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Wandré Modele Karak

We all recognize that guitars are art, but rarely has the instrument been as consciously approached from this perspective by the maker as with the ’60s creations of Wandré Pioli.
Supro Thunderbolt

Supro Thunderbolt

Designed “...exclusively for the electric Bass guitar,” it was simplicity itself, with no “fancy extra circuits.” But much like with Fender’s Bassman, guitarists had other ideas!

Gibson Les Paul Spotlight Special

It was 1983, and Gibson was in the throes of its darkest days. Norlin Industries had incurred excessive debt, sales were down, and the Gibson name for sale. Amidst the chaos, an idea was borne for a limited run of Les Pauls. Those set on collecting them know just how limited their production was.

Rickenbacker 375F

Every guitar company has had its odd ducks, its failures, its forgotten models. While some are consigned to the scrapheap of history for good...

Fender’s 1951-’54 Telecaster

Fender’s first Spanish-style guitar was a lesson in functional simplicity with its solid body, single pickup, and bolt-on neck. And it didn’t receive a welcome fit for the legend it would become.

National Style O

National. The name is patriotic! And what else but American inventiveness could have brought about a metal-bodied guitar? The answer lies in the state of...

Parsons/White StringBender

From the origins of country-rock to Jimmy Page, Metallica, and a slew of modern country-pickin’ wizards, the string bender lends unique sounds to any form of music by giving players an “extra hand.”

Stromberg Master 400

Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and possess a sound epitomized by a power and projection unsurpassed by any other archtop acoustic.

Peter Stroud Keeps His Feet, and Keeps Movin’

He has played with Dreams So Real, Pete Droge, Don Henley, and Sheryl Crow. It’s the latter gig that occupies his playing time these days, while much of his “down” time is spent building amplifiers.

A.J.’s 1950 Fender Broadcaster

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we tell the story.
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