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Sean Weaver

Half Past Midnight
 

Sean WeaverWeaver’s album of solo guitar features instrumental treatments that range from “La Alborada (Little Music Box),” a heart-tugging classical piece by Francisco Tarrega, to Rodgers and Hart’s “Little Girl Blue,” to a beautiful working of Don McLean’s “Vincent.”

The reflective mood of the album runs through high-stepping versions of Fats Waller’s “Ain’t Misbehavin’,” W.C. Handy’s fundamental blues classic, “St. Louis Blues,” and an inspired medley that has Joni Mitchell’s “Both Sides Now” segueing neatly into George Harrison’s “I Need You,” which may provide the disc’s best moments.

Those songs are among each writer’s best and even without lyrics, in Weaver’s hands, “I Need You” retains all the quality of youthful yearning that makes it one of Harrison’s most passionate.

Paul McCartney’s “For No One” follows. It’s a fresh, respectfully faithful interpretation that shows the strength of McCartney’s melody and Weaver’s clean, precise yet emotionally compelling playing.

There are strains of rag-influenced Piedmont and swing here, among multiple other elements. But Weaver’s most obvious inspiration is probably Chet Atkins, and it isn’t hard to imagine Atkins smiling with approval at this album.

This article originally appeared in VG‘s March ’14 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.

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