-
Classic Instruments
Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
-
Samantha Fish: Slide-Blues Fury!
“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done Runnin’,” the ripping lead track from her new album, “Paper Doll.” Catch our review in the May issue. Read Now!
-
Carvin DN440T
One of the few family-owned guitar/amplifier manufacturing enterprises remaining in the industry, Carvin was founded by Lowell Kiesel in 1946 and started by making pickups, then transitioned to building lap steels and other stringed instruments. Some of the company’s early guitars and basses used parts from other guitar makers, but as its direct-to-consumer concept caught…
Gibson EB-2
Kalamazoo’s Biggest Bass Innovation?
In the mid 1950s, Gibson president Ted McCarty was paying close attention to two new instruments impacting the musical-instruments market…
Hilary Gardner’s jazz/country connection
Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other…
Ken Fischer
1945-2006
Although by most estimates he produced fewer than 100 Trainwreck amps, Ken Fischer – tech, designer, and amp-maker – will…
National Westwood
Whether Valco – the company that made National guitars in the 1950s and ’60s – was actually inspired by U.S.…
Matchless Superchief 120
A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…
William Peale, Jr. Gibson Super 400
Sharp-Shooter Special
The iconic “singing cowboy” was created by Hollywood actors like Gene Autry, Roy Rogers, Tex Ritter, and others. Many used fancy, customized guitars, often with their name emblazoned on the…
Martin 00-42 Special
It has all the appoint-ments of a Martin 00-45, particularly the abalone pearl trim around all the borders of the body, but this guitar is entered into Martin’s books as…
United They Stood, Part 2
Ghosts of Jersey City
In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…
1986 Dumble Overdrive Special
The exalted amps of Alexander Dumble have been legendary since he began building in the late ’60s, and have become more so over the course of the past decade, with…
-
Tyler Morris – 1963 Fender Stratocaster
Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!
-
Freddie Green
Artistry in Rhythm
Fellow musicians called him “Pep” or “Pepperhead.” He was also known as “Mr. Rhythm,” and he could drive a band like no other guitarist. His was a subtle yet unmistakable motivating and metronomic force. Others emulated his style and function, but Freddie Green was the archetype – the most famous rhythm guitarist in jazz. In…
Gibson GA-83S Stereo-Vib
If you hung around the audio world’s collective R&D room long enough in the late 1950s and early ’60s, you’d…
Ask Zac: Deep Dive on the Wide Range
Plus, Joey Molland’s Stratotone
I have collected several Fender Wide Range humbucking pickups from the early ’70s, and I’m curious about how to check…
VG Q&A: Fret Differential
And Examining Two Budget Archtops
Can someone please explain the differences between playing an instrument with jumbo frets versus one with smaller/shorter frets? – John Mackey…
Classics – May 2021
This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25,…
Classics – May 2021
This 1940 ES-250 with serial number 96385 left the Gibson factory bound for retailer New York Band on October 25, 1940 – the same day as the first ES-300, which…
The Beatles’ Casinos
Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common was the Epiphone Casino. Each owned one and used it…
Gibson’s First Reissue Les Pauls
On the Road to ’59
Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and early ’80s were asking Gibson to build a Les Paul…
Marshall Super Tremolo Model 1961
The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition of the JTM45. Whenever a discussion turns to how the…
Martin D-28 and D-45
Definitive Flat-tops
Martin’s pre-WWII dreadnought guitars set the standard for the modern flat-top, and thus both have been inducted into the VG Hall of Fame.
Mr. Smith goes to Rudy’s
“Upstairs” at a famed NYC guitar boutique
Nashville has Music Row and London has Soho, but if your heart starts palpitating at the mere mention of carved wood, PAFs, and steel strings, it’s hard to beat New…
-
VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony I believe is from the early ’70s. Its serial number is 6326H6365 and the label is also printed with “B1172.” The second is what I believe is a Goya-made Greco GR1 from the late ’60s with serial number
-
Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his home in Tijuana, Baja California. He was 80. Known as the “Godfather of Mexican Rock,” “La Layenda” (The Legend) and other sobriquets, Batiz came to appreciate American blues guitarists such as B.B. King and John
-
Thomas Custom Guitars
Rarities from the Pacific Northwest
Certain makes and models of electric guitars are rightfully prized for their elegant physical designs and superior craftsmanship. Even better are those also revered for their playability and particularly rich tonal qualities. Thomas guitars, on the other hand, are usually noted for their odd (sometimes controversial) shapes and zany features. Built by the late guitarist/machinist/luthier/and
-
Jason Isbell
New Vistas, Old Gear
Jason Isbell’s powerful songs, compelling vocals, and formidable guitar skills have made him one of America’s most-respected singer/songwriters. A charismatic performer, his critically-lauded albums, solo and backed by the formidable 400 Unit, have earned six Grammys and nine Americana Music Awards. With an eclectic style melding country, blues, and Southern rock, his appeal transcends genres.
-
“Boogie Mod” Dual Showman
What do you do when the humble blackface Bandmaster you acquired sight-unseen turns out to harbor one of rock’s hottest lead circuits? Celebrate! And then go tracing its connection to California’s seminal high-gain guitar amplifier. Randall Smith’s legendary Boogie lead circuit started as a prank played on an unsuspecting client before he applied it as
-
Albert King’s THC Flying V
Coterie Complete
Robert Johnson has been a fixture in the vintage-guitar community for more than a half-century. As a player and music producer, he has collected an assortment of instruments and music memorabilia, particularly related to his home town of Memphis. One of his guitars recently became part of a recording project that began at the renowned
-
Ca. 1960 Custom Mosrite/Gretsch
A Bakersfield/Brooklyn Cowboy
In the history of vintage guitars, Gretsch and Mosrite are sometimes linked, and often associated with ’50s hot-country pickers and ’60s rockers. One guitar takes that connection to a new level. This custom Mosrite hollowbody has the chassis of an early Gretsch Country Gentleman and was likely built between 1959 and ’62 for a hotshot…
-
Hilary Gardner’s jazz/country connection
Classic sounds on “Silver on the Sage” Hilary Gardner and her band are devout fans of classic cowboy (and other types of) songs that they deliver with intimate arrangements. Here, they offer a take on the 1936 Leo Robin/Ralph Rainger track ,“Silver on the Sage,” just one of the fine tunes on her latest album,…
VG Q&A: Harmony History
And an Archtop Mystery
I recently received two guitars as gifts and am trying to learn more about them. The first is a Harmony…
Italian Smorgasbord
The Goya Rangemaster 116 SB
American guitars made in the 1950s and ’60s constitute an almost-holy canon, yet most players in that era took their…
Martin 0-28K
The exotic figuration of Hawaiian koa wood on this Martin 0-28K from 1923 has a visual appeal that matched the…
Dickerson Melody King
Few who love vintage amps can resist its art-deco appeal, let alone its luscious hand-wiring and edgy, touch-sensitive 6V6 tone.…
-
VG Q&A: ’71 Mahogany Precision?
Plus, a ’60s Conrad 12-String and Converting a ’65 ES-345TD-SV to Mono
