• Jon Butcher’s psychedelia mastery

    Classic Instruments

    Jon Butcher’s psychedelia mastery

    Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of Motown, Stax, James Brown, and Sly Stone highlighted by Butcher’s mastery of Hendrix-style psychedelia. It was recorded using a ’63 Princeton, a Vibrolux, and a…

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Geddy Lee

Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird

Nearly two years in the making, Geddy Lee’s Big Beautiful Book of Bass: A Compendium of the Rare, Iconic, and Weird features players and collectors discussing their connection to iconic…

B.C. Rich Guitars

From Flamenco to Heavy Metal

From one perspective, flamenco and heavy metal might seem as far apart as the sun and the moon, but if you think about the hyperbolic emotion involved in both genres,…

Coral Electric Sitar

Coral Electric Sitar

For centuries, Indian musicians have utilized the resonant sympathetic strings of the sitar to create the unique sounds of classical Indian music. Traditional sitar design combines a body fashioned from a…

Gibson R&D Electric Guitar

Crude Beginnings

Alvino Rey and the prototype lapsteel he has kept for more than 61 years. Photos: Lynn Wheelwright Talk about skeletons in your closet!! Believe it or not, this is the…

Fender “Wide-Panel” Twin

The Fender “Wide-Panel” Twin

While Fender’s high-powered 5F8-A Twin of 1958-’60 (VG, March ’09) has been much raved about in recent years, there’s a lot to be said for a Twin that’s closer to…

Dumble Garage Band Ripper

Orange Crushed

Through much of his career, Alexander Dumble made amps at his discretion, building one of his hallowed tone machines only if he liked the way you played. But if he…

Mark Lettieri’s funky finesse

Virtuoso take on “Greenspace” Stepping out from his band, Snarky Puppy, Mark Lettieri exhibits the finesse, funk, and fury that make him such a great player. Here, he jams on…

Acoustic Black Widow

Black Widow Guitars

In the late ’60s, when Domino guitars were fading away, tube amplifiers were out of vogue. Old technology, man! Cool bands played through solidstate amps that delivered lots of clean…

Dean DeLeo and Tom Bukovac unite on the trip the witch

Cosmic Convergence

At a glance, there’s little reason to connect a guitarist like Dean DeLeo to one like Tom Bukovac. One is ’90s-rock royalty, the other a modern-day Nashville studio legend. Strange…

Gibson 1953 GA-40 Les Paul Model

Brown Sound

Gibson landing Les Paul’s name on the headstock of its debut solidbody electric in 1952 was the biggest guitar-star endorsement of its time. And, as was the way, an amp…

Q&A With George Gruhn: A Strong Case

And When to Get an Appraisal

Some of my vintage guitar cases are very worn. One Martin case from the ’40s is missing a latch and the handle is falling apart. I have newer, better cases…

George Benson

Breezin’ With The Boss of Jazz Guitar

Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped him sell millions of albums and made him a figurehead…

Premier Twin 12

Sometimes it takes just the slightest aesthetic twist to get an amp nut all worked up. This 1960 Premier Twin 12 is a case in point; over the years, Premier…

United They Stood, Part 2

Ghosts of Jersey City

In the history of guitars, the tale of United Guitar Corporation is a ghost story – little documented and lost in partially self-imposed obscurity. Operating from 1939 into the late…

Tyler Morris – 1963 Fender Stratocaster

Tyler Morris – 1963 Fender Stratocaster Tyler Morris guides us through his 1963 Fender Stratocaster in Fiesta Red. Follow Tyler at www.tylerdmorris.com!

Marshall Super Tremolo Model 1961

The often-told story of Marshall’s birth as a re-creation of the tweed Fender Bassman rarely includes mention of this rendition of the JTM45. Whenever a discussion turns to how the…

McKinley James’ Blues

 Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this…

Park 75

Park 75 Preamp tubes: three ECC83 (12AX7 equivalents) Output tubes: two KT88 Rectifier: solidstate Controls: Volume II, Volume I, Treble, Middle, Bass, Brightness Output: approximately 75 watts RMS We might…

The Komet Constellation

Amid the general run of vintage amps we have explored in this space, the occasional “modern classic” has proved itself worthy through sheer quality of design, uniqueness of tone and/or…

Fender Prototypes

Gone… And Forgotten

Philip Kubicki has been active in the music industry for over 30 years. He began building acoustic guitars at age 15. At 19, he was one of the first employees…

The Rickenbacker 4000

The model 4000 was not only Rickenbacker’s first foray into the electric-bass market, it was decidedly different from Fender’s Precision – the original electric bass. Beyond frets, four strings, and…

A 5E3 Mystery

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share when they’re made available to us. In an upcoming issue,…

Duane Eddy

Of DeArmonds and Details

(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang box-set anthology, which included 40 songs he helped re-master and…

Ray Benson’s Gibson ES-355

Anyone with a taste for real country music – in particular, Western swing – will recognize this guitar. Even though Asleep At The Wheel leader Ray Benson quit using this…

Kiss-able Gibson

Gene Simmons' EB-0

A ca. 1960 Gibson EB-0 that once belonged to Kiss bassist Gene Simmons. Photo: VG Archive. In the mid 1970s, Kiss bassist Gene Simmons played this heavily reworked second-generation Gibson…

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Gibson ES-5 Switchmaster

In 1949, Gibson did something nifty, introducing the ES-5. The number 5 had special significance for Gibson, dating back to the Lloyd-Loar-inspired master Models of 1924. Each of these –…

“Unicorn”: Ca. 1910 Rafael Casana

This extremely rare guitar has been dubbed the “Unicorn” by virtue of the fact that for all his fame, it may be the only surviving example of an instrument made…

Webb Wilder’s take on “Beautiful Delilah”

“Hillbilly Speedball” sample Since the mid ’80s, Webb Wilder has cranked out consistently fine roots-rock. His latest is “Hillbilly Speedball,” and here he grabs his ’61 Gibson ES-330TD plugged into…

Gibson Top Tension Banjos

  Although most bluegrass banjo players consider Gibson’s Mastertone banjos with one-piece flange and flat-head tone ring – such as Earl Scruggs’ Granada and Don Reno’s Style 75 – to…

Recording King Ray Whitley

As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company president Guy Hart, a former accountant, recognized that Gibson could…