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Classic Instruments
Tommy Castro
Circling Back
In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…
Gibson Mark 53
1978 Gibson Mark 53. Photo: Michael Wright. Part of the fallout from the guitar boom of the 1960s was an increased academic interest in guitars that manifested itself in the…
Stromberg Master 400
The Stromberg Master 400, measuring a gigantic 19″, is considered by many to be the ultimate orchestral rhythm guitar. The instrument of choice for Freddy Green with the Count Basie…
Robbie Robertson, 1943-2023
Lasting Legacy
It’s ironic that Robbie Robertson was famous mostly for his songwriting, because beneath the minimal, compositional style that marked his work with The Band hid a true guitar stylist and…
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Classics: Tommy Castro’s ’66 Fender Stratocaster
Tommy Castro has never been much for sitting with a guitar teacher, preferring instead to rely on good ol’ time in the saddle to hone his craft. But this 1966 Stratocaster has taught him a couple lessons. The guitar entered Castro’s universe in the hands of San Francisco music legend John Newton – known on…
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Classics: Arena-Rock Alternative Amps
Mad Maxed
As rock started hitting the big time in the mid ’60s, it became clear to guitar-amplifier manufacturers that 100 watts or more was the way to go. The best approach to big power, however, would follow several paths. The stories of the high-powered amps introduced by Fender, Marshall, and Vox through the ’60s have been…
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Vivi-Tone “Skeleton
A Master’s Magnificent Misfire
The eternal question “Who invented the electric guitar?” has no single answer. By the late 1920s, many players, tinkerers, and inventors were exploring ways to get more volume from fretted instruments. Steel-string flat-tops from Martin, f-hole archtops from Gibson, and metal-bodied resonators from National were louder than their predecessors, but ran up against physical limits.…
Kevin Keaton’s 1958 Esquire
Swamp Thing
June 10, 2020, was a summer night like most in the life of Kevin Keaton, a postal mail carrier and guitarist who gigs in an acoustic duo and an AC/DC…
Keith Richards’ 1963 Gibson SG Custom
Ready to Ramble
In 1961, Gibson introduced the double-cutaway Les Paul to replace the original version, which had been endorsed by guitarist Les Paul since being developed in 1952. Redesigned in response to…
St. Moritz Stereo
The notion of a stereo guitar became almost implicit when guitars started having two pickups. But it didn’t become a reality on an actual production guitar until the great tapping…
Italian Smorgasbord
The Goya Rangemaster 116 SB
American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their first steps on imported instruments – often good and interesting…
Joe Long’s “stack-knob” Fender Jazz Bass
Joe Long’s “stack-knob” Fender Jazz Bass, serial number 57392. Instrument and photo courtesy of Nadav Galimidi. If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s…
Green Amps
Turning America Green
It hit Joel Wheeler in a flash of white light, a memory fried extra crispy into his brain. Just how you’d picture an epiphany to be, right? A random sentence…
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Zac Schulze gets straight to it!
If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…
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Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
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The Electra Endorser
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
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Webb Wilder’s take on “Beautiful Delilah”
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
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Jorge Garcia’s FM Anthems, in Jazz
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
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Dan’s Guitar RX: Doubleneck Redux, Part 2
Full House: Transcendent Jazz Masterpiece
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
Jack Westheimer
Pioneer of Global Guitarmaking
Ca. ’63 Teisco Model SD-4L. Today we pretty much take it for granted that if you want an inexpensive guitar, you’re going to buy one made in Korea, Taiwan, Mexico,…
The Sebastian ‘Burst
Inspirational Icon
The mere mention of a Gibson Les Paul Standard made between 1958 and 1960 commands attention. But one like this, made famous in the hands of John Sebastian in the…
Gibson J-185
The Gibson J-185 Revisited
One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…
Ibanez MC500 Musician
Ibanez MC500 Musician. Ahhh, the late 1970s… While many vintage guitar enthusiasts disdain the guitars from the “Me Decade” in favor of undeniably cool classics from the 1950s and ’60s,…
The City of Guitars
Git-Shopping in Paris
On your way to Paris for a romantic getaway? Wanting to see the sights in the City of Light? Then take this advice; forget Rick Steves, think Stevie Ray. Skip…
Vintage Gibson Amplifiers
EH-100 and 125
“No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip cover,…
Ovation GS2-R “Ripley”
1986 Ovation GS2-R “Ripley”, For a guitar detective, there’s nothing like a good mystery. What’s the story on this guitar? Where was it made? Who made it? If you’re lucky,…
1934 Martin D-28
12-Fret D-28
1934 Martin D-28 photo courtesy Daniel Salvo. The Martin D-28 was first issued in 1931. And all dreadnought Martins made from 1931 through ’33 featured a 12-fret (a reference to…
Dan’s Guitar RX: A New Tool Makes Luthiery Easier
With a Little Help…
I recently discovered a sturdy pedestal stand that holds a guitar by its neck and makes repair, builds, and setup jobs better, safer, and easier, especially for someone who doesn’t…
Martin F-9 Archtop
While the Martin Guitar Company is today best known for its flat-top steel-string guitars, from 1931 through 1942 the company produced a significant number of archtop guitars designed to appeal…
Classics: November 2021
Gibson Les Paul Personal
Billy Soutar loves the vibe of his 1969 Les Paul Personal and matching LP-12 amp. While the guitar’s mahogany body, Les Paul Custom touches, three-piece quartersawn neck, and Fretless Wonder…
Meet The GitWik
Cooperative Cognition
When it comes to identifying guitars, basses, amps, and effects, nobody knows it all. Anyone save for the true specialist, whose interest is focused on a particular model, make, or…
Peavey T-45
It’s been more than 25 years since the Peavey Electronics Company introduced its revolutionary T-60 guitar and T-40 bass to a market that was immediately impacted by their quality and…
John Sebastian’s ’59 Gibson Les Paul Standard
Vintage Guitar magazine Presents Greg Martin's Head Shop
This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. On November 30, 1966,…
Kalamazoo KG-1
Collectible value in guitars can be defined any number of ways, and not just by having a popular brand name such as Fender or Gibson. That’s certainly the case with…
Bay State Parlor Guitar
The Parlor Guitar
The parlor guitar. Designed by Mr. Parlor? No. First manufactured by the Parlor, Inc? No. Endorsed by the well-known recording artist, Parlor? Now don’t be silly, of course not! Then…
Ampeg Dan Armstrong Bass
1969 Revisited and Improved
I remember the first time I saw a ‘1969 Dan Armstrong lucite bass. I was in awe of the materials and its cool shape and sound. Over the years I…
Audiovox Electronic Bass
Discovered! The World's First Electric Bass Guitar
While there have been lively debates raging in the rare instrument community for many years about any number of puzzling early guitars – not to mention the perennial issue of…
Bird Golden Eagle 4/25
Soaring In Birdland
Many of the oddballs, also-rans, and otherwise unusual creations we see in the amp world fall into the “B-list” category – the budget, student, and catalog amps that often display…
Instro-Meister Eric Penna
Blues Switch-Up in Trabants Eric Penna’s main gig is playing bass for the garage/surf band Insect Surfers, but he side-hustles playing guitar in the blues-instrumental band Trabants. After corralling bassist…
Supro Guitars and Amplifiers Part I
Supro Part 1
Some of the earliest electric guitars, amps-in-cases, pickups under the bridge, fiberglass guitars, built-in electronic vibratos. Sound curious enough for you? The subject of Supro guitars and amplifiers represents a…
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VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
