisto New Yorker Classic

During his 30-plus years as an independent guitarmaker, James L. D’Aquisto was acclaimed as the premier maker of archtop guitars. He gained the title initially as the successor to his mentor, New York maker John D’Angelico. Then, after carrying on and embellishing the D’Angelico tradition for more than 20 years, D’Aquisto suddenly changed direction, as […]

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