• The Electra Endorser

    Classic Instruments

    The Electra Endorser

    Flame-top guitars were fairly common during the 1970s “copy era,” but few reached the levels of figure we often see on modern high-end guitars. Then came the Electra Endorser X935CS, which set new standards for psychedelic woodgrain. “But it’s not a ’70s guitar,” you object. No, but arguably, the Endorser CS – which was only…

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Rickenbacker 481

It’s hard to imagine an instrument other than guitar that has undergone more innovation through its modern history. Perhaps we do an injustice to pianos and cornets, which have reached…

Ray Cummins – I’ll See You In My Dreams

Ray Cummins Plays the 1956 Gretsch Chet Atkins 6120 prototype “Dark Eyes” VG ace online tutor Ray Cummins uses the famed ’56 Gretsch Chet Atkins 6120 prototype to play “I’ll…

Vintage Dobros

A Guide

When John Dopyera stormed out of the National shop in January 1929, his resignation stemmed from more than a spur-of-the-moment tantrum. For months, the inventor of the resonator guitar spent…

Magnatone Amps

More Magnatone!

Non-MOTS Magnatones By the mid ’50s, mother of toilet seat (MOTS) had lost its appeal, as had Hawaiian music, so Magnatone discontinued its use on all the amplifiers and offered…

Beat Portraits: Burns Volume 11

Burns Oddities and Ends

In early 2009, VG columnist Peter Stuart Kohman turned his focus on Burns, the pioneering British guitar builder. We’ve compiled installments 9, 10, and 11 for this special edition of…

Standel 400S

In the early days of the American electric guitar/amplifier industry, Standel was known for building high-quality amplifiers used by the likes of Merle Travis and Joe Maphis. In fact, a…

Bex Marshall and her ’63 Hummingbird

Family History Straight from the “Classics” feature in the August issue, here’s Bex Marshall playing the ’63 Gibson Hummingbird bought new by her uncle, David, in his days with the…

Hard Rock Cafe

Guardians of Grandeur

The Men Who Tend to the Guitars of the Hard Rock Cafe

“A lot of people think I go in [to a sale] with an open checkbook, but that’s not the case; we’re very strategic.” – Jerry Fraize When Peter Morton and…

The Vox/Thomas Organ V-8 Berkeley Super Reverb

Organ Transplant

Most fans of classic British guitar amplifiers have heard the tale of how the great all-tube Vox models of the early 1960s transmogrified into disappointing solid-state Vox-in-name-only creations from the…

“Unicorn”: Ca. 1910 Rafael Casana

This extremely rare guitar has been dubbed the “Unicorn” by virtue of the fact that for all his fame, it may be the only surviving example of an instrument made…

Green Amps

Turning America Green

It hit Joel Wheeler in a flash of white light, a memory fried extra crispy into his brain. Just how you’d picture an epiphany to be, right? A random sentence…

Mosrite Stereo 350

Remember that line from the old song, “If it weren’t for bad luck, I’d have no luck at all…”? In some ways, it’s a summation of the life of Semie…

MIM Hosts Stephen Stills and Ushers in Dragons and Vines Exhibition

On November 5th, Phoenix, Arizona’s Musical Instrument Museum (MIM) celebrated the opening of their newest exhibition, “Dragons and Vines: Inlaid Guitar Masterpieces.” Curators teamed up with Maryland-based Pearl Works to…

Ro-Pat-In’s First Electric Spanish

Granddaddy to the Stars!

The story of George Beauchamp’s invention of what would become the first commercially successful electric guitar is shrouded in the mist of murky memory. But one critical element of the…

LYON_HEALY-HOME-MAIN-BIG

Lyon and Healy

So what is it? Its original black-finished spruce top is simply ladder-braced from within, but its back and sides feature Brazilian rosewood with dramatic bookmatched figure. Its unbound 18-fret fingerboard…

Classics: July 2021

Warren Garstecki’s 1932 Gibson HG-22

Warren Garstecki is a collector who keys on vintage Gibsons with interesting histories, like the HG-22. Introduced in 1929, the “Hawaiian Gibson” was offered in three models, with the HG-20…

1904 José Ramírez I

Possibly no name is more associated with the classical guitar than that of José Ramírez (1858-1923), the founder of a long dynasty of Madrid makers dating from the late 19th…

Star Board: Tom Guerra

Guitarist/singer/songwriter (and VG contributor) Tom Guerra recently released his first solo album, All of the Above, which reviewer Pete Prown says is “hook-laden rock and roll originals that pay homage…

1912-’16 Manuel Ramírez Model 26

Manuel Ramírez was one of the most important makers of the Madrid school at the turn of the 20th century. His well-organized shop was staffed by talented makers such as…

Custom-Order Gibson B-45-12

The term “rare” is applied to guitars in far too many instances. Usually an appealing term, its overuse can be attributed in part to the fact it’s particularly catchy to…

Heathkit TA-16 Starmaker

Basement Jams & Blown Speakers

1966 Heathkit TA-16 Starmaker Combo The days when a kid would break out the soldering iron and take on a serious electronics project just for fun are largely behind us.…

Doitsch Hawaiian Guitar

1939 Doitsch Hawaiian Guitar. Photo: Michael Wright. If there’s a foundation for the enthusiasm for vintage guitars, it’s based on a somewhat arbitrary hierarchy of brand identity. That is to…

The Beatles’ Casinos

Of all the guitars made famous by the Beatles, the only one that John, Paul, and George had in common was the Epiphone Casino. Each owned one and used it…

Gretsch Astro Jet

“Meet George Jetson! And his boy Elroy!” The year was supposed to be 2062 AD, but it was really 1962 when the catchy theme song introducing the characters in the…

1000 Years of the Guitar Part 2

History of the Guitar

A hand-colored postcard photo of a woman in a Spanish costume, ca. 1910. Well, we’re on the cusp of the new Millennium. Excited? Last month we began our look at…

Epiphone Empero1965 Main

1965 Epiphone Emperor

The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934.…

Matchless Superchief 120

A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no negative feedback, which take the Vox…

Classics: August 2022

Billy Soutar’s custom-order 1936 Gibson L-7

While scanning an Elderly Instruments ad in Vintage Guitar one day in early 2009, Billy Soutar spotted the description of a 1936 Gibson L-7, “Custom… with factory Charlie Christian pickup.”…

Joe Long’s “stack-knob” Fender Jazz Bass

If you’re a fan or aficionado of vintage instruments, odds are that any early-’60s Fender Jazz Bass catches your eye. And “lefty” versions are especially intriguing, given their rarity. The…

The G&L El Toro

At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point,…