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Classic Instruments
Classics: Norman Harris
Rare Pioneer
As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack
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Yamaha SA-15
Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…
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Greg Koch: Gristly “Blues”
Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…
Classics – April 2021 Edition
Like so many Vintage Guitar readers, Steve Evans was propped in front of a TV that February night in 1964…
JMI Vox AC15 “Two-Tone” 1×12″
TV Star
The permutations of early Vox models remain endlessly fascinating to vintage-amp enthusiasts, and few get us as worked up as…
Rick Vito’s Tale Of Two Grails
Find of a Lifetime
Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures,…
Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his…
Keith Richards’ 1977 Mesa/Boogie Mark I
Still Rollin’
As ubiquitous as the little 1×12″ Mesa/Boogie Mark Series combo has become over the past 48 years – and as large and successful as the company grew to be –…
Carvin DN640K
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for…
Vahdah Olcott-Bickford and the Martin Style 00-44G
Special Signature
Of the nearly 200 artists who have been granted a “signature” Martin guitar, only one was given their own style number. It wasn’t Clapton. It wasn’t Cash. Rather, it’s Vahdah…
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records,…
Martin 00-42 Special
It has all the appoint-ments of a Martin 00-45, particularly the abalone pearl trim around all the borders of the body, but this guitar is entered into Martin’s books as…
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Hilary Gardner returns with a fresh take on a holiday classic!
Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…
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The (Way) Back Beat: Top O’ The Line, For Only $150!
The Immortal Danelectro Guitarlin
Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…
Dumble Overdrive Special OD150 WR
Alexander Dumble’s creations were already established as legendary when we probed our first example in this space back in May…
George Benson
Breezin’ With The Boss of Jazz Guitar
Grammy winner and music legend George Benson has lived a guitarist’s dream. Bridging the gap between pop and jazz helped…
The BBE Soul Vibe
Taking Soul to New Levels
The original Shin-Ei Uni-vibe became hugely famous after Jimi Hendrix used it with Band of Gypsys (and at Woodstock). Later…
Freddie King’s Gibson ES-345 Keeps on Playin’
Family Ties
Watching her baby boy become rapt whenever his grandma played country blues on her guitar, Ella May King had a…
1962 Premier E-727
One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to manufacture guitars, but quite another to…
Fender’s 1961 Showman
The Show Must Go On
When Fender stepped up from the tweed-covered amps of the 1950s to the radically redesigned Tolex amps of the ’60s, one of the biggest leaps was in the “piggyback” head-and-cabinet…
The Norma EG 470-2 Deluxe
Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young Benjamin Braddock in the classic film The Graduate: “Plastics.” In…
Matchless DC-30
Preamp Tubes: One EF86, three 12AX7s (one for PI) Output Tubes: Four EL84s in class A, cathode-bias. Rectifier: GZ34 Controls: Channel 1 – Volume, Bass, Treble: Channel 2 – Volume,…
Gibson’s 1966-’70 Flying V
In Detail
Body is two-piece mahogany. Pickguard mounts to body with 13 screws. Pickups are patent-number humbuckers with chrome-plated covers. Tune-O-Matic bridge with Gibson’s basic spring vibrato (a.k.a. Vibrola) tailpiece. Control pots…
Ditson’s Style 11 and the Birth of the Dreadnought
Martin’s Big Step
In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New York, Philadelphia, or Boston could have bought a guitar, bowl-back…
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Classics: Jeremy Graf’s 1961 Fender Stratocaster
A lifelong vintage-guitar nut who has had “a million guitars,” Jeremy Graf’s all-time favorite is this 1961 Stratocaster. A native of Knoxville, Tennessee, Graf was just seven when, for reasons he doesn’t remember, he asked for an Elvis Presley record. His mother obliged and brought home Elvis’ Golden Records, a compilation of ’50s hits. “That
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Rising Rockers
Five Alternative Club Classic Amps of the ’50s
In an era when the sub-20-watt combo is arguably the most popular guitar-amp format, it’s worth remembering that several classics of the category emanate from the ’50s. And just as interesting as the well-worn favorites, several lesser-known alternatives were also born in the decade of rock and roll. In the December ’24 issue, we examined
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Classics: Marc Schoenberger’s Rickenbacker Combo 600
Marc Schoenberger was part of the early-’70s vanguard on the Southern California guitar scene – not as a gigging musician, but among the crowd that raced the 101 freeway to check out old guitars every time a new issue of the Recycler hit the streets. He’d also been repairing guitars for friends and local shops
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The Supro Thunderbolt S6420
Lightning Strikes
Despite their catalog-grade status, Supro amps have been used by several noteworthy guitarists. For many, the sturdy Thunderbolt is the preferred workhorse. It’s been a long time since Supro amps were any kind of secret find or hidden gem; players have long recognized the eccentric splendors of certain mid-sized examples, with their thumping tremolo and
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Rickenbacker’s Electric 12-Strings
Double-bound for Glory
George Beauchamp and Adolph Rickenbacher founded Electro String in 1931 to manufacture what everyone would soon call “Rickenbacker” guitars. Success came early and their lap steels set standards of quality, performance, and tone. On the other hand, the company’s electric bass viols and violins excited segments of the industry but never sold well. Same for
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Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
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McKinley James’ Blues
Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…
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Jim Campilongo & Steve Cardenas
Mutual Musical Idiosyncrasies
Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…
Vox/Thomas Organ V-14 Super Beatle
Solid Sound
After producing some of the most-iconic guitar amplifiers of the early 1960s, Vox leaned unwittingly into a failing technology –…
Tom Petersson
Lower-End Innovator
It’s been a long time comin’… Like his longtime bandmate, Rick Nielsen, Cheap Trick bassist/songwriter Tom Petersson collects classic stringed…
Gretsch Country Gentleman
Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced.…
Steve Vai
Relentless Explorer
More than 40 years into his career, Steve Vai is still pushing himself as a musician and exploring the boundaries…
