• Jon Butcher’s psychedelia mastery

    Classic Instruments

    Jon Butcher’s psychedelia mastery

    Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…

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Martin 000-18HS

The Martin 000-18HS

According to Martin company records and research by late Martin Historian Mike Longworth, Cable Piano Company, in Atlanta, special-ordered at least three Martin 000-18HS guitars in 1937. Two others have…

Recording King Ray Whitley

As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company president Guy Hart, a former accountant, recognized that Gibson could…

Classics: December 2023

Cliff Antone’s 1952 Fender Precision

Texas is known for music, especially Austin, which in the mid ’70s became a hotbed thanks to clubs like Armadillo World Headquarters, Castle Creek, and Soap Creek Saloon, which mostly…

Custom-Order Gibson B-45-12

The term “rare” is applied to guitars in far too many instances. Usually an appealing term, its overuse can be attributed in part to the fact it’s particularly catchy to…

Samantha Fish: Slide-Blues Fury!

“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…

Kid Ramos’ Revelation!

West Coast legend melds blues with gospel Check out Kid Ramos using a ’56 Harmony H62 running through a vintage Fender reverb tank and a Pro Junior to play an…

Meet The GitWik

Cooperative Cognition

When it comes to identifying guitars, basses, amps, and effects, nobody knows it all. Anyone save for the true specialist, whose interest is focused on a particular model, make, or…

Dan’s Guitar RX: Creating the Iris DE-11

Something New From Something Old

In last month’s “Approved Gear,” VG reviewed the Iris Guitar Company DE-11. If you missed it, I’d suggest you grab the issue and check it out. This month, I’ll take…

Tracii Guns

Black Diamond Shine

There’s no denying that with Tracii Guns manning L.A. Guns’ lead-guitar slot, the sleaze veterans become a different animal. Since re-entering the fold in 2016, Guns – a single-cut-wielding maestro…

Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

'62 Les Paul Rarity

’62 Les Paul Rarity

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest Gibson solidbody to have a Tune-O-Matic bridge and stop tailpiece;…

The First Days of Fender Acoustics

One day in early June, 1963, I was sitting in the outer office of a deserted (maybe deserted isn’t the right word; it was an almost-empty building waiting to be…

1985 Guild Nightbird Prototype Home Main Big

1985 Guild Nightbird Prototype

In early 1984, Mark Dronge, son of the Guild founder Alfred Dronge, was president of Guild. That year, Mark and I struck a deal to design six acoustic Guild guitars…

Italian Smorgasbord

The Goya Rangemaster 116 SB

American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their first steps on imported instruments – often good and interesting…

1963 Fender Twin Reverb Prototype

1963 Fender Twin Reverb Prototype

The Twin has long been the flagship of Fender’s high-wattage amp lineup, and it achieved/retained that status through several iterations in the company’s formative years. In the October issue, we…

1938 Supertone Gene Autry Roundup

In the depths of the Great Depression, people turned to entertainment for distraction. Not that there was much to be had when cash was in short supply, but two inexpensive…

Gibson ES-300

King for a Day

Top-of-the-line. The king. Top banana. The mostest. Top dog. The big daddy. All these descriptions apply to the ES-300, Gibson’s first deluxe electric guitar. For a few short years in…

Fender Aluminum

Aluminums Unwrapped

Part of the guitar collector’s creed (an unwritten, unofficial entity, to be sure) includes axioms such as “Beauty is in the eye of the beholder,” or “The right to pursue…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the mist of murky memory. But one critical element of the…

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Gibson ES-5 Switchmaster

In 1949, Gibson did something nifty, introducing the ES-5. The number 5 had special significance for Gibson, dating back to the Lloyd-Loar-inspired master Models of 1924. Each of these –…

Gibson J-185

Flat-top worthy of comparison

One of the most-fabled flat-top guitars Gibson ever produced is the Gibson J-185. Introduced in 1951, and discontinued in ’59, only 270 natural-finish and 648 sunburst J-185s were made. Guitarists…

Doc Buffington’s ’48 Fender Pro Amp

Gold Bond

Ever plugged into a well-played vintage combo, run your hands over its road-worn tweed covering – scuffed to a cashmere-like texture – and thought, “If only this amp could talk”?…

B.C. Rich Acrylic Warlock

Most industries know a great idea when they see it and aren’t shy about jumping on a bandwagon. In 1969, an electric guitar made out of translucent acrylic proved it.…

Ricky Phillips’ Fender Custom Shop five-string

Ricky Phillips with his Fender Custom Shop bass in 2008. Photo: Willie G. Moseley. Most professional guitarists or bassists, upon reaching a certain level of success, are seen as “Les…

Border Crossing

C.F. Martin and the Influence of German and Spanish Guitar Designs

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan Georg Stauffer, whose apprentices included one C.F. Martin, Sr. It…

Gibson Trini Lopez

In the early 1960s, as Les Paul was leaving Gibson’s artist roster, the company recruited three of the most respected jazz guitarists to put their signatures on new “artist” model…

Andy Peake – Roots Without Boundaries

Andy Peake – Roots Without Boundaries Andy Peake is a drummer/percussionist with a long list of accomplished-guitarist friends. For proof, take a listen to his new album, “Pocket Change.” Here,…

Epiphone Model M Steel

Misjudged Beauty

The Epiphone company already had a long history when it hit big with banjos in the early 20th century. And it was quick to change with the times as musical…

Tyler Morris Features a Martin Style 2 1/2-17

Tyler Morris Playing a Martin Style 2 1/2-17 Tyler Morris grabbed his 19th-century Martin Style 2 1/2-17 to play a medley of 20th-century licks. He also digs into the history…

Gibson Guitars

The Experimental '70s

That guitar collectors are a conservative lot has always struck me as curious. You’d think that the instrument which “killed fascists,” in the immortal Woody Guthrie’s phrase, would inspire a…