• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Bob Spalding: Instrumental Legend

October 30, 2023 · Vintage Guitar

Ventures Guitarist plays “New Space” sampler With a catalog that extends more than 60 years, The Ventures just keep on…

Fender Custom Shop Marks 30 Years

Dream Makers

May 9, 2019 · Vaughn Skow

In “official” terms, the Fender Custom Shop opened in 1987. But its story actually began February 1, 1985 – the…

Ampeg R-12-R Reverberocket

July 11, 2014 · Dave Hunter

1962 Ampeg R-12-R Reverberocket Preamp tubes: two 6SL7, two 6SN7 Output tubes: two 6V6, cathode-biased Rectifier: 5Y3 Controls: Volume, Tone,…

“Buy That Guitar” podcast with special guest Redd Volkaert

July 29, 2025 · Ram W. Tuli

Season 03 Episode 03 In Episode 3.3 of “Buy That Guitar,” host Ram Tuli is joined by Redd Volkaert, one of…


The Fender Tremolux

Most amp nuts are utterly fascinated by Fender’s rapid evolution from archaic to modern through the course of the 1950s. Within that arc, the transitional moments are often among the…

Mesa/Boogie Mark IIC+

The Mesa/Boogie Mark IIC+

Early Mesa/Boogie Mark Series amps were something of a sensation, but even with the line now having stretched all the way to the massively featured Mark V, many fans of…

Gibson Blond j-35 Photo: Kelsey Vaughn, courtesy George Gruhn. Vintage Guitar magazine Home Feature

Gibson’s “blond” J-35

In the world of vintage guitars, people tend to use the words “blond” and “natural” interchangeably to describe a finish with no stain or pigment. However, in some cases, blond…

Two Legendary Les Paul Deluxes

Southern Gold

In the late 1960s, Gibson reintroduced the single-cutaway Les Paul based on its classic ’50s model. But, a new version called the Deluxe proved the most popular Les Paul of…

The Voxmobile

Too Fast to Live, Too Cool to Die

Free love, slick guitars, hot cars! Few pieces of late-’60s pop culture were anywhere near as hip and groovy as this marketing stroke of genius.

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

Ampeg VT-22

Ampeg VT-22

October 15, 2015 · Dave Hunter

Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier: solidstate Controls: Bass Instrument…

Lloyd Loar

An Alternative View

May 21, 2019 · George Gruhn

The Master Model instruments created at Gibson in the early 1920s are famous for their sound and build. Credit for…

Ditson’s Style 11 and the Birth of the Dreadnought

Martin’s Big Step

April 15, 2019 · George Gruhn

In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New…

Warwick Thumb Bass

Generational Innovation

April 15, 2019 · Willie G. Moseley

Founded in the early 1980s by Hans-Peter Wilfer, Warwick has a familial connection to another well-known German brand from a…


Selmer/RSA Truvoice TV10

Shock and Awe

If the British market needed a couple of decades to decide what form the guitar amplifier would ultimately take, we shouldn’t be surprised; well into the rock-and-roll age, the U.K.…

The House of Stathopoulo Harp Guitar

Surreal Missing Link

One of the rarest Epiphone instruments in the world, the House of Stathopoulo harp guitar lends a glimpse into a transitional era prior to the formation of what would become…

A Master’s Pallet

George Fullerton’s Fender Jazzmaster

A Master's Pallet

This Jazzmaster is an interesting example of what went on behind the scenes at the Fender factory with the research and development of body shapes and materials, and during the…

Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

New Lease on Life

The Sound of Rock Gets a Brush-Up

If restoring dusty, neglected old tube amps built more than half a century ago isn’t challenging enough, restoring amps with delicate built-in tape-echo units, no fixed schematic, and quirky hand-wired…

Classics: Harold “Sonny” Wright’s 1965 Gibson J-45

Growing up 10 miles from Earl Scruggs’ birthplace in North Carolina with a music-loving father and two older sisters who could impress on the piano, it makes sense that Harold…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

Park 45

Masked Marshall

March 28, 2019 · Dave Hunter

When is a Marshall not a Marshall? When it’s a Park, of course! Though it might not scream “classic rock…

A Hero’s Gretsch 6117

March 16, 2022 · Willie G. Moseley

In the 1960s, the astronauts were bigger cultural icons than the Beatles. And no, that’s not the Colorado-based surf band…

The Les Paul Becomes The SG

Double Time

April 24, 2019 · George Gruhn

It may be difficult to imagine now, but Gibson’s original Les Paul was only a modest success. Introduced in 1952,…

Soul-jazz legend Calvin Keys

January 27, 2023 · Vintage Guitar

Exclusive spin on “Six to Seven” Calvin Keys has worked with Jimmy Smith, Ahmad Jamal, and Ray Charles. Here, he…