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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Shawn Purcell’s Jazz from the East (Coast)
Influences Aplenty! A child of the ’80s, Shawn Purcell grew up listening to Stern, Scofield, and Metheny alongside Zeppelin, Van Halen, Yngwie, and Vai. Here, he shares a take on “Gentle Giant,” using his Benedetto Pat Martino signature model with custom finish. It’s plugged into a Tomas Jackson Musical Electronics PrinceTwin. The song is from his…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and…
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Moeller, Moore, and Dayton serve up a Texas jam
Texas Headhunters gonna getcha! Johnny Moeller and his buds in the Texas Headhunters gathered to jam a bit on “The Headhunters Theme,” from their self-titled album. Johnny is playing a Big Tex Strat, Ian Moore a Big Tex Tele, and Jesse Dayton an Epi ES-295. “We’re all playing old Danelectro amps,” Johnny says. “Jesse and…
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Gwenifer Goes “Cattywomp”
Fierce fingerstyle! Hailing from Wales, former punk-rock drummer Gwenifer Raymond’s fingerstyle playing is inspired by greats like John Fahey and Mississippi John Hurt. Her latest, “Last Night I Heard the Dog Star Bark,” is rife with virtuosity. Here, she uses her Waterloo WL-14L to play “Cattywomp,” from the album. Our review of it and interview…
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Blues guitarist Charlie Apicella’s “Booze and Blues” and “Just Like a Woman”
Honoring B.B., Rainey Being V.P. of the North Jersey Blues Society isn’t the only thing that separates Charlie Apicella from the typical blues player. A devotee of B.B. King (and others), he pays homage on a new album, “Iron City: Live in NYC,” by plugging two of his favorite guitars into the ’65 Guild Thunder…
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Kid Ramos’ Revelation!
West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an improv jam. For the biker-curious, that’s his ’67 Harley-Davidson Electra Glide shovelhead “dresser,” which still wears its original paint and a couple of 1950 Cushman…
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Steve Stevens plays “77”
Steve Stevens plays “77” Live from the dressing room at Wembley Arena just before a sold-out performance with Billy Idol, Steve Stevens uses his signature Ciari Guitars Ascender Premier in Josie Pink (plugged into a Positive Grid Spark) to give us a detailed look at the riffs he plays on “77,” the new single from…
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Phil Manzanera’s “Magdalena”
Roxy Music legend solo instrumental Roxy Music guitarist Phil Manzanera used his beloved ’64 Gibson Firebird VII to create this exclusive run through “Magdalena,” one of five new tunes on the companion CD to his autobiography, “Revolución to Roxy.” After the Fulltone OCD, Strymon TimeLine delay, and Catalinbred Topanga Spring Reverb, it’s going through a…