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Category Archives: Classic Instruments

La Baye 2X4

 
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1967, the Summer of Love. Everything still seemed possible, and anything went. No more war, racial and gender equality, Fresh Cream, the Beatles best record ever, the Jimi Hendrix Experience. Phew! What a difference the next (more…)

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Vox AC50

 
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Vox AC50 Preamp tubes: one ECC82 (12AU7), three ECC83 (12AX7) Output tubes: two EL34s, fixed-biased Rectifier: solidstate Controls: Volume, Treble and Bass for each channel. Output: nominally 50 watts RMS, but upward of 70 watts flat-out. Where the evolution of guitar amplification in general traces musicians’ needs to be louder, the history of Vox follows, […]

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1965 Epiphone Emperor

 
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The Epiphone Emperor has a long, convoluted history. It first appeared in Epiphone’s catalog in late 1935 as a response to Gibson’s Super 400, which was introduced in late 1934. Epiphone went one better on Gibson’s 18″-wide Super 400 by making the Emperor 18 1/2″ wide. This was the top model in the Epiphone line. […]

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Custom-Order Gibson B-45-12

 
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The term “rare” is applied to guitars in far too many instances. Usually an appealing term, its overuse can be attributed in part to the fact it’s particularly catchy to the eye of anyone fond of a collectible vintage instrument. The subject here this month, however, is truly deserving of the label. A custom-order Gibson […]

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Recording King Ray Whitley

 
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As a maker of high-quality instruments, Gibson was hit hard by the onset of the Depression in the 1930s. Company president Guy Hart, a former accountant, recognized that Gibson could not survive by simply waiting for better times, and he took action, diverting some guitar production to wooden toys, creating the Kalamazoo line of budget-priced […]

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Cry, Baby!

The Story of the Vox Wah
 
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Beyond being crowned “Album of the Century” by Time magazine, Marley and the Wailers’ 1977 LP Exodus is a wah-wah masterpiece thanks to Junior Marvin and his Thomas Organ Cry Baby. Others – from Earl Hooker to Jimi Hendrix, Frank Zappa to Sly Stone – made their mark with the pedal, but never has (more…)

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Maestro Fuzz-Tone

 
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Fuzz. It’s the sound of fury, aggravation, indignation, and – considering the history of the most famous fuzzbox of all time, Maestro’s Fuzz-Tone – dissatisfaction. It’s also fitting as some of the first recorded electric fuzz guitar was heard via Howlin’ Wolf guitarist Willie Lee Johnson, (more…)

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Rickenbacher Model 200A

 
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Several vintage amplifiers that have graced these pages over the years have taken us back to the early days of guitar amplification – the early 1950s, maybe even late ’40s with some of the crustier subjects. This month, however, we travel way back, to the dawn of the electric guitar itself, to visit an amplifier […]

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Gibson’s Experimental Archtop

 
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Orville Gibson invented the carved-top guitar in the 1890s. The Gibson company refined the design with the addition of f-holes in 1922, and brought the concept to full potential in the mid ’30s with larger-bodied (more…)

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Late 1920s Gibson L-1 (Flattop)

Gibson "Florentine"
 
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Because I don’t know what to call this Gibson guitar, I refer to it as a “Florentine,” for lack of a better name. Though the body decoration is unlike any cataloged Gibson guitar, the fingerboard and headstock ornamentation is almost identical to Gibson’s Florentine banjo (made between 1927 and ’37). In size, shape, construction and woods, […]

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