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Pop ’N Hiss: Toto

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In 1978, disco ruled the charts and airwaves. Rock teetered on wobbly legs and there was nary a crunchy guitar to be heard in...

VG Q&A: Odd Dots

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In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley Very...

The (Way) Back Beat: A Pretty Girl is Like a Melody

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There are many ways for an advertiser to attract attention, and in the history of 19th- and 20th-century print hucksterisim there have been few...

The (Way) Back Beat: A Pretty Girl is Like a Melody

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Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.” Electric instruments and accessories, in particular, are still marketed to a primarily male...

The (Way) Back Beat: A Pretty Girl is Like a Melody

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Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called...

In Memoriam: John Regan

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John Regan, a songwriter, producer, and bassist who was a member of Peter Frampton’s band and Frehley’s Comet, died April 7 at his home...

In Memoriam: Tony “T.S. McPhee

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Groundhogs leader Tony “T.S.” McPhee ranked with the greatest British blues guitarists, whether solo acoustic or ensemble electric, slide or fretted. He died June...

Selwyn Birchwood

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If you think the days of ferocious blues guitar are behind us, cue up Selwyn Birchwood’s latest, Exorcist. Within its grooves are blistering licks...

Steve Dawson

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Calling Steve Dawson a “roots” artist seems a disservice to a musician so eclectic and wildly talented. On Eyes Closed, Dreaming, he effortlessly mixes...

Ben Reynolds

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If you’re into heavy, swampy rock and roll, the Chickasaw Mudd Puppies first album in decades, Fall Line, will satisfy your jones. Discovered over 30...
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