• Tommy Castro

    Classic Instruments

    Tommy Castro

    Circling Back

    In a career spanning four decades, Tommy Castro has crafted a commendable catalog and built a devout following with his soul-infused music, informed by the blues, R&B, pop, and rock and delivered with conviction. Beloved for his guitar work and vocal style, he has carved his own niche. Born and raised in San Jose, California,…

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Carson Creation

One Very Personal Stratocaster

An itinerant Western-music guitarist who befriended Leo Fender and other employees at his up-and-coming company in the early ’50s, Bill Carson was the “test pilot” for the Fender Stratocaster prototype,…

Epiphone by Gibson Firebird 500

Race on

Gibson will forever be celebrated for its heritage of innovation, including guitars that didn’t look like the common perception of guitars. And for all the influence some of its unusual…

Gibson J-35

Gibson J-35

Dreadnought guitars originated as early as 1916 with instruments made by Martin and distributed by Ditson, followed in 1931 with guitars sold by Martin under its own brand. The first…

Matchless Superchief 120

A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…

The Rogue VB-100 Violin Bass

Fab As It Looks?

The Rogue VB-100 Series II is an homage to the venerable Höfner 500/1 semi-hollowbody. Popularly known as the “Beatle bass,” this axe was used by Paul McCartney on many early/mid-’60s…

Brennen Leigh’s Heart-Tugging Honky-Tonk

Shades of Norman Blake and Dolly Parton A student of the “Carter Scratch” guitar technique – melody on the low strings, rhythm on the high – Brennen Leigh plays and…

Beyond the Parlor

Beyond the Parlor

Part One: The Guitar in Non-Anglo America

Ed. Note: In this series, Tim Brookes attacks the common argument that the guitar in 19th-century America was small, quiet, and suitable only for young middle-class ladies playing in parlors. Part…

Marcus King

Swamp Guide

Marcus King is a guitar slingin’ powerhouse barnstormer. Unlike most contemporary pop music – heavy on production, low on everything else – King’s new album, Young Blood, propels music fans…

Philip Sayce – Strat monster!

Post-SRV blues-rock wizard Godmonster beast on his (two) ’63 Fender Strats, Philip Sayce plays the one he calls Mother running through a Diaz Texas Ranger and KR Mega Vibe into…

'62 Les Paul Rarity

’62 Les Paul Rarity

In its early years, the Gibson Les Paul Custom evolved through several body-style and spec changes and was the earliest Gibson solidbody to have a Tune-O-Matic bridge and stop tailpiece;…

A.J.’s 1950 Fender Broadcaster

$10 at a time

In 1950, A.J. Custer traded his triple-neck steel for a white-guard Broadcaster. Total cost was around $300, which he paid in $10 installments over three years. Fifty years later, we…

Gibson Marauder M-1

Every once in awhile, someone in Gibson R&D gets a brainstorm like, “I know! Why don’t we make a bolt-neck guitar!” So they do. And the result is almost always…

Gibson Les Paul Juniors

Beauties in Black: Two Rare Gibson Les Paul Juniors

Guitar dealers tell guitar stories much like anglers tell fish stories. There are those they “got” and those that got away, and either can render reactions ranging from a sigh…

Sue Foley

Femme Flamenco

In a time when pop-music performers rely heavily on post-recording fix-ups and pre-recorded tracks onstage, it’s refreshing – even admirable – when someone takes the “honest road.” Singer/guitarist Sue Foley…

The Roots of Echo

Pre-Echoplex Devices, Part I

Post-WWII advances in recording techniques, including the use of artificial reverberation and delay enhanced music as opposed to merely capturing it. The sound became almost as important as the material…

GA-20’s Matt Stubbs and Pat Faherty

FlashBack Sounds, Forward Steps

Musical gateways opened by Jimi Hendrix and the Doors led Matt Stubbs to become a disciple of Johnny “Guitar” Watson, Earl Hooker, and the guitar Kings – Albert, Freddie, and…

Alive! Guitar Revived

The Tale of Frampton’s ’54 Les Paul Custom

Gifted to Peter Frampton after a 1970 Humble Pie concert at Fillmore West in San Francisco, for years, this ’54 Les Paul Custom made famous on the gatefold cover of…

The Travis Bean TB1000S Standard

A Better Idea

Guitar history is littered with “better ideas,” some of which stayed around, went nowhere, or went somewhere before landing in the boneyard to be occasionally reincarnated. A great example is…

Robert Perine

How I helped Leo Fender

In all modesty, my role was small – especially in Leo’s eyes. Here was a man whose sole interest was making guitars and amps sound better, not worrying about the…

22 Classic Modulation Effects

Mod Squad

We celebrate devices that have altered the pitch, intensity, frequency, phase, and other characteristics in the sound, feel, and influence of our favorite heroes and songs.

Tyler Morris and a 1953 Gibson Les Paul model

Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.

The Travis Bean TB1000S Standard

A Better Idea

Guitar history is littered with “better ideas,” some of which stayed around, went nowhere, or went somewhere before landing in the boneyard to be occasionally reincarnated. A great example is…

The Supro 1600R Supreme and 600 Reverb

Toneful Twosome

Supro amps from the late 1950s and early ’60s are some of the most stylish of the era, and boast circuits that generated classic tones at the hands of a…

Gibson’s First Reissue Les Pauls

Gibson’s First Reissue Les Pauls

On the Road to ’59

Strings and Things Les Paul Many articles have been written about how guitarists and dealers in the mid/late 1970s and early ’80s were asking Gibson to build a Les Paul…

Classics: Steve Kimock 1968 Goldstop

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful day in the summer of 1969, 12-year-old Stevie Kimock walked…

Tele Jimmy Bryant

Sixty Years of Tele-Kinetic Guitar Heroes

Flying Saucers! Tail Fins! Robots!

Taking a cue from the burgeoning world of television, in 1951, Leo Fender married the name “Telecaster” to his new electric-solidbody guitar. Originally dubbed “Broadcaster” (which infringed on a Gretsch…

Fender Stratocaster

Aiming High

In 1953, Leo Fender started planning a new standard guitar – the Stratocaster. His partner, Don Randall, who headed Fender Sales, Inc., came up with the name before the design…

Kramer Duke

Shorter Steinberger Syndrome

If you think the headless, downsized Kramer Duke series was conceived and designed as a copy of the groundbreaking Steinberger bass, think again, because that’s not half of the story.…

Rickenbacker’s Bakelite Spanish Vs. Fender’s Esquire

Fender Myth Debunked! (Part II)

Even if Rickenbacher’s 1935 Bakelite Spanish model wasn’t the first solidbody electric, it would still be important in the evolution of modern guitars as the inspiration for Fender’s 1949 entry…

The Strat in Transition

Leap Forward, Step Back

Believing the long-term survival of his company hinged on creating the world’s best electric guitar, in 1953, Leo Fender set out to improve on his own Telecaster before Gibson or…