The Rivolta Combinata Bass VII
Rivolta’s Combinata VII bass takes ideas from Rickenbacker, Höfner, and various European builders lost to history and wraps them into a four-string with a...
The PRS HX 50 and HX 2×12 Cabinet
Paul Reed Smith has earned a reputation building guitars of the highest quality. It wasn’t until just over a decade ago he tried his...
Martin’s DJr-10E StreetMaster
The big, booming dreadnought has been a Martin hallmark since its debut in the 1930s. From that tradition comes Martin’s Dreadnought Junior, a smaller,...
The Walrus Audio ACS1
From worship services and home-recording where volume is an issue to fly-in shows where a full rig is impossible, amp modeling has many applications....
Fender’s Jason Isbell Custom Telecaster
Fender can’t guarantee its Jason Isbell Custom Tele will instill every player with Isbell’s talent for songcraft, but it sure does put his range...
Marshall’s DSL1C
For those who love classic British tone, nothing beats the sound of a Marshall stack cranked to 10. Unfortunately, unless you live on a...
Harmony Comet
Whoever coined the phrase “Everything old is new again” knew what they were talking about. The resurrected Harmony brand, associated decades ago with budget...
Fishman’s Fluence Greg Koch Gristle-Tone P90
With the miracle of micro-electronics, you can pack a massive amount of tone into a tight space. Case in point: Fishman’s Fluence Gristle-Tone P90,...
Guild’s B-240EF
It would be easy to look at the price of Guild’s B-240EF and assume it’s just another low-end acoustic/electric bass – except that it...
Mesa Boogie’s Badlander 50 Combo
When Mesa Boogie introduced its Dual Rectifier amps in the early ’90s, they cemented a place in rock-and-roll history. Over the past 30 years, there...