If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…

Alvino Rey’s 1936 Gibson mini guitar. From its beginnings, Gibson has built custom orders and unique instruments for specific artists, sometimes by request, other times to lure a potential endorser.…

Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed instruments. Now a resident of Nashville, Petersson still plays the…

The continuing appeal of Hawaiian music through the past 100 years is based in part on the music itself, which evokes exotic images of life on a Pacific island, and…
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…
Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…
“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into a narrow-panel Fender Vibrolux to play a cover of Chuck Berry’s “Beautiful Delilah.” He’s joined by George Bradfute (on a ’50s Epiphone upright) and Bob…
1972 Gretsch Chet Atkins Nashville 7660. Photo: Michael Wright. In many ways, the storied past of Gretsch guitars is a microcosmic reflection of the many twists and turns of the…

Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s…
Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May of 2011. Since that time, however, Dumbles have become the…

“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…

Season 03 Episode 04 In Episode 3.4 of “Buy That Guitar,” host Ram Tuli is joined by Steve “Frog” Forgey of Elderly Instruments. Forgey has been at Elderly Instruments since…
Fresh takes on revered classics Joge Garcia’s “Still Crossing” is a collection of stellar instrumental performances of familiar tunes like “Kashmir,” “Little Wing,” and a classical spin through Joni Mitchell’s “Both Sides Now.” Here, though, he shows us the title track, which is the only original tune. His ’87 Fender D’Aquisto is plugged into a…
In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and a good setup. With teammates Ceil Thompson and Gene Imbody sharing the load, we continued the work. 1) Gene – our go-to guy for tough…
When the time came for Gary Rossington’s family to decide what to do with his guitars and amps after his passing in March of 2023, daughters Mary and Annie along with his wife, Dale, looked for advice from his lifelong friend and bandmate, Rickey Medlocke. The stash was considerable – 71 guitars including his famous…
From the moment he met Rod Swenson and Wendy O. Williams, things for Wes Beech were never really “normal.” Walking into the basement of their loft for an audition, Beech didn’t know he was about to become part of a stage-storming, car-smashing, guitar-chainsawing artistic statement called the Plasmatics. The product of Swenson’s high-functioning mind (if…
Mike Semrad’s musical roots run deep in his hometown of Fremont, Nebraska – at least as far back as his great-grandmother, who sang at the city’s opera house. But his first glimpse into the true power of music happened in high school, when one night in 1962, overachieving pep-band director Bob Olson stirred things up…
1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us. Back in the ’60s, though, that’s how many an aspiring musician acquired his own precious guitar amplifier, as was the case with this Heathkit TA-16…
Every once in awhile, a guitar comes out of left field. In the case of this solidbody electric labeled “Lee Stiles,” the throw came from West Virginia by way of…

Return Of An Icon
Bruce Forman acquired Barney Kessel’s beloved Gibson ES-350 in mid 2021. In prep for recording Reunion!, he made the guitar his exclusive daily player. “All it needed was a little…

The Story of the G&L S-500
It would be an understatement to say that Leo Fender, with the help of George Fullerton, was prolific in the years after he sold Fender Electric Instruments. The tag team…
1974 Veleno Original, serial number 90. Photo: Michael Wright. Electric guitars have their roots in resonator guitars made with metal bodies and aluminum resonator plates – the first commercially successful…

The idea of Gibson providing guitar parts to another prominent guitar maker is laughable today, but in the 1940s and ’50s, relationships were cozier between some of the major instrument…
1993 Robin Ranger, serial number 931353. Photo: Bill Ingalls, Jr. Instrument courtesy of Charles Farley. The saga of Alamo Music Products is one of both “retro-innovation” and an against-the-trend manufacturing…

This 1958 Gretsch Chet Atkins 6120 four-string tenor guitar is a very rare variation of the model. Gretsch built other tenors, including the Duo Jet, archtop acoustic, and archtop electric…

Tonally TransAtlantic
After giving the upstart Fender a run for its money in the amplifier department throughout the 1950s, Gibson segued into something that looked like surrender; by the early ’60s, its…

Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced. Only a handful have become cultural icons – given no…

There’s something about the 3×10 Bandmaster that drives vintage-Fender nuts gaga. Introduced in 1953, it underwent substantial design changes in its first few years, earning status as a true classic…
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for…

1964: Nu-Sonics and Transistor Trials
In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 4, 5, and 6 for this special edition of…

Famous Sounds Abound in New Book
Stompboxes inspire their own special mania. While the allure of guitars is obvious with their colorful, curvaceous looks, effects are (usually) basic boxes covered in a toad’s load of warty…

Four-neck Fender From a Friend
Noted in musical history as one of the players who pushed the steel guitar beyond Hawaiian music to more-complex chording and wild interchanges with Spanish-style electric guitarists, Noel Boggs emerged…

Pretty Pairs
Steve Evans was just 12 years old in 1968, when he began to appreciate the sleek bodies of electric guitars in the brochures he collected through the mail – gazing…

Ancient to Modern
If Beatles guitarist George Harrison had used an oud instead of a sitar to give “Norwegian Wood” its distinct sound, the name Munir Bashir may be more recognized today than…

The SB Series Guitars and Basses
As the 1960s rolled into the ’70s, Gibson had established itself in the electric-bass market with front-line instruments such as the solidbody EB-0/EB-3 and Thunderbirds, as well as the semi-hollow…

Michael Bloomfield 1963 Fender Stratocaster
Antonio Mazzara’s passion for music started at age 10, when he started playing a nylon-string classical guitar before moving up to a sunburst ’72 Strat and a ’68 Princeton Reverb…

Selectortone Automatic
Selmer Truvoice Selectortone Automatic, ca. 1961 Preamp tubes: one ECC83, two EF86 Output tubes: two EL34, cathode-bias Rectifier: GZ34 Controls: Channel I: Volume, Tone. Channel 2: Volume, Tone, six pushbutton…

A Better Idea
Guitar history is littered with “better ideas,” some of which stayed around, went nowhere, or went somewhere before landing in the boneyard to be occasionally reincarnated. A great example is…
Guitarist/singer/songwriter (and VG contributor) Tom Guerra recently released his first solo album, All of the Above, which reviewer Pete Prown says is “hook-laden rock and roll originals that pay homage…