• Classics: Norman Harris

    Classic Instruments

    Classics: Norman Harris

    Rare Pioneer

    As a teenager who just wanted to play music, Norm Harris lived with the reality that he and his band weren’t going to be millionaires anytime soon. So he did what musicians do – side-hustled. But when most were manning the counter at a music shop or serving tables, Harris was up at the crack

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  • Yamaha SA-15

    Yamaha SA-15

    Our perception of Japanese guitars has evolved slowly. At one point, they were cheap toys, at other times imperfect copies, then startling innovations. Perspective encircles the truth. So, how should we perceive the Yamaha SA-15? Japan became interested in guitars in the early 1920s, as some musicians there began to perform what we’d today call…

  • Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues”

    Greg Koch: Gristly “Blues” Greg Koch fearlessly wrings the sort of vibrato that only a Tele will tolerate from his ’53 to play this exclusive version of Freddie King’s “The Stumble” flavored with a bit of delay and running into his Tone King Royalist. Inspired by fan requests, it’s just one of the tracks culled…

Rosewood Dobro

Rosewood Dobro

January 18, 2016 · George Gruhn

In the 1930s, the original Dobro company went through a series of ownership changes and licensing agreements. It did not…

Silver Lining

Gibson and the Master Models

December 26, 2017 · George Gruhn

Recognized today as visionary, when introduced in 1922, Gibson’s Master Model L-5 and F-5 were expensive to produce and lacked…

Duane Eddy

Of DeArmonds and Details

May 2, 2024 · Willie G. Moseley

(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang…

Chordal Colorations

Iconic Axes of Different Hues

October 3, 2015 · Michael Dregni

Though their colors are complementary, Brian May’s Red Special and Brian Setzer’s ’59 Gretsch 6120 couldn’t be more different in…


Samantha Fish: Slide-Blues Fury!

“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…

The (Way) Back Beat: A Pretty Girl is Like a Melody

Fretted cheesecake advertising through the years, Part One

There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few stones left unturned in the battle…

Selmer Truvoice

Selectortone Automatic

Selmer Truvoice Selectortone Automatic, ca. 1961 Preamp tubes: one ECC83, two EF86 Output tubes: two EL34, cathode-bias Rectifier: GZ34 Controls: Channel I: Volume, Tone. Channel 2: Volume, Tone, six pushbutton…

First-Rate Second Fiddles

Jimi’s Gibsons at the Hard Rock Cafe

No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…

Gretsch Country Gentleman

Consider American guitar manufacturers that have been in business during the last 100 years and the different instruments they’ve produced. Only a handful  have become cultural icons – given no…

  • Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns with a fresh take on a holiday classic!

    Hilary Gardner returns! Ready to set the tone for your holidays, Hilary Gardner and her band return for a fantastic take on the classic Elvis hit “Blue Christmas” (written by Billy Hayes and Jay W. Johnson) just for VG followers! Accompanied again by Justin Poindexter and Sasha Papernik, this time they’re joined by Jen Hodge on…

  • The (Way) Back Beat: Top O’ The Line, For Only $150!

    The (Way) Back Beat: Top O’ The Line, For Only $150!

    The Immortal Danelectro Guitarlin

    Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that retailed up into the $700 to $800 range – beautiful instruments, but not representative of where the electric guitar was going. More forward-looking makers offered…

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La Baye 2X4

May 25, 2016 · Michael Wright

1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh…

The Gibson Les Paul Special

February 25, 2010 · George Gruhn and Walter Carter

Gibson’s Les Paul Special was the last of the original Les Paul “family” of guitars introduced, and it was the…

Classics: Steve Kimock 1968 Goldstop

January 3, 2025 · Ward Meeker

It was a moment when the angels did sing. Wanting to chat with his de facto big brother, one fateful…

Kay Jazz Special

Kay Jazz Special and Value Leader

January 14, 2015 · Willie G. Moseley

Kay entered the electric bass market in the mid 1950s with the K162, which later morphed into the similar K5965…


The Collins Kids

Mostly-Moseley Memories

Siblings Lorrie and Larry Collins sprang into the public eye in the mid 1950s – dawn of the television era – on a program called “Town Hall Party.” The big-sister/little-brother…

1962 Premier E-727

One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to manufacture guitars, but quite another to…

Movie Star, Rancher

Mid-’50s Muse of Wire and Wood

In the years immediately after World War II, Americans were settling into a new way of life, and plunging headlong toward an economic prosperity never before experienced by everyday people.…

Chris Butler’s Vox Mark VI: Waitress Server

Melding garage rock with glam, punk emerged in the early ’70s, set on stirring society’s pot. From New York to London, Dallas to Detroit, youthful contempt spurred the creation of…

Martin OM-18 and 000-28

What makes these two Martins remarkable is not necessarily their rarity or historical importance, though both would be welcome additions to any serious collection. Martin has offered sunburst finishes as…

First-Rate Second Fiddles

Jimi’s Gibsons at the Hard Rock Cafe

No two ways about it, as his career hit stride, Jimi Hendrix was a Strat guy. Not famously loyal to any particular guitar going back to his days hustling chitlin-circuit…

  • McKinley James’ Blues

    McKinley James’ Blues

     Family Barn Jam! With his ’82 Gibson 335 running into a Headstrong Corduroy (20-watt/6V6) amp, McKinley James shares a taste of his new album, “Working Class Blues,” with this run at “Call Me Lonesome.” In the October issue, he tells us how the album was made in the family barn with the only backing…

  • Jim Campilongo & Steve Cardenas

    Jim Campilongo & Steve Cardenas

    Mutual Musical Idiosyncrasies

    Steve Cardenas and Jim Campilongo have been playing guitar together for a long time, though the constellations only recently aligned so they could record. Captured on three nights in September of 2022, New Year showcases harmonic personalities merging through atmosphere, reverb, and ancient acoustic guitars. It’s also a meditation on the beauty and strength of…

BASSMAN-HOME-MAIN-THUMB

1964 Fender Bassman

February 17, 2016 · Dave Hunter

1964 Fender 6G6-B Bassman Preamp tubes: four 7025 (12AX7 types) Output tubes: two 5881 (a more-rugged 6L6 type), fixed-bias Rectifier:…

“Buy That Guitar” podcast with special guests Robb Lawrence and Kim Shaheen

January 29, 2026 · Vintage Guitar

Season 03 Episode 10 In Episode 3.10 of “Buy That Guitar,” host Ram Tuli is joined by Robb Lawrence and…

Meet The GitWik

Cooperative Cognition

July 22, 2019 · Rusty Russell

When it comes to identifying guitars, basses, amps, and effects, nobody knows it all. Anyone save for the true specialist,…

The Norma EG 470-2 Deluxe

June 25, 2020 · Michael Wright

Everyone of a certain age – and no doubt some younger folks – remembers the sage career advice given young…