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Nate Najar

Nate Najar plays accessible jazz on a classical guitar and applies classical technique to match. This album showcases the music veteran playing a variety...

Dad’s Day 2017

This article originally appeared in VG August 2017 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is...

It was 50 years ago today…

This is a regular series of exclusive Vintage Guitar online articles where The Kentucky Headhunters’ Greg Martin looks back on influential albums and other...

Booker White’s 1933 National Duolian

“Hard Rock.” That’s the name used by Mississippi blues man Booker White to christen his 1933 National Duolian. And Hard Rock was a hard-traveled...

First ’Burst

In May of 1958, a worker at the Gibson factory pulled two Les Paul guitars – serial numbers 8 3087 and 8 3096 –...

Fanny’s June Millington

Before The Runaways, before the Go-Go’s and Bangles, and before there were Riot grrrls, there was Fanny. One of the first all-female rock groups signed...

Matchless Superchief 120

A maker at the forefront of the “boutique amp” movement, Matchless is known for its Class-A designs – that is, cathode-biased amps with no...

Border Crossing

It has often been said that today’s Martin guitars are direct descendants of the instruments made in Vienna by Johan Georg Stauffer, whose apprentices...

Steve Khan

Steve Khan has spent the last few albums mixing Latin music and jazz. The project has worked beautifully, culminating in this effort that takes...

Michael Nesmith

Aside from being in the Monkees, Mike Nesmith was a talented songwriter and key contributor to the birth of country-rock. His new autobiography, Infinite...
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