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Duke Robillard – Lowdown
Vintage Guitar is happy to offer the premier of the new music video by Grammy nominee Duke Robillard. “Lowdown” is the first single from his upcoming album, Blast Off!, set for release February 20 on Nola Blue Records. “When thinking about a powerful song to launch the album, I chose a hard-rocking Tom Waits tune
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The story of the Martin F-50
Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!
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Reeves Gabrels’ Newest Reverend Spacehawk
For his gig with The Cure, Reeves Gabrels needed a guitar that could cover a lot of sonic territory. The folks at Reverend helped him create the Spacehawk; the latest version is the Spacehawk Supreme he uses here to play an instrumental take on “Two Chords And A Lie” running through an MXR Super Compressor,
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob
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Shawn Purcell’s Jazz from the East (Coast)
Influences Aplenty! A child of the ’80s, Shawn Purcell grew up listening to Stern, Scofield, and Metheny alongside Zeppelin, Van Halen, Yngwie, and Vai. Here, he shares a take on “Gentle Giant,” using his Benedetto Pat Martino signature model with custom finish. It’s plugged into a Tomas Jackson Musical Electronics PrinceTwin. The song is from his
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a
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D.K. Harrell and His ’76 ES-335
B.B. King of the Blues Award winner plays “Liquor Stores and Legs” Winner of the B.B. King of the Blues Award, here D.K. Harrell and his ’76 Gibson ES-355, Christal, are going straight to his Lab Series L-5 for a stripped-down run through “Liquor Stores and Legs.” If you like uptown shuffles, relatable lyrics, and
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Moeller, Moore, and Dayton serve up a Texas jam
Texas Headhunters gonna getcha! Johnny Moeller and his buds in the Texas Headhunters gathered to jam a bit on “The Headhunters Theme,” from their self-titled album. Johnny is playing a Big Tex Strat, Ian Moore a Big Tex Tele, and Jesse Dayton an Epi ES-295. “We’re all playing old Danelectro amps,” Johnny says. “Jesse and