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Category Archives: Classic Instruments

Five Classic Amps

A Tone-Spotter’s Arsenal To Cover It All
 
Five Classic Amps

When it comes to classic guitar tones – whether it’s blues through a Dumble, country through a Fender, rock through a Marshall, or jazz through a Roland – every player knows there’s a magical potion concocted of guitars, amps, and fingers. But, is it possible to cover the sonic spectrum of all genres with just […]

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Six-String Kicks

Wood from Famed Bowling Alley Set to Sing
 
Six-String Kicks

Few things scratch America’s cumulative itch for nostalgia like Route 66 – the famed wagon-trail-cum-highway that offered passage to those migrating west from Chicago in the mid 19th century, then later became known as Main Street America.  For decades, the road provided the means to a living for entrepreneurs who set up shop offering food, […]

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Peavey T-20

The Next Step
 
1983 Peavey T-20 and T-20FL Vintage guitar magazine

Introduced in 1982, Peavey’s T-20 was different from other basses in the Peavey lineup, the two-pickup T-40, and the single-pickup T-45. The T-40 (“Bass Space” October ’06) and its six-string sibling, the T-60, debuted as the first instruments to be made with parts carved using CNC machines, and their necks were bilaminated and pre-stressed. Their […]

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Kramer Aluminum-Neck Basses

 
KRAMERALUMIMUM-HOME-MAIN-BIG

When it entered the music-instrument market in 1976, Kramer Guitars made a big splash with an aggressive marketing campaign, big-name endorsers, and – most importantly – an improved approach to the then-fresh concept of aluminum necks. In terms of stability, the aluminum neck was seen as an improvement over wood. And while Kramer Guitars followed […]

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The ViVi-Tone Aggrandizer

 
The ViVi-Tone Aggrandizer

• Preamp tubes: 6C5, 6F5 • Output tubes: two 6B5 • Rectifier: 80 • Controls: Volume, on/off switch • Speaker: 10″ field coil • Output: barely scraping double digits… if you’re lucky. “Aggrandize: v.tr. 1. increase the power, rank, or wealth 2. cause to appear greater than (more…)

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Scotty Moore’s Gibson ES-295

First Guitar of Rock and Roll
 
SCOTTY MOORE's GIBSON ES-295 Vinatge guitar Magazine

Like a hound dog hit by lightning, the first notes of rock and roll blasted out of radios across the country in July of 1954, courtesy of Elvis Presley’s supercharged-hillbilly singing on “That’s All Right” and “Blue Moon Of Kentucky,” backed by Scotty Moore’s guitar. It was the twang heard ’round the world. That guitar […]

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Epiphone Coronet

 
Epiphone Coronet

This Epiphone Coronet from 1959 was probably a shocking sight to a guitar buyer of the late ’50s. Not only was a solidbody guitar out of character for the company that had built its reputation in the ’30s on archtop acoustics and electrics, but most people thought the Epiphone company had gone out of business […]

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Doublenecks and Triplenecks

California Weird Factor - Doublenecks, Triplenecks
 
Double Neck Triple Neck Vintage guitar magazine Home main

If you mention doubleneck or multi-neck guitars to your average guitar player, the first thing they’ll likely think of is Jimmy Page playing his Gibson EDS-1275 with Led Zeppelin, or Rick Nielsen and his floor-length five-neck Hamer with Cheap Trick. But few people, even amongst guitar players, realize that the multi-neck guitar has a storied […]

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Rickenbacker Transonic

 
RICK-TRANSONIC-HOME-MAIN-THUMB

Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and Fuzz-Tortion on Custom channel. Speakers: two 12″ Altec 417.

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Fender’s 6G9 Tremolux

 
Fender’s 6G9 Tremolux

Preamp tubes: two 7025, two 12AX7 Output tubes: two 6BQ5/EL84 Rectifier: GZ34 Controls: Bright channel: Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; tremolo Speed and Intensity for both channels Speakers: two 10″ Oxford 10K-5 ceramic speakers in a closed-back cabinet Output: approximately 35 watts RMS We tend to think the EL84 didn’t become a […]

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