• The story of the Martin F-50

    Classic Instruments

    The story of the Martin F-50

    Our friend Nate Westgor from Willie’s American Guitars shares the story of Martin’s first step into the booming 1960s electric guitar market. Enjoy, and have a wonderful holiday season from all of us at Vintage Guitar!

    Read more >>

Match Game

“There’s no telling how much time I spent at the library, looking at books about cars,” says Steve Evans of his years spent researching automobile names that matched those given…

Fresher Guitars

Fresher Guitars

Epic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate…

The Fender Showman

The Showman

In addition to several significant shifts in style and presentation, for Fender, the transition of the late 1950s into the early ’60s represented a more concerted push into big-amp territory.…

Ibanez Auto-Filter

The fun of the Mu-Tron III, but with less noise

This month, I’d like to mention one of the coolest pedals Ibanez made in the ’80s. If you like envelope filters, particularly the Mu-Tron III, then you’ll love the Ibanez…

David Hidalgo Plays Joe Walsh’s ’59 Les Paul

 David Hidalgo Plays Joe Walsh’s ’59 Les Paul The video that helped convince Joe Walsh to reunite with his (now favorite!) ’59 Gibson Les Paul. Los Lobos’ David Hidalgo…

Home Feature Image

Homer Haynes’ ’59 D’Angelico Excel

From 1932 to 1964, independent builder John D’Angelico produced some of the finest jazz guitars. After apprenticing and working in the violin trade, D’Angelico transitioned to building archtop guitars with…

Hank’s Protos

How Hank Garland Helped Gibson Develop Two Models Not Called Byrdland

There are guitars, there are great guitars, there are great historic guitars and there are great historic guitars bearing deep provenance. And then there are guitars of such immense mystique,…

Magnatone Amps

More Magnatone!

Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…

Antique Guitar Amps 1928-1934

Which came first – electric guitar or amp?

The influence and restraints of technology on amplifying the guitar Let’s pretend for a moment that former Gibson historian Julius Bellson misinterpreted stories of Lloyd Loar’s experiments with electrified instruments…

Silver Lining

Gibson and the Master Models

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked a market. For a time, they placed a considerable burden…

The Gretsch 6169 Electromatic Twin Western

What good was selling a newfangled electric guitar back at the dawn of the revolution if you didn’t have an electric guitar amplifier to go along with it? Any significant…

Home Feature Image

Fender Custom Colors in the 1960s

Misty Lakes, Foamy Shores

In the 1950s, America’s fascination with the automobile was running at a fever pitch. The booming economy of the country’s post-war years pushed the car from a purpose-built means of…

Fender Bass VI

Rare Miss Proves Leo Was Ahead of His Time

Fender broke new musical ground in late 1951 with the introduction of the Precision Bass. This archetype of amplified music’s bottom-end set the stage for rock and roll, and transformed…

Fender’s “First-Gen” Strat

The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction in 1954, no other electric has outsold its archetypical design.…

The España 6/12 Doubleneck

More is always better, right? Eleven is better than 10 on an amplifier, three pickups are better than two, and so on! That’s the promise of the seven-string. So when…

Parsons/White StringBender

From the origins of country-rock to Jimmy Page, Metallica, and a slew of modern country-pickin’ wizards, the string bender lends unique sounds to any form of music by giving players…

Andre Segovia’s Hauser

Built in 1937

While visiting the Spanish guitar exhibit at the Metropolitan Museum of Art in New York City during the fall of 1991, I had the opportunity to measure and photograph, in…

Gibson F-5 1923

1923 Gibson F-5. Gibson F-5 mandolins signed by Lloyd Loar from mid 1922 to 1924 are considered the Holy Grail by most American mandolin players. Within that group of grails,…

Fender’s “First-Gen” Strat

The Fender Stratocaster is arguably the most popular electric guitar model in the world. From the time of its introduction in 1954, no other electric has outsold its archetypical design.…

1980 Renaissance T-200G Home thumb

Renaissance T-200G

What is it about Plexiglas? It’s so cool. You can see through it onstage. It’s dense, yet resonant. You’d think it would be the perfect medium for a mean rock…

Tech 21 Trademark 60

Incredible sound at a nice price

In the past six years we’ve focused mostly on used gear, but occasionally included new stuff that works so well it’s impossible to ignore. This month’s entree, the Trademark 60,…

Beat Portraits: Burns Volume 9

Late ’60s: Baldwin And Decline

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Bunker Pro-Bass

Photo: VG Archive. Instrument courtesy of Rick King. Marketed before Steinberger headless instruments or the Kramer Duke series (VG, August ’04), the early-’70s Bunker Pro-Bass was radical for its time…

Raul Malo’s Instrumental Side

 Mavericks frontman with a vintage Jazzmaster Though he is renowned and beloved for his vocals in the Mavericks, Raul Malo’s new album, “Say Less,” is a showcase for his…

Gibson Electric Uke

By Request of Arthur Godfrey

Ted McCarty, Gibson’s president from 1948 to ’66, was responsible for some of Gibson’s greatest designs. While McCarty cites the Les Paul Model as his most important design, his other…

Tyler Morris Features a Martin Style 2 1/2-17

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…

Dan’s Guitar RX: Mending Chuck Panozzo’s 1960 ES-125

Thinline Revival

Like you, I got a kick out of the February “Classics” feature on Chuck Panozzo being reunited with his Gibson ES-125TC, which had suffered water damage and was literally coming…

Harp Legend Charlie Musselwhite

Stringin’ on “Blue Lounge” Harp legend Charlie Musselwhite has recorded and performed with a stunning array of guitarists in his band – Harvey Mandel, Luther Tucker, Robben Ford, Junior Watson,…

Classics: June 2022

David Hood’s Alembic Bass

Like the engineers and musicians who, in the ’60s and ’70s, helped create legendary songs at FAME Studios and its offshoot, Muscle Shoals Sound, Frank Manno is a diehard music…

National Westwood and Glenwood

'60s Alt-Materials Make Short Run

Westwood 75 While the mantra for 21st century “alternative material” guitars focuses on carbon fiber (i.e. Rainsong acoustics) and wood/glass/carbon fiber/epoxy composites (i.e. Ken Parker’s Fly line), electric guitars made…