• Zac Schulze gets straight to it!

    Classic Instruments

    Zac Schulze gets straight to it!

    If you’re a fan of Cream, Zeppelin, and Rory Gallagher (who isn’t?), you’ll dig Zac Schulze Gang, a British power trio that’s carrying the torch with both hands; they’ve played Clapton’s Crossroads and the Rory Gallagher Tribute Fest. Here, Zac flies solo on “High Roller,” tearin’ it up on his ’54 Guild Aristocrat M75 through…

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KayKraft Style A

Almost any guitar can be viewed in terms of a confluence of influences that produced it, from the company history to the history of guitar evolution to the kind of…

Echoplex EP-2 Feature Home Page Vintage Guitar magazine

Echoplex EP-2

Sam Phillips didn’t invent tape echo with his mid-’50s recordings of Elvis, but he just as well may have. So influential, so inspirational were those songs – with their warm,…

Tyler Morris and a 1953 Gibson Les Paul model

Tyler Morris and a 1953 Gibson Les Paul model Tyler Morris showcases his 1953 Gibson Les Paul goldtop and GA-70 amp. Keep up with Tyler at www.tylerdmorris.com.

Sun Rises Again

Sun Rises Again

January, 1950: 27-year-old Sam Phillips opens Memphis Recording Service, soon to become famous as Sun Studio and launching rock and roll with the 1951 Jackie Brenston-Ike Turner ode to an…

Dobro Model 27

Brother Oswald's Dobro – Country Music History Maker

The melodic, evocative warbling of a resonator guitar has for decades been a fixture in country music, and knowledgeable fans will tell you there’s one primary individual to thank for…

Gibson’s Earliest Dreadnought

Gibson’s Earliest Dreadnought?

Gibson was a late entry into the flat-top guitar market, offering its first model in 1926, but Gibson was a pioneer in developing a dreadnought-sized flat-top, as illustrated by this…

Oliver Sound, Inc.

"Flex" beyond Ampeg

Introduction If you’ve read Gregg Hopkins and Bill Moore’s new book, Ampeg: The Story Behind The Sound, you know that Jess Oliver played a major role in the success of…

Gibson Wall-Board Guitar

Out of the Woods, Off the Wall

In the world of “guitarcheology,” it’s well-documented that the truly interesting stuff – prototypes, one-offs, custom instruments – usually surface close to the source. For instance, in the 1970s, Fender…

Rickenbacker 345

Rickenbacker guitars have a look, feel, and sound that is remarkably distinct from those made by any other manufacturers. In fact, artists often find that nothing else works as well…

The “Last” Trainwreck?

Ken Fischer’s prolonged illness and subsequent death at the age of 61 remains one of the great tragedies of the guitar-amp world. Aside from the fact he was a good…

The Rogue VB-100 Violin Bass

Fab As It Looks?

The Rogue VB-100 Series II is an homage to the venerable Höfner 500/1 semi-hollowbody. Popularly known as the “Beatle bass,” this axe was used by Paul McCartney on many early/mid-’60s…

The Valley Arts Custom Pro Bass

Keeping the Arts Alive

In 1969, when a North Hollywood guitar teacher named Duke Miller teamed up to start a music store with students Mike McGuire and Al Carness, the three likely didn’t envision…

Surf Bass

Out of the Doghouse

The big twang of surf guitar is still an instantly recognizable rock and roll idiom today, more than 35 years after the style was developed. People who weren’t alive when…

Epiphone Deluxe Archtop

Webster’s latest defines the word “deluxe” as “…notably luxurious, elegant, or expensive.” The Epiphone Deluxe archtop guitar was certainly luxurious. When introduced in 1931, it sported a triple-bound top with…

1978 Steinberger Prototype Bass

1978 Steinberger Prototype Bass

When introduced commercially in 1979, the Steinberger bass was a truly revolutionary instrument employing graphite construction and a minimalist artistic concept in its design. Much like Leo Fender and John…

Ampeg R-12-R Reverberocket

1962 Ampeg R-12-R Reverberocket Preamp tubes: two 6SL7, two 6SN7 Output tubes: two 6V6, cathode-biased Rectifier: 5Y3 Controls: Volume, Tone, Dimension (reverb), Speed, and Intensity (tremolo) Speakers: Jensen Special Design…

VG Q&A: Jimi Flip

Plus, Precision Bass rests and an odd Galliano

I’ve never read why Jimi Hendrix played and set up a right-hand Strat to play left-handed. Surely, he could’ve found a lefty model. Does anybody know? – Garry Curry The…

Songbirds: Museum with a Mission

Treasures in Tennessee

Ask anyone who geeks out on vintage guitars, from the well-heeled collector to the dreamer whose prized possession is a relic’d reissue, and you’ll hear the stories… First sighting of…

The Fender AA165 Pro Reverb

Fender’s “blackface” amplifiers made from late 1963 through ’67 have earned enduring “classic amp” status. Simultaneously collectible, they’re desired for their rich vintage tones and renowned as everyday workhorses that…

Gibson Hawiian Guitars

EH-100 and EH-150

Introduction “No longer is the electric Hawaiian Guitar restricted to professional players – here is a genuine Gibson instrument that costs only $100, complete with instrument, case, amplifier with slip…

Fender Custom Color Strat main

Custom-Color Stratocasters

The Stratocaster was born in 1954. A solidbody with three pickups, contoured back and top, vibrato, and bolt-on neck, it was different. And it changed the way people looked at,…

Star Board: Joe Moss

Star Board: Joe Moss

Joe Moss is the archetypical blues “road dog,” regularly rolling out of his home base of Chicago to wail for crowds in venues ranging from clubs to festivals around the…

Family Feud

The Les Paul Junior Tone Showdown

What’s All This Excitement About Les Paul Juniors? First it was PAF-equipped Les Pauls, then dot-neck 335s. You know, all the really expensive, elitist “vehicles of tone.” I couldn’t be…

Dan’s Guitar RX: Doubleneck Redux, Part 2

Full House: Transcendent Jazz Masterpiece

In the November issue, we started to refurbish a doubleneck mandolin/guitar I made for Jerry Schafer in 1977. It needed a new wiring harness, tuners, binding repair, new frets, and…

J. Howard Foote Parlor guitar

P.T. Barnum probably didn’t coin the classic modern truism “There’s a sucker born every minute,” even though it does fit well with the Barnum legacy! Most of us know Barnum…

Gibson J-200 Rosewood

The Gibson company was founded on the belief that carved-top guitars were superior to flat-top designs, and consequently, Gibson was a reluctant entrant in the rising flat-top market of the…

Selmer Truvoice

Selectortone Automatic

Selmer Truvoice Selectortone Automatic, ca. 1961 Preamp tubes: one ECC83, two EF86 Output tubes: two EL34, cathode-bias Rectifier: GZ34 Controls: Channel I: Volume, Tone. Channel 2: Volume, Tone, six pushbutton…

The (Way) Back Beat: Top O’ The Line, For Only $150!

The Immortal Danelectro Guitarlin

Having looked at the most expensive electric guitars offered in 1960s – over 50 years ago. Traditional makers – Gibson, Guild, and Gretsch – concentrated on flashy amplified archtops that…

Maestro Fuzz-Tone

Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all time, Maestro’s Fuzz-Tone – dissatisfaction. It’s also fitting as some…

’66 Epiphone Casino

In the Epiphone line of the 1960s, the Casino occupied middle ground. In appearance as well as electronics it ranked well below the semi-hollow Sheraton and Riviera or the solidbody…