•  Joey Molland

    Classic Instruments

     Joey Molland

    The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few

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  • Gibson EDS-1275 and EMS-1235

    Gibson EDS-1275 and EMS-1235

    It’s hard not to associate doubleneck electric guitars with images of Led Zeppelin’s Jimmy Page or fusion guru Mahavishnu John McLaughlin in the ’70s; however, the fact is that by the time the Big Js were stopping shows with these multi-headed beasts, they were already relics of the past. Doubleneck Spanish guitars got their first…

  • Michael Bloomfield’s ’63 Telecaster

    Michael Bloomfield’s ’63 Telecaster

    This Guitar Killed Folk!

    A silver-spoon teen who loved sneaking into Chicago’s southside blues clubs, Michael Bloomfield reveled in absorbing all he could from the many legendary players he saw perform in the city’s famed joints. The de facto lessons served Bloomfield well as he went on to contribute to the works of many famed performers while forging his…

A 5E3 Mystery

January 23, 2017 · Dave Hunter

Readers of Vintage Guitar occasionally stumble on unique, prototype, or otherwise fascinatingly non-standard amps, and it’s a pleasure to share…

Ditson’s Style 11 and the Birth of the Dreadnought

Martin’s Big Step

April 15, 2019 · George Gruhn

In the early 20th century, any shopper who walked into the Charles H. Ditson & Company music stores in New…

Gibson GA-CB Custom Built

February 10, 2014 · Dave Hunter

Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part One

April 5, 2024 · Peter Stuart Kohman

There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim…


Greg Martin’s ’53 Fender Telecaster!

Greg Martin’s ’53 Fender Telecaster

Vintage Guitar magazine Presents Greg Martin's Head Shop

This is a regular series of exclusive Vintage Guitar online features where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other musical moments. Greetings from Kentucky, hope…

Charlie Starr: Open-Tuning Magic on “Azalea”

Blackberry Smoke frontman on a vintage Gibson Enjoy a bit of the supremely tasty “Azalea,” played by Charlie Starr and his ’55 Gibson J-45.  It’s just one of the great…

The Story of Melobar

Stand-Up Steel

Born in Northern California in 1920, Walt Smith took piano lessons and became a child prodigy on several instruments before developing a love of big-band music and Western swing. Chasing…

National Style O

National Style O

Although it has never been the favorite guitar of Hawaiian players, National’s Style O, with its shining metal body and tropical imagery, stands today as one of the strongest icons…

Classics: July 2021

Warren Garstecki’s 1932 Gibson HG-22

Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…

  • Dan’s Guitar RX: A 1955 Gibson Touch-up

    Dan’s Guitar RX: A 1955 Gibson Touch-up

    Team Effort.

     To keep work flowing in my shop, repairs often become a group effort. Recently, Gene Imbody, T.K. Kelly, Paul Schmittauer, and I worked to repair a beautiful ’55 Les Paul Special and GA-30 amp belonging to Jake Curtis, who inherited the set from his grandfather, Vernon Benschoter. They’re both in very good condition, and Jake…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

The RFT 12AX7

The Righteous Flame-throwin’ Tube

July 1, 2020 · Nathaniel Riverhorse Nakadate

“…there is a time and place for that out-front spank, but if your mood shifts to slightly more mellow, there…

The Birth of Newman Guitars

September 29, 2022 · Vintage Guitar

  Newman Guitars was established in Austin, TX in 1977 by Ted Newman Jones. Ted was a pioneer of design…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

January 10, 2023 · Lynn Wheelwright

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the…

Dallas Rangemaster and Scala Combos

Texas Two Step

May 9, 2023 · Dave Hunter

Fascinating also-rans, C-list classics, or both, the amps manufactured by London-based Dallas Music Ltd beginning in 1959 tie directly to…


Ask Zac: Deep Dive on the Wide Range

Plus, Joey Molland’s Stratotone

I have collected several Fender Wide Range humbucking pickups from the early ’70s, and I’m curious about how to check whether they’re set to factory specs, and then how to…

National-Dobro Model C

We’ve seen some pristine vintage pieces in these pages over the years, but as far as time-capsule amps go, when you consider age-to-condition ratio, this National-Dobro Model C might very…

Holy Cripes!

The Story of Jerry Garcia’s Last Guitars

Steve Cripe left a unique legacy in the annals of music history. He was not a guitar player, not a songwriter. In fact, you may not even know his name.…

Stromberg Master 400

Considered by many to be the ultimate orchestral rhythm guitar, these very rare instruments are among the most sought-after, and possess a sound epitomized by a power and projection unsurpassed…

Premier Twin 12

Sometimes it takes just the slightest aesthetic twist to get an amp nut all worked up. This 1960 Premier Twin 12 is a case in point; over the years, Premier…

Furry Lewis' 1968 Gibson B-25N

Furry Lewis’ 1968 Gibson B-25N

Heart In Hand

Born in the heart of Mississippi’s fabled Delta region – from where Robert Johnson emerged and a blues-music form was born, Walter “Furry” Lewis was seven years old when his…

  • Rocky Athas’ Texas ’Tude!

    Rocky Athas’ Texas ’Tude!

    Genuine Lone Star Jams Dallas guy Rocky Athas built a career playing blues in the vain of T-Bone and SRV, but his new album, “Livin’ My Best Life,” is more Houston/BFG-flavored. Here, he and his ’69 Gibson Les Paul Custom (running through an Ibanez TS-10 and a Fender Reverb tank going to a vintage Lab…

  • Gibson’s Crest Models

    Gibson’s Crest Models

    Gibson has produced two guitars bearing the “Crest” name. While both designs date to the 1960s, they’re very different instruments. The first incarnation was a single-cutaway with design ties to the L-5CT, while the second looked more like a fancy ES-335 with a shortened neck. In almost every way – size, construction materials, appointments, and…

VOXAC50-HOME-MAIN-BIG

Vox AC50

April 21, 2015 · Dave Hunter

Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble…

Coppock Guitars

Vintage Rarities from the Pacific Northwest

June 3, 2023 · Peter Blecha

The obscure Coppock brand of electric guitars first surfaced in 1994, with the publication of Electric Guitars & Basses: A…

Rickenbacher Model 200A

August 5, 2015 · Dave Hunter

Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of…

Peavey Forum

Peavey Forum Basses

Durable, Dependable

January 2, 2014 · Willie G. Moseley

In his 2003 book, American Basses, author Jim Roberts noted that for all of Peavey’s innovative offerings in the 1990s,…