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Author Archives: George Gruhn

Gibson’s Experimental Archtop

 
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Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes in 1922, and brought the concept to full potential in the mid ’30s with larger-bodied (more…)

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Late 1920s Gibson L-1 (Flattop)

Gibson "Florentine"
 
Late 1920s Gibson L-1 "Florentine" Home page main

Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of a better name. Though the body decoration is unlike any cataloged Gibson guitar, the fingerboard and headstock ornamentation is almost identical to Gibson’s Florentine banjo (made between 1927 and ’37). In size, shape, construction and woods, […]

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George Fullerton’s Fender Jazzmaster

A Master's Pallet
 
A Master’s Pallet

This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research and development of body shapes and materials, and during the pre-production phase for new models in the late 1950s and early ’60s. After having great success with the Esquire, Telecaster, and Stratocaster, in 1958, Fender […]

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Orville Gibson A model

 
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All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model mandolin illustrates, Orville’s designs went through considerable refinement through the early years of the Gibson company’s existence to reach the standard of design that we know today. The highlights of Orville’s life are well-known: Born […]

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1944 Martin 00-28

 
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This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007, they were entered on the Martin shop order slip as 00-28G, indicating they were classical guitars designed strictly for gut strings. There is no indication […]

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The D’Angelico Excel Mandolin

 
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The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder in the history of the instrument. His mandolins, however, are seldom talked about, even though – if this particular example from the early 1940s is any indication – they are worthy of the same attention. […]

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The Epiphone Excellente

 
The Epiphone Excellente

When Gibson acquired Epiphone in 1957, the plan was to introduce a new line of Epis that would be made in the Gibson factory but designed to be slightly less expensive than the equivalent Gibson model. It worked out that way in the electric line of the 1960s, where the more expensive Epis had mini-humbuckers […]

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Gibson Style R Harp Guitar

 
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Harp guitars with a standard six-string guitar neck and varying numbers of sub-bass harp-style strings have been made by a variety of American builders. Some of the best-known include Gibson, Joseph Bohmann (of Chicago), Knutson (Seattle), and the Larson brothers (Chicago), who made them primarily under the brand of Dyer (a distributor based in St. […]

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’53 Gibson Les Paul Junior

 
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Gibson’s records tell us the Les Paul Junior was introduced in 1954. But here we have what appears to be a 1953 example. This instrument has no serial number on the back of the peghead, though the tone and volume pot codes indicate they were made in 1953, and the guitar differs in specifications from […]

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1934 Gibson F-7

 
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Prior to Gibson’s innovations, mandolins were bowl-back instruments with a lute-like back usually constructed with rosewood or maple back ribs and a bent spruce top with an oval sound hole. Earlier guitars typically had flat tops and backs, and were designed for gut strings. In 1898, he received a patent for the concept of (more…)

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