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Author Archives: George Gruhn

Late 1920s Gibson L-1 (Flattop)

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Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of a better name. Though the body decoration is unlike any cataloged Gibson guitar, the fingerboard and headstock ornamentation is almost identical to Gibson’s Florentine banjo (made between 1927 and ’37). In size, shape, construction and woods, […]

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1905 Gibson F-2

 

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In the opinion of most American mandolinists, Gibson brought mandolin design to a level of perfection in 1922, with the introduction of the Master Model F-5. It wasn’t much earlier – 25 years or so – that Orville Gibson created the F model as one of two mandolin body styles (the other being the symmetrical […]

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1933 Gibson L-5 “Special”

 
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Though many collectors focus on instruments in fine original condition, every so often one emerges that, regardless of condition, is no less exciting than a paleontologist finding the “missing link.” Everything there is to know about the Gibson L-5 designed by Carl Kress can be learned from this example, with the model designation “Special” hand-written […]

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Three Larsons

 
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At first glance, these three guitars appear to be a straightforward collection of different sizes of the same model. A comparable set of three Martins would be a 0-40, 00-40 and 000-40. However, these are Larson Brothers guitars, and when it comes to Larson models, nothing is that simple. Aesthetically, these guitars are identical (more…)

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1944 Martin 00-28

 
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This Martin 00-28 is a highly unusual instrument. Made as part of a group of six created with shop-order number 366 (dated 12/14/1944) and bearing serial numbers 90002 through 90007, they were entered on the Martin shop order slip as 00-28G, indicating they were classical guitars designed strictly for gut strings. There is no indication […]

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The D’Angelico Excel Mandolin

 

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The 1,164 archtop guitars made by John D’Angelico have brought him great renown as the finest individual archtop guitar builder in the history of the instrument. His mandolins, however, are seldom talked about, even though – if this particular example from the early 1940s is any indication – they are worthy of the same attention. […]

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National N-275

 
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Gibson is widely known for its guitars, mandolins, and banjos, but many are unaware the company built instruments for nearly 30 brands for several distributors and music store chains, primarily from the 1920s through the early ’40s. Some of the best-known names include Kalamazoo, distributed by Gibson, and Recording King, which was distributed by Montgomery […]

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Gibson Johnny Smith

 

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In 1961, Gibson’s Johnny Smith model not only associated Gibson with one of the most popular guitar stylists of the day, it also brought high-quality amplification and high-quality acoustic sound together for the first time. From Gibson’s first electric “Spanish” guitar, the ES-150 of 1936, Gibson had fashioned an electric guitar by cutting a hole […]

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Orville Gibson A model

 

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All carved-top guitars and mandolins trace their ancestry back to Orville Gibson of Kalamazoo, Michigan. However, as this A model mandolin illustrates, Orville’s designs went through considerable refinement through the early years of the Gibson company’s existence to reach the standard of design that we know today. The highlights of Orville’s life are well-known: Born […]

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Dan Fogelberg’s Gretsch White Penguin

 

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Dan Fogelberg’s success as a singer and songwriter far overshadows his reputation as a musician, but the man whose tenor voice and sentimental songs ruled the Adult Contemporary charts in the early 1980s was actually quite an accomplished guitarist. Evidence is on The Innocent Age and Windows and Walls – the albums that yielded his […]

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