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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Reeves Gabrels’ Newest Reverend Spacehawk
For his gig with The Cure, Reeves Gabrels needed a guitar that could cover a lot of sonic territory. The folks at Reverend helped him create the Spacehawk; the latest version is the Spacehawk Supreme he uses here to play an instrumental take on “Two Chords And A Lie” running through an MXR Super Compressor,…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Shawn Purcell’s Jazz from the East (Coast)
Influences Aplenty! A child of the ’80s, Shawn Purcell grew up listening to Stern, Scofield, and Metheny alongside Zeppelin, Van Halen, Yngwie, and Vai. Here, he shares a take on “Gentle Giant,” using his Benedetto Pat Martino signature model with custom finish. It’s plugged into a Tomas Jackson Musical Electronics PrinceTwin. The song is from his…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and…
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Moeller, Moore, and Dayton serve up a Texas jam
Texas Headhunters gonna getcha! Johnny Moeller and his buds in the Texas Headhunters gathered to jam a bit on “The Headhunters Theme,” from their self-titled album. Johnny is playing a Big Tex Strat, Ian Moore a Big Tex Tele, and Jesse Dayton an Epi ES-295. “We’re all playing old Danelectro amps,” Johnny says. “Jesse and…
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Gwenifer Goes “Cattywomp”
Fierce fingerstyle! Hailing from Wales, former punk-rock drummer Gwenifer Raymond’s fingerstyle playing is inspired by greats like John Fahey and Mississippi John Hurt. Her latest, “Last Night I Heard the Dog Star Bark,” is rife with virtuosity. Here, she uses her Waterloo WL-14L to play “Cattywomp,” from the album. Our review of it and interview…