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Author Archives: Dave Hunter

Supro S6651

Supro S6651 Big Star
 
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Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty of chrome, and an emblem lifted off a fridge door and we go weak in the knees every time. When it comes to kitchen kitsch, […]

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The Supro “Model 24″

 
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Okay, Zep police, sound the alarm and prepare to loose the hounds – we are finally about to lift the lid on the Jimmy Page amp. Well, maybe not the Jimmy Page amp, but almost certainly a Jimmy Page amp, and even this claim should be (more…)

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Ampeg R-12-R Reverberocket

 
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1962 Ampeg R-12-R Reverberocket Preamp tubes: two 6SL7, two 6SN7 Output tubes: two 6V6, cathode-biased Rectifier: 5Y3 Controls: Volume, Tone, Dimension (reverb), Speed, and Intensity (tremolo) Speakers: Jensen Special Design C12R Output: approximately 18 watts RMS In the view of Ampeg main man (more…)

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Music Man HD-130 Reverb

 
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1977 Music Man HD-130 Reverb Preamp tubes: solidstate preamp circuit with 12AX7 phase-inverter tube. Output tubes: four 6CA7 (similar to EL34) Rectifier: solidstate Controls: Volume, Treble, Bass on “Normal” channel; Volume, Treble, Middle, Bass, Reverb, Intensity, Speed on “Reverb/Tremolo” channel; shared Master. Output: 65 watts or 130 watts RMS. Intended to be the masterpiece of […]

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Buddy Holly’s ’58 Magnatone 280

1958 Magnatone Custom 280
 
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When guitarists talk tremolo or vibrato, you can bet the magnificent Magnatone amps will find their way into the conversation. The watery, warbling “true vibrato” that the larger Magnatones are capable of producing is never forgotten by players fortunate enough to have experienced it. In searching to expand the Magnatone legend, the subject is likely […]

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Excelsior Americana

 
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If you play any breed of twang, country, roots-rock or, well, “Americana,” could there possibly be a better amp than this? Okay, according to specs and tonal preferences, sure there could. But for sheer vintage-hip and all-out cool, you really can’t do better than dragging this 1966 Excelsior Americana to the next Gram Parsons tribute […]

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Vox Pacemaker V-3

 
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1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold 10″ Oxford “Vox Bulldog” Output: approximately 17 watts RMS No doubt the mere appearance of that Vox logo and the diamond (more…)

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Gibson GA-CB Custom Built

 
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Gibson GA-CB Preamp tubes: three 6SJ7, two SQ7, two Sj5 Output tubes: two 6L6 Rectifier: 5T4 Controls: Microphone Gain, Instrument Gain, tremolo Intensity and Frequency, Treble, Bass; four-position Jensen High Frequency Control Speakers: one (more…)

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Ronnie Wood’s ’69 Hiwatt 100 DR103

 
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1969 Hiwatt 100 (Model DR103 Preamp tubes: four ECC83 Output tubes: four EL34 Rectifier: solidstate Controls: Normal Vol, Brill Vol, Bass, Treble, Middle, Presence, Master Vol Speaker: four Fane 12s Output: In excess of 100 watts RMS. The written history of British guitar amplification tends to trace the rising importance (more…)

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The Selmer Zodiac 50

The Zodiac Twin Fifty
 
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An amp maker at the very heart of the British guitar boom of the late ’50s and early ’60s, Selmer was, for a time, the leader in the field, though it’s all too easy to (more…)

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